Culture

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to hear a teacher’s anguished cry: “Take those hoop earrings out!” Until two years ago, my...

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.

Beyond litter and emissions: The environmental costs of loud sound at music festivals

The music festivals of the summer have packed up and moved on. Stages and sound systems have been dismantled, litter cleared, and land reseeded.

‘Burning Down the House’: A review 

During the odd ‘in-between’ space that is Week 0, I searched for a show to give me something to do, amid the random dilly-dallying and the odd collection currently occupying my time.

Interview: Alain de Botton

Henry Naish speaks to Alain de Botton about life, work, and erotic offices

Interview: Ian McEwen

Ravin Thambapillai speaks to Ian McEwan, winner of the Sunday Times Award for Literary Excellence

Endnotes: Unwrapping Books

We find Endnotes a bit past its shelf-life but a man eating a book made the trip worth it

Review: Last Chance Harvey

Sophia Satchell-Baeza decides that this grown-up romantic comedy deserves to be given a real chance

Let The Right One In

Tomas Alfredson's Swedish vampire film, 'Let The Right One In,' proves to be a chilling masterpiece

Review: The Age of Stupid

Dominic Rowland is inspired to act by The Age Of Stupid

Pete Doherty – Grace/Wastelands

We review the debut solo album from the ubiquitous Mr Doherty

After-show parties

Jealousy, bitchiness, sexual tension and drinking games: suddenly it all comes out

Learning Lines

What happens when you think you can learn lines the night before the dress rehearsal.

The Just Assassins

Sensitive acting adds to the force of a Camus adaptation

An Independent Mind comes to Oxford

A must-see documentary about freedom-of-speech to be shown at the Phoenix this Monday evening

Frown Line on the Horizon

We calls for cribbage and croquet for pop's not-so-great survivors

Straight to Nairobi

Cherwell superstar Josh Lobes has found fame in foreign parts.

1968 and I’m Hitchhiking Through Europe by Joe Mack

We suggest you use this for kindling when you're hitch-hiking rather than attempt to read it

Invisible by Frank Egerton

We review a book with the least interesting cover art ever

Freedom of Speech: where are the boundaries?

'Write whatever you like', many people say. It's not that simple...

Watching ourselves

Alice Salvage looks at why people go to the theatre, and what its future is likely to be

Are You Sitting Comfortably?

A show from the Oxford Imps based on audience suggestions and home-brewed sound effects is audacious-and brilliant

S1l3nce

Our reviewer won't give too much away about this Derren Brownish magic show-except that it left her amazed.

The Truth

Four stars for this Discworld production, the latest in an Oxford tradition

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