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UrbanObserver
Thursday 28th August 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Do Zombies Dream of Undead Sheep?’ at the Fringe
★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the apocalypse. After a 'catastrophic' magnitude 1-ish earthquake, the dead are reanimated, unleashing a zombie outbreak....
Culture
Nicole Palka
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‘Timestamp’ at the Fringe: Existing in the ‘now’
★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...
Culture
Nicole Palka
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Architectural and religious fusions in Andalusia and Oxford
Oxford is a city deeply entwined with religion. With the first of its colleges...
Art
Sofia O'Casey
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‘HOLE IN THE WALL L’HOPITAL’ at Fringe
★★★☆☆ Everything I write ends up being about grief – I suppose this review only...
Culture
Rebecca Harper
-
Latest
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Review: The Rover
A revelatory Robert Pattinson transforms this post-apocalyptic thriller into a nuanced and engaging character drama
Theatre etiquette: The response
Bethan Roberts makes the case for rowdier audiences at the nation's playhouses
Oxford’s culture vultures
Naomi Polonsky takes a look at Oxford alumni known for their cultural endeavours
Review: Dry The River – Alarms In The Heart
Luke Barratt is pleased with the Newbury rockers' difficult sophomore effort
Oxford’s literary ghosts
Naomi Polonsky takes a look at the fictional characters who attended, and perhaps still haunt, Oxford University
Review: The Giver
Cody Gifford delves into the societal implications of Jeff Bridges' novel adaptation, The Giver.
Review: Malevich at the Tate
Naomi Polonsky considers the importance of this Russian artist in 20th century art at the retrospective of his work
Review: The Inbetweeners 2
This second cinematic outing for the Inbetweeners gang does nothing new but still has its funny moments
Is Kickstarter’s time up?
Sam Joyce looks at whether Kickstarter is still a filmmaker's financial saviour.
Interview: Armie Hammer
The Winklevoss twin talks fatherhood, exorcisms and Tom Cruise with Cody Gifford
Review: Hercules
Luke Barratt enjoys Hollywood's latest quasi-classical offering
Review: Hide Your Smiling Faces
This tale of childhood and mortality tugs at the heart strings to hauntingly poetic effect
Review: Phox —Â Phox
Stephen Bradshaw reviews the sun-filled melting pot that is Phox's debut album
The Smiths: Then and Now
30 years on, Cherwell examines the legacy of The Smiths' self-titled album
Review: Morrissey — World Peace is None of Your Business
Ben Wilkinson-Turnbull reviews Morrisey’s new album.
Review: Laurence Clark: Moments of Instant Regret
Rose Sykes find this Edinburgh Preview hilariously close to the bone
Cheltenham Music Festival: A page turner’s view
Joseph Fell takes a behind-the-scenes look at the Cheltenham Music Festival.
Review: Grand Central
Rebecca Zlotowski's film about forbidden love treads beyond just illicit romance and tackles identity, appearance and loyalty
Review: Transformers: Age of Extinction
Robots, sparks and cars all combine to create an incomparably lazy monstrosity
Review: Sex Tape
Lacking severely in humour, Sex Tape is left to fester in its own awkward and unfunny squalor
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