Theatre

‘A team of criers’: Behind-the-scenes of ‘Uncle Vanya’

Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation with Cherwell, director Joshua Robey’s...

Culture Lara Machado -

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time...

Culture Charlie Bailey -

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR...

Culture Rhys Ponsford -

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it...

Culture Rhys Ponsford -

Latest

Crocodile preview – ‘This is going to be properly funny’

Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term

#Ending the Silence review – ‘there is nothing quite like it’

Joel Stanley reccomends a captivating performance and an unmissable experience

Down with my Demons review – ‘tensions rise as secrets spill’

A talented cast bring this immersive and exciting piece of new writing to the stage

In Conversation with the Team Behind #Ending the Silence

John Livesey talks to Euton Daley and Amantha Edmead about their latest show at the Old Firestation

Hedda review – ‘stubbornly disturbing and nuanced’

The most anticipated-show of Hilary term lands with both style and substance

The C-Bomb review – ‘the perfect antidote for those mid-term blues’

Delphine Chalmers is charmed by this self-assured, intelligent, and funny piece of student writing

Hedda: “the story of a woman who demands a better life”

We chatted to the female-identifying members of the cast and crew of Hedda to find out what the play and its protagonist mean to them

Victory review – ‘Julia Pilkington’s direction places us on a knife edge’

Victory is a reminder of student theatre's capacity to thrill and chill in equal measure

Girls and Boys review – ‘a drama that not only strikes, but leaves us sizzling’

Tony Wilkes is wowed by an unexpected trip to see the Royal Court's latest show starring Carey Mulligan

The Polycephaly Monologues Review – ‘seamlessly combines the surreal with the naturalistic’

Tom Mackie is left amazed, but confused, by Nick Smart's juicy, absurdist work

Victory preview – ‘a truly fantastical world’

Sumptuous visuals, dark comedy and literary flair make this production one not to miss

The Kite Runner review – ‘a choreographed exuberance prose cannot achieve’

The Kite Runner is taken from page to stage in this masterful adaptation. Izzy Troth reviews.

Julius Caesar review – ‘two hours of pounding drama’

Nicholas Hytner's adaptation is makes you rethink the iconic tragedy

The 39 Steps review – ‘It is rare to see an Oxford play take itself as seriously as this 39 Steps – that is,...

Charles Britton is left with a smile on his face after an uncommonly fun night out in Oxford

The 39 Steps preview – ‘guaranteed to be a comedic spectacle of no small intensity’

Alice Taylor previews Antonia Hansen's interpretation of a Hitchcock comedy

Sweet Charity review – ‘Oh Mama, welcome to the 60s!’

Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage

Beautiful Thing review – ‘Ruckus Productions has certainly made some noise’

Franklin Nelson is impressed by this rendition of a thoughtful, timeless coming-of-age drama

Beautiful Things preview – ‘brilliantly captures a microcosm of London life’

A show about sex, youth and life in the city

Young Marx review – ‘Fiercely comical, ingeniously designed’

Harry Hatwell reviews the triumphant 'Young Marx', the first production at London’s new Bridge Theatre

Revolt. She Said. Revolt Again Review – ‘a perfect balance between unsettling humour and sincere urgency’

Alice is impressed by this urgent feminist showcase, although it sometimes feels constrained

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Theatre

‘A team of criers’: Behind-the-scenes of ‘Uncle Vanya’

Grappling with ‘grief that’s half formed’: Your Funeral

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

Are you listening comfortably? Audio drama and theatre

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