Monday 8th September 2025

Culture

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out – it was an early morning. I was shuffling through the half-awake crowd when my...

‘Delusions and Grandeur’ at the Fringe

★★★⯪☆ If there is one word to describe Karen Hall’s Delusions and Grandeur, it is...

The Oxford Revue at the Fringe

★★★⯪☆ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled...

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

R.F. Kuang’s Katabasis touches on a range of near-universal academic experiences: impostor syndrome; frantic,...

Review: Gil Scott-Heron And Jamie xx – We’re New Here

An album that will win you over to the 'post-dubstep' sound of 2011

Review: Barber Of Seville

Leah Broad praises New Chamber Opera's production of The Barber at the Sheldonian Theatre

Prepare to De/Install

Henrietta Landells chats with Peter Shenai, one of the brains behind MAO's new installation.

‘And the loser is…’

Cherwell looks at the best films to have not won a Best Picture Academy Award

When TV thinks big

Cherwell considers the thinning line between television and cinema

Review: Batman The Pantomime

The Dark Knight becomes Light Entertainer

Review: A Dream Play

William Hooper finds his dreams coming true in this spectacular production

Farce: A Serious Business

An interview with author and director of Restrictions May Apply

First Night Review: Monsters

Rimika Solloway sees this powerful production answer its critics

The awards season hits oxford

A look at the upcoming Oxford Film Festival and the "Ox-scars"

Love During Wartime

All's fair in love and war

Watch Together/Watch Alone

A guide to what to opt for whether you're on a date or having some alone time....

Review: Never Let Me Go

Young British heavyweights Keira Knightley and Carey Mulligan star in this adaptation of Kazuo Ishiguru’s novel set in an alternate Britain.

Review: Spring Awakening

Conor Tucker is impressed by this powerful, punkish musical

Review: Paul

Pegg and Frost's latest effort is in dire need of the Wright stuff.

Interview: Mark Romanek

Cherwell speaks to director Mark Romanek, the self-professed 'film brat' behind 'Never Let Me Go'

A ‘Jerry Maguire’ Guide to Love

Cherwell takes a look at what the 1990s classic tells us about love and the rom-com.

Back to the age of innocence

They call it peter-pan complex

The Sublime and the Grotesque

Cherwell reviews the Oxford Art Movement show with a tantalizing theme.

21 Sketchbooks

Alisha Patel interviews the creators of Keble's collaborative art project.

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