Friday 18th July 2025
Blog Page 1236

LMH scouts to meet with students

0

Lady Margaret Hall College has arranged coffee mornings for students and their scouts in order to improve student relationships with college staff and to thank them for their hard work.

Cherwell’s C+ investigation into the treatment of college staff at the beginning of this term showed that only 45 per cent of students feel scouts are treated with respect, 68 per cent feel they have a good relationship with them and around half of students speak to their scouts on a regular basis.

LMH JCR President Aadit Shankar decided to take action in order to improve relations between students and staff.

He commented, “The scouts at LMH work incredibly hard for us, and we rarely, if ever, get to thank them for it. Students are either out at lectures or labs or in bed half-asleep when scouts come round to clean rooms. I listed this as one of my manifesto pledges and it turned out to be an extremely popular idea within the JCR. The Lodge Manager and the Domestic Bursar informed me that the scouts would appreciate this kind of thing.”

Meetings are arranged for each accommodation building at 9.30 Monday to Wednesday throughout this term and last around 45 minutes, giving scouts and students the chance to share an informal chat over coffee, tea, and biscuits. They discuss each other’s experiences including what the students study, how both enjoy living, and working in Oxford and who the messiest students are.

Roughly 15 students have turned up to each meeting so far, joined by two of their scouts, although Aadit told Cherwell that organising the meetings can be difficult, due to the scouts’ working hours and students’ timetables.

Harry Krais, a student at LMH, told Cherwell, “I definitely think [the meetings have] brought our corridor closer to the scouts – I have certainly been interacting with my scouts much more often than before.

“Students spend half the year in close proximity to staff within college and it is often the norm that they hardly say a word to each other, which is such a shame. I would encourage anything that helps to bring the college community closer together.”

Second year Theology student Verity Hub- bard said, “I already have a very good relationship with my scout, but those who are perhaps more shy got a lot out of the meet up. We even joked about going on a night out to ‘Lava & Ignite’ with our scouts.”

The Housekeeping Team Leader at LMH discussed the matter with the scouts who felt that it was a “nice” and “thoughtful idea”.

They commented, “Some meetings only a couple of students turned up but they were still nice. It’s nice to feel appreciated for the work we do. I like that they wanted to thank me for the work I do for them.”

They unanimously agreed that it was something “fun” that every college should do, and they thought it would be a good idea if meetings took place every Michaelmas term.

 

It’s time to say bi to the straight and narrow

0

If you’ve been within five metres of someone with a Netflix account, you’ve probably heard of Orange is the New Black. You’ve probably heard it very highly praised, and rightly so. In addition to being, you know, good television, the show tells us the stories of the kinds of characters which are often silenced (if they appear at all) in mainstream culture. The vast majority of the cast are women. A significant proportion are women of colour, or queer, or both, and Laverne Cox’s character is incontrovertible proof that portrayals of trans characters will be a lot more engaging and accurate if, you know, actual trans people play them.

However, even in a show so lauded (justifiably) for its representation of marginalised identities, there are still some getting shortchanged.The show’s main character, Piper Chapman, has had romantic and sexual relationships with men and women. Much of the attendant discussion of Chapman’s sexuality within the show is framed as a decision between heterosexuality and homosexuality, despite there being in existence not one but a number of terms to describe people who are attracted to more than one gender.

The word ‘bi’ is used once in the whole of the show’s two seasons, and then not with any certainty. Pansexuality (or omnisexuality) doesn’t even get a look in. This is made especially bizarre by the fact that Piper Kerman, on whose experiences the show is based, openly identifies as bisexual, a sexual identity not apparently shared by any of the women in the show to have had relationships with the same and different genders.

[mm-hide-text]%%IMG%%11126%%[/mm-hide-text]

Why does bisexuality have such a bad rep that even in a show with what is on the whole remarkably good representation, it remains a dirty word? It probably doesn’t help that as a society we’re committed to erasing the identities of bisexuals who live and walk among us. Lady Gaga is often spoken of as if she were heterosexual. Madonna’s sexual and romantic interactions with women are seen as sensationalising or else pandering to a male audience. Both have publically identified as bisexual. When Tom Daley announced in December of 2013 that he was in a loving relationship with another man saying, “I still fancy girls, but at the moment I’ve never been happier,” the headlines screamed, “Tom Daley comes out as gay!” or, not quite as inaccurately, but still somewhat misleadingly, “Tom Daley in gay relationship”.

Culture has the power to show more advanced attitudes and nuanced depictions than in the media more generally, and to break boundaries. A genre with, in theory, great opportunity to do this, would be science fiction – the future might be a fairer place after all. Sci-fi has form in the field of depicting progressive attitudes – the original series of Star Trek had a remarkably diverse cast for the 60s, as well as featuring the first ever interracial kiss on American television.

[mm-hide-text]%%IMG%%11127%%[/mm-hide-text]

However, the sci-fi writers of today seem less committed to trying to represent human existence at a more advanced point than society as it is at the moment. Steven Moffat of BBC’s Doctor Who, when asked why his shows don’t feature more bisexual characters, responded, “We don’t acknowledge you on television ‘cos you’re having FAR TOO MUCH FUN. You probably don’t even watch ‘cos you’re so BUSY!”

Later, Moffat did declare the character River Song to be bi, but this was never even hinted at in the show, where she’s preoccupied exclusively with the Doctor. As far as representation goes, this is a cop-out. Most people won’t know about this throwaway remark, and, as it’s not on the show, most people won’t care. There seems to be a pervasive attitude that representation of bisexual or pansexual characters doesn’t really matter in the same way as representing monosexual people does.

In response to a plotline in which one of Glee’s characters wondered if he might be bisexual before concluding he was gay all along, the show’s creator Ryan Murphy declared, “The kids need to know he’s one of them.” Bisexual kids apparently just aren’t on the show’s radar. There doesn’t seem to be a sense among creators of the media we consume that seeing bisexuality or pansexuality represented in an overt way is at all important.

When shows have characters who have sex or relationships with more than one gender, they’ll either switch abruptly from being called straight to gay, or vice versa (for example, Willow in Buffy the Vampire Slayer, or Chapman in Orange is the New Black), or else they’ll say something along the lines of, “I don’t like labels,” or not give a straight – ahem – answer (see Thirteen in House, Hathaway in Lewis, or, yet again, Chapman in Orange is the New Black). Obviously there’s nothing wrong with people in real life not wanting to label their sexuality if they don’t feel comfortable doing so, but it would have been nice as a teenager to have known these labels existed. Labels allow non-monosexuals to be recognised by people who might not otherwise know we exist, but also to be recognised by each other and other members of the queer community.

Why are writers so hesitant to label characters as bisexual and pansexual? We’re here, we’re queer, and we just want to see people like ourselves on TV godammit.

We should stop fetishising independent bookstores

0

This piece was originally intended as a kind of literary tour of Oxford’s bookshops – an inspiring, eye-opening write up that would have had you all breaking out of your college libraries in droves to rediscover the wonders of the book-buying process. In theory, it would have been a great article; Oxford has a larger-than-average selection of genuinely interesting stores, run for the most part by genuinely interesting people. There would have been more than enough material to fill a feature on the city’s hidden literary gems. Little did I know, however, that when I innocently ventured into the legendary (and admittedly amazing – you don’t get 4.7 out of 5 stars on Google Reviews for nothing) Albion Beatnik Bookstore in Jericho, my naive English student plans for a self-congratulatory article on the loveliness of Oxford’s bookshops were about to be thoroughly deflated – and I can’t thank the store’s wonderfully belligerent owner, Dennis, enough for it.

My chat with Dennis crystallised the reason for the expressions of polite bemusement I’d been met with at the bookshops I’d been visiting all morning: why is a student newspaper wanting to write about the bookshops its student readers are quite clearly not interested in visiting? I don’t mean to suggest that Oxford’s entire student body has turned its back on the printed word; clearly, there are a lot of people here who do really rather like reading (if their degree hasn’t yet beaten out of them any desire to look at a book ever again), and are doing a great deal of it in lots of different places. But, equally, we students are patently not doing that much reading – or buying – in Oxford’s independent bookshops. None of the shop owners I spoke to on my one-woman literary tour cited students as a significant contributor to their footfall, with one making the very fair point that the reason students aren’t in the bookshops is that they are in cafés on their laptops. There are, of course, a number of good reasons behind why we students, so vocal about the necessity of saving these shops, are not visiting them – one of the main ones, obviously, is money. The average Oxford student just doesn’t have the spare cash to spend £30 on Neil MacGregor’s Germany: Memories of a Nation, the top seller over Christmas at Summertown’s incredibly lovely The Book House. Indeed, the store’s owner was the first to acknowledge that he could only do such strong trade because many of his customers were “wealthy enough to be ethical”. The carefully selected variety and range of genuinely interesting stock (including a very strong history section) can only be appreciated because North Oxford is generally populated by people who can afford it.

And this is where I feel we need to get rid of our student Messiah complex about independent bookshops – one to which, until yesterday, I completely subscribed. Actually going into these various very lovely shops made me realise how wrong it was just to write another article exhorting you all to go and do the same; it would be just another piece we could read to reassure ourselves that, despite all the scaremongering, independent shops are alive and well and we can continue to go about our business of never visiting them. As Dennis quite rightly pointed out to me, I’d never visited the Albion Beatnik until I decided to write a piece on it.

[mm-hide-text]%%IMG_ORIGINAL%%11124%%[/mm-hide-text] 

And that seems to sum up the problem; we’re perfectly happy to fetishise the independent bookshop, engaging in the collective condemnation of society when we hear (as announced on Wednesday) that another four UK indies have to shut their doors, yet we fail to acknowledge that we’re part of the group that isn’t visiting them. Just to be clear, I am in no way calling for us to turn our backs on the independent bookshop and write it off as doomed – but if we’re only ‘supporting’ it by lamenting their hypothetical demise, then that’s not really any kind of positive support at all.

So yes, to come to the end of my rather conflicted existential crisis about how we should behave towards the independent bookshop, I do think that we’re incredibly lucky in Oxford to have what we have. The Book House has been open for 36 years, and I could tell when I visited it that there would always be a member of staff in there happy to direct you to the perfect book. There is something special in that interaction that feels like more than just a transaction. Equally, The Albion is unlike anywhere else in Oxford, and if you’re genuinely serious about rediscovering the book-buying ‘experience’ then there’s nowhere better to do it – 392 blog posts from adoring tourists can’t be wrong. But let’s stop pretending that our virtuous praise of the alternative bookshop is always a good thing; treating it as something that needs to be saved means we look at it as something deserving of our charity. To do that is to denigrate the pure and inimitable pleasure we should feel when we’re buying a book.

Signatories of free speech letter under fire

0

Four Oxford academics are signatories to an open letter published in The Observer criticising recent attempts to clamp down on free speech at British universities. The letter, entitled ‘We Cannot allow censorship and silencing of individuals’, was published on Sunday 15th February. 131 academics signed it, including Dr Rachel Hewitt, Professor Deborah Cameron, Dr Samantha Lythe, and Dr Michael Whitworth.

This comes after weeks of controversy over free speech in Oxford. Up to 400 students protested again Marine Le Pen’s talk at the Union in 3rd Week and the OUSU Executive Committee signed an open letter asking the Oxford Union to refrain from inviting such speakers again. OUSU also formally condemned the views of Marine Le Pen and her party, the Front National.

Professor Cameron told Cherwell she had “no problem with people standing outside the Oxford Union to register their objections to the politics of Marine Le Pen. That isn’t censorship. My problem would be with a ban on Marine Le Pen speaking in Oxford at all.”

Jan Nedvidek, a second year PPE student at Christ Church, went further, stating to Cherwell, “You can’t believe in free speech and in ‘no-platforming’ at the same time. When you say someone should not be given a platform, you say that their views are too bad for other people to listen to them, and that they shouldn’t be allowed to air them. This is clearly anti-liberal.”

The academics in the letter argue against the censorship of speakers at universities. They point out that ‘no-platforming’ used to be a tactic used against self-proclaimed fascists and Holocaust deniers. The authors of the letter contend that it is now deployed regularly against anyone who does not fit with the views of a student body. The signatories stated, “We call on universities and other organisations to stand up to attempts at intimidation and affirm their support for the basic principles of democratic political exchange.”

Dr Whitworth told Cherwell, “Universities should be a place for debates, conversations, and disagreements, and for finding out more about each others’ views and reasons for holding them.”

However, Oxford liberation and minorities groups have criticised the letter for discriminating against sex workers and trans people and delegitimising protest. The original letter argued ‘no-platforming’ had been used “to prevent the expression of feminist arguments critical of the sex industry and of some demands made by trans activists.” WomCam published an official response to this, condemning the open letter and asking “all of the signatories who are members of Oxford University to retract their signatures and to make public apologies for adding to the discrimination against sex workers and trans people within our community.”

OUSU VP for Women Anna Bradshaw added, “We are not asking that these people be censored and of course, we do not have the power to censor then. However we are requesting that they do not voice these damaging views on our campuses and consequently, in our homes.”

Interview: Tim Harford

0

Why is this particular cup of coffee this price here, and is it different somewhere else? Why is it different somewhere else? What are the possible explanations for that? Life is full of all kinds of puzzles: such as why is there a rental market in dinner jackets when you can buy a dinner jacket and use it many times, but there isn’t a rental market in wedding dresses even though people only use wedding dresses once?”
 At times, I temporarily forget that it is I, the interviewer, who is supposed to be asking the questions. Yet this is typical of Tim Harford’s approach to economics and to life more generally: ask lots of questions, reflect on what you see, and think about the world around you. His weekly column in The Financial Times and bestselling book The Undercover Economist are based on this entire premise.

“The real world applications, they are the most interesting. They make us think rigorously but at the same time they make us face up to some complexity. There might be all kinds of psychological and institutional details that do not easily fit into the models. But thinking about those details, that’s all part of being a good economist.”

Harford, who studied PPE at Brasenose before doing a masters degree in Economics, believes that many recent approaches to the subject have paid too little attention to what is actually happening in the real world. He thinks that while there is “tremendous value in the maths”, there is a risk that we “crowd things out that do not easily lend themselves to being expressed mathematically”. The popularity of Economics has soared in recent years. Since 2007, for example, the uptake of Economics A-level has risen by about 50 per cent. Harford thinks that this can only be a good thing.

“It is a great subject and I think it is absolutely fascinating; the different mixture of topics that you have to wrestle with and the importance of the ideas and the subject matter.” However, Harford accepts that this was not part of any attempt on his part or anyone else’s to popularise economics. The rising interest in the subject is more of a “symptom of a bad thing, which is that we have had a catastrophic financial crisis. There is always going to be more interest in Economics – certainly in the media – as a result of that. People have realised that it matters.”

Given that the study of economics is assuming ever greater importance, I question him on the nature of statistics. By analysing variables using alternative methods, statistical analyses generate different numbers. Inflation, unemployment, and economic growth, for example, can all be measured using different methodological approaches and each approach tells a different story.

As Harford exemplifies, “Are median wages stagnating or not? It turns out that there are two perfectly good ways to ask the question and you get a different answer. If you look at everybody who is working, the median wage is stagnating. If you look at everybody who has had a job all year, the median wage is growing. So if you have a job, your wage is going up. But there are people quitting the labour force at the top with good jobs and people entering the labour force at the bottom with bad jobs and that means that the median wage isn’t going any where.”

Yet how are we to choose between alternative methods of measuring certain variables? Harford is quite clear on this issue: we do not need to make a choice because statistics “measure what they measure”. Rebutting my question, he argues, “To ask which statistic we should choose, that’s like asking which frame of your favourite film you should choose. Well no, you’ve got to watch the whole film.” His answer brings us back to the point about not being reductive in our approach to looking at the world. Statistics can be useful even though they “do not tell us everything”.

But the moment we think that they are telling us everything, that is when we encounter trouble. According to Harford, “We are in even more trouble when they start getting used as targets because then you immediately get distortions”.

The classic example of this phenomenon is ambulance waiting times. In the late 1990s, Tony Blair introduced a target: in life-threatening emergencies in urban areas, ambulances should arrive within eight minutes, 75 per cent of the time. “Even saying the target you realise that it is quite complicated,” comments Harford. “Immediately after that target was introduced, it started being hit for sure but the definition of life-threatening emergencies started changing. The definition of ambulance changed, so that suddenly paramedics would arrive on bikes. The ambulances were relocated from rural areas to urban areas to make it easier to hit the target in urban areas. People would just lie about the numbers and an awful lot of calls finished at seven minutes 59 seconds. And of course if you breach the eight minute target then you’re screwed because you’re no longer valid for the target so you might as well make them wait two hours.”

Harford continues, “You need to collect the data but the moment you turn the data into a target you are inviting all kinds of weird stuff.” This use of small real world examples to explain economic phenomena is typical of Harford’s approach.

However, Harford acknowledges that macroeconomics, which studies broader economic themes such as economic growth and unemployment, needs a “different approach”.

“Purely as a writer you have got to talk about macroeconomics in a different way. It is impossible to give a simple everyday example for a lot of 
everyday
 macro-
economic phenomena 
because the
whole point
is that they
 are systemic.
You cannot point
 to one cause because
 the moment you point to one cause there is something else going on behind your back which is connected via invisible strings to the other cause.” The nature of macroeconomics is such that there is significantly more controversy. Theories are inevitably less concrete, but Harford hopes that his writing on the subject is “still fun”.

One of the most significant aspects of macroeconomics is its attempt to forecast future events. Harford’s talk to the PPE Society following our interview was on ‘How to See Into the Future’. He talks of a new type of research which comes from psychologists rather than economists. This supposedly ground-breaking research characterises ‘super forecasters’ as those who work in a team, who have received training and, most importantly, those who adapt their forecasting technique in response to past errors.

Tentatively, I suggest to Harford that these characteristics give the impression of being somewhat superficial. Why are forecasters not already working in teams, partaking in training, and learning from their mistakes? He responds by suggesting that most forecasters do not face particularly strong incentives to attempt to produce accurate forecasts.

The chief economist at an investment bank is one example. “ Your job is to get the bank on the evening news and to sound authoritative.” Political pundits “may well just be cheering for their side in an argument,” whilst as an author trying to sell a book then “maybe you want to make a forecast which is eye-catching and controversial” rather than wholly accurate.
 Even independent think tanks such as the Institute for Fiscal Studies (IFS) and the Office for Budget Responsibility (OBR) have a relatively poor track record when it comes to forecasting. Indeed, not a single forecasting agency has correctly predicted a recession since 2007. Part of the problem, according to Harford, is that the “IFS for example is not usually graded on the accuracy of its forecasts, it is graded on other things: the detail, the independence of its analysis.” The principal job of independent forecasting agencies is, Harford concludes, to ensure that their forecasts are not “influenced by politicians trying to sell a particular idea”.

With no forecasting agency able to produce consistently accurate forecasts, I ask Harford why politicians, businesses and individuals commit so heavily to them.

“They’re very seductive, they’re very persuasive. They’re a great way of saying, ‘Oh well I don’t really know what’s going on in Syria; it’s all very complicated, but someone tells me that he believes that Bashar al-Assad will be out of office within six months.’ I feel like I have learnt something about Syria from an expert on Syria. I haven’t really but I feel like I have.”

The solution, according to Harford, is instead to engage in scenario-planning, “which is more about telling coherent, plausible stories about the future without making any claim that this story is definitely going to be correct.”

Reflecting on historical trends and real world problems as well as asking his own questions about what he sees appears to be Harford’s approach. It is an approach from which we all have much to learn.

The Campaign: Whose University?

0

Oxford University is our institution of learning and in many cases also our home, so why does it often not feel that way? Whose University? is a campaign highlighting the ways in which the University fails to put its students first. There are several aspects to this. Many students feel that their mental health is ultimately less important than the ‘academic excellence’ and ‘reputation’ associated with Oxford’s intense terms and famously high workload. While the University puts a lot into mental health support services, there seems to be no willingness to think radically about changing the model we work with, or being flexible to meet different students’ needs. ‘Work hard, play hard’ is a hollow phrase used to excuse the huge toll our degrees can put on our mental state.

Another aspect is about our spaces. Many of us live in college, but we struggle to feel like it is really our home when strict accommodation policies force us to move out at regular intervals. We may pay comparable amounts for accommodation as our friends at other universities, but we can only call this room our own for eight weeks at a time. Even around exams, we have to move out to make way for conference guests, collect up our lives and transport them home, to what may not be a stable and happy living situation.

Financially, many of us struggle when weekly accommodation rates are high, and a scarcity of kitchens forces us to eat expensive college food. All these issues affect those students already in difficulty – be it with money, health, or home life – disproportionately.

Whose University? is a movement of students who have come together to talk about these issues, collect student experiences, and work towards changing these problems. So far we have been working on collecting testimonies, in order to connect our experiences. We’ve also been compiling data about the huge disparities between what different colleges charge and what they provide in return, with the aim of producing a ‘Nottington Table’ about the stuff that really matters. But most of all, we want to hear from you. Like us on Facebook, submit a testimony with your own experience, and follow and share what our campaign is doing.

This is our university. We must avoid being cowed by the weight of a traditional and elite institution, and start talking about the various ways in which, in all honesty, it needs to sort its shit out.

Interview: Myriam Francois-Cerrah

0

The question whose answer every Oxbridge student wants to know: which is better, Oxford or Cambridge? This is how I begin my interview with Myriam Francois-Cerrah, a journalist working to bridge the gap between feminism and religion, and, coincidently, an alumna of Cambridge. In response to this crowd-pleasing question, Francois-Cerrah is very down-to-earth. “Oxford and Cambridge both have their charm and their downfalls. They are both places of huge privilege, which could do with an injection of reality. They are both genuinely in a bubble.” This injection of reality is precisely what Francois-Cerrah was trying to get across in the feminism debate at the Union last Thursday.

The debate, ‘This House Believes Feminism Has Been Hijacked by White Middle Class Women’, focused on the different faces that feminism can have and how everyone, not only women, need to recognise that. During the debate, Francois-Cerrah emphasised that one can’t fit every feminist into a specific categorised box. The fundamental necessity of feminism is to ensure that every woman feels supported and represented in some capacity in those situations where she may feel hindered, prejudiced towards, or alone and unsupported. It is precisely this lack of solidarity within the feminist movement that catalysed Francois-Cerrah’s interest in trying to bridge the gap between those that call themselves feminists but refuse to stand with everyone who identifies as a woman.

Whilst obviously concerned with the universal feminist project, she is also interested in female subjugation within a religious sphere – specifically, considering recent events, France. “The majority of the feminist movement in France has not shown itself in solidarity with the struggles faced by Muslim women, specifically the overlapping issues faced by ethnic minority Muslim women. My mission is to be truthful and the truth is that there are huge inequalities facing Muslim women and that feminist women have failed to stand with them, but have stood with the establishment.”

Francois-Cerrah goes on to state that France is actually “increasing restrictions on the visibility of Muslim women under the pretence of a universality which promotes Eurocentric ideas”. The government, and a large part of the French ‘majority’, fail to recognise the steps that need to be taken to achieve equality amongst the population as a whole.

But, I ask Francois-Cerrah, is there any way to counteract this? Specifically, in light of the Union debate, does she think that there is a way for feminists to rise up and establish their own suppressed voices within their hijacked movement?

It would seem that in today’s world, the best way for minorities to raise their voices is to make them heard through the media, especially social media.

The reaction of the Australian people to the anti-Muslim attack in Sydney is a good example of this: #IllRideWithYou overtook most of the negative press against the Muslim community in Australia. This is the type of solidarity that Francois-Cerrah is looking for and hoping to establish within the feminist movement.

As Francois-Cerrah says, “[The] job of journalists is to report accurately. Uncover the alternative narrative, those whose voices are not put in the spotlight. In the case of France, hashtags are an important indication
of solidarity with the disenfranchised.

“The French media has perpetuated the idea of an alien, foreign minority that needs to be controlled.

“To increase conceptions of a wider narrative view of citizenship, Muslims, especially Muslim women, should be considered just as much of a French citizen as anyone else with a French passport, regardless of their colour, mother-tongue, and especially their religion and gender.”


Francois-Cerrah ends our conversation by telling me that the “dominant perception of religion can be imposed upon Muslims, in the name of their so called emancipation. Where the feminist movement has failed is where they do not stand with Muslim women, as they see them as if they are victims of their religion and do not stand with them in respecting the value which they put on their religion and their choice.

OxStew: Union members deny ‘We <3 Marine’ sign shows support

0

In a significant development in the war of words concerning far-right French politician Marine’s Le Pen’s controversial appearance at the Oxford Union, a member of the Union has issued a denial that his cardboard sign with the words ‘We <3 Marine’ was in any way a statement of support for her.

James Yeo, a History and Politics student at Oriel College and member of the Union’s Secretary’s Committee, was seen waving the glittercovered banner as Ms. Le Pen entered the chamber, with other members bearing posters with statements such as ‘Front National Rocks!’ and ‘Je Suis Le Pen’.

Yeo clarified that the creation of elaborate posters is in fact a Union tradition dating back to the late 19th century, and is part of a deeply sophisticated form of irony which ultimately facilitates an informed critique of its ‘target’, lamenting that most people just aren’t really able to understand such a level of intellectual complexity.

He did concede that there was a greater ambiguity as to why Le Pen was allowed to crowdsurf following her response to an accusation of Holocaust denial, and promised that there would be a full investigation.

As Le Pen left the chamber, a number of audience members saluted her with the Front National’s trademark ‘Le Pen’ salute; an outstretched right arm holding a pen. The pen symbolises freedom of speech, a principle which is famously important to the far-right, as well as being a pun on ‘Le Pen’.

Accusations that this resembles the Nazi salute have long been denied by members of the Front National, with the Party Secretary describing the ‘Le Pen’ salute as “simply a statement about how much we value free speech for all, even the Jews”.

Other critics have questioned how the ‘Le Pen’/holding a pen pun would even work in France, seeing as the French for ‘the pen’ is ‘le stylo’ not ‘le pen’.

On Tuesday, the President of the Oxford Union defended the fact that Marine Le Pen’s invite puts her in the same company as a number of Nobel Peace Prize winners, saying “we haven’t offered her special treatment in any way – at the end of the day she’s only been afforded the same platform as the Dalai Lama and Desmond Tutu.”

This has been queried though, as it has emerged that the golden throne on which Le Pen was seated is not typical.

Late last night, James Yeo attempted to defuse the tension by reminding people of the ultimate triviality of the entire situation, posting a witty paraphrase of The IT Crowd on social media, “If people have a problem with fascist politicians being granted a prestigious platform to speak here in Oxford, then maybe we should all just move to Iran.”

In response, Ibrahim Ali, a PPEist at Balliol and prominent figure in the Oxford Activist Network, conceded, “I suppose it is all pretty hilarious really, I feel a bit daft for being such a killjoy now.

“Ultimately what does it really matter if a virulently Islamophobic Holocaust-denier is welcomed into one of the most prominent institutions associated with our University and applauded by my fellow students?

“It’s not as if granting increased status to racist views makes hate crimes against Muslims and other groups more likely. And when you think about it, it is so important that people in the UK get more and more opportunities to hear what she has to say.” 

Why young people won’t vote

0

The upcoming General Election is going to be one of the tightest in decades. The surge in support for the SNP and the Greens, as well as for UKIP on the right, have squeezed the traditional centrist parties, with Labour in particular being punished for abandoning their working class base under Blair. As well as being close, the election is of great importance. The ownership of public services, like the NHS and universities, could be decided, along with workplace rights and young people’s benefits. Given that politics for the next generation could be shaped on May 7th, why are young people not going to be voting in droves?

Young people are always far less likely to vote than those older than them. The Trade Union Congress has found that in the 2010 election, just 33 per cent of 18-34 year olds voted, compared to 64 per cent of those aged 35 years and older. In other words, there are four million missing young voters, an average of 11,000 per constituency, more than the average majority. Young people could decide the next election, but they probably won’t.

While the Greens are ‘surging’, as everyone now likes to point out, they will struggle to win more than a single seat, even if they are the second most popular party among young people. They’ve attracted young voters with their brand of anti-austerity politics and antifees rhetoric, as well as just looking like the authentic alternative to consensus politics.

Meanwhile, Labour’s youth wing is flagging, mostly dragged along by those whose political vision doesn’t extend beyond the next door they have to knock on, and can’t understand why most young people have been turned off by the New Labour years, which they (understandably) associate with tuition fees, ASBOs, and the Iraq war.

Most attempts to counter this ‘apathy’ (an incredibly condescending word when used about young voters) focus on non-political solutions and buzzwords like ‘engagement’ and ‘the student voice’. Much of the debate, especially in the Labour Party, to which I belong, has almost forgotten that you have to offer something to people in order to get their votes. The ‘not Tories’ party isn’t much of a ticket on its own.

Labour’s higher education spokesperson Liam Byrne was caught this week admitting he’d like to see free education. If Labour actually came out with policies like that, young people might feel they had something worth voting for.

Oxford International Art Fair

0

The Oxford International Art Fair advertises itself as, “Giving art collectors and art enthusiasts a great opportunity to buy directly from the artist that has travelled all the way to Oxford.” So who are these ‘art collectors and art enthusiasts’? If we consider the fair by way of price, all of the work was beyond our student budgets. Meanwhile, serious collectors would never dream of straying from London. This leaves a middle market of people sufficiently invested in art to want to spend hefty amounts but without the means to partake in the excesses of London. A workable model perhaps. The trouble is that if you’re sufficiently invested in art, I’m not sure you could possibly want to invest anything in what this fair has to offer. In fact, I think that goes whatever your finances.

The fair had set up shop in the auspicious setting of the town hall. As I walked in, the sounds of live jazz could be heard while friendly and professional staff ushered us in. So far so good. Entering the main chamber, I encountered a picture of a topless adolescent slouching in ripped jeans, and a cowboy hat. He was caressing a horse, leaning over it with sufficient tenderness to also reveal the shiny Calvin Klein label on his boxers. And I think that’s precisely when things went downhill. In Paris Duchamp presented his urinal, in New York Warhol painted his tomato tin; In Oxford it would seem we too have a market for ironic commodity fetishism – just, minus the irony. That particular work of the ‘twilight muscular guy’ school, in addition to stand out features like the cowboy hat, featured an expert take on ‘low riding’ and a mis en scene of borderline bestiality. Yours for: £500.

Two meters to the right, another artist had helpfully written a description instructing us on how best to appreciate his work. With one work the viewer was promised not only a “deconstruction” of the world around them, but for a mere £900 the artist also promised a “reconstruction” of said world. A two for the price of one deal; no doubt the talk of all the thrifty cubists at the fair. Perhaps the best description of that particular piece is as an example of what would have happened if Picasso had got life threateningly drunk, became color blind and discovered the joys of the Pritt Stick at a coloured paper shop. Picasso must have been disappointed with the result, as there was a big rip in the canvas as if somebody had kicked it in. I’m still not sure if that was supposed to be the deconstruction or reconstruction bit.

Admittedly, it wasn’t all bad; some of the works were well executed and some quite pretty. The trouble was that you could mostly guess to which recent Tate retrospective the artists had gone to in the last year or two and simply produced a competent copy. Matisse, Late Turner, Chagall, Mondrian, and even Rembrandt, were all pillaged. Tate posters seem a better alternative, and are much friendlier to the student budget. With a doodle of Taylor Lautner and a good kick, you might even land a spot at next year’s fair.