When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
If he was trying to build tension then Jamie Lloyd does it well, because I couldn't wait for the play to start. By the time I found my seat I was practically shaking with excitement (and a slight twinge of fear for what was in store).
Where now those sentences, those syllables,Loaded like cannon balls on the field of Austerlitz?Full of the weight and confidenceAnd destructive power of centuriesOf thought,...
The Oxford Fashion Gala was an incredible success from start to finish. Designers, models and fashion lovers gathered to share their creativity and passion...
It was, then, a testament to this commitment that the performance was as good as it was. The production was a hilarious modern take on Shakespeare’s comedy, with several scenes updated, modified, or introduced entirely for this play.
Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to...