Tuesday, May 27, 2025

Culture

Anselm Kiefer: Early Works Review

I still remember the first time I saw Anselm Kiefer’s work. I was in...
Art Morien Robertson -

Review: Suddenly Last Summer – ‘Cannibalism, love, and lobotomies’

This week at the Burton Taylor Studio, a new rendition of Tennessee Williams’ Suddenly...
Theatre Emma Heagney -

Recorded theatre: The oxymoron of the prerecorded-live production

"Are we witnessing the downfall of the priority of ‘LIVE’ theatre?"
Culture Clemmie Ewins -
Latest

An odorous tone of graveness

Surya Bowyer has some qualms about the O'Reilly's Rosencrantz and Guildenstern are Dead

Review: The Fusion Project

Nihaar Shah is impressed by the virtuosity and skill of The Fusion Project

Interview: Amadeus

Alec Fullerton speaks to Lata Nobes, Artistic Director of Amadeus

Review: Constellations

Ellie Siora reflects on two actors and an infinity of loves

My Life on the Road

Sarah Lynch reviews Gloria Steinem’s new book

Picasso: Formalistic or Contextual?

Emmanuelle Soffe explores Picasso’s ‘Massacre in Korea’ with a formalist eye

Is This Art? Plate Convergences

With the definition of art increasingly unclear, the Cherwell Art & Books team are on a mission to decide what art is. This week Anna Zanetti analyses the work of Theaster Gates

Review: Thark

Ben Ray is captivated by this innovative take on a little known 1920s farce

Profile: David Hasselhoff

Bex Watson discusses singing, slip-ups and salmon carbonara with David Hasselhoff

What is it like to be a badger?

Tom Hall speaks to the medical law tutor who lived as an animal for 15 years

Rewind: Freud and cucumbers

Mark Barclay talks about Freud and cucumbers and is generally a bit scary

Culture Corner: Kafka on the Shore

Tom Barrie tenuously talks about cats whilst discussing Haruki Murakami

Japan has a lot to answer for

Benjamin Hyde claws against the common misconceptions of Japanese anime

Review: Choir of Young Believers – Grasque

Ellen Peirson-Hagger is touched by the sensitivity in Choir of Young Believers' new album

This World Lousy: this musical not

Sophie Jordan on the innovative musical's ambiguities

How beneficial is music streaming?

Natalia Bus succumbs to the inevitability of online music

Spotlight: Why Monochrome?

Matt Roberts is tired of black and white

Better-meta-theatre

Richard Birch previews 'Rosencrantz and Guildenstern are Dead'

"I am back to save the universe"

Daniel Curtis investigates whether 2016 will be the year of Radiohead's comeback

Preview: Hyperdrive (Imps)

Matt Roberts is excited for improv and tech
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