Saturday, February 22, 2025

Culture

The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round, the audience is gifted a...
Culture Michelle Jiang -

The Busy Body Review: ‘Theatre of the Real’

The Busy Body (1709) is one of the many plays written by Susanna Centlivre....
Culture Lara Machado -

Doubts on Banksy

What is so enticing – and infuriating – about this mystery man’s slapdash approach to political commentary?
Art Ruby Doran Meira -

Death of the Album, rise of the playlist

The album, once the definitive artistic statement in music, is being increasingly overshadowed by...
Culture Gabriella Ofo -
Latest

Student Play

BT Studio, 4th week, Tuesday - Saturday    

First night review: Rosencrantz and Guildenstern Are Dead

O'Reilly Theatre 3rd Week Tues - Sat

First Night Review: A Doll’s House

Oxford Playhouse 6-10 May 

The Futureheads – “This is not the world”

Monique Davis is underwhelmed by The Futureheads' latest offering

Interview: Mystery Jets

Harry Thompson meets the Mystery Jets.

Video: Wadstock 2008

Interview: Amara Karan

Ruth Banks talks to the self assured star of St Trinian’s and The Darjeeling Ltd. about her improbable rise to fame.

Review: Joy Division

Out 2 May

Review: Nim’s Island

Out 2 May

Interview: John Hurt

Ben Williams talks to a cinematic icon.

Neighbourhood Watch: Figment

Sean Lennon digs the fig.

Jack McManus – ‘Either Side of Midnight’

Review by Chris Cooling.

The Loose Salute – ‘Tuned to Love’

Review by Jim Armshaw

Interview: Pendulum

Thomas Barrett speaks to drum and bass stars Pendulum.

Review: The Sabotage Café

Amber Coakes reviews Joshua Furst's new novel.

Gift Exchange

Gift Exchange Ovada Gallery Until 24th May

Review: Kill Your Friends

John Niven’s debut novel draws on the writer’s own experience as an A&R man in the late nineties, but its stab at postmodernism are clumsy.

Review: The Audacity of Ideas

OFS

Review: Rozencrantz and Guildenstern

O'Reilly Theatre

Review: The Nose

BT Studio
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