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UrbanObserver
Thursday 6th November 2025
Oxford's oldest independent student newspaper, est. 1920
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Theatre
Sin and nectar: Behind the scenes of ‘Women Beware Women’
I arrived at a rehearsal of Women Beware Women and found Hippolito (Kit Parsons) and Isabella (Céline Mathilda), uncle and niece, embracing and sharing an incestous kiss flavoured by...
Culture
Tomas Overton
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Well-managed complexity: ‘In Praise of Love’
In Praise of Love by Terence Rattigan was a play well-chosen in today’s political...
Culture
Charlie Bailey
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‘Extremely funny and emotionally intense’: ‘Your Funeral’ at the Burton Taylor Studio
Your Funeral is Pharaoh Productions’ debut play written by Nick Samuel, about the last...
Culture
Charlie Bailey
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‘A team of criers’: Behind the scenes of ‘Uncle Vanya’
Nothing makes me more excited about a theatre production than hearing a director talk...
Culture
Lara Machado
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Not About Heroes review – ‘It is rare to find a student production of such maturity’
Chloe Taylor is impressed and moved by this poignant study of war and poetry
Jubilee review – ‘Funny, self-referential, and visually exciting’
Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of
Ishtar preview -‘Nothing if not entrancing’
An excellently engaging gloss of an intriguing archaic myth
Crocodile preview – ‘This is going to be properly funny’
Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term
#Ending the Silence review – ‘there is nothing quite like it’
Joel Stanley reccomends a captivating performance and an unmissable experience
Down with my Demons review – ‘tensions rise as secrets spill’
A talented cast bring this immersive and exciting piece of new writing to the stage
In Conversation with the Team Behind #Ending the Silence
John Livesey talks to Euton Daley and Amantha Edmead about their latest show at the Old Firestation
Hedda review – ‘stubbornly disturbing and nuanced’
The most anticipated-show of Hilary term lands with both style and substance
The C-Bomb review – ‘the perfect antidote for those mid-term blues’
Delphine Chalmers is charmed by this self-assured, intelligent, and funny piece of student writing
Hedda: “the story of a woman who demands a better life”
We chatted to the female-identifying members of the cast and crew of Hedda to find out what the play and its protagonist mean to them
Victory review – ‘Julia Pilkington’s direction places us on a knife edge’
Victory is a reminder of student theatre's capacity to thrill and chill in equal measure
Girls and Boys review – ‘a drama that not only strikes, but leaves us sizzling’
Tony Wilkes is wowed by an unexpected trip to see the Royal Court's latest show starring Carey Mulligan
The Polycephaly Monologues Review – ‘seamlessly combines the surreal with the naturalistic’
Tom Mackie is left amazed, but confused, by Nick Smart's juicy, absurdist work
Victory preview – ‘a truly fantastical world’
Sumptuous visuals, dark comedy and literary flair make this production one not to miss
The Kite Runner review – ‘a choreographed exuberance prose cannot achieve’
The Kite Runner is taken from page to stage in this masterful adaptation. Izzy Troth reviews.
Julius Caesar review – ‘two hours of pounding drama’
Nicholas Hytner's adaptation is makes you rethink the iconic tragedy
The 39 Steps review – ‘It is rare to see an Oxford play take itself as seriously as this 39 Steps – that is,...
Charles Britton is left with a smile on his face after an uncommonly fun night out in Oxford
The 39 Steps preview – ‘guaranteed to be a comedic spectacle of no small intensity’
Alice Taylor previews Antonia Hansen's interpretation of a Hitchcock comedy
Sweet Charity review – ‘Oh Mama, welcome to the 60s!’
Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage
Beautiful Thing review – ‘Ruckus Productions has certainly made some noise’
Franklin Nelson is impressed by this rendition of a thoughtful, timeless coming-of-age drama
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