Saturday 18th April 2026
Blog Page 1134

Seeking Allah, Finding Jesus

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Nabeel Qureshi, as it turned out, is a much more prolific writer than I had anticipated when originally planning this interview. With his new book Answering Jihad coming out shortly and another, No God but Jesus, coming out in August, there was clearly enough material for an article much longer than this. But alas, through forced restraint, here is my limited account of a fascinating conversation.

As any writer, he focuses on his own expertise – his is comparing Islam and Christianity. His conversion at the age of 22, after years of living a very devoted and strict Islamic faith (he was originally from the Ahmadiyya sect) provides a valuable perspective on the position of the two faiths in our society and how they should be understood. Seeking Allah, finding Jesus is his personal account. His aim was to help Westerners understand Muslims, particularly because of the fear which often defines relations today. He attempts to do this by describing his own childhood, providing a point of connection for those who view the Muslim faith as something ‘alien’. The book also attempts to explain Christianity to Muslims, and Islam to Christians, in the hope that they may understand one another. The third aim of the book is to help people understand the difficulties faced by converts, moving from one religious background to another. Indeed, in contrast to the individualism of the West, in many areas of the world people view their identity as part of a collective, where the decisions you make impact your family, your tribe and your nation. In consequence, there are tremendous ramifications for converts, as certain decisions can mean they are viewed as traitors.

He penned Answering Jihad because of the very polarised response to Muslims coming westward. He explains, “It addresses how to treat Islam as a religion versus how to treat Muslims as people, so that we understand accurately the religion and its systems, but we treat the people with compassion, because as a Christian I believe they are all image-bearers of God, whether or not we agree with them.”

No God but One he wrote as an explanation of the intellectual side of his conversion. It also presents the differences between Islam and Christianity. As he puts it, “There are analogous notions in both faiths, such as God, prophets etc, but those notions being analogous, does not mean they are the same.” In the second half of the book, he investigates the case for Islam and Christianity and asks whether either is worth sacrificing everything for.

We discuss the biggest misconceptions of Christianity, both from a Muslim and a ‘Western’ perspective. He highlights the particular postmodern relativist view of the world that the West appears to have chosen and claims that Muslims and Christians actually have much more in common by comparison. He claims, “A westerner would ask questions, such as why would God send people to hell? Who are Christians to say what is immoral?”

A Muslim issue with Christianity is much more specific, such as, “How can you believe in the Trinity”, or, “How can you expect an orderly world without a specific law such as Sharia?” He does, however, highlight that the arrival of many Muslims in the West has meant that many of these boundaries have become blurred.

But what actually is a Christian? As ever in these conversations, it is important to define your terms. He explains, “When I am talking about a Christian personally, I mean someone that intentionally follows Jesus, who worships only the God of the Hebrew Bible and Jesus as the risen Lord.” Sounds simple enough. He makes a point of excluding people who have been brought up in a Christian home, but who do not personally choose this way for themselves.

We briefly discuss the hypocrisy of a potential Christian superiority complex. He argues, “To be a Christian you have to admit that you are sinful, that you need God’s salvation unlike other perspectives where you can to some degree earn your way, work your way, enlighten your way into heaven or the equivalent. This perspective requires you to be completely humble and just receive”. He also highlights the benefits of the historical evidence surrounding the beginnings of the Christian faith and the fact that it is a faith grounded in love, through the eternal selfless relationship within the Trinity. From a personal angle, he claims, “If Christianity were just another message, I would never have accepted it.”

His favourite verse of the Bible is Mark 12: 30-31 because it reinforces the revolutionary notion that when considering love, the self should be third in line, if not further down the list. He claims, “If we all lived like that, this world would be a much better place.” We briefly discuss parts of the Bible that are often pointed to for their apparent discrepancy, notably the abrupt end to Mark’s gospel. Nabeel argues that the apparent cliff hanger is there to offer scope for first-hand witnesses to finish the story from their own experience. This turns out to be his intended doctoral thesis. I move away carefully.

Finally, I ask for one piece of advice for the average Oxford student. He replies, “Stop going through the motions of school, university, job, marriage, mortgage, retirement, death. Your life is powerful, you are a unique individual in a unique circumstance with a unique personality and skill set… If God exists, you can aff ord to die helping others because you live eternally and your life can be used for a great purpose. Even if not, see yourself as an individual of great potential.” His story in five words: “God rescued me from me”

Torpids 2016: Men’s form guide

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Men’s top 18:

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Poetry Bites: HT16 week 5

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I Flew – Lindsay Tocik

The first time I flew a kite without my father
Sky chose to tease Earth with sorrowful weather.
I walked with three others whom no longer know my name,
while we searched for open fields to launch our turtle tether.

Sky chose to tease Earth with sorrowful weather,
but Sun refused to give into Darkness. You should have seen her shine.
While we search for open fields to launch our turtle tether,
we shared chuckles, and Kite’s string became entangled with Vine’s.

As Sun refused to give into Darkness (you should have seen her shine),
I walked with three others whom no longer know my name.
We shared chuckles, and Kite’s string became entangled with Vine’s,
The first time I flew a kite without my father.

Note:

This week, in continuation of the theme of weather, Lindsay Tocik writes about sunshine. Lindsay is one of this term’s resident writers on Seven Voices, an online platform which features the work of seven new artists from around Oxford in response to weekly themes every term. Check out and respond to their creations at http://sevenvoices.weebly.com/

 

Is This Art? Minecraft

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I don’t play ‘Minecraft’, so I admit that for this article I had a lot of help. In fact I barely ever made it past ‘Sims 3’, with a very thin smearing of ‘Runescape’. But whatever. I know a lot of people that do play it, and I have seen for myself the time and eff ort that goes into creating the games themselves and the hours put in by players, who experiment with the core materials to create beautiful structures of their own. Indeed, such commitment is easily comparable, and to some extent exceeds that of modern artists. However, can something created largely for its entertainment value be described as art?

The suggestion that video games can be art is not completely revolutionary. The Museum of Modern Art in New York has several video games now as part of its permanent Architecture and Design Collection. Of the selected list, the museum commented, “The games are selected as outstanding examples of interaction design…and one of the most important and oft-discussed expressions of contemporary design creativity. Our criteria, therefore, emphasize not only the visual quality and aesthetic experience of each game, but also the many other aspects – from the elegance of the code to the design of the player’s behaviour – that pertain to interaction design.”

According to your average bogstandard dictionary, art is “the expression or application of human creative skill and imagination, producing works to be appreciated primarily for their beauty or emotional power.” Indeed, it is clear how the creation of the game can be considered art. But what about the players themselves? Are they artistic creators?

I briefly looked online at some ‘Minecraft’ creations. Many show an incredible level of skill and architectural engineering. With ‘Minecraft’ versions of the Taj Mahal, the Pokémon Grass Gym, the Tower of Babel and Minas Tirith from Lord of the Rings, the creative scope itself is vast. Players have also added an educational element to the game; in 2014, a 1:1 scale recreation of Denmark was launched to teach urban planning and geography in schools. This reflects other formative attempts of art over the years. ‘Minecraft’ also has the advantage that it is not limited spatially like other art forms, as players are able to create whole cities. The potential for collaboration is also unprecedented.

Of course, there has been unavoidable controversy over the use of computers in the creation of art. But equally, there are many things in art galleries all over the world whose artistic qualities many struggle to understand. Just because something is popular, does that discredit its right to the title? Personally, I think it only enhances it.

Review: My Brilliant Friend

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I am instantly sceptical of any novel described as “warm-hearted.” I cringe away from a blurb’s claim that “a memorable portrait of two women, My Brilliant Friend is also the story of a nation.” Even the title blares dismal sentimentality. Yet if you can get past the occasionally nauseating summary of the main character’s relationship as a “not always perfect shelter from hardship” you will find that the delight of Elena Ferrante’s novel lies not in its universality, but its specifi city, its gorgeously precise detailing of the lives of Elena and Lila.

It is at times far from ‘heartwarming’ as you witness family lives disintegrate, fathers who beat their children, young men who beat each other. “You could die of things that seemed normal,” Elena remarks early on in the novel, setting up a world indiff erent to the fate of the two girls, as they attempt to escape the impoverished lives they are born to.

As we trail through the young girls’ lives, both the readers’ and the characters’ hopes are constantly frustrated. We witness Elena and Lila, as young, occasionally diffi cult yet endearing children, brimming with hope and ambition. Lila borrows books from the library under the names of every single one of her family members, and dreams of writing away her poverty through best-selling novels. But literature is inadequate at changing her life, provoking questions about its role. Neither this novel nor the books Lila read can change the sad economic reality she faces, yet they can bear witness to the richness of individual lives, even those of poor young girls. It is always emphasised that Lila is exceptional, yet perhaps undeserving of Elena’s feeling of quasi-hero worship. We watch as Lila’s potential is squandered and dreams are shown as a luxury for those who can afford them.

Both the myriad of characters and the Italian streets are detailed in clear and vivid prose. The novel is not hampered by translation; the fresh clarity of the prose gives Elena a voice which is sometimes wistful, sometimes frightened, and sometimes nasty. Throughout the novel, the girls hurt each other, each incisively plucking at the other’s weaker points. But they remain bound and care for each other deeply even if they appear to feed of the other’s vulnerabilities.

Ferrante casts Naples as a ruthlessly competitive city. Both girls cling on to what they think will change their lives, whether this be Elena’s constant desperation for perfection in her exam results, or Lila’s disappointed dreams which she reimagines into a more commercially-viable form, a new design for a shoe.

My Brilliant Friend’s most enjoyable aspect is not its didactic impulse to show how impoverished conditions can crumble dreams away, but Ferrante’s story-telling ability. Her vivid characters constantly entangle their lives together in the remarkably riveting plot. It is escapism, yet it is endearing and thoughtful escapism. There is heart-breaking alteration in the girls at the start and end of the book. Life inevitably disappoints, but this novel does not.

Harper Lee: lessons after death

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For those of you who don’t already know, Harper Lee died yesterday. Her loss is one that will be felt globally. The twitter response alone after the news broke is emblematic of the amount of lives she touched. As I write this article, there are currently 440 thousand tweets lamenting her death and while nothing in comparison to the current trend #FreeKesha, such support for the death of an 89 year old woman is moving.

 

At a fleeting glance, with the exception of a birthday and a couple of hours of English classes in year 10, me and Harper Lee appear to share very little. Yet the book To Kill a Mockingbird has succeeded in hacking away at my subconscious ever since I first opened its weary pages many years ago. For a novel which I read under the educational duress of GCSE English, this literary impact was unprecedented.

 

Much of the power of this book is found in the resonating power of individual lines, which stick in the psyche like a strong adhesive. Most are found in the words of the moral anchor of the novel, Atticus Finch, through the childhood eyes of the young protagonist Scout.

 

The two most significant quotes of the book are arguably as followed:

Real courage is when you know you’re licked before you begin, but you begin anyway and see it through no matter what.”

You never really understand a person until you consider things from his point of view… Until you climb inside of his skin and walk around in it.”

 

Both have appeared all over popular culture and have become staple cultural references in defining our collective morality.I think it is this ability to fix itself in the reader’s soul and refuse to budge which has granted the book it’s durability over the years. The moral instruction of this book is in many ways timeless, which explains the pervasive power of this novel on the English literature syllabus. Indeed when Michael Gove suggested changing the syllabus to include more British literature, it was this novel along with Steinbeck’s Of Mice and Men, which were set up as paragons in defence of a more international education. The outrage that one could even suggest removing To Kill a Mockingbird from reading lists appeared universal. How else could children be expected to learn the value of empathy skills? How did anyone learn true courage before Harper Lee began to write? Such a reaction is a demonstration of the unchallenged position this writer plays on the literary scene.

But of course, To Kill a Mockingbird is not Harper Lee’s only published work. Go Set A Watchman was published in July 2015 and remains buried in controversy. Many readers felt let down by the new presentation of Atticus, which somewhat destroyed the perfect Christ-like figure to which many of us appeared to have become emotionally attached. Yet here for me lies its charm. No perfect hero in literature is ever completely credible and Harper Lee recognised that. She must have been fully aware of the reaction the book would create and thus it is interesting that the book was published so late in life; it was as if to point out, in her final years, that hero-worship is pointless, everyone is imperfect and will ultimately die. And so the author herself did. I cannot imagine a more conclusive end to her story.

On a final note, Harper Lee described the lifeblood of all book lovers everywhere:

Until I feared I would lose it, I never loved to read. One does not love breathing.”

Indeed all readers of the Cherwell book section, yesterday we lost a sister.

Misogyny at Burns Night must stop

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There are a lot of negative stereotypes about our University which alienate anyone other than the straight, white, middle-class cis-gender man. But my first term and a bit at this institution was filled with a certain steadfast calm: naively, I had not had to face any of this prejudice head-on.

Attending a Burns Night dinner last week as a guest at another college, I was, for the first time here, witness to explicit sexism. I was not previously familiar with the traditions of Burns Night, nor was I familiar with the nature of this college’s formalities, including a high table of professors, tutors and a monk. Following tradition, a grace was followed by piping, and the age-old cutting of the haggis took place, accompanied by Burns’ ‘Address to Haggis’. After dining, speeches were made. These traditionally take the form of a man’s ‘Address to the Lassies’, followed by a woman’s reply. 

What followed, on this evening meant to be the celebration of a national poet (albeit a promiscuous one), was sickening. The hall was struck with outlandish, blatant misogyny. The ‘Address to the Lassies’ speech, given by a male undergraduate student, was a list saturated with name after name of female members of the college, alongside the males with whom they had slept or performed other sexual acts. Few details were spared. Identities were paraded. Ridiculous puns were made out of the nature of these activities, where they had taken place, and to what success, always from the male perspective within the sexual act.

During this speech, supposedly ‘celebrating’ the female students, names of human beings (many of whom were present) were being thrown around as if they were mere formulations of letters – as if they bore no relation to any living person holding pride and a conscience. Often women were named in twos or threes alongside one man, as if these women were trophies to be carried around and heralded by the men. All hail the man, while we slut-shame the woman.

Jeering and reckless laughter began. Sitting in that room, with howls and shrieks reverberating off the walls (on which are hung portraits of old white men), I could only be reminded of scenes from the Houses of Parliament: the kind of animalistic, laddish behaviour on show when debating serious issues of ordinary people. It is now very easy to see where the jeering temperament of MPs comes from.

The response of the other students – including a large proportion of women – was what shocked me most. Initially, some seemed bewildered at what they heard. But soon, when it was evident that everyone else in the hall was cackling away, they all joined in. Admittedly, members of the high table looked sheepish, but not one intervened. No one took a stand to question why the speaker felt it necessary to objectify his peers in this way, ridiculing the behaviour of his friends and colleagues in the most public of college settings. Instead, a frightening cult-like atmosphere was apparent: if anyone did feel uncomfortable with the situation, they were not to show it. This fiercely inward-looking culture seems to tear freedom of opinion from all those within its reach. The college in question is a very small community. In this elite bubble, with these violating opinions spoken the loudest, it is hard to imagine how anyone could think for themselves.

Speaking to three female students of the College afterwards, the general consensus was one of bemusement. They agreed that previous speeches had never been of such an explicit sexual nature, but seemed surprised by my contempt. Their sentiment – ‘I would be embarrassed if I were named, but I wasn’t – so I found it funny’ – is representative of a wider social problem. Should we just look and laugh along, as long as it’s not us in the firing line?

Following this initial speech, a female student stood to give her traditional ‘response’. This spokeswoman of female students played up to the stereotype her male peer had laid out to her, implying that the females of her college are ‘easy’, willing to do anything to get with any guy. She ‘joked’ that the ladies of her college would go for any male – tall, short, young or old – even referring to members of the SCR as being no barrier to the female students’ desires. It is not often that a woman is heard objectifying her own kind.

There is no place for sexual acts to be mocked through a demeaning, misogynistic mouthpiece, especially not in a university, which should be encouraging progressive thought and intelligence. The more women are slut-shamed and mocked for sexual pursuits, the more we distance ourselves from any sense of common humanity. The men mentioned in these speeches seemed to gain credibility, whereas it was implied the women had done things they should be ashamed of.

Many matters like this are excused as ‘jokes’ or with the pitiless term ‘banter’ that is thrown around so often. Arguing for comedic value is akin to pushing the problem under the carpet and pretending the situation is jovial. There is nothing light-hearted about explicit, intended misogyny.

As a woman sitting in that room, I felt humiliated and violated. ‘Degraded’ – to be treated with disrespect – hardly bears the brunt of it. As a human being sitting in that room, I felt wholeheartedly mortified. It troubles me that this evening angered and upset me so, because the members of the college hardly gave a second thought to the speeches, carrying on with their evening’s drinking. It is ultimately worrying that I felt like the exception in this situation, because it should be this disgustingly misogynistic behaviour that is the exception we strive to abandon.

Every day I read something in the press concerning women’s rights. If we are living in a time where gender equality is still considered a relevant issue (as well it should be, while sexism still exists), I’m asking why there are pockets of our university where misogyny rules supreme. I’m asking why any human could find it appropriate to humiliate, disrespect and objectify his peers, and why nobody thought this was an offence. And, if we want this to change, I’m calling for the whole student community to start talking about this very real and very dangerous problem with much more urgency. 

The OxStew: prayers for Dawkins answered

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The Church of England has expressed mixed feelings after its prayers for ultra-atheist Richard Dawkins were heard and answered by heaven. 

Famed biologist Mr. Dawkins, 74, suffered a minor stroke earlier this month, and the Church caused even more minor controversy when it was accused of “trolling” Mr. Dawkins after it tweeted believers’ encouragement to pray for him to get better. However, after it emerged that he would probably make a full recovery, hardline elements within the Church have expressed dismay at offering an old foe such an easy way out.

The Archangel Gabriel, who is God’s chief spokesperson when He is busy dispensing righteous justice, said in a press release, “The Kingdom of Heaven is pleased to announce that Richard Dawkins will be the recipient of a full reprieve from God’s justice. At a time where heavenly resources are stretched thin and prayer requests are at an all-time high, we have once again met our target of responding in under four hours.”

When pressed for comment on Mr. Dawkins’ atheism, the Archangel pointed to Sepp Blatter and Rupert Murdoch, noting it would be “hypocritical” for God to let such evil old men live whilst a learned man died, even if he did hold “some crazy ideas about the nature of creation and so-called ‘evolution’.”

Meanwhile, dissenting voices have arisen from a more conservative faction of the Church of England, which apparently is a thing that exists. One hardliner told The OxStew, “ I thought that having to sit and watch women wearing purple gowns and saying certain special words was the biggest indignity the Church of England could foist upon me, but I was wrong. Apparently, now we have to respect our enemies and pray for them to recover from potentially lifethreatening illnesses.

“What a load of bollocks. I might just switch sides and join Pope Francis and his lot. I mean, at least they know how to shame female sexuality and punish people for their natural bodily urges. There’s none of this happy-clappy shit.

“Whatever happened to burning our enemies at the stake and throwing young women into ponds? It’s PC gone mad.”

The incident is not the only recent controversy in which Christianity has been embroiled. Earlier this week, the Pope announced that Republican presidential candidate Donald Trump was “not a Christian”. When confronted with the Pontiff’s comments, Trump was dismissive, responding, “What authority does he have?”

Mr. Dawkins could not be reached for comment, but a source indicated that he was spending most of his time going on long walks on his own, lost deep in thought. One close friend told The Oxstew, “He wants to build a wall around his faith… and make the Muslims pay for it.”

Unheard Oxford: Jimbob’s

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As I munch on my bacon and cheddar baguette (with lashings of ketchup), sitting opposite me are James Morris and Rob Sayers. You might know them better as Jim and Bob, the culinary legends who have brought baguette-shaped love to the city of Oxford. Jimbob’s opened on 4th April 2014, and soon shot to the top of the Oxford Tripadvisor charts. “We always had a top five aim,” says Jim. “It was great when we got to number one.” Perhaps a victim of their own success, they now stand at a still impressive number four; “Sometimes we get average reviews that say everything’s nice, but it’s a sandwich shop. And that’s very annoying – that’s not the point of Tripadvisor”.

Has Tripadvisor been useful, then? “It’s such a good thing for us. When the students go away in the summer, you’ve got all these people who’ve been coming in two, three times a week, and suddenly going away for 10 weeks.” Bob continues, “But suddenly you’ve got hordes of tourists coming in – and it’s because they’ve seen us high up on Tripadvisor. It’s a really good thing, and one thing I like about Oxford is that there’s been no Tripadvisor sabotage here. I was chatting to a guy from Surrey last week who said that there all the restaurants rate each other negatively. As far as I’m aware that’s not going on here.” I’m half way through my bacon sandwich. It’s damn good.

Jim’s lived in Oxford since 2012, and Bob moved over in 2014. “I really like Oxford” – Bob again – “Though I think there’s some troubles at the moment, what with the rebuilding of the Westgate Centre, and the roads. Every shopkeeper in the city has been saying that shopping’s massively down – around 8 per cent, which is a lot.” Jim brings a more positive note: “We feel like we’re bucking the trend a little bit; our sales are up all the time”. Why could that be? “We try never to stand still. We’re always adding to what we have – ice cream, then milkshakes, now burgers and an evening menu”.

And the innovation doesn’t stop there – Jim and Bob gave me an exclusive – they plan to open up shop in uni parks in the summer “We’ll be in the cricket pavilion. We’re going to bring the sandwiches over, have hot drinks and ice cream, and hopefully an alcohol license too. We’re thinking about having events, maybe a hog roast in the evenings; a barbecue on a Sunday.” They sound excited about this new project.

As I hoover up the last morsels of my favourite sandwich, I can’t not ask what theirs is. For Bob, it’s the lemon chicken and pepper. Jim tells me about the Pauly – bacon, humus, gherkins and jalapeños – named after a customer called Paul who placed the order on opening day. He came back six months later to discover, to his surprise, that there was a sandwich named after him.

One day, I can only hope that there will be a bacon and cheddar baguette called the Willy on the menu. Actually, on second thoughts, maybe not.

As a special offer for Cherwell readers, if you mention this article at Jimbob’s for the next seven days after 3pm, you’ll receive a 30% discount.

Recent OULC controversy betrays a wider issue

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Cartoonist’s note: As a Jewish student at Oxford, a Labour supporter and the creator of this cartoon, I can see that the principle behind it may be wrong. The problem here is that the image conflates the Israeli-Palestine conflict, with recent accusations against the Oxford University Labour Club, with a two-dimensional parody of what it means to be Jewish. Sadly, the problem that Alex Chalmers has recently exposed at Oxford is much the same. Just as we recognise the grotesque antisemitic stereotype intruding on this political cartoon, so must we recognise ‘Anti-semitism masquerading at Politics.’ Just as we recognise a map with a Jewish nose, so must we react when international conflict sparks racism at home.

Ella Moriah Baron

The theme of this year’s Holocaust Memorial Day was ‘don’t stand by’, reflecting the fact that last year saw a spike in what was an already rising tide of anti-Semitic attacks. Whilst most may presume that anti-Semitism is a thing of the past in the UK, the Community Security Trust – a charity which monitors anti-Semitism – recorded a 53 per cent rise in anti-Semitic incidents in the first six months of last year, from 2014. 

Now, place this in the context of the Facebook resignation post of Alex Chalmers, now ex-OULC Co-Chair, where he reported that a former Co-Chair had asserted that “most accusations of anti-Semitism are just the Zionists crying wolf.”

The Israeli Apartheid movement’s website states that it “hope[d] to make Israeli Apartheid Week 2016 a powerful contribution to the Palestinian struggle for freedom and justice.” And yet how can the movement be seen as ‘just’ if it continues to be supported by a discourse based on prejudice, stereotype and bigotry? The reported use of the word ‘Zio’ in OULC is unforgivable: it is a word that educated and progressive individuals should not use, especially not during a debate based on interrogating complex geopolitics, seeking fairness and freedom. Those who want justice for a people they see as oppressed, purely based on their national identity, surely must see the hypocrisy of attacking a race of people for their ethnic and cultural identity? 

It is an exhausting way to have a discussion, having to remind people repeatedly that not all Jews are Zionists and that not all pro-Israelis are Jewish. Yes, Zionism has a link with a specific sense of Jewish identity, but even those of us who are pro-Israel balk at some of the state’s actions. In the same way that being British does not mean you support every single action of the Conservative government, being Israeli does not imply complicity in every act of violence that the state commits against Palestinians. A further layer of separation: Jewish does not mean Israeli, Jewish does not mean Zionist. Jewish means Jewish heritage. It might mean practising the religion; equally, it might not. It does not connote a specific political position. To treat Israeli nationality or Zionist thought as synonymous with Jewish identity is ignorant and reductive to what is a deeply important discussion.

Use of the word ‘Zionist’ is also hugely problematic. Zionism can be cultural as well as political; in its cultural context, Zionism asserts Israel can be built on a secular Jewish culture and history, but, as Ahad Ha’am stated, cultural Zionists strive for “a Jewish state and not merely a state of Jews”. Therefore, Zionism is not purely a bulldozing political movement concerned with the future of the Jewish people alone, but instead can be an inclusive movement.

Using ‘Zionist’ as a pejorative term, or discussing, as the aforementioned former OULC Co-Chair did, “the Zionists”, relies upon stereotypes and generalisations. In many ways, ‘Zionist’ has replaced the word ‘Jew’ in mainstream anti-Semitic thought; as the Oxford JSoc reported on their Facebook page, a member of OULC asserted there was a ‘New York-Tel Aviv axis’ which rigs elections, asserting that there should be an awareness of “the influence wielded over elections by high net-worth Jewish individuals”. Not only does he treat Zionist, Israeli and Jewish synonymously, but he then asserts that it was “not anti-Semitic” to allege that there is an international Jewish conspiracy.

This is how anti-semitism creeps into pro-Palestinian movements: when you begin to embed Israel into a view of the world shaded by flagrantly anti-semitic texts like The Elders of Zion you lose integrity. You lose integrity because you are relying on racist, prejudiced and simply untrue stereotypes and conspiracy theories to progress your argument, rather than relying on fact.

It is easy, when we see political situations in absolutist terms, to be tempted to use hyperbole: rhetorically, it’s a perfectly sound instinct. However, by demonising Israel in these extreme terms, it risks becoming part of the aforementioned anti-semitic discourse. If, like the OULC, you wish to compare it to apartheid, take specific examples of human rights abuses and compare them. Generalisations are hugely problematic, particularly with some of the examples I’ve seen where Israelis have been compared to the Nazis. Instead highlight specific policies and talk about how they affect Palestinians. If by ‘like Nazis’ you mean ‘treat Palestinians like they’re not human’ then specify this. Inflammatory language, such as slurs, does not help the discussion evolve. In fact, as we’ve seen with OULC, it corrupts what is meant to be a meaningful course of action.

If you take one thing away from reading this please let it be this: Jewish, Zionist and Israeli are not the same thing. You can be one, two, or all of these, but they are not synonymous. Attacking Jews because of your anger against Israel is unhelpful and anti-progressive. Relying on anti-semitic stereotypes to create anti-Zionist or anti-Israeli discourse is also inflammatory and stagnating. 

As such, I implore you: please, treat Israel’s issues like you’d treat South Africa’s, America’s, or Iran’s. Please don’t treat them as the fault of the entire Jewish people, or see them as entirely condoned by anyone who is pro-Israel, or identifies as a Zionist. This is a hugely nuanced and complex issue that requires frank, open discussion. And nothing can be achieved if you root that discussion in prejudice and racism. Be a mensch, don’t stand by if you hear anti-semitism beginning to permeate pro-Palestinian politics. Stand up for justice and freedom, for everyone.