Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Theatre Emma Nihill Alcorta -

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Theatre Phoebe Davies -

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Theatre Peter Chen -

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Film Ruby Tipple -

Latest

The artist and the photographer: An analysis of Francis Goodman’s Film negatives

An unusual dynamic is consequently captured between the photographer and artist in the photograph of Lucian Freud.

We Walk Along

We walk along by the river, my hand in his, our arms of different lengths and his palms much bigger than mine. The sun...

The Orwell Tour review: ‘A unique and first-rate travelogue’

Within the last year there have been countless new books on George Orwell, but Oliver Lewis’s The Orwell Tour, just released in paperback, is...

The Drake and Kendrick Lamar saga

Since the rise of hip-hop in the 1990s, diss tracks (short for disrespect or disparage) have been a staple of the genre. These tracks...

Cherwell Introduces: Tongue

Joining me this week are the up-and-coming Oxford rock band, Tongue. After a gorgeously hot and sunny day, I had the pleasure of watching...

The Two Gentlemen of Verona review: ‘A hilarious modern take’

It was, then, a testament to this commitment that the performance was as good as it was. The production was a hilarious modern take on Shakespeare’s comedy, with several scenes updated, modified, or introduced entirely for this play.

A Future in the Light of Darkness review: Imagined engines of desire

Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to...

Taylor Swift’s The Tortured Poet’s Department: Who tortures the poet?

The most tortured love affair on Taylor Swift’s new album is her relationship with her audience. Following its release on April 19th, the album’s...

Christian Atheism by Slavoj Žižek review

‘And what did the twentieth century want with religion, already well worn and threadbare from its journey down the ages...What did we have to...

The Oxford Fashion Gala: A stellar display of talent

The evening of Wednesday 8th May brought a show that transcended the limitations of space and time in a beautiful portrayal of Oxford University’s...

Film around the world: Germany’s The Lives of Others

I’m sure that those of us who studied A-Level German back in the day (not so long ago, if you’re a first-year reading this)...

The Mermaid

The mermaid is dying, and no one cares.She does not belong here, here in the suburbsWhere council-mandated hedges block her from the sea.She does...

Freida Toranzo Jaeger’s Prophetic Glitter

Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the price we pay for our existence (2023), Open your heart...

Film around the world: Italy’s Suspiria

The first time I heard about Suspiria, I was nine and my babysitter was telling me I couldn’t watch it, shouldn’t even - that...

Sunak’s Samba with the fashion industry

In Rishi Sunak’s recent Downing Street Interview, his words and promises were certainly not the star of the show. Showing off his Adidas Sambas,...

The Human Body review: ‘A Socialist exploration of healthcare and romance’

I recently attended my first production at the Donmar (https://cherwell.org/2024/01/24/review-of-tennant-as-macbeth-an-auditory-experience/ - shameless self plug!) and fell in love with the energy of the space...

Ten Years to Save the West by Liz Truss review: Revenge of the lettuce

I have met Liz Truss only once. It was in Oxford Town Hall in November of last year and I had tried (without success)...

Cherwell Introducing: Phoebe Blue

Joining me this week is the radiant Phoebe Blue, a 2nd year classicist at Balliol, singer-songwriter, and bassist. Meeting me on a blustery Saturday...

Artificial insights: Decoding diversity and redefining art history with AI

In the age of AI-enhanced art, the possibilities for creativity and cultural exchange are limitless—and inclusive.

War, Peace and Writing

Throughout history, art has left an indelible cultural impact on humanity’s collective understanding of war. Picasso’s ‘Guernica’ is perhaps the most famous manifestation of...

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Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

Review: The Great Gatsby – ‘Indulge the extravaganza’

Barry Lyndon – Kubrick’s ultimate antifilm?

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