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UrbanObserver
Friday, May 30, 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Gregory Crewdson: How to remain relevant in the world of fine art photography
For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all creating broadly similar and anonymous...
Art
Richard Kuehl
-
Film photography: How I went from believer to skeptic
I’m far from the first person to point out the recent revival of analogue...
Art
Richard Kuehl
-
The afterlife of stories: The art and ambiguity of literary retellings
Love, betrayal, justice, jealousy: these are timeless themes, woven into the human experience for...
Books
Saskia Maini
-
What books do professors of different subjects read?
In discussion of ‘the great man theory’, Professor Dominic Scott discussed his recent reading...
Books
Harriet Breakey
-
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The eternal Hugh Grant clone
Priya Khaira-Hanks scrutinises the draining repetition of the straight white male
Ai Weiwei at the RA: drudgery revitalised
George Haggett discusses Weiwei’s exhibition and his subversion of everyday mundanity
Rewind: Newton Faulkner
Tom Barrie rewinds to the birth of an artist as sickly sweet as his heritage
Culture Corner: Hysteria, T.S. Eliot
Bex Watson thinks T.S. Eliot does a pretty good job narrating the eternal self-consciousness of society
Is This Art? ‘Stronger Looks Better Naked’
With the definition of art increasingly unclear, the Cherwell Art & Books team are on a mission to decide what art is. This week Charlie Willis takes on Khloé Kardashian's new book
Artistic craftsmanship in the 21st century?
Ruth Spencer Jolly on the enduring power of craftsmanship
A bit of grit in a sea of subfusc
Naomi Gee interviews the poet Luke Wright before his upcoming show at the North Wall theatre
Review: David Bowie – Blackstar
Sophie Jordan examines Bowie's final, enigmatic release
Does loss lead to a better album?
Losing the band front man can be a disaster or it can drive creative renewal
Review: Hinds – Leave Me Alone
Ellen Peirson-Hagger finds Hinds' debut album full of energy
Eliza and the Bear prep themselves for 2016
Ellen Peirson-Hagger talks Bieber and Nashville with Eliza and Bear guitarist Martin Dukelow
Review: The Changing of the Guard
Matt Roberts wishes this production had been given a little more space to breathe
RICKMAN
Our tribute to one of the greatest actors of our age
A Language of Arrival
Theophi Kwek reflects on Sarah Howe's win of the 2015 TS Eliot Prize
The impenetrable persona of David Bowie
Sarah Lynch muses on Bowie and the reaction to his death
CINEMATRIX: HT16 0th week
Cherwell Film & TV's weekly bulletin, bringing you all that's hot in Hollywood
Review: less than elementary?
Hannah Foxton considers the highs and lows of the BBC's 'Sherlock' special
Review: a view from ‘The Bridge’
Jack Schofield is impressed by a stunning series 3 (with spoilers ahead)
All spectacle, no substance
For Surya Bowyer, Quentin Tarantino's latest venture fails to live up to its hype
Ain’t that just like him? A tribute to David Bowie
Songs from a Starman
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