Theatre

Slow down, you crazy child: What Oxford student theatre can learn from garden plays

Student theatre strives to be as professional as possible, but the annual garden play offers something unique: permission to have fun.

Culture Mair Andrews -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Testing my patients: ‘The Effect’ at the BT Studio reviewed

Necessarily navigating the difference between ‘side effects’ and reality, the play strikes a fine balance between what one thinks and what one feels.

Culture Billy Skiggs -

‘The Harrowing of Hell.26’ reviewed

Fundamentally, The Harrowing of Hell.26 is a finely acted, well-produced play which was enjoyable enough to watch, but its conclusion is unsatisfying.

Culture Arun Lewis -

Latest

Eat Your Heart Out review – ‘A nuanced and authentic exploration of a stigmatised subject matter’

Tightrope Productions' devised piece proves particularly heartfelt at the Edinburgh Fringe.

The Oxford Revue: ‘Wasted’, and ‘Group Work’ Reviews – “More time in the writing room necessary”

The audience is left wanting more from the writing at The Oxford Revue's two Fringe shows.

Flying saucers and the end of the world: Oxford Fringe sci-fi shows question life as we know it

Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'

Witch Hunt Review – ‘Dizzily funny writing and disastrous hair’

Horseplay Productions' politically-charged sketch comedy hits comedic targets despite an ambiguous through-line.

Five Women Wearing the Same Dress Review – ‘an unusual choice for the Fringe’

An unusually long play for the Edinburgh Fringe sacrifices some clarity in plot to explore the dynamics between complicated women

The Lieutenant of Inishmore Review – ‘Brooding, self-deluding, and very mad indeed’

Michael Grandage's use of dark humour and relentless gore to explore Ireland's complex history of sectarian conflict.

The Actor’s Nightmare Review – “a high octane sprint through an abominable nocturnal dystopia”

Mercury Theatre Productions' venture into theatrical hell is impressive, but the length of the production lets it down

For Colored Girls Review – “An intimacy that focuses solely on the lives of black women, the beautiful and the haunting, is...

A powerful performance of Shange's work that presents personal stories of love, loss, hope, and renewal

Dining Al Desko review – ‘pure tragicomedy’

Alastair Curtis' intertwined monologues tease out the humour and poignancy of office life

Romeo and Juliet Review – ‘immensely effective’

A bold and haunting production that places the deadly feud in HM Prison Verona

A Doll’s House Review – ‘the pace of the narrative was stunted’

A cohesive aesthetic experience, but a shortened script hampers character development

No Man Ever – Preview

A production that is wholly and intensely focused on human interaction and language

Romeo and Juliet – Preview

A close cast and crew underline the generational aspects of Shakespeare's tale of conflict, all in a female offenders unit

Dining al Desko Preview – ‘a tale of high treachery and highlighters’

An acutely observed examination of inane office politics, despair, and social media

A Doll’s House preview – ‘a beautiful play to watch’

An intimate cast, toxic relationships, and powerful dialogue magnify a society on the cusp of sexual revolution

Hereafter preview – ‘an ostensible exploration of future technology that shines a light inwards, rather than forwards’

A fresh, emotional take on the future

Medea Review – ‘vengeful, manipulative, and captivating’

More than just a play: 'Medea' reminds us why we go to the theatre

Confusions – Review

More energetic performances were needed to do justice to the subtlety of Alan Ayckbourn’s comedy

Medea – Preview

A production that promises a masterful portrayal of the struggles of integration, womanhood and belonging

Review – A Midsummer Night’s Dream

The humour, wit and emotional depth contained within the text are lost to the physicality and slapstick

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Theatre

Slow down, you crazy child: What Oxford student theatre can learn from garden plays

‘Our House’ in the middle of Beaumont Street

Testing my patients: ‘The Effect’ at the BT Studio reviewed

‘The Harrowing of Hell.26’ reviewed

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