Oxford's oldest student newspaper

Independent since 1920

Culture

Books you can’t sink your teeth into: A brief look into unsolvable manuscripts

If there’s one thing that most people appreciate, it’s a good mystery with a clever solution. It is no accident that Agatha Christie is listed as the Guinness World...

Review: Will Heaven Fall on Us? A Béla Tarr Retrospective

Will Heaven Fall on Us? A Béla Tarr Retrospective, which aired in cinemas this...

Has the romantic comedy lost its charm?

The romantic comedy genre is often criticised for its overreliance on tropes. The romcom...

Palimpsest

This is a secular city, built on holy bones. We’re on the edge of another...

2024 was for the girls: The rapid success of female artists

The last nine months of pop can perhaps be summed up in one word:...

Don’t Mind The Gap

Henner Petin encounters poetry and its translational trap

Review: Beachcombing

Mark Barclay is entranced by this reflective studio play

In Defence Of: Jennifer’s Body

Sam Joyce defends Megan Fox's quasi-feminist horror-comedy

Review: A Little Chaos

Emmanuelle Soffe finds A Little Chaos a predictable period drama

Where cannes we go from here?

Sam Joyce explains why the currently ongoing Cannes Film Festival is suffering from an identity crisis

Review: Living Together

Mark Barclay and Paul Ostwald experience this complex family saga

The wisdom of Rufus Norris

Francesca Nicholls gets some career advice from a pro

Monumental Art: Twin

Dominic Hand looks at Robert Ryman's masterpiece of subtlety

Primo Levi: A life broken down to its elements

Jessica Poole discusses the importance of the Holocaust survivor's memoir, The Periodic Table

A dark and memorable Fairytale

Catherine Kelly reviews Murakami’s latest novella, The Strange Library

Picks of the Week TT15 Week 4

Cherwell brings you the best of this week's gigs, plays and events

Milestones: Claude Cahun

Imogen Lester discusses the early work of the Surrealist chameleon Claude Cahun, who revelled in the art of reinvention and refused to submit to convention

Mexico’s changing faces: the surrealist work of the 40s

Morgan Harries explores the ever-changing artworks produced by a country in search of itself

Early English opera: the failed metamorphosis

Ben Wilkinson-Turnbull questions why England never had an operatic renaissance

Follow us

HomeCulture