For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all creating broadly similar and anonymous...
When I first walked into Exhibition 004, my gaze was immediately met with Magda Adamczyk’s Nightmare. A demon, swirling with hellish strokes of red,...
Hajefa Khanam’s take on Agatha Christie’s classic murder mystery And Then There Were None for this year’s OUDS BAME showcase was entertaining, suspenseful and...
When I entered the Burton Taylor Studio to the sound of a mildly haunting cover of Tracy Chapman’s ‘Fast Car’, the whispered-yet-screechy vocals verging...
Labyrinth Production’s upcoming production of Patrick Marber’s Closer is a novel step up in the kinds of physical and emotional intensity that the Oxford...
I’m ashamed to admit I almost mistake Cuigy (Kate Burke) and Brissaille (Nancy Gittus) for incredibly dapper audience members before the play begins. The...
The idea of students reading for pleasure during term time has sparked much debate. Simply put though, Oxford’s intensive schedule makes it near-impossible. The...
Although post-collections celebrations usually involve nights out, followed by long, long lie-ins, I spent Saturday morning taking the bus to the Oxford Brookes Headington...
I thought it perplexing that critics felt Intermezzo similar to other works by writer Sally Rooney. Certainly, it shares some familiar ingredients: it’s set...
Cienna Jennings explores the Ashmolean’s Reforming Abstraction exhibition, where abstract expressionism meets East Asian folklore and spirituality in the work of Cheung Yee and his contemporaries.
Tanja Arnheim and Jerome Aimler are Millennials in a long-distance relationship. Tanja is a Berlin-based novelist and Jerome a Frankfurt-based web designer. They text...