Culture

Kooky and self-assured: ‘Brew Hill’ in review

Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.

Culture Abigail Lakeland -

Art is an argument, so argue back

Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.

Art Maxim Vorobev -

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

Smith’s appointment has raised some serious questions about the extent to which nepotism and celebrity is superseding artistic talent in the fashion industry at present.

Culture Victoria Corfield -

The ‘Silent’ Film

Not speaking does not necessarily mean having nothing to say. As much can be said with an image, movement, or glance as with a word.

Culture Willow Jopp -

Latest

love letter

"a stamp can’t be used again, only kept or discarded."

Review: Medieval Mystery Play Cycle – ‘Comedy, choirs and inflatable hammers’

I wasn’t sure what to expect from a Medieval mystery play cycle. What I was not anticipating was Lucifer recast as a finance bro...

The Longest Goodbye

Oxford became a home I hadn’t known I was missing – a place that understood me without asking.

Ancient Echoes, Modern Forms: Cheung Yee and contemporaries exhibition at the Ashmolean Review

Cienna Jennings explores the Ashmolean’s Reforming Abstraction exhibition, where abstract expressionism meets East Asian folklore and spirituality in the work of Cheung Yee and his contemporaries.

Review: Allegro Pastel by Leif Randt

Tanja Arnheim and Jerome Aimler are Millennials in a long-distance relationship. Tanja is a Berlin-based novelist and Jerome a Frankfurt-based web designer. They text...

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he aims to release in 2028. As I recall from conversations...

Writers on Writing: Reflections on the 2025 Oxford Literary Festival

The Oxford Literary Festival is one of those events I hear about every year, mark out on my calendar, and never end up going...

Your essential guide to the music of May Day

May Day: It’s unique, convivial and quintessentially Oxford. Only once a year does the city come together like it, and when that happens, it’s...

Going dreamy: The singular will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a crew member tells him that they only have two days...

Joanna Miller’s ‘The Eights’: Unapologetically, indulgently Oxford

Do not worry: despite the title, this is not a rowing novel. Instead, the term ‘The Eights’ in Miller’s novel refers to the four...

Missing the plot of ‘Wuthering Heights’: Is the book always better?

Sophie Price discusses Emerald Fennell's upcoming film adaptation of Withering Heights, examining how much film adaptations can get away with changing.

A review of Day 2 of the Oxford University Short Film Festival

The Oxford University Short Film Festival took place at the end of last term in Keble O’Reilly Theatre. Each day featured a variety of...

A Trinity trail of Oxford’s best reads and retreats

Trinity Term has come upon us faster than the lovely magnolia has blossomed, which means the weather has warmed up, the sun is out,...

If walls could speak: Lessons from Cowley’s street art

Just a five-minute stroll from the imposing spires of Magdalen College lies Cowley Road, the heart of Oxford’s urban culture. Oxford, renowned for its...

Staging the radio play: The audio-visual world of ‘Under Milk Wood’

“Love the words!”That was the crisp command from Dylan Thomas, the 20th-century Welsh poet, to the cast of his radio play Under Milk Wood,...

‘The Little Clay Cart’ brings Sanskrit back to life

As students left Oxford on the last weekend of Hilary, I visited St John’s College’s auditorium to witness the final hurrah of term: the...

The lost art of the intermission, and why the film industry needs to bring it back

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating...

A review of The Crux: Djo turns music into a profession

In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes peak 70s McCartney. At the same time, he seamlessly drifts...

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

‘Humphrey: ‘If the right people don’t have power, do you know what happens? The wrong people get it. Politicians. Councillors. Ordinary voters.’Bernard: ‘But aren’t...

Persuading the public: The play as propaganda

The play as propaganda has a long history. From the regime-affirming productions of Hieron, tyrant King of Syracuse, to Lucy Prebble’s play The Effect,...

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Culture

Kooky and self-assured: ‘Brew Hill’ in review

Art is an argument, so argue back

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

The ‘Silent’ Film

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