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UrbanObserver
Wednesday 27th August 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Timestamp’ at the Fringe: Existing in the ‘now’
★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the Edinburgh Fringe after a successful run in New York City by Emilee Lord and Karen...
Culture
Nicole Palka
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Architectural and religious fusions in Andalusia and Oxford
Oxford is a city deeply entwined with religion. With the first of its colleges...
Art
Sofia O'Casey
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‘HOLE IN THE WALL L’HOPITAL’ at Fringe
★★★☆☆ Everything I write ends up being about grief – I suppose this review only...
Culture
Rebecca Harper
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Beyond the binary: Leigh Bowery’s radical individuality
Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine,...
Art
Ava Doherty
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My Favourite Childhood Book: Anne of Green Gables
"Anne is such an iconic figure in children’s literature that I’m sure many relate to my enjoyment of her character"
Review: Thamesis
"Jones’ performance was a joy to watch, and under Aspden’s expert direction they have a highly successful show on their hands."
International Queer Cinema
"International cinema displays queer lives in all their diversity and beauty, in a range of contexts far wider than we can see in Hollywood."
Review: Play House and Definitely the Bahamas
"The problem of changing from one play to the other, without an interval or blackout, was one Lawrence dealt with very competently"
Florence and The Machine: Dance Fever Tour Review
"It takes a powerful vulnerability to shoulder the burdens and joys of helping others, through art or any other means. Welch does it beautifully"
Jockstrap Live at The Bullingdon
"I’m convinced they have one true goal... to ensure that you have an obscene amount of fun"
Voëlvry: South African’s Rock’n’Roll Revolution
"The Voëlvry artists clearly aimed to provide an example of a way to be both distinctly Afrikaans and disagree with the conservative government"
Éric Rohmer: A French Director’s Refreshing Simplicity
"His films are not as stunning, nor impressive, as might be those of his Nouvelle Vague contemporaries, but peacefully pleasant."
RUSH! Hour: Måneskin In Review
"RUSH! is proof that Måneskin’s stratospheric rise to prominence is backed up by more than just sex appeal and the glitzy glamour of Eurovision."
Netflix’s Disappointing Monsters
"As the latest season of Stranger Things demonstrates... not all practical effects are made equal."
‘Thamesis’ Interview: “The most refreshing thing you’ll see in Oxford drama.”
"I've never seen or heard anything like it."
A list of brilliant things about ‘Every Brilliant Thing’
"This performance... is likely to have made a lasting impression on every single person who has watched it."
Review: Entertaining Mr Sloane
"Brook’s production moved between playing the world for laughs and playing it real enough that the audience was left with lingering unease."
Review: Black Blood
"The most interesting elements of the play are the characters themselves, and their relationships outside the murder plot."
Review: I Will Delete This Story
"I found that I Will Delete This Story left me wishing that the titular promise had already been fulfilled."
In Conversation With Velvet
"If you haven’t heard of them, you should have."
“A fantastic story of love and liberation”: An interview with the cast and director of ‘An American In Paris’
"It’s been a process of figuring out how we can tease out those themes of love and liberation."
On Russian History
"The concern with history as a way of understanding the past purveys much of this book."
Luxury in Crisis
"The future looks bleak – but that’s no reason not to make the present a little less unbearable."
The Story Behind Noah Wild’s ‘I Will Delete This Story’
“Growing up when the past won't let you go”
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