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“I now hate OUSU”: Colleges react to Le Pen protesters

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Students at Exeter, Pembroke, and St. Catherine’s have expressed disapproval over OUSU’s decision to demonstrate against Marine Le Pen’s talk last Thursday.

Pembroke’s JCR passed the motion, “This JCR resolves to condemn the disruptive actions of these protesters.” It criticised OUSU for not protecting the welfare and rights of students, arguing that extremism and intolerance is best countered by free debate and not through disruptive protests. However, they reaffirmed their support for peaceful demonstration.

Ryan Tang, who proposed the motion, told Cherwell, “I decided to propose my motion because it seemed that a lot of Pembroke students were not happy at the way OUSU is politicising itself and supporting disruptive protests without consultation. They all say that we elected them into office, but the reality is that it’s nearly impossible for us to keep tabs on what they decide and attending OUSU Council is not something that appeals to 99 per cent of Oxford students.

“By passing this motion, hopefully we can send a message to OUSU that they need to consult students a bit more when taking political stances instead of just listening to a handful of activists.”

Exeter College’s JCR also passed a motion strongly disapproving of OUSU’s stand, which they believe “took a party political standpoint against Marine Le Pen’s appearance at the Oxford Union and the Front National, an action that should not be in the remit of OUSU regardless of the popularity and validity of the party political views protested against.” They also expressed their disapproval of OUSU mandating the president to send out an email to all Oxford students about the protest.

Exeter JCR president Tutku Bektas told Cherwell, “We came to university to hear and engage with a plurality of views, even those which we may vehemently disagree with. After OUSU passed a motion that condemned Marine Le Pen’s appearance at the Oxford Union, we thought it important to send the message that there are still students that value free speech.”

St. Catherine’s JCR’s OUSU Representative, Christopher Casson, expressed his anger at OUSU’s actions in a blog post entitled ‘I now hate OUSU. Here’s why.’ He said, “We voted to condemn an organisation whose sole purpose is to encourage free speech and debate, for literally doing their job. It isn’t our [OUSU’s] place to start attempting to censor things that go on in the Union. We’re meant to be representing students, sure, but that includes the students that want to hear her talk.”

When asked if St Catz had any plans to disaffiliate, Casson stressed, “We do think that it’s important to be part of the organisation so that we can fight for the changes we want from the inside.”

Nikhil Venkatesh, who proposed the motion to OUSU, said, “I would encourage all common rooms to stick with OUSU. In a democratic system, there will always be some decisions some members disagree with, but the beauty o f OUSU is that anyone from any common room can get involved and change it. I don’t apologise for my motion, or for my participation in the protest. I feel it’s important to point out that the motion was not a motion of ‘no platform’.”

Less than half of students registered to vote

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Less than half of all Oxford University students are registered to vote in the May General Election, according to data published by OUSU.

Only 44 per cent of students have registered to vote across all colleges, meaning that 11,420 university members will be able to cast a ballot in May. 19 colleges have fewer students registered than the University average and only seven have more than half enrolled.

These poor registration levels will have spurred OUSU on in its voter registration week at the start of February. The worst ranked college was Green Templeton, with only 13 per cent of students registered. Wolfson topped the enrolment table with 65 per cent. Worcester led the pack of colleges with JCRs, as 55 per cent of its students signed up. Other high enrolling colleges were Somerville, Merton, and New, each with 53 per cent.

Opposition politicians, student leaders, and higher education experts have all criticised the government’s registration reforms. Critics argue that the changes, requiring every student to self-enrol online or through the post, have disenfranchised the young. The new individual voter registration system came in after the May 2014 local election under the coalition government. Previously, all eligible voters had to be registered by the ‘head of the household’ in which they resided. Colleges would undertake this for students, guaranteeing 100 per cent registration.

A BBC study in December 2014 suggested that though 87 per cent of voters have been automatically transferred under the new system, of the 13 per cent who have not the majority are students. Oxford is one of the areas in the UK worst affected by this, with 60 per cent of voters in Holywell and 40 per cent in Carfax no longer registered to vote.

Nick Hillman, director of the Oxford-based Higher Education Policy Institute, told Cherwell, “Students have as much right to be on the electoral roll as everyone else. It would be a tragedy if the new registration system weakened their voice to a whisper. Some universities have built electoral registration into their enrolment processes and some have found ways around the requirement for students to provide a National Insurance Number when registering. Such initiatives need to be spread more widely.

“The new system has some advantages over the old one, but it would be terrible if it led to young people’s views being ignored.”

Andrew Smith, MP for Oxford East, stated to Cherwell, “The government moved too fast introducing single voter registration and the outcome has been a catastrophy, with over a million voters falling off the register. In my constituency of Oxford East, we have been especially hit as the seat has one of the largest student populations in the country. The government should have put in more provisions to prevent this disenfranchisement.

“In this climate, it’s especially important that students and young people make their voices heard. I encourage students to check they are registered, and if not, do so.”

Smith, a former Work and Pensions secretary, also recommended making student enrolment and registration concurrent.

Luke Miller, St Peter’s JCR president, told Cherwell, “The changes to the voter registration rules have had a terrible effect on students nationwide and it is a scandal that the government has cynically allowed this to happen. St Peter’s students have clearly been hit hard by the changes.”

OUSU VP for Charities & Communities Ruth Meredith said at the OUSU Student Awards, “Not being registered to vote and not voting keeps us quiet. It allows a minority to decide on what should be important, instead of hearing a diverse cacophony of voices.”

The government, though, remains committed to the reforms. A £10m fund was announced in December 2014 to tackle low student voter registration. The Cabinet Office told Cherwell, “It’s more important than ever that students take ownership of their own vote. If you want to vote in the constituency where you study, you will have to register at gov.uk/register-to-vote. The Government is working with the NUS and other student organisations to help spread the message about the importance of being on the register, and how to do it.”

A spokesperson for the Deputy Prime Minister told Cherwell that the data published by OUSU failed to take into account students who may have registered at home

Union passes extensive electoral rules changes

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On Thursday 12th February members of the Oxford Union passed an extensive set of electoral rules changes.

The debate on the proposed changes was originally scheduled for Thursday 5th February, but the protests outside the Union last week before Marine Le Pen’s speech resulted in the discussion being postponed.

The changes to the electoral rules include the introduction of slates, electronic campaigning, and the addition of a Re-Open Nominations (RON) option to each ballot for future elections.

The rules changes were proposed last term by then Union President Mayank Banerjee, and were initially passed in a poll on Thursday 13th November 2014 with an 89.6 per cent majority. However, this stimulated controversy, as there were claims that the method by which the rules changes were implemented was against the rules. Last term’s procedure also did not allow any amendments to be proposed.

At the time, former Returning Officer Ronald Collinson argued that Banerjee had not given enough time to advertise sufficiently the poll to Union Members, which would be a breach of Union Rule 67 (iv), which states, “The Standing Committee may decide that a particular proposed rule-change is of such importance that it should be brought to the special attention of Members.”

Collinson consequently invoked Rule 67 (v). Under this rule, he requested members to sign a requisition to delay the poll, which reached 80 signatories before the day of the vote. However, as the poll had proceeded regardless, the allegations of rule-breaking resulted in the reversal of the electoral rules changes.

During Thursday’s debate, in which the proposed rules changes were finally passed, six amendments put forward by Collinson were discussed, but only one was passed. 13 amendments were initially suggested, but over half of these were accepted as friendly by current Returning Officer Michael Flagg, and so passed without negotiation.

Amendment Six, the only debated amendment to pass, banned the formation of pacts between Union members and members of other societies, which the proposed rules changes would have legitimised.

The second amendment, to retain the ban on slates, divided Union members, being narrowly defeated, with 62 votes for and 71 against. In Collinson’s words, it was “painfully close” to passing.

Explaining his reasoning behind Amendment Two, Collinson told Cherwell, “In a nutshell, I think that the institutional logic of slates incentivises members of slates to lie to each other. People believe other members of their own slate to be wholly good, and members of the opposition to be evil and incompetent. The system encourages people to be dishonest to friends.”

However, Collinson admitted, “The majority opinion in the Chamber clearly differed from my own on a number of points, but I remain very glad that Union members have had a chance to have their say and debate these rules changes.

“While I think that some details of the changes remain problematic and may need to be revisited, I am very pleased that it passed and that candidates will now be able to campaign without hypocrisy and deceit.”

The Returning Officer, Michael Flagg, explained the effect the changes could have on members. “With the rules changes in effect, the average member shouldn’t notice too much, save for the fact that there will be more campaigning.

“Candidates are limited to communicating only a set number of facts, however, in any public statement. These facts will be scrutinised by myself and my deputies in order to affirm that they are true. Untrue statements will remain a form of electoral malpractice.

“Those running for any position will find new skills tested, with the ability to form a cohesive team becoming an incredibly useful skill, as it already is once elected. We may even see an improvement in the efficiency in the governance of the Union, it could be argued.”

Commenting on this term’s elections, Flagg continued, “I will be very interested to see how the rules changes affect the election. Hopefully, they should increase turnout. RON, specifically, was a good idea, ensuring that no candidate is elected unopposed. The will of the members, whether it was for or against the motion, is the measure of whether the rules should be implemented.”

Prior to the passing of the rules changes last night, Collinson praised the proposed changes, saying, “Enacting rules changes to liberalise campaigning is an excellent idea; the current situation [before the rules changes had passed], in which candidates are not allowed to campaign for themselves, is absurd. Indeed, it actually renders the rest of the rules unenforceable.

“However, the rules changes as currently drafted go too far in legitimating a noxious status quo. This opportunity should be used to create genuinely enforceable rules which will be able to give the members a real defence against bad an corrupt practices.” Flagg concluded, “We have now pursued democracy to its fullest extent and the will of the members has been legitimately heard.”

The rules changes become binding 48 hours after the passing of the motion, so will take effect from approximately 9.10pm on Saturday 14th February.

Union President Lisa Wehden did not respond to Cherwell’s several requests for comment.

Verdict on Castle Mill delayed as postal vote called

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OUSU confirmed late on Thursday night that members of the University Congregation had triggered a postal vote on a motion to remove the top floor of the Castle Mill accommodation complex.

Members present at the meeting on Tuesday 10th February had voted not to remove the top floor, with 210 (28 per cent) voting in favour of the proposal and 536 (72 per cent) against.

OUSU issued a statement, which read, “The officers at OUSU are disappointed that following a resoundingly clear decision from Congregation to prioritise student welfare and the wider Oxford community over aesthetics, a postal vote has been called.”

It went on to explain, “The decision taken by a small but sufficient number of people to unnecessarily bring the decision made on Tuesday into question serves as another threat to residents of Castle Mill, students, and other people living in Oxford who will be hit with further rent spikes if this resolution passes.

“OUSU will be continuing to campaign to save much needed accommodation for students, especially families and disabled students, from a minority of voices.”

Castle Mill, the graduate accommodation complex by Port Meadow, has been an ongoing source of controversy since planning permission was granted in February 2012.

Many, including permanent residents of Oxford and environmental groups, have been critical of the £21.5m development, which purportedly blocks out Port Meadow’s famous view of Oxford’s ‘dreaming spires’.

The motion to remove the top floor was originally proposed in January after an Environmental Impact Assessment (EIA) report found that the buildings had a high “adverse impact” on Port Meadow, the Oxford skyline, the Thames, and St Barnabas Church. It suggested three options to rectify this. The University has previously preferred option one – in essence, to camouflage the buildings.

However, some members of the University Congregation argued that this did not rectify the problem. The motion, proposed by Diarmaid MacCulloch, Rev. Professor of the History of the Church at St Cross College and a TV historian, favoured option three: removing the top floor. This was estimated to cost over £12 million, would remove 38 bedrooms and require residents vacate the buildings for a year.

This motion was met with opposition from the University administration and OUSU, who raised concerns due to the cost, as well as the impact it would have on its graduate residents with families. On Tuesday, over 50 students attended a protest held outside the Sheldonian, where the vote was taking place, to demonstrate their disapproval with the proposed solution. The demonstrations were supported by OUSU after Council voted to “mandate all Executive Officers to attend the demonstration” and to “permit the expenditure of up to £50 from OUSU’s discretionary budget”. Various JCRs and MCRs, as well as OULC, also officially condemned the decision and sent members to the demonstration.

Nick Cooper, OUSU VP-elect for Graduates, told Cherwell, “I’m deeply disappointed that some members of Congregation have chosen not to respect the overwhelming view taken on Tuesday, and in doing so, once again failed to consider the devastating effect option three would have on future graduate students – especially families and disabled students – with insufficient housing for potentially years to come.

“The arguments in Congregation that this would ‘only’ affect a few hundred students – for the benefit of a view – completely failed to recognise the immense difficulties that would come with further reducing the poor amount of graduate housing available, with the extra kicks in the teeth that the cost will almost certainly raise Oxford rents and result in curtailing graduate scholarships, with graduate funding already such a critical problem.”

The Save Port Meadow Campaign commented that they were pleased with “the fact that at Congregation the University finally expressed regret for the terrible harm it has caused to some of Oxford’s most famous views. It was also heartening to note that even those opposing the motion to lower the flats did not seek to defend them. The tone was very much of shame and sorrow and a promise that this will never be allowed to happen again. However, until something very significant is done to mitigate the appearance of the flats, the damage to the views remains. We now all await the proposal that the University submits to Oxford City Council to right this wrong.”

CherwellTV covered the OUSU protest outside the Sheldonian on Tuesday 10th February. 

Pembroke summer school criticised for access efforts

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Cherwell has learned that Pembroke College currently hosts a £3,995 summer school, the Oxford Summer College, and its subsidiary, the Oxbridge Admissions Programme, which purports to aid “high-achieving students aged 16-18” with their Oxbridge applications. Both courses claim on their websites that “Oxbridge academics” are involved in the schemes, a claim which has been questioned by members of the University.

The two week Oxford Summer College costs £3,995 to attend, whilst the Oxbridge Admissions Programme, a four day residential course, costs £985. On its website, the Oxford Summer College states it “provides expert tuition from Oxbridge academics”. The Oxbridge Admissions Programme claims, “Top Oxbridge graduates and University tutors have designed our course.”

Greg Auger, a St John’s student who ran for OUSU VP for Access and Academic Affairs last term, told Cherwell, “This company is conning applicants. Their homepage consists of a video in which the first sentence claims their course ‘has been created exclusively by Oxbridge academics’. So you might be surprised to discover that James Gold, their founder and director, has no expertise beyond having graduated from Cambridge (though he does plug his MA where he can, despite the fact that this is just a title conferred on Cambridge BA holders after two years). Although I think Oxford could do more, the information needed to make a competitive Oxford application is available freely online. The natural implication is that companies selling application advice are conning applicants, mostly international applicants in this case.”

James Gold informed Cherwell, “Both programmes at the Oxford Summer College are designed and taught by our academic teaching staff. The team at the Oxford Summer College includes those who currently teach at Oxford or Cambridge University, Oxbridge graduates and current undergraduates.”

In response to the claim that Oxford academic teaching staff were involved in the paid summer school, Alan Bogg, Professor of Labour Law at Hertford College, commented, “I would be very surprised to learn that employed academics in the collegiate university are engaged in external paid employment in the provision of admissions guidance, where potential applicants are paying a fee for the privilege. Quite apart from the ethics of it, it would be an arguable breach of the implied duty of fidelity in the main contract of employment with the University. The University might also instruct its employees not to earn outside remuneration from activities that are fundamentally antithetical to its institutional commitment to outreach and principles of fair access. A failure to obey such an instruction would also be a breach of contract.”

A spokesperson for the University said, “Oxford University is aware that organisations approach our students and staff to work for them, and may use college premises (just as academic conferences and other summer events lease college rooms and facilities). The University does not endorse any commercial operations or publications offering advice or training on our admissions process, nor do we guarantee the accuracy of any such company’s information.”

Gold, the Director of the course, described the Oxford Summer College to Cherwell as “a not-for-profit company with the aim of expanding access to Oxbridge for students from non-traditional backgrounds”. He went on to say, “The first programme is a two-week course aimed at overseas students who want to experience studying in the UK. The focus of the programme is the academic study of two subjects although we do include some Oxbridge admissions advice for the minority of our international students who are thinking about applying to Oxbridge. Most of our international students will be considering applications to top universities globally and come on our course to help them decide if the UK is right for them. We offer scholarships to academically gifted international students from non-traditional backgrounds as we believe that access schemes to top universities such as Oxford and Cambridge should not just be limited to UK based students.

“The second programme is a four day course aimed at UK students who would like to apply to Oxford or Cambridge. Last year, at least half of the places available on this course were provided as full scholarships to students from non-traditional backgrounds and we will do the same this year. To support our scholarship programme we spoke at over twenty non-selective state schools last year as part of our outreach work to encourage more students from diverse backgrounds to apply to Oxbridge.”

Cat Jones, the OUSU VP-elect for Access & Academic Affairs and a student at Pembroke, commented, “I am aware of these summer schools and I agree that they are problematic. There are so many people within Pembroke and throughout Oxford that are working tirelessly to try and break the longstanding link between income and Oxford offers. I personally feel that this is undermined by schemes that claim to increase the likelihood of gaining an Oxford offer if you can afford the thousands of pounds for the course. As a former Pembroke Access Rep, and current Pembroke student, I am uncomfortable with Pembroke lending its facilities and therefore legitimacy to these summer schools.”

Pembroke has previously been criticised for its access record. Between 2011 and 2013, it had the lowest average of state school acceptances out of all Oxford colleges, awarding only 46.2 per cent of undergraduate places to students from a state school background.

When questioned about the summer school, a spokesperson for Pembroke College told Cherwell, “The Oxford Summer College is a client of Pembroke’s conference and events business. Facilities are hired by them under the same terms as apply to all other clients, and Pembroke College is not involved in the organisation of their programmes.”

Pembroke JCR President Ben Nabarro refused to comment, while OUSU VP for Access & Academic Affairs James Blythe had not provided comment by the time of print.

Proposals in Exeter and Pembroke to appoint BME Officers

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Exeter and Pembroke are a step closer to appointing JCR Black and Minority Ethnic (BME) representatives after JCR meetings held last weekend.

Exeter JCR passed a motion last Sunday proposing that BME drinks be held to gauge interest in creating a BME Representative, and to create such a position if there was sufficient demand. Charanpreet Khaira, a second year English student, proposed the motion.

Speaking after the meeting, Khaira told Cherwell, “There is a very obvious minority of students of colour amongst Oxford undergraduates, and I think that it’s important for colleges to show that they are aware of this and would like to change it by having a BME rep.”

Pembroke JCR also passed a motion to appoint a Racial and Ethnic Minorities Representative. The role would include liaising with OUSU representatives, as well as working in collaboration with the JCR LGBTQ, Gender Equality, and Disabilities representatives. As a constitutional motion, the matter has to be voted on again at the next JCR meeting before it can be enacted.

Anna Simpson, who proposed the motion, told Cherwell, “We believe that liberation and representation are essential components of every society and that JCR bodies should reflect that. The Pembroke motion mirrors our commitment to promoting these values throughout our undergraduate community, by making sure that everybody feels they have a voice that is listened to in college.

“The motion has already passed the first stage of voting and was met by overwhelming support from our students, proving that Pembroke remains an inclusive and welcoming environment for everyone to live and study in.”

The actions of Exeter and Pembroke JCRs are part of a University-wide effort to appoint BME representatives, encouraged by Nikhil Venkatesh, OUSU’s BME Officer. Speaking to Cherwell, Venkatesh said, “It was a pledge in my manifesto that I would do my utmost to ensure that all common rooms had properly resourced BME Officers of their own, and it is fantastic to see people across Oxford introducing these roles in their colleges.

“BME Officers can be an important voice to represent an often overlooked minority at Oxford, and also provide support to BME students who experience the problems of racism. Each common room will want to go about the process of introducing a BME Officer in a slightly different way, and anyone who wants advice and help in doing so should get in touch with me.”

According to OUSU, 12 JCRs and one MCR have official BME representatives. Jesus JCR President, Jessica Parker-Humphreys, told Cherwell, “As a college, we feel that the significance of having a BME rep is to demonstrate that marginalised voices should be and will be heard and listened to. It’s essential that these voices have platforms whereby they can voice concerns or share ideas that could improve BME students’ time in Oxford.

“I think that BME reps have a particularly vital role to play with regards to access, due to the fact that Oxford’s student body is overwhelmingly white.”

Loading the Canon: W. G. Sebald

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Refusing to be easily categorized, Winfried Georg “Max” Sebald’s intricate masterpiece, The Rings of Saturn, borrows a French quote from Joseph Conrad and a Brockhaus Encyclopedia entry on the Roche limit as epigraphs, contains a table of contents straight out of a travelogue, and features a black and white photograph of a netted window looking into a monotone blankness on the second page.

The eerie mood of the picture and its jarring inclusion in what is ostensibly a novel begin a feeling of melancholy that impregnates the book, described in the first sentence, “In August 1992, when the dog days were drawing to an end, I set off to walk the county of Suffolk, in the hope of dispelling the emptiness that takes hold of me whenever I have completed a long stint of work.” For Sebald, hope is not easily found, but must be clung to whenever it is unearthed.

Each chapter of The Rings of Saturn starts in the guise of a memoir; indeed, the reader follows the thoughts of Sebald himself. But soon, mimicking the imaginative leaps of the mind, observations about his travels through the British countryside morph into esoteric history lessons. Seeing a fisherman leads into a discussion of the European herring trade, and fish’s tendencies to school – and die – in great masses. A diminutive train supposedly built
for the Emperor of China gives rise to a series of musings on the Taiping Rebellion, imperial power, and the cruel Dowager Empress, who demanded daily blood sacrifices to appease her silk- worm colony. Even a simple walk to Oxford Castle provokes tales of British World War II scientists secretly devising nerve gas and a biological weapon that could boil the North Sea. Although these myths start from peaceful origins, they decay rapidly into destruction and death, which Sebald identifies as a recurrent motif in human history.

Sebald’s father served Germany in the 1939 invasion of Poland; these oppressive memories certainly inform the shadowy human horrors that haunt his sentences. Yet rather than concluding that “life is just one great, ongoing, incomprehensible blunder,” as the narrator suggests, threads of hope weave mesmerisingly through The Rings of Saturn, popping up, like Thomas Browne’s quincunx, in the most unexpected places.The Roche limit, for example, is the smallest distance that a satellite can orbit a planet without being torn apart by tidal forces, a fate clearly shared by some of Saturn’s early moons. But unlike those rings, we have the power to resist our entropic predilections. Sebald gives us that power, and is therefore worthy of a place in the literary canon. 

Alice Oswald: the modern epic poet to rival Homer

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Reworking ancient epic, myth and tragedy has been a concern of Twenty First century writers no less than previous generations. If anything, the modern era seems to be witnessing an expansion of genres and forms considered suitable for writing about the classical world – in particular the fraught but inspired Brand New Ancients of rapper-rhapsode Kate Tempest.

Performance is no less important to Devon-based poet Alice Oswald, as exemplified by the recent work Tithonus, her own take on the myth about how the goddess of the Dawn fell in love with a mortal man, kidnapped him, and asked Zeus to grant him immortality but forgot to ask for eternal youth. Oswald’s poem was designed to be performed in real time to musical accompaniment in the exact length that the summer sun takes to rise, as recorded by Oswald in her field-work research for the poem. It’s a seemingly difficult premise, but one pulled off with incredible poetic dexterity.

I first became aware of the importance of the performance element in the work of Alice Oswald – a former student at New College – in a fairly stressful situation about two years ago. Having mentioned her in my personal statement, the tutor interviewing me informed me in a closing conversation that she had recently performed her Iliad-inspired work Memorial in Oxford, reciting it purely from memory. In retrospect, (I think I was too anxious to make much of it at the time) this seems like a serious commitment to recreating the circumstances of the kind of oral and extemporaneous composition that heavily influenced the Iliad. It is this faithfulness to her poetry’s sources, whether ancient epic or contemporary interviews, which makes her stand out among modern poets.

Critics often contrast the magnificent plots and vivid characters that drive Homer’s sweeping epic with Oswald’s emphasis on the experiences of individual soldiers in Memorial. This is satisfying to note, as it demonstrates just how successful she has been in rescuing the Iliad from becoming a “public school poem… a clichéd, British Empire part of our culture”.

This does, however, do Homer some injustice. He was an innovator in the innately conservative tradition of oral epics, handing crowd-pleasing poems and elevating sections of them into some of the finest and most influential literature ever written. He does not achieve this by glamorising and dramatising the emotional dilemmas of a few main heroes to the detriment of other soldiers. Instead, he rescues the patronymics and epithets that would have made up vast lists of the dead from meaninglessness through ingenious narrative detail, through the creative possibilities presented by fathers and sons, armour and gifts, and their ability to suggest a story worthy of epic behind the fate of every soldier.

Oswald, too, achieves something in this tradition, bringing similes and epithets to life in a way that haunts my every reading of the IliadThe typical “long-shadowed spear” of the Homeric warrior becomes, from the perspective of the victim counting down to his death, “a sundial moving over his last moments”. The murmurs rippling through crowds that are described as being like wind over the sea or through the cornfields, and are used by Oswald to conjure up the desperation and disappointment of grief. “When the west wind runs through a field/Wishing and Searching/Nothing to be found/The corn stalks shake their green heads.”

She is particularly adept at writing about nature, a skill influenced by close observation of the natural world during her training as a gardener, and her chosen subjects put this familiarity to excellent use. Her poem Dart was made partly using interviews with riverside workers and inhabitants, making it a richly coloured, abstract tapestry of nature and history, told through the diverse voices of the river’s people and creatures. The moments of pure description interwoven throughout this poem are made incomparably beautiful by the background texture, becoming, among various accounts clamouring to be heard, moments of reflective quiet in which the effect of each word can be appreciated on its own. “A/Lark/ Spinning/Around/A/Single/Note/Splitting/And/ Mending/It.” 

It is no exaggeration to say that the river Dart itself is the central character, in keeping with her determination to inhabit the mindset of her chosen subject with maximum closeness and accuracy, whether a river, the dawn, or a long dead soldier – a remarkably ambitious mission statement for an exercis in empathy, and all the more remarkable for her success in doing so. She has absorbed the spirit of equality in Homer’s work, recognising the importance of each tale being given a space for its telling.

Oswald is frequently cited as Ted Hughes’ natural poetic successor, but there are times when I think that her work invites comparison with far longer-lived literature, particularly ancient writers such as Homer and Virgil. She is equally comfortable and evocative in the close-up details of private lives as in the expression of sweepingly universal plights. More importantly, she also permits a plurality of voices in her work without making it seem chaotic, letting everything speak for itself rather than attempting to control, confine, or concretely define experiences.

Alice Oswald will be reciting from a selection of her work at Keble College on February 13th.

Review: Plenty

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★★★★☆

Four Stars

Plenty opens with a sprawled, flagrant, brazenly naked Andrew Dickinson, arm flung out in defiance and blood trailed marvelously across his body. ‘How theatrical,’ you might think – and you wouldn’t be wrong. The ‘staginess’, however, feels less a blatant vie for attention (although that was no doubt in director Luke Howarth’s mind), and more a counterpoint on which the rest of the play rotates – a moment of vulnerability and exposure that underpins our interaction with the remainder of the work. Like much of the play, it becomes meaningful when viewed through the lens of recollection.

Plenty is all about artifice. 1950s banality jostles against the artificial emotional high of the war, bourgeois decadence and conventionality that warps and reflects supposed love. Characters display themselves in ‘honest’ monologue until we feel they never can be quite naked. Gráinne O’Mahony, as the lead, manages to strike the perfect note in this stilted landscape, giving a remarkable performance of Susan’s descent into madness as she distills the move from poignant naivety to ultimate desperation. Her performance is cogent, haunting, forcefully charged; it is a brilliant depiction of the ultimate search for meaning.

Aoife Cantrill, as Susan’s debauched sidekick, is almost equally impressive in her portrayal of a troubled, blasé new bourgeoisie. She conveys the moving but inherently flawed love of a mutable best friend. Cantrill heads an overall highly impressive supporting cast, with Andrew Dickinson and Archie Thomson bringing acutely sensitive portrayals of Susan’s doomed love interests. However, it feels at times that Dickinson is overwhelmed by the tour-de-forces of Aoife and Grainne. Highly intelligent comic performances from George Varley and Shrai Popat were also memorable for impeccable timing and how they lifted the work’s otherwise somber mood to give moments of some poignant light relief.

These intimate portrayals, however, would be devoid of much of their emotional potency without the play’s set design. We moved easily between the conventionality of a living room, the brutalized fields of war-torn France and a seedy hotel room, as the designers monopolized the Keble O’Reilly space to maximize dramatic effect. One particularly sensitive detail lies in the transition into an otherwise unused part of the stage when Susan is reunited with her one ‘true’ love, a soldier from the war who she knew only for a night. The move subtly juxtaposes the forced artificiality of the living room and its characters with the poignancy of an anonymous bedroom, tacitly enhancing the work’s intricacies in a way that could have easily been overwrought.

Howarth’s production invigorates this world of barren hope and emotion, bringing freshness to the surprisingly relevant tensions of the post-war period.  And if that isn’t enough, it is, quite simply, worth watching for the cast.