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Oxford's oldest student newspaper
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In defence of the History Admissions Test
Exclusive: Romesh Ranganathan, Brian Cox, Suella Braverman, and Ron...
It’s time for a new view on college disparities
Inside Google’s Fight Against Spammy AI Content
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Oxford's oldest student newspaper
Independent since 1920
News
Opinion
Features
Sport
Profiles
Lifestyle
Culture
Books
Art
Culture
Music
Film
Stage
Fashion
The Source
Puzzles
Print Editions
More
Keep Off The Grass
External Features
Culture
Cricket jumpers at the club? What Oxford students are really wearing
Perhaps style at Oxford is ultimately about learning how not to let the mask slip.
Culture
Mei Kawagoe
-
Should we judge a book by its cover?
Maybe we need to start giving a chance to the books we wouldn't usually take a second glance at.
Books
Yasmin Beed
-
“Mummy said I’m pretty”: Nepo babies on the runway
What positive changes are the people born into this system going to advocate for?
Culture
Srinetra Banerjee
-
Review: Beetlejuice, Beetlejuice
Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.
Culture
Keziah McCann
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A list of brilliant things about ‘Every Brilliant Thing’
"This performance... is likely to have made a lasting impression on every single person who has watched it."
Review: Entertaining Mr Sloane
"Brook’s production moved between playing the world for laughs and playing it real enough that the audience was left with lingering unease."
Review: Black Blood
"The most interesting elements of the play are the characters themselves, and their relationships outside the murder plot."
Review: I Will Delete This Story
"I found that I Will Delete This Story left me wishing that the titular promise had already been fulfilled."
In Conversation With Velvet
"If you haven’t heard of them, you should have."
“A fantastic story of love and liberation”: An interview with the cast and director of ‘An American In Paris’
"It’s been a process of figuring out how we can tease out those themes of love and liberation."
Luxury in Crisis
"The future looks bleak – but that’s no reason not to make the present a little less unbearable."
Sound And Vision: Better Call Saul’s Perfect Montage
"The perfect song choice is instrumental in creating the perfect montage".
Homeward: The Source, HT23 Week 1
Four pieces of creative writing – from Thisuri Perera, Ruth Port, Charlie Bowden, and Flynn Hallman – for the theme 'Homeward'.
Dead Man’s Suitcase: A Review
"At once funny and profound, Dead Man’s Suitcase is a treat for the senses."
Othello: A New Era of Shakespeare
"This production has chosen to take a step away from this preoccupation with setting and allow the play to speak for itself."
Have A Hot Girl Hilary!
Deborah Ogunnoiki reviews Oloni's sex guide The Big O on how to have a healthy sex life, just in time for 'Hot Girl Hilary'.
Babel, or the Beauty of Multilingualism
Emerald Ace-Acquah reflects on the complexities of language, colonisation, and power, as explored in R. F. Kuang's new novel.
Glass Onion Review: Those ‘Knives’ Need Sharpening
Beatrice Ricketts considers whether the latest mystery film from Netflix lives up to Agatha Christie's novels.
Vivienne Westwood: Cultural Provocateur and True Original
Iseult de Mallet Burgess looks back on the life and work of the late icon, activist, and trailblazer Dame Vivienne Westwood.
“Who am I, and who do I love?”: Neil Bartlett’s adaption of Orlando
Ursula White reviews Neil Bartlett's adaption of Orlando at the Garrick Theatre starring Emma Corrin as Orlando.
Confessions of a Theatre Kid: Debunking The Myth
"This problematic and relentless framing of the theatre kid as marginalised or an 'underdog'... misses the fact that the arts are propped up by privilege."
Christine McVie: Fleetwood Mac’s rock ‘n’ roll romantic
"Charged with hope and joy, aching with romantic wisdom, [McVie's songs] are the songs of a woman who has lived and loved."
“A thrilling look into disjunctive relationships”: Fêtid Review
"Morgan’s multi-faceted script offers a combination of dark comedy and depth which keeps the audience consistently intrigued."
Surrealist Film Review: Fellini’s 8½
"It is where Fellini blurs the lines between fantasy and reality that he has produced an authentic filter of a man’s consciousness."
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