Theatre

Review: Death of a Salesman – ‘The Inside of His Head’

To review Tiptoe Productions’ staging of Death of a Salesman, I must first contextualise my biases as a reviewer. By no means do I intend to offend – I...
Theatre Sanaya Narula -

Oxford’s summer scene: The season of open-air performances

Trinity term at Oxford University is defined by wisteria, wild swimming, and warmth. Students...
Theatre Elizabeth Bourn -

Review: An Anthology of Pairs – ‘Two’s a Party’

There’s a particular theatrical magic that comes from two people simply talking in a...
Theatre Mercedes Haas -

‘So Far, So Good’ and redefining the spotlight

So Far, So Good is a student-written, student-performed play that is shaking up the...
Theatre Angharad Thorp -
Latest

Julius Caesar at the TS Eliot Review: ‘Mature and Intelligent’

"From start to finish, it was a show filled with excellent performances from leading cast members."

‘Frost/Nixon’ by St John’s Drama Society – Review 

"Rohan Joshi is a star turn as President Nixon. His wounded gait, booming American accent, and measured pace of delivery kept the audience rapt."

A queer exploration of new age romance: ‘Best of Five’ Review

"Watching ‘Best of Five’ felt like I was watching a combination of mine and my friends' university experience playing out in front of me. "

A modern way of doing Chekhov: The Cherry Orchard Review

"If the look of the production is traditional, then Esme Buzzard’s translation is distinctly fresh."

Daddy Longlegs: a Big Step Up for Student Production

"Daddy Longlegs went above and beyond the standard I’ve come to expect of student productions in my time at Oxford."

Gawain and the Green Knight – Review

"Gawain and the Green Knight was a play I was eager to see."

“Riotously Funny and Highly Enjoyable”: Blackadder Review

"It came as a pleasant surprise, therefore, that I found the production riotously funny and highly enjoyable."

Immersive, seductive, orgasmic: review of The Bacchae

Inhale, exhale. The beating drum sounds louder as I walk further into the Keble O’Reilly. Turning left into the auditorium, I find the source...

Unbodied identity? – A Review of Bodies

"Bodies captivates in its exploration of 'bodied' and 'unbodied' existence. The play challenges traditional notions of life, meaning, and identity"

Review of Tennant as Macbeth: An Auditory Experience

"Last week I took a trip to London to see the new production of Macbeth starring David Tennant at Donmar Warehouse."

50s musicals are making a comeback: Review of Guys and Dolls at The Bridge Theatre

"I was lucky enough to go with my family to see a production of Guys and Dolls, which is currently running at the Bridge theatre, London."

“Highly enjoyable”: An Enemy of the People Review

Henrik Ibsen wrote to the publisher of his 1882 play ‘An Enemy of the People’ that ‘I am still uncertain whether I should call...

‘Oh no, the sky is falling’: This is How We Walk on the Moon Review

A full-moon shaped circle of chairs awaits the audience. We’re directed to stand in the middle of the circle and one by one, characters...

‘The Furnace of Art’ : A Review of Amadeus at the Keble O’Reilly

‘Nowadays all cats appreciate are coloratura,’ Salieri says gravely ‘like the rest of the Public’. This sums up Peter Shaffer’s Amadeus (which is currently...

“The poetry of motion!”: Toad of Toad Hall Review

Toad of Toad Hall A.A Milne’s adaptation of Kenneth Grahame’s 1908 beloved classic The Wind in the Willows, is a testament to throwing responsibilities...

“Immersive and interesting”, King Lear at the Wyndham Theatre

Kenneth Branagh has taken on a new project: directing and starring in the Shakespearean classic ‘King Lear’ this winter at the Wyndham Theatre in...

“Slightly out of joint”: Hamlet Review

That Isaac Asimov’s retelling of a bemused reader’s response to Hamlet – ‘I don’t see why people admire that play so. It is nothing...

Innovating Euripides: Medea Opening Night Review 

The Oxford Greek Play is a bizarre tradition: an undergraduate foray into Greek tragedy which first occurred in 1880 and has continued triennially ever...

“An ambitious testament to Epic theatre”: Angels in America Review

Angels in America: Milennium Approaches is a big show. Indeed, a play with a three-hour runtime and a Pulitzer Prize can really be nothing...

“Surprising, and slightly macabre”: Sampi at the Burton Taylor

A play about friendship, breakdowns, a chicken sandwich, existential questioning and a nosebleed, Sampi at the Burton Taylor Studio is a piece of new...
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