Culture

Julie review – Free shots, toxic relationships, immersive theatre

My ticket to see Julie resembled an invite to a birthday party, promising a live DJ and that I would be greeted by ‘partygoers’ upon entry to the Pilch....

Culture Adam Saxon -

Who is Oxford’s Coffee Shop Artist? In conversation with Julia Whatley

Julia sees herself as the conduit through which an artistic vision is realised. Where does this vision come from? “Somewhere else.”

Art Florence Wolter -

The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael...

Culture Michelle Jiang -

The Busy Body Review: ‘Theatre of the Real’

The Busy Body (1709) is one of the many plays written by Susanna Centlivre....

Culture Lara Machado -

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‘Ornamented choral what?’ – your favourite early sacred music like you’ve never heard it before

'What is ‘polyphony’? I hear you cry. Why is it ‘choral’ and what makes it ‘ornamented’?'

The Identity Crisis of Everything Everywhere All At Once

'In an alternate universe, you are not an Oxford student reading Cherwell. In another alternate universe, you are a pinata hanging from a tree. In yet another alternate universe, you have hot dogs for fingers.'

Female Rage: Too normal to be so rare

'A quick glance at the TikTok search results for ‘female rage’ tells a very interesting story - women, shouting and expressing their anger without shame, presented as though this is something shocking.'

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Review: A Poet and A Scholar.

'The audience of Kian Moghaddas’ A Poet and a Scholar was in hysterics pretty much the entire way through.'

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'This movie will make you feel like you’re sitting back at whichever Nintendo console you first met that little, moustached man.'

Normalising transgression: A review of Joyland.

'In Joyland, queerness becomes banal, and patriarchy is revealed to be futile.'

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'The Good Witch, embarking upon her first headlining tour, has brewed up a concoction of heartbreak and hope, insecurity and exuberance'

Review of PAMFIR: ‘A raw and unpretentious thriller’

The sounds of heavy breathing and rustling form the first few seconds of Pamfir, the debut feature film of Ukrainian director Dmytro Sukholytkyy-Sobchuk. These...

Interview: ‘Macbeth’ at the Pilch, an ensemble of tragedies

"Shakespeare gives us so much space to sort of deal with psychological problems, which aren't always necessarily textual, but really come through in rehearsals and give the performance a higher level of connection with the audience."

Top 10 Films for a Trouble-Free Trinity

'For every bit of stress, there’s a summer day, an approaching sense of closure and a long sprawling summer to keep us going.'

‘Cozzie livs’ core: recession fashion trends

'If mankind has established one thing in the recent years of pestilence and political disarray, it is that anything can become a fashion aesthetic.'

For the Love of Libraries: The Taylorian

'Although its exterior may not be as striking as the RadCam, the Taylorian's interior is breathtaking and sure to leave a lasting impression on any visitor.'

She’s Glad Her Mom Died. And I understand why.

'In a sea of celebrity memoirs, I'm Glad My Mom Died stands out as one of the most poignant releases of 2022.'

Daft Punk’s ‘Random Access Memories’: A Tenth Anniversary Retrospective

'What is there in our current pop landscape that could possibly have its roots in Daft Punk’s Random Access Memories?'

Hooked on Hooks? Thoughts on the current crochet craze

"Whether you are a crochet novice or a hardened hooker, here are my top five tips for crocheters."

Ready For Takeoff: My Little Airport and the Hong Kong Indie Scene

Hong Kong indie, like the city, has plenty of gas left in the tank.

Rabelais’s Gargantua: Formulating Free Will in the Twenty-First Century

"It can feel, at times, that various sources are all fighting to influence you. Not Rabelais."

“Bursts of love, hate, and everything in between”: A Review of ‘Love and Money’

"Everything was brilliantly executed, but this play is hard to watch, not only because of its subject-matter but also because of the way it unfolds."

Review: This House

"The audience was delivered an impeccable and immersive experience which left a lasting impression."

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Culture

Julie review – Free shots, toxic relationships, immersive theatre

Who is Oxford’s Coffee Shop Artist? In conversation with Julia Whatley

The Goat Review: ‘raw, absurdist, and honest’

The Busy Body Review: ‘Theatre of the Real’

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