Monday 23rd June 2025
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Bexistentialism HT15 Week 7

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As I write this, the run of a play I was in has just ended, and I am in trouble. It seems that despite my tutor’s love for Renaissance literature, being in a Renaissance play wins me no sympathy. And so I have some essays to write, and some grovelling to do. But, sadly, my tutor is not the only person to whom I must apologise. The day before the show starts, we began our dress rehearsal. The props weren’t there and our lighting person had the flu.

Halfway through a dwindling scene littered with forgotten lines, we were kicked out of the Burton Taylor. Time was up. We all headed to the pub, and we sat down. And we looked at each other. And each face had the same word on it: Fuck.

The next day came, and with it the promise of the impending evening. The first show is not something I will address with full, excruciating detail in this column. Which handily implies the terrible reality so I don’t have to.

I am usually generous in my tales of woeful embarrassment in order to indulge my columnist urges. But even in the face of such masterful and unquestionable art, some things are just too much. It was when a character who had just died slunk back onto stage to do a multirole (we hadn’t realised that by cutting a scene, we had cut all the time she had to get changed) that the cast bubbled over. Hysterics ensued backstage.

The dreaded final act approached. I clicked the gun. Where a reverberating gun shot was anticipated, silence. No sound effect. This was the last straw. Blurs of humiliation reconciled me with the darkest demons inside of me. I stood onstage, and internally prepared myself for the sleepless nights to come. I burst out of the stage door apologising profusely to my friends. But apparently that is not allowed. “It was really enjoyable,” said Actor Friend, who had come down especially to watch it.

Oh dear God what have I done? The ceremonial post-show pint was difficult to swallow through the hysterical choking sounds the cast make. But once it was swallowed down, it did aid in some swift masterminding. An act was cut, and a day later the play was fine.

I just hope the audience of our one-off parody don’t have the memory soldered in front of their eyes. Because if they do, any dignity this Bexisten-
tialist once had, is lost for good.

Ghostpoet: Ghosting away from hip hop

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It may come as a shock to fans of Ghostpoet’s experimental self-production and sparse trip-hop beats that he’s had something of a musical makeover since his brief hiatus. Ghostpoet’s new album, Shedding Skin, whilst still holding onto his distinctly languorous baritone vocals, has stripped away the electronic production for the bare acoustic bones of a live setup, sandpapering down the bleeps and glitchy metallic sounds from his second album, Some Say I So I Say Light. I ask Ghostpoet, also known as Obaro Ejimiwe, whether this decision to record purely with his touring band is part of a conscious move away from the alternative hip hop and electronic mash up that launched his career, and with which he quickly became identified in the industry. “I guess I’ve been flirting with the idea of this kind of live setup with the last two records, and it just sort of seemed like the right time to do it,” he tells me. “Before, I was using my crappy iMac to produce, but I never saw myself as a hip hop artist. And now the band’s grown and I’ve really enjoyed experimenting with that.”

On the first track from his new album, Off Peak Dreams, Ghostpoet waxes lyrical about the trials and tribulations of the low-paid wage worker, whilst the video for the single was filmed on a budget equivalent to the average UK monthly wage. His knack for turning sharp observations of daily minutia into intelligent lyricism has not been lost, only gaining a more political edge compared with previous songs. “I didn’t really think I was being political until doing these interviews,” he laughs. “I don’t see myself as a preacher or a spokesperson for any particular group. I just like to write about things of the moment, and on that particular track, I guess it was social issues and the issue of high unemployment. These are things that everyone sees going on and the nine-to-five kind of cycle is what everyone goes through.”

Ghostpoet’s modest nature towards his success reflects his own humble beginnings, having held a nine-to-five job in insurance before releasing his first single aged 28, ‘Cash & Carry Me Home’, followed by his debut album Peanut Butter Blues and Melancholy Jam, which was shortlisted for the 2011 Mercury Prize, and gained widespread acclaim in the industry. “I’m very lucky to be making music,” he tells me. “I never envisioned doing one album, let alone three; it was just a hobby. I love listening to music first and foremost.”

But with three albums under his belt, surely Ghostpoet can see himself as a bit of a star now. “I’m not strong enough to be a star. That would require not getting drunk in public all the time,” he chuckles. Asking him what the inspiration was behind his first single, he tells me it was about “drinking a lot” and “using drink as a kind of crutch I guess”. Drink crops up a few times in our conversation. “I’m still drinking a lot, but I’m not an alcoholic or anything,” he reassures me. The drink may have lent him some Dutch courage when he first started out, which he tells me was “quite tricky at the beginning, and took a bit of time getting used to”. But no longer does he get the urge to disappear into thin air and realise his alias. “I can’t wait to go on the UK tour in April. I love touring now.”

Ghostpoet tells me that, music aside, he’s really into photography. “I think it’s good to go out and get some inspiration, but also do something aside from music, so that it’s not all I do and talk about. I think more artists could do with going out, and having an aid for their music, and just another focus really.”

For anyone concerned about Ghostpoet falling under the radar in the last couple of years, his latest album forcefully announces his return, complete with more of his gritty storytelling. I ask him what he hopes for from 2015, with the new album finished. “Well the UK tour, and hopefully some European gigs and festivals,” he says. “Dribs and drabs,” he concludes, his dulcet delivery entrancing me into a lull, before I realise my time is up and Ghostpoet disappears.

Review: The Cribs – For All My Sisters

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★★★☆☆

Three Stars

The Cribs have been going strong for some ten years now – no small feat for a British indie band. In contrast to some of their more highly-rated contemporaries (Bloc Party, anyone?), the brothers have exhibited remarkable consistency, arguably improving since their self-titled debut in 2004, perhaps due to their undeniable ability to come up with appealing hooks and riffs.

Their last record, In the Belly of the Brazen Bull, coming after the departure of Johnny Marr, exhibited a slightly darker aesthetic, but things have evidently lightened up for the band in the time since. For All My Sisters, the first Cribs album in three years, does not shirk when it comes to the hooks.

In fact, it contains some of The Cribs’ catchiest and poppiest moments yet, particularly in the use of layered harmonies in the first half of the album. Ryan Jarman is not afraid to break into the falsetto range with vocals, and it works well, especially on the chorus of opener ‘Finally Free’.

The crooning, high-pitched hook in the introduction of second track ‘Different Angle’ would fit in nicely on a Peace album. Lo-fi ballad ‘Simple Story’ is also impressive, featuring Jarman’s musing, “It’s only my heart that’s bleeding,” over mostly acoustic accompaniment. The catchiness of the chorus is offset nicely by the fuzzy guitar tone and bass-heavy sound, meaning that the album, while accessible, maintains a garage rock edge, and there are some classic punchy Cribs riffs here (listen to ‘City Storms’).

The second half of the album, though, lacks some of the energy of earlier tracks, and there are definitely fewer striking moments as the record moves onward, with things becoming a little too formulaic. The Jarmans use the trick of having the vocals match the guitar riff one too many times (it appears to some degree on each of tracks nine to 11), meaning it’s hard to distinguish between the verses of a couple of these later numbers. That said, the last and longest track, ‘Pink Snow’, is very good indeed, exhibiting a well-executed transition from a stripped back verse into its frenzied chorus and a final cathartic moment, making for a fi tting end to the album.

All in all, For All My Sisters succeeds in what it tries to do – it’s definitely melodically potent and catchy, but thankfully never sugary. The album definitely tires, though – rather running out of ideas – before the excellent final track, and perhaps cutting out a few minutes would have made the record a little leaner and less repetitive. But, overall, this is a satisfying effort from The Cribs – and certainly among their most listenable. 

Review: Future Brown – Future Brown

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★☆☆☆☆

One star

With a paper shredder, complete texts go in and incoherent fragments come out. That’s the best way to think about Future Brown’s self-titled album. With Future Brown, the laziest, most tired remnants of mid-2000s hip hop go in and an incoherent mangle comes out.

The ‘super’ group is comprised of Fatima Al-Qadiri, J-Cush, Asma Maroof, and Daniel Pineda. I can’t say for sure what their respective credentials were to warrant their claim to super group(dom). But from the sounds of the album it’s probably a semi-stoned recollection of Jay Z’s albums from ten years ago.

‘Room 302’ opens the album with a semi-rhythmic drone of auto-tuned vocal jabbering and ringtones. Hopes of the resourcefulness we were promised are swiftly dashed. ‘Talkin Bandz’ has our imaginative vocalists resort to the lyric, “She sells sea shells on the sea shore.” The album continues as an inane mass of endlessly looped vocals. After 20 repetitions of the same line, I’m unsure of what they’re actually singing about, but, frankly, I don’t care.

As the album progresses, negligible variation is introduced by bringing in rappers who sing in different languages. This makes for a welcome change from the usual drone and is indeed one of the few highlights of the album. In fact, this addition might be the only saving grace in an otherwise boring, derivative, and pointless album.

Review: Romare – Projections

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★★★★☆

Four stars
 
Romare Bearden was one of the most significant collage artists of the last century, creating a visual documentation of Arab-American life. Projections, the debut album from Romare, follows in the vein of his namesake, picking up a multitude of samples, hooks, and auras from decades of music, and combining them in a sound that is unmistakably modern. From the catchy chords of ‘Roots’, to the slick clicks of ‘Work Song’, it is an album firmly grounded in a deep and considered musical heritage.
 
To see what makes this album so remarkable, one has to look beyond individual tracks. LPs from dance music producers tend to run along one of two lines. They are either experimental forays into the deepest and murkiest textures – albums that would never be let near club turntables (think Pearson Sound’s upcoming LP), or disjointed collections of club bangers which end up sounding more like compilations. Yet in Projections, a middle path between the two is successfully strutted. Tracks quite happily stand alone: ‘Roots’, released last year, was near the top of nearly every Top Tracks of 2014 list. But such tracks sit completely congruously next to the mellower tones of ‘Jimmy’s Lament’. In any case, this is a clever and considered effort, and should secure Romare’s name on the circuit. Expect him in a Cellar near you soon; or at least blaring out of Rad Cam headphones.
 

OUSU to hold university-wide referendum on sub-fusc

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OUSU Council has voted to hold a referendum in Trinity Term 2015 on the future of subfusc.

Council agreed to ask students whether subfusc should be worn for exams. The motion passed with 58 votes for, 10 against and 1 abstention.

An amendment was passed that there be two questions; one on the wearing of gowns and one on the clothing underneath.

In a 2006 referendum on this issue, 81 per cent of students voted to keep the tradition of wearing sub fusc to university examinations. ‘Sub fusc’ refers to the formal clothing worn under gowns, primarily to matriculation, university examinations, and graduation.

The Proctors’ statutes define sub fusc as “a dark suit with dark socks, or a dark skirt with black stockings or trousers with dark socks and an optional dark coat; black shoes; plain white collared shirt; a black tie or white bow tie.”

The proposer of the OUSU motion and Vice President for Access & Academic Affairs, James Blythe, told Cherwell, “While the last referendum was clear, it was also nearly ten years ago – I want to make sure I can effectively represent the current student view on this issue. I don’t want students to think that this motion has been brought because anyone in OUSU is proactively seeking to abolish sub fusc.

“I plan to remain neutral in the debate: all I want is a clear and recent steer from the student body on what to say when the University asks for the student view.”

Lindsay Lee, OUSU’s Disabled Students Officer and seconder of this week’s sub fusc motion, told Cherwell, “The mandate the referendum gave is now outdated. Much has changed at Oxford since then, for the better: campaigning and awareness around liberation group issues has increased and improved, and there is reason to believe that today’s students may have a different opinion about sub fusc than students had a decade ago.

“Our OUSU Council motion simply says that it’s time again that students weigh pros and cons and speak for themselves about the way forward.”

Merton College Academic Affairs rep, Andrew Macarthur, commented, “A referendum on the wearing of subfusc in exams sounds like a very sensible idea. The question was last put to the student population quite some time ago and it’s something that’s relevant to all of us. I think a strong case could be made to the University that the rules should be relaxed.

“I feel affection towards much of the tradition of Oxford, but I wouldn’t want my fondness for fancy dress to make other people’s exams more uncomfortable than they need to be.

“On the other hand, the end of exams would feel quite different if we abandon sub fusc: the romantic image of a celebratory punting trip (begowned, with Pimm’s and strawberries; a gentle breeze…) is a little bit Brideshead Regurgitated, but it will keep me going when I’m feeling tied to the library in Trinity Term.”

The University declined to comment on the OUSU motion.

Analysis: James Blythe argues why it’s time for a referendum on sub fusc

When I ran to be OUSU Vice-President (Access & Academic Affairs), I really didn’t expect to spend much time on, or in, that most peculiar aspect of Oxford life, academic dress. I certainly didn’t expect to be calling a referendum on the continued wearing of sub fusc, and I definitely have no vendetta against it. I’ve never knowingly opposed a fancy dress code in my life, and my personal experience of sub fusc was largely positive. I enjoyed having something to take my mind off the exam in the final moments alone in my room.

Nonetheless, I can also see plenty of arguments against sub fusc. In the days since my motion became public, I have heard students passionately argue that it is bad for access, that it worsens exam stress, and that it is more appropriate for ceremonies, not for the hard work of exams. Hearing strong and clear arguments from students on both sides, I plan to stay neutral in the debate.

I’m bringing this issue to a referendum because the University has signalled an intention to discuss the issue of sub fusc in exams (not ceremonies) in the next term or two. A group of examiners asked the Exams Panel to remove the requirement to wear full sub fusc. They argued that sub fusc was very different from their normal clothes, that it made them uncomfortable, and that it seemed anachronistic and put them off being examiners.

I thought those were reasonable points, but suggested that they might easily also apply to students. At this point I was told that students wanted to keep sub fusc – every academic on the panel was thinking of the 2006 referendum.

That referendum has sunk into the collective consciousness of the University in a really remarkable way: offered the choice by a progressive Vice-Chancellor, students opted by a huge majority to keep sub fusc. Possibly because it came as a surprise to people, that view has become ossified as the permanent student opinion, and I don’t think that a single vote, representing the view of students who are no longer here, should be regarded as the view of all current students.

It is clear to me that for many in the University, nothing except a new referendum could ever shift their view of what students think. That’s why, if OUSU is to engage in the debate in University committees on this question, we must hold another vote. I have no idea what the eventual outcome will be. What is clear is that we need to hear from Oxford students here today, not just those who were here in 2006.

I’ve already seen people who are actually arguing for a vote to keep sub fusc disagree with holding a referendum: my plea at the beginning of this debate is not to confuse the process with the outcome. I am confident that this process is just and necessary.

If you’re passionate on either side, please don’t get angry about the idea of a referendum. It’s got to happen. Get involved. Lead one of the campaigns, persuade your fellow students. It could be the most niche Oxford political debate in a long time, but it’s an important one. I won’t be shaping this debate – but you could

 

Motion to open up discussion of reading weeks passes

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OUSU Council has passed a motion to mandate the VP for Access & Academic Affairs to include support for a reading week in the OUSU Education Vision, when the full proposals are brought to Council for approval at the start of Trinity.

The Education Vision will be a document setting out long-term goals for OUSU and aspirations of students with respect to all aspects of how learning happens at Oxford.

There is an ongoing debate in the student body both at Oxford and at Cambridge about the possibility of adding a reading week in the middle of term, creating two four week half terms.

The motion, proposed by James Blythe, OUSU VP for Access & Academic Affairs, and seconded by Nick Cooper, OUSU VP for Grads-elect, stated, “A reading week would be one way to mitigate the impact on student mental health of an Oxford degree”. It continued, “Such a week would enable students to read more diverse and enriching texts to support their academic development.”

The motion passed with four amendments, including to define reading weeks, to insert a clause demanding such a change would be cost neutral and to make clear that the Oxford workload more generally also affects mental wellbeing.

There were 41 votes for the motion and 14 against it, with five abstaining. Only 60 people voted; 70 people fewer than the number who voted on the anti-BDS motion.

Cooper commented, “James [Blythe] and I brought the motion to Council given the discussions that had taken place around reading weeks among students. A reading week could be a good way to allow students a chance to recuperate during the intensity of term time – this could be through catching up with reading, or if the student finds it more helpful for their wellbeing, as a chance to rest before a new 5th Week.

“Reading weeks are, though, a long term vision and are not a perfect solution: we hope bringing this motion will highlight the effects of Oxford life more generally, and encourage the University to pay closer attention to student welfare and workload.”

OUSU’s Disabled Students Officer, Lindsay Lee, commented, “The Oxford academic calendar currently is extremely demanding and very unorthodox. Oxford is demanding, as it should be, but it’s important to consider the health ramifications of this academic calendar for students, especially those with mental health issues.

“A reading week would reduce stress for everyone, but it could mean the difference between graduation and rustication for a student with a mental disability. For that reason, I’m very supportive of the motion.”

Louis Trup told Cherwell, “There is clearly a lot of interest in the issue of a reading week. It is something I mentioned when I was running for my job, but the increased debate on this now certainly merits a discussion in OUSU Council, where policy can be set. OUSU is probably the best place for us to make change in our university and I hope this change is something which students and the University seriously consider.”

Students organise Queer kiss-in in Cellar

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The Oxford queer community has organised a kiss-in at The Cellar nightclub on Thursday 5th March, in response to homophobic abuse experienced by two gay students at last week’s hip hop night.

The two students, who have requested to be identified only by their first names, Sacha and Josh, were reportedly asked to leave by a bouncer, after they were seen kissing on the dancefloor. A man attending the club on the same night head-butted Josh, after yelling homophobic insults at the couple.

However, Tim Hopkins, the Venue Manager at The Cellar, denied allegations that a bouncer had asked the students to leave, telling Cherwell, “We are sorry this happened and disgusted at the homophobic man’s verbal abuse and alleged physical actions. We won’t tolerate this sort of attack. The great thing about The Cellar is [that] it’s for everyone.

“I would also like to make it clear the security didn’t ask them to leave. They did get the other man to leave. The homophobic incident was from a member of the public and not involving any Cellar staff. Yes, the security had to deal with the incident the best they could, and maybe mistakes were made.”

The Queer kiss-in was organised by the Oxford University LGBTQ Society Committee. Rowan Davis, the society’s Trans rep and member of its committee, explained, “Kiss-ins have a long and proud history in queer activism, allowing LGBTQIA people to occupy and control spaces otherwise denied to them. Clubs are a political space for marginalised groups and this event will allow us to stand in solidarity with those affected by anti-queer violence in Oxford.”

Davis continued in support of the kiss-in, “This is exactly the sort of participatory, non-violent direct action we should be encouraging, and I hope it sends a message loud and queer that the actions of those that oppress us are not going to stop us from being who we are and where we want to be.”

Sacha also spoke in support of the organised kiss-in, saying, “It’s a fun event, which will bring together many different people. It’s also a forceful response, but framed in a very friendly, gentle way. It’s quite ostentatious – but the point is not to hide. ”

He continued to praise the wider LGBTQ community’s reaction to the abuse he faced on Thursday 26th February, saying, “The people who responded to my Facebook post [on the LGBTQ reps Facebook group, recounting the homophobia in Cellar] have been extremely supportive. I always felt that my welfare was their priority. The LGBTQ community is made up of very different people, but it really felt very united in that moment.”

The incident has been reported to the police, who have documented it as a homophobic crime. They are conducting an investigations into Cellar’s policy, as well as the alleged assaulter. Cellar’s management has also met with the victims, and has stated its commitment to ensuring that both staff and clubbers are aware that The Cellar should be an inclusive space for all.

The Cellar has informed Cherwell that “the changes we are making to hopefully make The Cellar feel safe again for gay people” are to “reiterate our policy to all our Bar staff and security team” and to “install a better camera in the side bar”.

The Venue Manager further commented, “People are allowed to kiss in The Cellar no matter what sex they are. If anyone is homophobic, they should leave or keep their views to themselves. Staff should keep an eye and an ear out for this sort of abuse.”

The kiss-in was held on the same evening as student night Supermarket, co-run by Lu Williams and Annie Teriba. Teriba told Cherwell, “Being somebody who organises club nights at Cellar, I was saddened to hear what happened that evening. The rest of the team share the sentiment. We immediately contacted the manager at Cellar to talk about our future there, and had a meeting with him on Monday. We weren’t happy with the club’s response and stressed that Cellar have a duty to protect LGBTQ+ people from queerphobic abuse.

“He had barred the man who attacked the students and is speaking to security staff to make sure that there isn’t a repeat. We will push for Cellar to take up the Good Night Out pilot being put together by the LGBTQ Campaign and WomCam.

“Knowing what it feels like to be harassed and attacked for daring to defy what is expected by cis-heteropatriarchal norms, I’m really glad that the LGBTQ Society has organised a kiss-in which we will support in any way we can. [I] think this is a reminder that, while queer clubs are incredibly important for our community, we must continue to fight to make all clubs queer friendly. We will not accept being tucked away in a corner and we will not let our queerness be policed.”

The Oxford University LGBTQ Society President, Otamere Guobadia, commeted, “When we came up with this Queer kiss-in we envisioned it as romance meets resistance: a disruption of heteronormative status quo. I think that when we queer spaces like this we reframe the narrative about the presumed normality of straightness.

“I think that the incident speaks not only to the necessity of queering straight spaces and opening them up to difference, but to the necessity of queer spaces in general.

“We are not in a post-patriarchal world. Minorities are still very much prone to violence, and even in the most liberal of spaces, patriarchy pervades, and masquerades itself as inclusivity and neutrality. Yes, it is a powerful thing to disrupt and challenge heteronormativity in this way, but it is a wonderful thing to feel that ones love and expressions of romance can be depoliticised, that expressions of romance can just be. Queer spaces provide for normalisation of experience, an elimination of the violence and finger pointing, that queer people are not afforded in straight spaces.”

Anti-BDS motion rejected at OUSU Council meeting

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OUSU council on Wednesday evening rejected an attempt to force OUSU’s NUS delegates to vote against “any motion aligning the NUS with the Boycott, Divestment, and Sanctions movement (BDS) at the NUS national conference”.

The motion, proposed by Ben Goldstein and seconded by Adam Dayan, was proposed due to fears that full BDS might become an official NUS policy at the National Conference in April. The motion fell, with 30 votes for, 72 votes against, and 28 abstentions. This means NUS delegates now have a free vote on BDS.

BDS is a global movement to put political and economic pressure on Israel to agree to certain pro-Palestinian demands. These demands include an end to the Israeli occupation of Palestinian lands, recognition of the equal rights of Arab-Palestinian citizens of Israel and giving Palestinians a right to return to their original homes. BDS ranges from arms divestment to a full academic and cultural boycott from Israel.

The proposers of the motion disagreed with the methods of the movement. The motion argued that a wholesale boycott of Israel “puts at risk any British student relationships with all Israeli organisations”. It also contested that the BDS movement “alienates moderate Israelis and strengthens the right-wing ultranationalist narrative in Israel”.

Dayan and Goldstein told Cherwell, “The mood in the room was mixed and unfortunately discussion of procedural motions obscured a substantive debate on the issues of BDS. It’s a shame that many people weren’t able to represent their JCRs because the debate was cut short.

“We trust that our NUS delegates will take into account the many objections to the odious BDS movement raised by Oxford students.”

James Elliott, one of the leaders of the opposition to the motion, was delighted with the result, commenting, “It is very clear that Oxford students have profound concern for the colonial occupation of Palestine, and it is no surprise OUSU Council rejected this rushed, hyperbolic motion.

“This was all a proxy fight about the NUS’s existing support for BDS, a policy which I proudly seconded and continue to uphold. It turns out that students don’t think Israel is an illegitimate target beyond our criticism and action. The question is what we do to extricate ourselves from that complicity.”

The OUSU motion split opinion in many common rooms. The JCRs of Magdalen and St John’s both mandated their representatives to vote for the motion at OUSU Council, whilst Wadham, University, and St Peter’s JCRs mandated their representatives to vote against it.

In other JCRs, the motion provoked extensive debate, with Balliol JCR’s meeting lasting over three hours. It eventually decided to mandate two of its representatives to vote against the motion, and one in favour. At Hertford, an open letter supporting BDS was circulated, subsequently becoming the cause of much controversy within the College.

Meanwhile, the JCRs of Queen’s, Pembroke, LMH, New, and Jesus all conducted online polls of their members to determine how their representatives should vote.

The motion itself was subject to two attempted amendments during the course of debate.

The first amendment considered was an attempt by the original proposers to clarify what the motion meant. Representatives from Somerville were mandated to seek clarification on the meaning of ‘the BDS movement’, as the motion referred to it. Some students believed that it was unclear whether the motion referred to the Palestinian BDS National Committee (BNC), or the general principle of sanctions against Israel. Several mandated JCR representatives stated their opposition to the amendment on the basis that it was undemocratic, as it was not proposed with enough time for them to consult their respective JCRs. The amendment was defeated with 25 votes for, 78 votes against, and 25 abstentions.

The other amendment considered was one proposed by next year’s VP for Grads, Nick Cooper, which tried to mandate NUS delegates to abstain on all BDS motions, as opposed to voting against them. This motion also failed, with more than 100 people voting against it.

Second year Christ Church PPEist Jan Nedvídek, who spoke in support of the motion, was disheartened by the outcome of the vote, telling Cherwell, “I find it disappointing that OUSU failed to back the motion. OUSU and the NUS should be looking after student welfare, not passing motions on controversial geopolitical issues.

“Tonight, OUSU had a chance to say that, but decided not to. I guess it’s business as usual: the NUS pretending it’s the UN Security Council, rather than an institution representing the diverse student body in the UK.”

Barnaby Raine, one of the NUS delegates who would have been affected by the motion, commented, “I was surprised and heartened at the huge margin by which this motion was defeated – as I made clear in the debate before the vote today, I now plan on voting to boycott Israel at NUS conference.”

The Oxford Students’ Arab Cultural Society told Cherwell, “This evening’s vote at OUSU represents a success of student democracy in reflecting the views of the majority of the student body. Oxford students did not want to support a motion which attempted to rush through policy forcing NUS delegates to opposed Boycott, Divestment, and Sanctions against Israel. Students objected to the undemocratic manner in which the motion was brought, placed on the OUSU council agenda without time for many common rooms to meet and discuss the issue.

“It was evident in the common rooms that were able to discuss the policy that Oxford students are concerned about the situation in Palestine and the role that our university plays. The University of Oxford, through its investments and research programmes, is invested in arms companies and companies that profit from the Israeli occupation.

“The vote tonight makes it clear that Oxford University students want to be able to discuss Israeli human rights abuses in their common rooms, and that our delegates should not be forced to vote against existing NUS policy which supports divestment from companies that profit from the occupation.”

OUSU President Louis Trup told Cherwell, “I respect OUSU Council’s right to mandate NUS delegates to vote in a certain way at the NUS conference. In this instance, they chose not to. I will, however, inform Council in 1st Week of Trinity how individual delegates voted.”

OUSU to subsidise sanitary products

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OUSU has announced that it will be launching a new scheme to provide sanitary products such as mooncups, sanitary towels, tampons, and panty liners to common rooms at or below cost price, in the same manner as the existing condom scheme.

The launch of the new scheme has been scheduled to coincide with International Women’s Day on March 8th, and the products will be available to buy through OUSU at the beginning of Trinity.

Women’s, Equalities, and Welfare Officers will now be able to order sanitary products directly through OUSU, in the same way that condoms are currently provided to JCRS. Although many colleges currently do provide subsidised sanitary products, they were previously purchased and reimbursed by college. This will absorb the tax on sanitary products, which is currently five per cent. This tax on sanitary products, which was lowered from the standard rate of VAT in 2000, has recently become a high-profile issue. A Change.org petition asking George Osborne to ‘Stop Taxing Periods. Period.’ has gathered almost 200,000 signatures.

Rachel Besenyei, a second year PPE student at Wadham who worked on rolling out the scheme, commented, “It’s really encouraging that the University are taking positive steps to make sanitary products more affordable for students. These items are necessities, not luxuries, so it seems only fair to make them available in a similar manner to condoms.”

One aspect of the scheme that its organisers are particularly keen to push is the provision of mooncups in all colleges. A mooncup is a small silicone cup used to collect menstrual blood. They can be re-used over many years, making them a much greener and cheaper alternative to traditional sanitary products. On average, a person who menstruates will use 11,000 sanitary items during their lifetime, spending around £90 a year.

Anna Bradshaw, OUSU VP for Women, told Cherwell, “The inclusion of mooncups in the scheme is related both to OUSU’s ongoing commitment to environmental sustainability and to a real demand for them in the student body, as reported to us by Welfare and Women’s Officers in Common Rooms.

“I’m particularly pleased that the University will reduce the cost of mooncups. Whilst incredibly environmentally friendly and more cost-effective than conventional sanitary products, these can be too costly for students to invest in. I hope the scheme encourages more students to see them as a viable (and indeed superior) alternative to disposable sanitary products such as tampons or pads.”

Although mooncups are subsidised in the same manner as other products, the organisers of the scheme also hope that colleges could introduce a system where colleges could provide a limited number of mooncups for free to students on a balloted basis.

Rose Lyddon, Wadham SU Women’s Officer, also welcomed the impact that the new system would have on those who require sanitary products in college. She commented, “The provision of sanitary items at Wadham has made a big difference to students, particularly people with disabilities, for whom getting to the shops is difficult. I’m really happy to see OUSU taking some of the burden off college SUs in funding vital services.”