Culture

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.

Culture Lilia Goldstein -

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

Culture Willow Jopp -

Slow down, you crazy child: What Oxford student theatre can learn from garden plays

Student theatre strives to be as professional as possible, but the annual garden play offers something unique: permission to have fun.

Culture Mair Andrews -

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

When interviewed on his decision to cast Travis Scott as a bard figure in...

Music Niamh Hoyland and Val Michael -

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Techno, tragedy, and medieval monologuing: ‘Brew Hill’ in conversation

Pecadillo Productions’ ‘Brew Hill’ watches the deterioration of the romance between Nat (Trixie Smith) and Gordon (Jem Hunter).

‘I don’t like the idea of hope’: An interview with Iya Kiva

Iya Kiva is an award-winning Ukrainian poet, originally from Donetsk. Since 2014, when war first came to her region, she has lived in displacement.

A bold choice for limited space: ‘Tick, Tick…Boom!’

This ambitious take on a classic struggled in the space constraints of the Michael Pilch studio.

‘Fresh energy’: Corpus Christi’s Owlets on their revival

Abigail Lakeland interviewed Clara Woodhouse, Owlets President, to discuss its resurgence, and what audiences can expect.

Disturbance on the line: ‘La Voix Humaine’ in review

The Burton Taylor Studio has been transformed into a Tracy Emin mixed-media installation for Jean Cocteau's 'La Voix Humaine'.

From topping charts to ‘The Traitors’: An ode to Cat Burns

The chaotic new season of 'The Traitors' made me reflect on the celebrity version, and my personal favourite contestant, Cat Burns.

Spoonerisms and malapropisms: ‘You Got Me’ in review

Silent Tape Productions' 'You Got Me' is a hard-hitting story about memory, powerlessness, and the cyclical passing of time.

Will 2026 finally kill the clean girl?

The clean girl has become ubiquitous throughout celebrity culture, magazines, and social media in recent years. Her brand prescribes a lifestyle, a kind of idealised minimalism.

Nostalgic and sincere: ‘The Glass Menagerie’ in review

Crazy Child Productions staged a genuine and thoughtful adaptation of Tennessee Williams’ classic.

Irreverent, laugh-out-loud funny: ‘My Dead Mum’s AI Boyfriend’

Aled is a chatbot, but also, more concerningly, Carrie’s mum’s AI boyfriend.

An intervention for men’s winter fashion

In winter, comfort tends to take precedent over style. Fashionable tops are sacrificed for warm jumpers, and then engulfed by coats.

A twisted tour-de-force: ‘Bugonia’ in review

Bugonia is a triumph for director Yorgos Lanthimos and his collaborators. He has produced a cynical but rewarding reflection on the human condition.

‘Heated Rivalry’ vs ‘Stranger Things’: Case studies in creative control

Stranger Things, like Heated Rivalry, has dominated the cultural zeitgeist at various points across its ten-year airing schedule.

Dropping hints before dropping albums: The art of the tease

Promotion seems to be a part of the performance for many artists, setting the stage for the project they are going to release, and priming their audience.

The mysterious posters in Oxford, and the novel behind them

I had assumed it was just another poster, lost in the usual blur of student plays, society termcards, and talks promising free pizza. But this one was oddly specific.

Musical theatre and classic literature: A marriage of two minds?

Musical theatre owes a great debt to the literature of preceding centuries. Often, all we need is one idea to ignite a spark that leads to something greater.

Rich and generative: In conversation with ‘The Glass Menagerie’

After the success of The Creditors last Michaelmas, the Keble-based Crazy Child Productions is set to bring Williams’ breakout work to the Keble O’Reilly.

How not to decolonise a museum: ‘Suturing Wounds’ at the Pitt Rivers

Emma Heagney reviews Sara Sallam's exhibition at the Pitt Rivers and how the museum interacts with decolonisation.

Rory Stewart’s ‘Middleland: Dispatches from the Borders’ in review

Middleland (2025) is not his masterpiece, but it is as much worth reading as any of his work – erudite, perceptive, and beautifully written.

A breakdown in technicolour: ‘Company’ in review

With flashing lights and a shower of confetti, Fennec Fox Productions’ Company bursts onto the Playhouse stage to deliver its exuberant portrayal of romantic pessimism, just in time for Valentine’s Day.

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Culture

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The ‘Obsession’ Obsession

Slow down, you crazy child: What Oxford student theatre can learn from garden plays

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

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