Culture

Rory Stewart’s ‘Middleland: Dispatches from the Borders’ in review

Middleland (2025) is not his masterpiece, but it is as much worth reading as any of his work – erudite, perceptive, and beautifully written.

Books Hassan Akram -

A breakdown in technicolour: ‘Company’ in review

With flashing lights and a shower of confetti, Fennec Fox Productions’ Company bursts onto the Playhouse stage to deliver its exuberant portrayal of romantic pessimism, just in time for Valentine’s Day.

Culture Beatrix Arnold -

Lost and found: The art of translation

Translation should be more than mechanic substitution. It demands that the translator acts as a conduit, conveying the intricacies of emotion, style, and intention, while negotiating the hurdles of linguistic complexity.

Books Beatrix Arnold -

‘An enormous amount of humour’: ‘Lemons’ review

Lighthouse Productions’ debut project delivered a fast paced, hilarious version of Sam Steiner’s script. Even the argumentative scenes prompted laughs.

Culture Charlie Bailey -

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Iggy Clarke, the president of the 2025 Oxford Fashion Gala, shares her style secrets and where she’s shopping right now.

Look up! Statues and gargoyles in Oxford

Walking around Oxford you often feel like you’re part of the city’s tourist attraction. The long walk up to the Radcliffe Camera entrance, pushing...

Plaques and Peripheries: The Search for Oxford’s Women Writers

Every morning on my way to college, I pass through the cobblestoned, crowded St Mary’s Passage, overhearing stories of Oxford’s most famous literary duo,...

‘Extremely funny and emotionally intense’: ‘Your Funeral’ at the Burton Taylor Studio

Your Funeral is Pharaoh Productions’ debut play written by Nick Samuel, about the last conversation that ex-partners Anna (Rebecca Harper) and Jeff (Matt Sheldon)...

Review: Hill and Harmer’s A Life in Song – the strange world of Lieder

"poetry told across language through performance and music"

‘Fright’s Out!’ at the Ultimate Picture Palace: ‘Dracula’s Daughter’

To call Dracula’s Daughter (1936) campy would be an understatement. In many ways it felt like a ridiculous version of Cat People (1942). At...

‘A team of criers’: Behind the scenes of ‘Uncle Vanya’

Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation...

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time - and she’s dying.” Your Funeral is the debut play of...

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR DUTY.” It is this (somewhat incomplete) motto of the Post...

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

Virginia Woolf’s extended essay A Room of One’s Own is probably the most important 20th century piece of writing concerning women’s place in literature...

Dear Reader,

It has been so long since last I felt your fingertips tracing my pages, cascading shivers across my spine. I have missed your smile, and the way your...

Cillian Murphy does it again

Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown little interest in playing it safe. Having collaborated already on...

What will the Schwarzman Centre mean for music at Oxford?

"Oxford as a cultural centre on a global scale"

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that...

Algorithms of individuality: ‘The Consciousness Company’

As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical, metaphysical and existential waves threatening to engulf us”. It is...

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar (UK for short), who leaves his job at a call...

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material; even less so when it’s a ‘reinterpretation’ by an auteur...

One book, 500 years of art: The History of Art in One Sentence

★★★★☆ Former Wadhamite Verity Babbs has created a practical guide to the history of art – breaking away from the traditionally dense Oxford academic style....

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of censorship, repression, and culture-war collisions. Embroiled in a fierce, sombre, and...

Be brave, Oxford: Let’s put creativity back in the creative arts

Welcome back, Oxford. While you were away preparing for the next academic year, or busy attending the Edinburgh Fringe, the facebook Oxford University Drama...

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Culture

Rory Stewart’s ‘Middleland: Dispatches from the Borders’ in review

A breakdown in technicolour: ‘Company’ in review

Lost and found: The art of translation

‘An enormous amount of humour’: ‘Lemons’ review

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