Thursday, May 29, 2025

Culture

Gregory Crewdson: How to remain relevant in the world of fine art photography

For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all creating broadly similar and anonymous...

Film photography: How I went from believer to skeptic

I’m far from the first person to point out the recent revival of analogue...

The afterlife of stories: The art and ambiguity of literary retellings

Love, betrayal, justice, jealousy: these are timeless themes, woven into the human experience for...

What books do professors of different subjects read?

In discussion of ‘the great man theory’, Professor Dominic Scott discussed his recent reading...

Exhibition 004: Oxford artistry across all mediums

When I first walked into Exhibition 004, my gaze was immediately met with Magda Adamczyk’s Nightmare. A demon, swirling with hellish strokes of red,...

Review: And Then There Were None – ‘Entertaining, suspenseful and very much worth your attention’

Hajefa Khanam’s take on Agatha Christie’s classic murder mystery And Then There Were None for this year’s OUDS BAME showcase was entertaining, suspenseful and...

Review: 113 – ‘An elusive, intangible, and shifting reality’

When I entered the Burton Taylor Studio to the sound of a mildly haunting cover of Tracy Chapman’s ‘Fast Car’, the whispered-yet-screechy vocals verging...

A ‘Closer’ look at intimacy in Labyrinth’s new production

Labyrinth Production’s upcoming production of Patrick Marber’s Closer is a novel step up in the kinds of physical and emotional intensity that the Oxford...

Review: Cyrano de Bergerac – ‘A clever adaptation of a timeless play’

I’m ashamed to admit I almost mistake Cuigy (Kate Burke) and Brissaille (Nancy Gittus) for incredibly dapper audience members before the play begins. The...

Why reading for pleasure still matters at Oxford

The idea of students reading for pleasure during term time has sparked much debate. Simply put though, Oxford’s intensive schedule makes it near-impossible. The...

The Pasts Contained in Preloved Books at the Oxford Premier Book Fair

Although post-collections celebrations usually involve nights out, followed by long, long lie-ins, I spent Saturday morning taking the bus to the Oxford Brookes Headington...

Review of ‘Intermezzo’: Chess, law, and the philosophy of language in yet another Rooney masterpiece

I thought it perplexing that critics felt Intermezzo similar to other works by writer Sally Rooney. Certainly, it shares some familiar ingredients: it’s set...

Review: Oxford Opera Society enters the bullring for Bizet’s ‘Carmen’

If you recall Pixar’s UP, a comedy where an old man balloons with his dog to South America, a funny moment appears in Carl’s...

Copies

"I want them, long after I leave, to remain together."

love letter

"a stamp can’t be used again, only kept or discarded."

Review: Medieval Mystery Play Cycle – ‘Comedy, choirs and inflatable hammers’

I wasn’t sure what to expect from a Medieval mystery play cycle. What I was not anticipating was Lucifer recast as a finance bro...

The Longest Goodbye

Oxford became a home I hadn’t known I was missing – a place that understood me without asking. 

Ancient Echoes, Modern Forms: Cheung Yee and contemporaries exhibition at the Ashmolean Review

Cienna Jennings explores the Ashmolean’s Reforming Abstraction exhibition, where abstract expressionism meets East Asian folklore and spirituality in the work of Cheung Yee and his contemporaries.

Review: Allegro Pastel by Leif Randt

Tanja Arnheim and Jerome Aimler are Millennials in a long-distance relationship. Tanja is a Berlin-based novelist and Jerome a Frankfurt-based web designer. They text...

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he aims to release in 2028. As I recall from conversations...

Writers on Writing: Reflections on the 2025 Oxford Literary Festival

The Oxford Literary Festival is one of those events I hear about every year, mark out on my calendar, and never end up going...

Your essential guide to the music of May Day

May Day: It’s unique, convivial and quintessentially Oxford. Only once a year does the city come together like it, and when that happens, it’s...

Going Dreamy: The Singular Will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a crew member tells him that they only have two days...

Joanna Miller’s ‘The Eights’: Unapologetically, indulgently Oxford

Do not worry: despite the title, this is not a rowing novel. Instead, the term ‘The Eights’ in Miller’s novel refers to the four...

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