Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Culture Leo Jones -

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Culture Sasha Darvas -

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Culture Siena Tracey -

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May Morning

Smudged mascara and the curling of coffee steam. Small yawns and the shuffling of boots. Tangled hair plaited by the same girl from first-year,...

Sunday

That Sunday could arrive first-class, Wrapped in tissue and stickers with minimalist logo. Sent anonymously (from a fan?). It will be a crisp, sunblushed Sunday. The first in...

Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure

Buckley swept this year’s award season for her performance as Agnes in Hamnet, Chloé Zhao’s adaptation of the Maggie O’Farrell book of the same name.

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.

Something wicked this way comes: ‘Macbeth’ previewed

Arriving at Somerville College in its full summer pomp, Stanley Toyne and Cameron Spruce, the codirectors of Cross Keys Productions’ Macbeth, walked over with...

G for Georgian? LGBTQ+ representation in historical fiction

It is undeniable that LGBTQ+ representation in the media has become more positive in recent years.

‘Technologies of capture’: Ben Lerner’s ‘Transcription’ Reviewed

The book opens with the unnamed narrator travelling to interview his academic mentor and 90-year-old intellectual superstar, Thomas, for a magazine.

Oxford, and the ongoing appeal of the literary canon

I remember my tutor asking us if we thought our literature options were broad enough at the end of an Italian tutorial last term.

Peacocks

Their grounds abut a large colonial on Staten Island: Five or six of them Swaggering along verdant lawns, Brick walkways, man-made ponds – Such bravado. What pretty boys! Pets...

All in a day’s Work.txt: Metatheatre’s extremes

I first heard about Work.txt when I was asked by a friend (or coworker?) if I was free Saturday night. And this was a gilt-edged proposition I just couldn’t turn down.

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat...

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple...

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Catherine Garner, known as Slayyyter, has been chasing fame for almost ten years now. She started out making ‘lo-fi pop’ from her bedroom closet, before bursting onto the music scene in 2019 with a string of electro-pop tracks

Set to bloom: The return of the floral print

“Florals? For spring? Groundbreaking.” So speaks the withering sarcasm of Miranda Priestly in The Devil Wears Prada, condemning all flowery fabrics to uncoolness even...

Why you should spring clean your bookshelf this Trinity

In the name of spring cleaning, I sat down and decided to sort my books, promising to keep only those that brought memories of a happy reading experience to mind.

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives...

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by the Merseyside-based violinist Samuel Oliver-Sherry, a current third year music...

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

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Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Siskin

Oxford on-screen: Historical atmosphere and fantasy worlds

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