Wednesday, May 21, 2025

Culture

Review: Death of a Salesman – ‘The Inside of His Head’

To review Tiptoe Productions’ staging of Death of a Salesman, I must first contextualise my biases as a reviewer. By no means do I intend to offend – I...

Oxford’s summer scene: The season of open-air performances

Trinity term at Oxford University is defined by wisteria, wild swimming, and warmth. Students...

Easter Eggs

"I’m really sorry I missed your house. Even the Easter Bunny can make mistakes."

Review: An Anthology of Pairs – ‘Two’s a Party’

There’s a particular theatrical magic that comes from two people simply talking in a...

Arcadia by Christ Church Dramatic Society review: ‘Mad, bad and brilliant to watch’

“The best prophet of the future is the past” – Byron In the sweet-preserved garden behind Christ Church Cathedral there stands a table decked with...

Film around the world: Japan’s Harakiri

It is not The Godfather or The Shawshank Redemption or any Hollywood epic that is the highest rated film on the app ‘Letterboxd’ (a...

The many voices of Franz Kafka: Reading The Metamorphosis

Spilling out of the gates of the Sheldonian Theatre and onto Broad Street, the lengthy queue for a public reading of Franz Kafka’s The...

Romeo and Juliet review: ‘Seamless and brilliantly acted’

If he was trying to build tension then Jamie Lloyd does it well, because I couldn't wait for the play to start. By the time I found my seat I was practically shaking with excitement (and a slight twinge of fear for what was in store). 

The Knight of the White Moon review: ‘Mirth, romance, and mediaevalesque larks’

Tactically leaving the Summer VIII’s races early as the women's Div I race came to an exciting close (up the House), Pimm’s still in...

The Two Gentlemen of Verona review: ‘Theatrical rom-com’

The Two Gentlemen of Verona is almost always referred to as one of Shakespeare’s ‘early’ plays: an apologetic slant which does the play no...

Mitski’s The Land is Inhospitable tour review: The artist by herself

The original title I had for this article was ‘Retired from Sad, New Business in Camp’. This was weeks before the actual concert itself, where...

Kafka: Making of an Icon at the Weston Library review: ‘Poignant and incredibly personal’

"Bodleian Libraries’ most recent exhibition at the Weston Library is an engaging dive into the life and legacy of the famous author."

RIP Dante, you would’ve loved fanfiction

When the trailer for an adaptation of Robinne Lee’s 2017 novel The Idea of You came out last month, it set the internet ablaze. Within a...

Denis Villeneuve’s Dune

In 1984, shortly after the epic finale to the (original) Star Wars trilogy was in theatres, David Lynch’s Dune treated audiences to, in the...

Loaded Words

Where now those sentences, those syllables,Loaded like cannon balls on the field of Austerlitz?Full of the weight and confidenceAnd destructive power of centuriesOf thought,...

The Oxford Fashion Gala: A deep dive into design

The Oxford Fashion Gala was an incredible success from start to finish. Designers, models and fashion lovers gathered to share their creativity and passion...

The artist and the photographer: An analysis of Francis Goodman’s Film negatives

An unusual dynamic is consequently captured between the photographer and artist in the photograph of Lucian Freud.

We Walk Along

We walk along by the river, my hand in his, our arms of different lengths and his palms much bigger than mine. The sun...

The Orwell Tour review: ‘A unique and first-rate travelogue’

Within the last year there have been countless new books on George Orwell, but Oliver Lewis’s The Orwell Tour, just released in paperback, is...

The Drake and Kendrick Lamar saga

Since the rise of hip-hop in the 1990s, diss tracks (short for disrespect or disparage) have been a staple of the genre. These tracks...

Cherwell Introduces: Tongue

Joining me this week are the up-and-coming Oxford rock band, Tongue. After a gorgeously hot and sunny day, I had the pleasure of watching...

The Two Gentlemen of Verona review: ‘A hilarious modern take’

It was, then, a testament to this commitment that the performance was as good as it was. The production was a hilarious modern take on Shakespeare’s comedy, with several scenes updated, modified, or introduced entirely for this play.

A Future in the Light of Darkness review: Imagined engines of desire

Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to...

Taylor Swift’s The Tortured Poet’s Department: Who tortures the poet?

The most tortured love affair on Taylor Swift’s new album is her relationship with her audience. Following its release on April 19th, the album’s...

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