Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Culture Beatrix Arnold -

Damaging detachment: Reflections on the Booker Prize

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

Books Charlie Bailey -

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Culture Nora Miles -

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

Art Beatrix Arnold -

Latest

Paying a debt to Greek tragedy

Finola Austin talks to the people bringing Aeschylus’ tragedy Clytemnestra back to Oxford in its native language

Preview: Mammals

Dan Frampton finds Mammals to be polished and professional. Mammals is on in the Burton Taylor in 4th Week.

Preview: Dead Funny

Dead Funny is on at the Simpkins Lee Theatre in 4th Week

Director’s Blog – Noughts and Crosses Week Four

Phosile talks rehearsals and ticket sales in the run-up to her Oxford production of Noughts and Crosses

Review: Sandro Perri – Impossible Spaces

Tom May discusses Impossible Spaces, the sophomore record from Canadian singer-songwriter Sandro Perri

Review: Tom Waits – Bad As Me

Simon Torracinta looks at the latest release from longtime (and absolutely singular) artist Tom Waits

Bombay Bicycle Club curries favour

Patrick Scott chats to the London quartet about their new album and finding their feet in the studio

First Night Review : Children Of Oedipus

James Blythe goes to the first night of the Greek Tragedy, and isn't overwhelmed

Review: The Field – Looping State of Mind

Jake Hills review the new effort from techno producer Axel Willner (alias The Field)

Review: M83 – Hurry Up, We’re Dreaming

Natasha Frost tackles the hefty double album from one-man stadium-shoegaze pop sensation Anthony Gonzales (M83).

Interview: Mazes and Milk Maid

Simon Torracinta discusses the Manchester DIY scene with lo-fi champions Mazes and Milk Maid

Noughts and Crosses – Director’s Blog Week Three

As the production starts to shape up, Phosile checks out the competition

Preview: The Dummy Tree

The Dummy Tree hits the right note, at the Burton Taylor Studio this week until Saturday

Revue do you think you are?

Steffan Blayney finds fresh-faced comedy talent in the Oxford Revue

Review: Real Estate – Days

Jake Hills reviews Real Estate’s sunny new LP Days, which arrives just in time to distract us from impending winter.

Review: James Blake – Enough Thunder EP

Natasha Frost takes a look at Enough Thunder, the new EP from ‘post-dubstep’ sensation James Blake

Resisting the meaningless

Simon Critchley talks power, politics and the problem of nihilism with Tom Cutterham

Review: Crazy, Stupid Love

Jacob Williamson takes a look at the new comedy starring Steve Carrell and Ryan Gosling

Unoriginal Sin: The Downfall of Film? Part 4

Hattie Soper finds herself disappointed by the latest adaptation of Jane Eyre

Unoriginal Sin: The Downfall of Film? Part 3

Matthew Isard defends the upcoming reboot of the Spider-man film series

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Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

Damaging detachment: Reflections on the Booker Prize

In defence of the theatrical release

Falling out of Louvre

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