Theatre

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.

Culture Natalie Tan -

Something wicked this way comes: ‘Macbeth’ previewed

Arriving at Somerville College in its full summer pomp, Stanley Toyne and Cameron Spruce,...

Theatre Arun Lewis -

All in a day’s Work.txt: Metatheatre’s extremes

I first heard about Work.txt when I was asked by a friend (or coworker?) if I was free Saturday night. And this was a gilt-edged proposition I just couldn’t turn down.

Culture Jessica Phillips -

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Culture Amy Lawson -

Latest

A breakdown in technicolour: ‘Company’ in review

With flashing lights and a shower of confetti, Fennec Fox Productions’ Company bursts onto the Playhouse stage to deliver its exuberant portrayal of romantic pessimism, just in time for Valentine’s Day.

‘An enormous amount of humour’: ‘Lemons’ review

Lighthouse Productions’ debut project delivered a fast paced, hilarious version of Sam Steiner’s script. Even the argumentative scenes prompted laughs.

‘Does your doctor need to care?’: GREYJOY, reviewed

GREYJOY is a stunning example of how intricate and thoughtful student theatre can be.

‘Funny, sad things’: In conversation with ‘GREYJOY’

The cast and crew of 'Greyjoy' discuss their upcoming production, a show with a sharply comic tone that grapples with weighty themes.

A noble mind o’erthrown: ‘Hamlet’ at the National Theatre

This month, Hamlet returns to the stage in a new production soon to be released on National Theatre Live, following its staging last autumn.

Lighthouse Productions on ‘Lemons’

The team outlined the vision for their debut production: a political, surrealist piece of contemporary theatre.

‘Songs, skits, and a third thing beginning with S’: Jack McMinn in conversation

If there’s one thing I believe Oxford’s theatre scene is missing, it’s a button-down-shirt-wearing ex-zoology student with a penchant for writing songs about Pret A Manger.

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

OUDS Wrapped 2025: A year of student drama

The best productions of 2025, recommended by committee members, OUDS enthusiasts, critics, and audience members.

‘Dark, revealing, gripping’: In conversation with the cast of ‘JACK’

JACK, by Musketeer Productions, reimagines the cult story of the most notorious serial killer in British history. Shining a light particularly on the mistreatment...

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s 2009 tragicomedy. The play follows a group of people of different...

‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025

When I wandered into Tingewick Hall on a cold, dark evening in seventh week, I was utterly unprepared for the madness that awaited me...

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong version of the classic text, impressive in its ability to...

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Seabass Theatre has carved out a niche for itself producing original takes on canonical texts, most memorably last year’s plant-inspired Hamlet staged at the...

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and Billy Hearld. It begins in what seems to be simplicity:...

An affectionate, homely play with hidden ambition: ‘Under Milk Wood’ reviewed

The lights dimmed, a small plaque was illuminating the stage with the red letters, “ON AIR”. I know I am in for a treat:...

‘An evening of refined fun’: ‘An Ideal Husband’ reviewed

An Ideal Husband is a guaranteed evening of refined fun. Carfax Productions’ take on Wilde’s classic play is charming and does the text’s wittiness...

Witty, original, and colourful: Tidal Theatre’s ‘Launa’ reviewed

Tidal Theatre’s Launa (at the BT 18-22nd November) is exactly the kind of play that the student drama scene needs more of. It was...

‘Controversial but compelling’: ‘Women Beware Women’ reviewed

CW: Sexual assault The Michael Pilch Studio might just have been the perfect venue for Women Beware Women. Intimate and beguiling, the audience were made...

GCSE drama nostalgia: ‘The Detention’ reviewed

The Detention provided its fair share of giggles, but whether that was a result of humour or awkwardness is up for debate. There were undoubtedly...

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Theatre

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

Something wicked this way comes: ‘Macbeth’ previewed

All in a day’s Work.txt: Metatheatre’s extremes

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

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