If an older adult has ever raised their eyebrow at your vegetarianism, then I might just have the book for you. They might be interested in knowing that even...
Celine Song’s moving debut ‘Past Lives’, the most recent release for distributor and producer A24, is being showered with critical acclaim, but this sort...
Read our book section editors' Michaelmas book recommendations: Rufus Jones on Daniel Keyes' Flowers for Algernon, Ananya Parakh on Henry Miller's Tropic of Cancer,...
The Metamorphosis was, understandably, intense, and weird – in a good way. Blessed with excellent performances, and clever use of technology, the play captured all the absurdity of Kafka.
By Proxy is shocking, morally complicated, and will have you frustrated, yet empathetic towards both Kit and Jo. It is also hysterically funny, with witty dialogue and inside jokes that will appeal to the Oxford student. By Proxy is a brilliant balancing act that engages at every turn.
The play is a joy to watch. Coleman always provides just enough detail in the dialogue to allow the audience to follow what is happening without making the relationship between the two characters seem overlaboured or mechanistic.
"Gregor Samsa is a travelling salesman in the cloth trade who has been worked to the bone and suffers under the pressure of his family, who rely on him financially. At the beginning of the play, he wakes up to discover that he has transformed into a repulsive and unhuman creature."
'The Devil, complete with a set of black wings, is sat at the end of the row having a chat with an audience member as we arrive for the opening night of Oliver Lansley’s ‘Immaculate’ '
'The charm of the production was in the idea that the titular house had been witness to all sorts of burgeoning relationships throughout its tenure, and this was sweetly conveyed through Nott and Bruton’s writing.'