Wednesday 20th August 2025
Blog Page 1195

Oxford sinks light blue balls

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You may have had the fortune of being in Balliol bar on a Tuesday night, supping on a nice pint of their signature Balliol Blue and stood watching a bunch of slightly worse-for-wear freshers gathered around the pool table moments before they brave the Hawaiian wilds of Lola Lo. You may have stood bemused as you watched them try to harness their inner Ronnie O’Sullivan, measuring angles and owning the perimeter of the table with the same swagger as “the greatest player ever to have picked up a cue”. Not that I mean to conflate Snooker and Pool – there is a signifi­cant difference, believe me – but, in truth, the only overlap between their game and Ronnie’s is the alcohol.

However, some men and women in our midst have mastered this art that eludes the intrepid punters of the college bars and JCRs across university: the Oxford University Pool and Snooker Club (OUPSC). Armed with just a cue and the clothes on their back, these troopers stepped behind enemy lines at the end of 2nd Week for their varsity showdown. Smarting from a 16 frames to nine defeat in the annual Town vs Gown match, the pool contingent of OUPSC were looking to equal their snooker counterparts who had already demolished the Tabs and their questionable Light Blue waist­coats 27 frames to 5 in Cowley back in March, in the first such clash since 2003.

By contrast the pool varsity has been a more regular fixture in the OUPSC calendar, with a contest having taken place every year since 1987. The format is a familiar one; a total of 90 frames are fiercely battled in both singles and doubles matches over two days. Historically, the Oxford side has dominated, leaving their Cantab counterparts in their wake with a staggering 16 victories between 1987 and 2005, dominance rarely seen in any varsity match across all sports. However, the last 10 years have seen an increased period of Light Blue dominance, in which Cambridge scored six convincing victories, including in the 2013 and 2014 editions of this vaunted varsity.

Hot off the heels of finishing top of their league, OUPSC were in good spirits as they ar­rived at the Cambridge Snooker Centre, itself a stone’s throw away from the famous Abbey Stadium, where minnows Cambridge United held Manchester United’s Wayne Rooney & Co to a scoreless draw in the FA Cup 3rd Round back in February, before being defeated hand­ily in Manchester. Was this to be a dark omen for the Tabs?

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After scraping victory in the first set of sin­gles, 19 frames to 17, the Dark Blues followed up with victory in the day’s doubles portion 10-8. Rapidly, the pool varsity showdown had begun to closely resemble that fabled cup-tie, as the two sides were almost at deadlock following the first day’s proceedings, as Oxford held a slender lead of just 4 frames at the close of play.

The second day was a different story altogether as Oxford’s class began to show. Ox­ford’s men began to notch victory after victory, quickly racking up an unassailable lead from what had initially seemed a closely matched contest. Clinical performances from Chris Yates, who notched a powerful 3-0 victory in his second singles match and Ben Green, who sank the winning black, were at the heart of this second day dominance as the Dark Blues clinched a 52-38, their first varsity victory since 2012. The performer of the weekend, however, was Alex Gregory-Allen who was nearly flaw­less, coming away with eight wins from nine.

Lax revenge for Teddy Hall

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Old and new, experienced veterans and green rookies all took to the University Parks last Saturday to play a part in an enthralling mixed lacrosse Cuppers tourna­ment.

The format of the competition was simple with the teams being randomly allocated into four pools of five teams. From there, only the winners of each of the four groups would ad­vance to the semi-finals. Although some teams failed to show up, each group had at least four teams competing. With all the teams knowing that only one side would progress from each group, each match was vital and a series of tense encounters ensued.

Following on from their netball Cuppers success, Teddy Hall managed to qualify for the next round with relative ease after fending off competition from colleges such as Brasenose. Their semi-final opponents were competition favourites Keble, who had struggled to over­come Lady Margaret Hall at the group stages.

In the other half of the draw, it was St Hilda’s who navigated a tricky group which included colleges such as St Catherine’s and Queens. It was in the last group that the battle for a berth into the semi-final was most intense, with no team in the group dominating its op­ponents. Oriel and Christ Church both started impressively, with Oriel winning their first match 4-0. Christ Church also got off to a hot start, beating their first two opponents, which included Oriel.

However, it was the joint team of Wad­ham and St Anne’s that were to finish strongly in the group and qualified to the next stage. They only dropped points in the last match in a 1-1 draw against an Oriel team.

St Hilda’s played Wadham/St Anne’s in a tight game that was, in the end won, by Wad­ham/St Anne’s, surprising given that they had only been formed as a team on the day of the tournament.

Even more surprising, however, was the result of the next semi-final. In a reversal of the recent rugby Cuppers victory over them, Teddy Hall overcame the odds to beat the much-fancied Keble side.

In the final of what had been, up to this point, an unpredictable tournament, there came a match that was never really in doubt. Buoyed by their stunning victory over Keble, Teddy Hall continued in that fierce vein of form and swept into the final confident of their ability to overcome a team that had only been created on the day of Cuppers itself. Wad­ham and St Anne’s could not quite overcome their opposition and fell to defeat at the last after their own remarkable performance that day. It was a familiar final result in what had been a surprising tournament full of shocks and close fought battles.

GrVIII expectations for bumps

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It’s that time of year again: we’re well and truly on the road to Summer VIIIs. With everyone back from training camps and capitalising on relatively clement weather at the start of Trinity, the Isis looks set to host another thrilling set of bumps races.

Starting at head of the river and looking to continue their winning ways this term is Oriel in the men’s league. Strengthened by the arrival of three Blues rowers, they are certain to be confident in holding off Pembroke on the

Wednesday. However victory is far from guaranteed. Rumours are circulating of a Christ Church gunship stacked to high heaven with OUBC oarsmen who have learned from past mistakes and started training as a crew from the  start of term. Should they be able to become more than the sum of their parts this crew has the potential to be very quick – definitely one to watch.

Noteworthy too are Keble who look set for another year of tearing up the charts with a ridiculous number of University oarsmen. Sadly, without a serious increase in fi repower, I fear Magdalen will be left rowing over every day. Similarly Trinity without Stan Louloudis and Mike Di Santo will struggle to replicate their strong performance from last year. Prize for the biggest grudge on day one has to go to Balliol who will be wanting to bump Wolfson into the bank after dropping half a division thanks to an unfortunately timed bump in the Gut on Friday of Torpids.

Whilst Torpids was a fairly open and shut case with predictable bumps, the bottom end of division one and the top of division two of VIIIs has some genuinely interesting line-ups taking form. The top end of division two sees New College chasing Hertford chasing Wadham. All three crews did very well in Torpids across division one and the top of division two – it will be interesting to see who comes out on top this time in a direct comparison.

The bottom of division one sees Wadham and Hertford chasing Teddy Hall as sandwich boat. I’m sure either of these crews will be faster than Teddy Hall but can they catch them before Teddy Hall catch Worcester? A correct prediction in this region means guaranteed fantasy bumps success.

Elsewhere Jesus and Mansfield will be looking to build on their strong performance at Torpids. LMH, filled with Blues, will be looking to make up for a weaker start to the season and get revenge on Brasenose.

On the women’s side, Wadham was untouchable at Torpids and I expect more of the same dominant form come 5th Week. Their crew is strengthened with the addition of Madeline Badcott from the dominant OUWBC crew and will be looking to claim a double headship. I expect Pembroke to take at least third place and maybe even snatch second on the river from St John’s with their smattering of Blues. The field further down the division looks set to be filled with very exciting racing; expect very few bumps before Boathouse Island.

Keble, Wolfson and Hertford – all stormed their way to blades in Torpids and now start ninth, tenth and eleventh respectively in division one. Balliol will be boosted by Caryn ‘Superwoman’ Davies so expect them to perform respectably after an average Torpids campaign. Infused with ‘Bostrom magic’, Lincoln will be looking to continue their Torpids success (up three) into VIIIs.

I’ll conclude with a few picks and tips from elsewhere. Teams to look out for include Regent’s Park, who despite being low down the field put in a strong performance at Torpids, and Pembroke W2 and Balliol W2 which both seem to have good depth and strength in their squads.

With well over 10,000 spectators in attendance Summer VIIIs stands out as one of the most popular rowing events in the UK. It’s not to be missed.

Outrage from Oxford left following election result

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Oxford Left Wing students have responded to the election result by initiating an anti-austerity movement, whilst Oxford University Labour Club (OULC) has written an open letter thanking Ed Miliband.

Various left wing groups wishing to oppose the government gathered at the Wadham Refectory on Wednesday at an event entitled ‘Oxford Fight Back’, which was organised by Oxford Revolutionary Socialism in the 21st Century (rs21).

Representatives from Trade Union Unite, OUSU’s LGBTQ Campaign, Oxford Antifascist Network, Mind your Head and Amnesty all attended the meeting.
The group described themselves as “overall anti-austerity” and as “trying to build increased community links and protect the community from the Tory government”.

LGBTQ Society trans rep Rowan Davis, who was chair of the meeting, commented, “In the face of five years of Tory cuts to civil liberties and the welfare state, hundreds of students and community members came together to channel the very personal anger they felt into organising a political resistance and filling in the gaps that Tory austerity will leave in its wake. The meeting successfully brought together a variety of disparate groups and I for one can’t wait to see what the new working groups come up with.”

The group at the meeting did declare, however, that they were wary of creating yet another “patronising” student group that claims to want to reach out to the community.

They plan to “tap into the traditions of Oxford protest” and involve themselves in other activism.

They also showed interest in national demonstrations, particularly ‘End Austerity Now’, which will take place on 20th June in London. 

Maryam Ahmed, President of the Oxford University Conservative Association (OUCA) commented, “I am disappointed and upset at all the ad hominem attacks flying around on social media right now. As much as I might disagree with Labour, Lib Dem, Green, UKIP or even BNP policy, I really do believe that people of all political leanings have fundamentally good intentions.

“We’re all in this because we want to help people, we just disagree on the methods. And so I’d never dream of referring to an opposing party as ‘scum’, ‘bastards’ or any of the other unsavoury terms I’ve seen people using against the Conservatives. We’re better than this, guys.”

Meanwhile, Oxford University Labour Club (OULC) has written an open letter to ex-Labour leader Ed Miliband, thanking him for the work he did during his five years as Leader of the Opposition.

Miliband resigned as leader last Friday after Labour’s worst election result since 1987, which left the party on 232 seats, a loss of 26 seats from 2010 and nearly a hundred seats short of David Cameron’s Conservative majority of 331.

In his resignation speech, Miliband apologised for Labour’s poll-defying defeat, saying he took “absolute and total responsibility for the result”.

Madalena Leao and Loughlan O’Doherty, OULC’s current co-chairs, commented, “For the Labour Club, and indeed the Labour movement at large, Thursday’s defeat was both unexpected in its magnitude, and immensely difficult in its implications. We are all of us dreading what a Tory government will do to this country.

“However, we are also concerned that in the aftermath of the election the Labour Party regroup as quickly and effectively as possible.

“In particular we are concerned that the loss of the election will prompt a rightward movement within the party and a loss of interest in some of what we consider to be highly important issues, and in particular a concern with the poorest and most vulnerable in society.

“The letter itself makes clear why we think that Labour lost as it did. We do not, as of yet have any preference for a particular leader, we do however have strong opinions on the move the party needs to take.

“We believe that the party needs to continue to build on its policies that target inequality and injustice within our society.

“Growth is only valuable if it works for those at the bottom end of society, similarly business is only valuable if it benefits all, and in particular its least well paid employees.

“This is not a case of ignoring middle class voters. Greater equality, a stronger NHS, a better education system, a society in which people don’t have to visit food banks, all these things benefit the whole of society.”

Former student fails to force harassment policy review

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Elizabeth Ramey, a former Oxford postgraduate student, has failed in her attempt to force a judicial review of the University’s harassment procedure.
She had claimed that the University’s policy only to conduct an enquiry into allegations in extremely limited circumstances was unlawful.

Ramey, who now lives in the US, had reported an assault in 2011 and waived her right to anonymity. While there was a police investigation, no one was ever prosecuted due to evidential problems.

Consequently, she brought forward a claim through the University’s complaints procedure, but, she argues, the University did not investigate properly and took no action against her alleged assailant.

Following a further appeal, her claim to the Office of the Independent Adjudicator of Higher Education was partially upheld and the adjudicator issued a recommendation that Oxford clarify and amend its policies.

According to Ramey’s legal representatives, the revised harassment policy allegedly still does not oblige the University to investigate most allegations of serious sexual assault, leading them to the High Court in London last week seeking a judicial review.

Ramey’s case was supported by the Equality and Human Rights Commission, which has funded her case, and the End Violence Against Women coalition.
A University spokesperson told Cherwell, “The University has noted the outcome of last week’s hearing and welcomes the decision not to proceed with a judicial review of its harassment policy.”

Mr Justice Edis, who presided over the case, said, “It appears to me that it is inappropriate for the claimant to be granted permission to bring judicial review to question not the terms of the policy itself, but its application in circumstances in which it has never actually been applied.”

This leaves open the possibility that someone who has used the new procedure since it was put in place might yet be successful in the High Court at gaining a judicial review.

Louise Whitfield, Ramey’s solicitor, shared with Cherwell comments that she had made after the decision, stating, “My client is very disappointed with this result and the fact that more women must be the victims of serious sexual violence before it can be established that the university’s policy is unlawful, that it discriminates against women and creates a hostile environment in which they are expected to study with no redress against those who assault them.”

Anna Bradshaw, OUSU Vice-President (Women) told Cherwell, “It is important that we listen carefully and seriously to women who come forward when they feel that an institution has failed them.

“In the period of time since Elizabeth was a student at Oxford University, the University has updated its harassment policy and procedures. I believe that the University is starting to do better at listening to students like Elizabeth, even though this particular case has fallen. There is of course still a lot of work to be done, and OUSU is working hard to improve the policies and the support around harassment that are offered by the University.”

Somerville College condemns sexual harassment amid increased

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Following an upsurge in the number of reported incidents of sexual harassment and sexual assault in college, Somerville JCR has passed an emergency motion condemning “the actions which have led to this deterioration of respect in college”.

The motion, proposed by the JCR Executive Committee, was deemed necessary after the college’s Principal, Dr Alice Prochaska, sent an email to the JCR body last week, explaining, “We all share a pride in Somerville’s great traditions of fairness, diversity and tolerance.

“In recent months there has been a deterioration in this climate of respect. Many of you will not have noticed it and I believe it is confined to a small minority. But members of that minority have succeeded in making significant numbers of their fellow students feel threatened, intimidated, or simply uncomfortable.

“I have received reports of rude and sometimes threatening behaviour on a scale unprecedented in my time as Principal.

“It is profoundly worrying to find that members of the student body in Somerville have been making their fellow students feel intimidated and in some cases have been guilty of both verbal and physical assault.”

Incidents reported include jokes about rape being made in the college bar, numerous reports of groping at bops, homophobic comments being made in order to justify opposition to the JCR Equalities week budget, and pressure being put on students to assent to sexual activity.

The JCR motion resolved to mandate the equalities committee to donate £200 to Oxford Sexual Abuse & Rape Crisis Centre (OSARCC), to demonstrate Somerville’s intolerance of the behaviour reported in the college recently. The motion passed by an overwhelming majority, with 83 students voting in favour of the motion, none voting against, and with eight abstentions.

On behalf of the Somerville Rugby Club, undergraduate Tom Smith wrote an open letter on Wednesday, stating, “The Somerville Rugby Club wholeheartedly and fully condemns sexual assault, misogyny, and all other forms of harassment. It is hard to conceive of actions that are more horrific and their perpetrators should be punished to the full extent of the law.

“Moreover, we believe Somerville should be a supportive and inclusive environment where people feel safe and comfortable.”

The letter went on to mention how all members of the Somerville Rugby Club recently attended the ‘GoodLad Workshop’.

Shyamli Badgaiyan, the JCR President, commented, “Somerville has always been a very open, accepting community: one that values tolerance and respect in all aspects of student life. Aside from having a diverse, close-knit student community, we recently held a successful Equalities Week, boast a feminist discussion group, and regularly donate to causes that support equality and diversity both within and beyond our community.”

Badgaiyan continued, “Although very rare, these incidents of harassment and intimidation shocked many of us. I can confidently say that the vast majority of the student body deems them as absolutely unacceptable.

“Many of us have also been working closely with the college to ensure welfare provision and various workshops continue to be in place to make sure students feel both aware and protected – regardless of their age, gender, sexuality or background. Everyone must understand the harm of such disrespect, as well as feel comfortable in speaking up against it.

“While its extremely sad that these incidents have occurred here, I believe it is a symptom of a wider, societal problem that needs to be addressed immediately.”

Badgaiyan praised the College’s response to the recent behaviour reported in Somerville, saying, “I am proud to be part of a college that has been working tirelessly to take a firm step in this direction, confronting the matter with honesty as well as extreme sensitivity.

“This itself is the real Somerville culture – not our immunity from these rare instances, but our ability to stand up and face them with courage and solidarity.”

Dr Prochaska told Cherwell, “The cases we are dealing with are not numerous: just troubling enough to make us take action before the problem grows. Somerville is a lovely, welcoming, inclusive and tolerant place. Our students tell me that this college feels like home; it is a place where everyone can be themselves.

“The College is notable for its relaxed and mutually respectful climate; and we all feel proud of it. These instances of disrespectful behaviour are truly unusual.

“I am confident, now that the college community is aware, that this kind of conduct will die away. It is important for the students themselves to call out their peers on poor behaviour. Often, the people responsible may not realise the impact they are having on others; and once they do realise, I believe they will stop.”

Dr Prochaska further added, “We are acting now to try to help our students to stamp out this small growth in an undesirable culture: so that there is no lingering bad influence when our new first years arrive.

“At Somerville, we have always promoted an inclusive, tolerant and diverse ethic; and the vast majority of our students appreciate this and promote it too. Against this proud tradition, it is disappointing when any students, however small the number, start intimidating others.

“I am delighted that Somerville’s student body is speaking out about these issues. The College’s officers and the JCR are working together to address these worrying reports. Intimidating behaviour has no place at Somerville. Between us, we need to take decisive action.”

Elliot Howard-Spink, one of Somerville’s Welfare Reps, told Cherwell, “All members of the JCR have come together over the past week in agreement that any behaviours which may elicit intimidation of any kind within college are not welcome.

“It’s been good to see the JCR and College addressing reported issues surrounding harassment in a proactive manner, and we all hope that Somerville will continue to keep its reputation as a welcoming and safe college.”

In Defence Of: Jennifer’s Body

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Megan Fox’s flair for disdain is utilised to its fullest potential in this dark, witty, teen horror-comedy from Diablo Cody. It starts with her being abducted by a touring indie band, who mistakenly believe they’ve found the virgin they need in order to sign with a major label through a deal with the devil. Fox’s Jennifer then returns as a creature from Hell, who must seduce and eat her way through her high school’s male population in order to stay hot.

The high concept premise turned off many critics, as did Diablo Cody’s sometimes painfully self-conscious dialogue, but both expose the insanity of teen movie conventions, and also the real experience of adolescence, from which the former distantly derive. Occasionally toeing the line between pandering and ridiculing, Cody’s ironic tone assures us we’re in safe hands.

The role is an opportunity for the much-maligned Fox to ridicule the constraints of her vixen-like public image. She quite literally vamps it up, pouting through her flat line readings, dialled down to a derisive, brain-dead monotone, which alternatively derides the ridiculously narrow constraints of her roles, and relishes Cody’s cheeky subversion.

Jennifer’s best friend, Needy, played by Amanda Seyfried, is kept in the shadow of her apocalyptically hot friend by the traditional teen movie device of glasses and a ponytail. For much of the film she quite literally envies the Devil’s accomplice, for the hair and body she feels she ought to have. But Jennifer’s experience of sexuality is through presentation and self-objectification. In a final confrontation, Needy calls Jennifer out, “You’re killing people!” “No,” Jennifer replies, “I’m killing boys.”

High School boys become just a means to an end. It’s a hell of a ride.

Review: A Little Chaos

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★★★☆☆

Three stars

Like most period dramas, Alan Rickman’s A Little Chaos is pleasantly predictable and idealistic, but it’s also heart-warming and surprisingly lovable thanks to a strong cast and lavish production values.

Kate Winslet is fantastic as the widowed Sabine De Barra, a fictional garden designer chosen to create the new water gardens for King Louis XIV at the Palais de Versailles in Paris. An independent ‘hands-on’ woman drawn inadvertently into the inner-aristocratic circle of French late seventeenth century society, Sabine is intelligent, resourceful, and takes her work very seriously, but the lingering trauma of the death of her husband and daughter refuses to let her go. Sabine’s new boss is the handsome landscape-designer André Le NoÌ‚tre (Matthias Schoenaerts), and it is terribly obvious from the moment they meet that sooner or later romance will – quite literally – blossom.

Sabine’s modest perception of herself leaves her daunted by the strange, intimidating aristocratic figures of court, but André helps keep her grounded and passionate about the project. In a spicy subplot, André’s jealous cheating wife (Helen McCrory) schemes to ruin Sabine’s plans as she grows infinitely jealous of Sabine’s honest charming of the French court and, most importantly, the King. It was never going to be just plain sailing for poor Sabine.

Winslet is, by far, the winning element of this film. Her Sabine is gentle, enchanting, and reflective, all qualities on display while struggling to come to terms with the tragic events of her life. She may be a little older than the other women at the Royal Court, but she emerges the most elegant and wise of all of them. Her infectious character soon begins to rub off on everyone around her, and it’s refreshingly cathartic when things start to go her way.

The film is packed with French clichés. “Macaroon?” The King asks, whilst around him the court runs wild with extravagant outfits and criss-crossing affairs. The widespread acceptance of polygamous relationships is a concept much associated with Parisian high-society, and Rickman has no problem playing this to the maximum. The film suggests that marital relations are no more than a social convenience and that long-standing affairs are the only opportunity to experience true love and passion. Nevertheless, the film is tinged with amiable humour, most notably by the extravagant bisexual Duke Philippe (Stanley Tucci), whose elaborate eccentricity is played with great comic effect.

A Little Chaos does raise some important issues on the treatment of women – even in upper-class society – and the sense of claustrophobia and corruption within the court is obvious. Yet despite its potential to ask big questions, these subjects remain largely under-developed. One example of this resides in the long figurative exchange between Sabine and the King about the fading beauty of roses (akin to his fading perceptions of his mistress), which seems to touch upon a poignant metaphor for a brief second, only to abruptly move on. Perhaps worse than this was the awkwardly stilted love-scene which made the entire cinema audience cringe.

The beauty of the gardens is captured in all kinds of majestic locations, including Oxford’s very own Blenheim Palace, but the actual Palais de Versailles seems achingly and disappointingly absent throughout the film. In spite of this, however, it’s a light-hearted, feel-good film which never takes itself too seriously. If you’re in need of a little break from revision, A Little Chaos will do the trick nicely

Where cannes we go from here?

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The 68th Cannes Film Festival is currently under way in France, briefly transforming a dozy seaside town into the epitome of world class glamour and cinematic excellence. As the world’s auteurs and A-listers descend upon the croisette, they will be doing so under the image of the iconic Swedish actress, Ingrid Bergman, whose image bares down from this year’s festival poster. Recalling both European artistic ambition, and old Hollywood glamour, Ms Bergman’s image is indeed evocative. But what does it tell us?

It tells us how Cannes sees itself, or at least wants others to see it. European but international, glamorous but worthy, important but traditional. It reveals that Cannes is in crisis. Compare it to other festivals, and you can see how difficult it is to understand its modus operandi. Venice’s prestige, Berlin’s political engagement, Sundance’s low budget independents. Where does that leave Cannes? With glamour? It’s hardly the basis for a film festival.

For years, Cannes has been straining against the parameters it has defined for itself in order to reconcile its own demands with those of reality. The festival needs famous faces for exposure, but also great films to preserve its reputation, demanding progressive world talent but also conservative Oscar-bait. Cannes knows it needs awards movies, and in recent years has lent heavily on the infamous Harvey Weinstein to get them. But it needs them in May, when many distributors don’t even have an awards slate conceived off, let alone ready to premieÌ€re.

The programme is diverse. Stretching across the festival’s two competitions, from contest selections and midnight screenings, we have a global hodgepodge of worthy cinema, but without a curated direction. Hollywood premieÌ€res of the new Mad Max blockbuster and Pixar release sit alongside films from American masters Woody Allen, Gus Van Sant, and Todd Haynes.

Provocateur Gaspar Noe’s pornographic epic, Love, will share column inches with Natalie Portman, the latest high profile actor-turned-director whom Cannes has lured into its prestige star-trap. She’s been awarded an out of competition slot, likely to minimise the potential damage the notoriously rowdy critical body can inflict. And then there’s the vast Asian art-house contingent, featuring work from Naomi Kawase, Kurosawa Kiyoshi, and Jia Zhang-Ke. It’s easy to feel lost.

The press seems equally divided in its treatment of the festival. Is it a glamorous parade? Or a cinephile’s Mecca? Films frequently get lost amongst the couture dresses and red-carpeted steps. Compare this to NYFF, Tribeca, and BFI, where the films legitimise the festivals’ existence. But with Cannes, the festival makes the films, the films don’t make the festival. It’s not about cinema, it’s about strategy and exposure.

This isn’t to write-off the festival completely. It manages to bring disparate national cinemas to an international audience, with more easily overlooked fare being able to piggyback off the headline offerings. But operating as the epicentre of the European film market, where release strategies vary, how useful can this exposure really be? Many films from last year are only just washing up on these shores, long after the excitement they drummed up has abated.

Cannes is suffering from a crisis of identity. It clings to its past glamour, whilst attempting to reach for relevancy. This year’s high-profile snubbing of Idris Alba’s awards-tipped Netflix release, Beasts of No Nation, is a sign of Cannes’ fear to abandon the theatrical. But as the market stratifies further, Cannes’ linking of film with the iconic begins tolookincreasinglyoutoftouch.Cannes survives as a behemoth presiding over a milieu in disarray.

Review: Living Together

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Are you happy? Walking away from the Playhouse on Thursday, neither my co-editor nor I knew the answer.

No, we weren’t having an existential crisis, but the characters in Aykbourn’s Living Together certainly were. Were they happy in the end? After all the shit they go through, one certainly hopes so. Not that it wasn’t very funny and at times very touching, but what an ordeal took place for our entertainment. Some people get along, some people don’t. In the family shack, there is no escape: from one another but also from oneself.

These characters seem to have a lot to escape from. Comprised of three couples, each repre- sents the worst relationship extremes. Annie and Tom represent tedious stasis. Norman and Ruth seem to be more volatile than an English student with a chemistry set. Meanwhile, Reg and Sarah seem to be the archetypal submissive coward and insufferable bitch set-up, but on steroids. With everybody so unhealthily invested in each other, it’s perhaps no surprise that each of the characters’ flaws emerges in the drama between everybody else.

In the grand mess, Annie is the most vulnerable. Prime among her exploiters is the philandering Norman. Norman shows up to the family home with the noble intent of a weekend elopement. Annie’s cowardly brother and his insufferable wife promptly arrive as her replacement. But inevitably things start getting complicated when Norman gets drunk and Sarah spontaneously chucks a plate of biscuits at Reg.

We get laughter, tears and an uneasy feeling as we realise that the drama feels somehow familiar. Living Together is if nothing else a heightened version of the family sagas many of us live through and will probably live again.

Making something so everyday, so believable is not as easy as it sounds. Mixing the streaks of comic absurdism with the otherwise on point realism is a tough balancing act, one which is maintained almost impeccably throughout the performance.

During their rehearsal period, the stage world was teased with rumors of improv done in pubs and scriptless rehearsals. Whatever voodoo it was directors Griffith Rees and Laura Cull performed in these pubs, it has worked a treat on their actors. Norman (Freddie Bowerman) plays on the one hand a comic book caricature of a romantic who is nonetheless utterly believable as a personage.

Annie’s (Lizzy Mansfield) sense of grounded reasonableness anchors the chaos while still being an enigmatic and fascinating character. Sarah (Sarah Mathews) is just plain terrifying, the sort of future spouse that people have nightmares about. All the while we despair for the wonderfully affable Reg (James Aldred) for ending up with this monster. Likewise, Ruth (Mary Higgins) has her cross to bear in the form of Norman. Higgins handles excellently the dual aspect of being on the one hand a strong independent woman but also one hopelessly bound to a man. Yet the question remains; are they happy?