Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Culture Beatrix Arnold -

Damaging detachment: Reflections on the Booker Prize

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

Books Charlie Bailey -

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Culture Nora Miles -

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

Art Beatrix Arnold -

Latest

Hie Sir Trevor to a Nunnery?

Carla Neuss anticipates Trevor Nunn’s appointment as an Oxford professor, and then wonders what he actually does

Internet on film

Like The Social Network? It's not the first of its kind

The Social Network

Joshua Rosaler was there at Facebook's foundation, and gives Cherwell the inside story

Review: Come Around Sundown

'Kings of Leon go for a scrappier aesthetic'

The privileges of being a Villager

Matt Walsh talks to Villagers' frontman Conor O'Brien about his song writing and Hermann Hesse

Review: The Social Network

A convincing, witty and devastating portrayal of relationships gone wrong.

Freshers’ guide to Oxford cinemas

A useful guide to Oxford's best places to stuff your face with popcorn.

Fragments from the Fringe

Cherwell Stagents Andrew McCormack, Rimika Solloway and Millie Towsend bring you the thrills and embarrassing spills from the Edinburgh Fringe Festival