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UrbanObserver
Sunday 18th January 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Beautifully we may rot’: ‘Madame La Mort’ in review
In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.
Culture
Beatrix Arnold
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Damaging detachment: Reflections on the Booker Prize
This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.
Books
Charlie Bailey
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In defence of the theatrical release
If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.
Culture
Nora Miles
-
Falling out of Louvre
In spite of recent events, the expected heightened security was nowhere evident.
Art
Beatrix Arnold
-
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Collaborators Review – a comedy of Stalinist Russia
Despite its seeming irreverent nature, this play has 'moments of profundity'
How To Save A Rock With A Circle Preview – ‘conveys urgency with a sense of humour’
Cecilia Wang previews Pigfoot Theatre's work-in-progress which focuses on the impact of climate change.
Depraved Genius of Caravaggio
David Alexander on our relationship with morally reprehensible artists
‘It was Beauty killed the Beast’
Monster love tales other marginalised communities
Stephen King’s It: the horror novel that sparked a love affair
The pleasure and terror of reading Stephen King
Characters we love to hate
Sam Millward surveys the rise of the antihero as a problematic but compelling character
Election Review – an ‘interesting and ambitious’ look at politics
Lowenna Ovens finds this student-centric election night depiction to be an 'intriguing concept'
Citizenship Review – ‘witty, thoughtful and true-to-life’
Ami Griffiths is impressed by a direct but deft portrayal of bisexuality.
Drunk Enough to Say I Love You? Review – ‘genre-crossing and well-executed’
Katie Knight is impressed by Klaxon Productions' production which incorporates new forms of media.
Top Girls Review – ‘uncomfortably straddles the experimental and the domestic’
"Adam Radford-Diaper’s adaptation is slick and well-acted, often wonderfully absurd and funny, but ultimately leaves me feeling slightly cold."
Drunk Enough to Say I Love You? Preview: ‘The political becomes personal’
Cesca Echlin previews Caryl Churchill's 2006 play, which she finds entices the human out of the political
The Mountaintop Review – ‘explores the man behind the pulpit’
Katori Hall’s depiction of the Civil Rights icon Martin Luther King in his last hours is bewitching.
‘A zero-carbon-footprint production’: an interview
Unusual theatrical spaces and creating environmentally conscious productions
Citizenship Preview – ‘challenges the binary of sexuality’
Mark Ravenhill's exploration of the nature of bisexuality in this coming-of-age drama is continually relevant
Music, Magic, and Bridging the Gap
The presence of magic in music has shifted and evolved over the years
‘Halloween’ is a bloody good entry in the series
40 years after the original film changed the slasher genre forever, Jamie Lee Curtis and Michael Myers face off once more...
Exploring magic realism
Laura Esquivel provides a female framework to the Latin American genre
Nice Guy Review – ‘hard to believe written by students’
The complexity of Sam Norman and Aaron King’s new musical, which focuses on the inner-workings of an abusive relationship is astounding
A vision of fear, a vision of hope
Exploring higher states of human experience in William Blake’s and Tracey Emin’s early sketches
Melodrama in the Grid
Exploring the paintings of Agnes Martin
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