Wednesday 15th October 2025

Culture

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar (UK for short), who leaves his job at a call centre in Delhi to come...

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...

One book, 500 years of art: The History of Art in One Sentence

★★★★☆ Former Wadhamite Verity Babbs has created a practical guide to the history of art...

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of...

Online Review: Lebanon

Jack Binysh gives his verdict on the Golden Lion winning Lebanon

Italian Renaissance Drawings @ The British Museum

Jane-Marie Saldanha reviews one of the biggest exhibitions of the year

Bob Dylan Plays Kent

Alistair Smout sees if Dylan has remained forever young at Hop Farm

Elvis Costello @ The New Theatre

'Little Hands of Concrete' still has some life in him yet

Happiness is a Warm Smith Western

Matt Walsh pulls the trigger on the rough-and-ready Illinois indie-rockers

Online Review: Whatever Works

Ben Kirby heralds the return of old school Woody Allen.

Interview: Rian Johnson

An in depth interview with Rian Johnson, director of Brick and The Brothers Bloom

8th Week Photo Blog – Escaping Oxford

An eclectic selection from our photographers

Rubbing Genet’s magic lamp

Oliver Moody squirms on the edge of his seat at 'The Maids'

Review: Women Without Men

James Randall reviews Shirin Neshat's debut feature

Doing it just for kicks

Cherwell speaks to Nichola Burley and Kerrie Hayes about kicking around in their new film

Horror’s fright-hand man

Sophie Adelman talks to critic, screenwriter and author Ben Hervey about his genre of choice

Photo Blog Week 7 – The Penultimate Pictures

Oxford in photos as Trinity draws to a close

Film Wars: Too Much Cash Will Kill You

A debate on the merits of blockbuster and arthouse flicks

Film Wars: PC Power

Does CGI have the edge over hand drawn classic animation?

Film Wars: 2D or Not 2D?

Is 3D cinema anything special?

Film Wars: Big Screen/ Little Screen

Is TV a vacuous void? Is film the real art form?

Reviews: The Happiest Girl in the World & The Girl on the Train

Abhishek Bhattacharyya compares the latest forein language film releases

Review: The Brothers Bloom

A quirky, genre-busting film

First Night Review: Closet Land

Jenni Cutting discovers the BT ain't no Narnia this week

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