Sunday 30th November 2025

Culture

Illuminating American conservatism: William F Buckley’s biography, reviewed

The ornate, Latinate vocabulary. The debates peppered with witticisms. The patrician air, the untraceable accent, the playful glint in his eyes.  William F. Buckley was arguably the most influential American...

The Magdalene Songs: Giving a singing voice to victims

★★★★★ Trigger warning: abuse Modern slavery, abuse, and human rights violations are not something you would...

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’ 

Seabass Theatre has carved out a niche for itself producing original takes on canonical...

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and...

The Philadelphia Story

The OFS performance of late-1930s classic The Philadelphia Story is hugely enjoyable

Not as stable as they look?

More information and analysis on Cherwell's interview with Bob Blackman on the future of the West End

Behind the Scenes: The Producer

In the first of a new blog dedicated to the people who make our films, Laura Hastings-Smith talks production

Review: Mankind

Our man is impressed by this modern update of the medieval classic

Straight to DVD: Mob Doc

Out of Africa...we review the latest from Kenya's Jitu studio

Review: The Broken

Our review of Sean Ellis' latest horror flick

On the road to nowhere

Casting an eye over Sam Mendes' Oscar-baiting 'Revolutionary Road'

Franz Ferdinand – Tonight: Franz Ferdinand

Review of the third outing from the Glaswegian art-rockers

See the People

Through a sparse metaphysical landscape, Makind walks a tense, manic path

Theatre Expert: a third of all West End theatres may go bankrupt

In an interview with Cherwell, the author of a GLA report on the West End discusses what its future may hold

Look Closely

Yasmin Reza's play Art is a perfectly staged composition of fury and mischief

Take To The Streets

In the latest in our series on world theatre, Cherwell dons the cap of the workers to look at the influence of theatre on 1980s protests in Eastern Europe

Blindness isn’t Love

Frank Marcus's play Blind Date is poignant, but ironic viewing

Bringing it all back home

Cherwell deals with the personal problems of the singer-songwriter.

Bon Iver: Blood Bank

We review Bon Iver's latest release.

Antony and the Johnsons: The Crying Light

We review Antony and the Johnsons' second album.

Interview: Emmy the Great

Sweet Valley High, destructive relationships and Emmy the Great's debut album...

Straight to DVD Review: Trailer Park of Terror

Is it a bird? Is it a plane? No, it's a film not even the director bothered to see.

Review: Valkyrie

In cinemas January 23

Follow us