Wednesday 18th March 2026

Culture

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.

Stitching the world together: GFC’s London Fashion Week show

A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.

On the incompleteness of reading

Ellie Duncan gets lost in the countless possibilities of translation

Bah, humbug: An Oxmas Carol

Charles Britton pastiches Dickens’ classic with a familiar setting and an all-too familar overworking protagonist

Rewind: Miracle on 34th Street

Susannah Finlay defends the capitalism of Miracle on 34th Street

Graham Greene and Oxford’s pubs

Daniel Curtis loses himself in tales of writerly pub trips in the penultimate Through the Looking Glass

A “tinsel-covered silver lining”

Safa Dar analyses the spectacle of Oxmas as an intrigued international student

Sci-fi review: Arrival

Jonnie Barrow finds Villeneuve’s latest release a true masterpiece in both performances and intellectual power

Jon Boden at the O2: Painted Lady and other folk

Ben Ray discusses folk music legend Jon Boden's latest album Painted Lady and performance at the O2 Academy

Review: Summer and Smoke

James Lamming is delighted by the best show he has seen in Oxford

OxFolk Reviews: Faustus – Death and other Animals

Ben Ray looks at the UK folk three-piece's latest release

Review: Class

Priya Khaira-Hanks says Class is like the old glory days of Doctor Who, but with a twist

Review: Henry V

Sam Luker Brown has some qualms about this ambitious production at Corpus Christi

The end of the film reel

Daniel Curtis refuses to feel any sense of nostalgia for the state of the remake-filled film industry

The enduring value of Diamond Dogs

Matt Roberts crawls through the outpourings of Bowie praise to look at a long-forgotten album

Emotional electronica

Ellen Peirson-Hagger is touched by the humanity in James Blake’s live show, as, for once, the musician/producer emerges from behind his laptop

Review: The Sellout by Paul Beatty

Benjamin Davies approves of the Booker winner with reservations

Review: Queer Cabaret

Nina Crisp enjoys a night which showcases a variety of queer talent—and all in support of a good cause

Home Front: voices left behind

Katie Mennis interviews Isabel Palmer about her collaborative collection

Steven Moffat: A talk at the Oxford Union

"I am rubbish." This was the opening statement of Steven Moffat's talk at the Oxford Union on Monday, and it's an assessment most of...

Planet Earth: Ten Years On

 Paris Jaggers “Today, much has changed.” So says David Attenborough in the opening scene of the BBC’s new sequel to Planet Earth, which first aired...

Review: Doctor Strange

Jonnie Barrow thinks Marvel finally add power to its punch with their latest release

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