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UrbanObserver
Thursday 20th November 2025
Oxford's oldest independent student newspaper, est. 1920
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Theatre
‘Controversial but compelling’: ‘Women Beware Women’ Reviewed
CW: Sexual assault The Michael Pilch Studio might just have been the perfect venue for Women Beware Women. Intimate and beguiling, the audience were made to feel almost as naked...
Culture
Abigail Lakeland
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GCSE drama nostalgia: ‘The Detention’ review
The Detention provided its fair share of giggles, but whether that was a result...
Culture
Elyce Croker
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‘Undeniably and uniformly exceptional’: Uncle Vanya reviewed
It is a privilege to attend the most anticipated production of the term, and...
Culture
Mair Andrews
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“You will kill my children!”: ‘A View from the Bridge’ reviewed
The stellar cast of Labyrinth Productions’ A View from the Bridge delivered a layered,...
Culture
Charlie Bailey
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Latest
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Dining al Desko Preview – ‘a tale of high treachery and highlighters’
An acutely observed examination of inane office politics, despair, and social media
A Doll’s House preview – ‘a beautiful play to watch’
An intimate cast, toxic relationships, and powerful dialogue magnify a society on the cusp of sexual revolution
Hereafter preview – ‘an ostensible exploration of future technology that shines a light inwards, rather than forwards’
A fresh, emotional take on the future
Medea Review – ‘vengeful, manipulative, and captivating’
More than just a play: 'Medea' reminds us why we go to the theatre
Confusions – Review
More energetic performances were needed to do justice to the subtlety of Alan Ayckbourn’s comedy
Medea – Preview
A production that promises a masterful portrayal of the struggles of integration, womanhood and belonging
Review – A Midsummer Night’s Dream
The humour, wit and emotional depth contained within the text are lost to the physicality and slapstick
Underrated Spaces: Jesus College Hall
The Devil is in the detail of this early modern revival
Funny Friends Preview – ‘A roundup of all the best student talent in the country’
Funny friends and frenetic feminisms fuse in this upcoming Playhouse performance
The Lonesome West review – ‘a pressure-cooker of rage and almost-erupting violence’
Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy
Like A Virgin review – ‘the range of relationship difficulties explored is certainly impressive’
Sam Moore's play about the complexities of relationships finds resonance with audiences of all kinds
Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’
Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation
A Streetcar Named Desire Review – “a play that unpicks toxic masculinity”
The effects of modernisation upon Williams' play
Review: Brave New World
Cesca Echlin is unsettled by Four Seven Two's evocation of Huxley's World State
Review – “Nell Gwynn”
University College Players capture the extravagance and obscenity of Restoration London in their production of Swale’s 2013 comedy
No Market For Old Men review – ‘an hour of fast-paced sketch comedy’
Krysianna Papadakis finds a lot of nuance in Oxford Revue's latest sketch show
The Writer review – ‘jumping out at you in wild, exciting, provocative vitality’
Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens
Review – The House of Bernarda Alba
Ela Portnoy is impressed by this elegant adaptation of the Lorca masterpiece
OCTOPUS – Review
Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?
Travesties review – ‘a very competent production of a fiendishly complicated play’
Roddy Howland Jackson is charmed by a dynamic, absurdist comedy of historic proportions
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