Culture

Kooky and self-assured: ‘Brew Hill’ in review

Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.

Culture Abigail Lakeland -

Art is an argument, so argue back

Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.

Art Maxim Vorobev -

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

Smith’s appointment has raised some serious questions about the extent to which nepotism and celebrity is superseding artistic talent in the fashion industry at present.

Culture Victoria Corfield -

The ‘Silent’ Film

Not speaking does not necessarily mean having nothing to say. As much can be said with an image, movement, or glance as with a word.

Culture Willow Jopp -

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The rise of genre fluidity: Is this the death of genre as we know it?

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The Achilles Trap: Saddam Hussein, the United States, and the Middle East 1979-2003 by Steve Coll review

Tyrants should only be brought down by their own people; they become martyrs when brought down by foreigners.

Frank Auerbach’s Charcoal Portraits review: Self-Portrait of a Stranger

The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach and the creation of his portraits in the 1950s and...

Post Diagnosis

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An Enemy of the People review: ‘Tragic but thought provoking’

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Cherwell Introduces: Menu3

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It is difficult to imagine the stiflingly intimate space of the Burton Taylor transformed into a wide beach overlooking the expanse of the sea:...

Bruegel to Rubens at the Ashmolean review: ‘Intimate and eye-opening’

"It was a pleasure to return to Oxford during the vacation to visit the Ashmolean’s new exhibition, which showcases some of the best drawings of the great Flemish artists of the 16th and 17th centuries."

Bust?: Saving the Economy, Democracy and our Sanity by Robert Peston and Kishan Koria- Review

"So long as we have an economic system geared towards the accumulation of wealth rather than the acquisition of it, inequalities will continue to widen"

The Oxford Revue: A Room with Revue

'a simple and clever production which ranks as one of the most enjoyable shows I've seen all year'

All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms

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Ode to a Nearly Beloved

"As though through tracing paper, I etch your features onto faces of strangers I’ll never know."

‘Bittersweet, immersive and profoundly moving’ – Perfect Days Review

"I don’t think I’ve ever felt so ‘in the moment’ while watching a film as I did with Perfect Days"

Book recommendations from the editors’ desk

"It’s rare that I find non-fiction to be such a page-turner, but Tara Westover’s autobiography was just that."

Hollywood vs. AI – Is this the end?

"the question on everyone’s lips is: is this the end? The end of special effects teams? The end of video creation? The end of filmmaking?"

Poor Things – Review

Includes some spoilers Poor Things takes place in a world only Yorgos Lanthimos could create. Like the rest of his oeuvre, the film is full...

Greg Heffley: A Hero of Our Time

Few modern comic heroes align with our distinctive age – an age which Dickens’s famous opening, ‘It was the best of times, it was...

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Culture

Kooky and self-assured: ‘Brew Hill’ in review

Art is an argument, so argue back

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

The ‘Silent’ Film

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