Culture

NAZA: The most important film of the year

The filmmakers of NAZA clearly know that beyond physical distance, emotional distance is what allows the violence in Gaza to continue, and shows us just how easy it is to ignore what is going on right under our noses.

In conversation with John Kennedy, “one of the most trusted voices in music”

In a media landscape often dominated by gossip, rumours, and sometimes pure hate, it’s undeniably refreshing to listen to John, a man who never lost sight of what really matters.

The legacy of the caricature

That the ‘In Memoriam’ section of the 2026 Academy Awards is going to be a serious tear-jerker was solidified by the passing of Dolly Parton and Tim Curry over two consecutive days.

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.

Papicha, power, and cinematic patriotism

How can we say that Papicha is Algerian, if the film was banned without any explanation in the country shortly before its release?

Review: NUTS – ‘a harrowing portrait of deceit and desire’

NUTS works in its ability to keep the audience on edge, waiting for the delicately thin emotional facades the characters have built to come crashing down. 

“Mummy said I’m pretty”: Nepo babies on the runway

What positive changes are the people born into this system going to advocate for?

‘The Pink City’: Ten generations of Jaipur gems

Cherwell visited the Choudhary family's prestigious jewellery collection, now almost 300 years old.

Lessons From A Taiwanese Coaster

I woke up in a world Where everything was beautiful, And nothing hurt.

Ovid meets modern identities in Sap

This will certainly be a loose retelling of Ovid’s Daphne and Apollo, but a dutiful one nonetheless.

Oxford’s first Hip-Hop Society breaks it down

As Oxford's newest musical society explores ways to facilitate a much-needed space for hip-hop music, only one question springs to mind; where have they been all this time?

Review: Les Liaisons Dangereuses at the Oxford Playhouse – “Nic Rackow is revelatory” 

This new production of Les Liaisons Dangereuses, a glamorous, engrossing period drama, showing at the Oxford Playhouse, is elevated by its stars into one of the great shows of the year. 

Reinventing the epistolary novel

It looks like, then, the epistolary novel isn’t dying out completely—just reinventing itself.

Review: Beetlejuice, Beetlejuice

Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.

Oxford Horror Soc, un-earthed

The Oxford Horror Soc, led by Izzy Reese, is Oxford’s first and only society dedicated to the on-screen horror genre.

The com(m)e(n)t

Scrunching it into a ball,  you toss it atmospheric, out of sight. 

Candles

Dreams are made of candles, pinpricks of a deeper light.

Charity shop pirates: Is second-hand shopping as sustainable as we think?

We're applying a more-is-more attitude to what ought to be a sustainable resource.

The sounds of student protest

Their monopoly on the sonic space means that they are in charge of disseminating information to the public. In other words, they were not walled off. 

Lights, camera, Liaisons

It will undoubtedly be the one of the most all-out, technically spectacular shows that Oxford student drama has seen in a long time.

Review: May We Be Forgiven by A.M Homes

Weird and wonderful. Heavy at times, strange throughout, but uplifting to the end. An incredible read.

The best books I read this summer

In a desperate attempt to extend the holiday, here are the best books I read this summer...

‘Glitz, glamour, pizzazz’: In conversation with The Great Gatsby

This weekend, I sat down with Mina Moniri and Peter Todd, the co-writing/co-directing duo of a brand-spanking new adaptation of F. Scott Fitzgerald’s The Great Gatsby.

Review: The Safe Keep by Yael Van der Wouden

In not necessarily liking Isabel, we are free to understand her, even if this understanding does boil down to something rather simple.

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