Friday 10th April 2026
Blog Page 1239

Changing perceptions towards mental health

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Sometimes, it’s important to hold your hands up when you get it wrong. When OUSU passed a policy to support a free 5th Week, I opposed it, thinking it would take away from the other important challenges facing students with mental health issues in this university. I was wrong. The campaign led by WomCam this 5th Week has demonstrated that a reading week would be enormously beneficial to many students. But more importantly than that, it’s challenged some of the entrenched prejudices we hold around mental health: the way that we have normalised mental health problems so much that it’s become normal to be ‘blue’ in 5th Week, and that debilitating stress is called ‘pressure’ and ‘just part of the Oxford experience’.

In order to make this university environment one which is truly accessible and welcoming to those with mental health problems, we can’t simply change policies. Unfortunately, we must do more than just criticise the University and colleges, although there is no denying that there is plenty which we can and should criticise. We also need to challenge those underlying attitudes which are present within us: among our peers and among this student body. The WomCam campaign to #Free5thWeek has challenged some of those attitudes by making us recognise that the way we talk about work pressure at Oxford is not acceptable. We shouldn’t dismiss and trivialise the real and unacceptable effects of this university’s work structure on many of our students as ‘tradition’ and ‘why we’re such a great uni’.

There’s so much more that we need to do in this regard. And it starts with every single one of us: we need to look at our attitudes and ask ourselves if they are making students with mental health problems feel valued and welcomed, or worthless and excluded.

Just go ahead and ask yourself some questions. Have you ever challenged someone as to why they have decided to rusticate? Have you ever thought to yourself, ‘They’ve just done it because they didn’t prepare well enough for exams.’ Have you ever turned up to a tutorial, essay in hand, only to find your tute partner hasn’t completed their work for this week, and put it down to that student being lazy, or just spending too much of their time in Park End and Bridge? Have you ever seen a common room officer not fully commit to their role for a few weeks, and instead of trying to support them, decided that they simply aren’t fit for the position? If the answer to any of these questions is ‘yes’, ask yourself a few more.

What if that person who rusticated didn’t manage to prepare fully for their exams because of depression? What if that tute partner without an essay in hand didn’t complete their essay because of anxiety: and found themselves in Park End and Bridge because they were genuinely terrified of losing all their friends if they didn’t go? What if that common room officer had received some terrible news a few weeks ago, and is so keen to get back on track with their role if only someone would ask to make sure they’re doing alright?

Mental health issues can affect people in so many different ways. The ways that they can distort people’s perception of the world a round them can prevent people suffering from mentalillness from getting done what they want or need to do.

If you ever come across a friend or peer who seems to be falling behind, or being unreliable, just remember these three key things. They almost certainly aren’t being lazy. They almost certainly want, desperately, to be able to get on with what they want and need to do. And those attitudes, as discussed above, are likely to be just as big a factor in preventing them from doing so as the mental health problems which they face.

So constantly question your attitudes. Most importantly: give people the benefit of the doubt. And do whatever you can, as much as you feel able or comfortable to do (with no judgment for being unable or uncomfortable doing so), to remind people that they are welcome here, that they are wanted, and that they are of immeasurable value. And remind them in any way you can, that no matter what is holding them back: they are brilliant, and deserve to be at this university.

Are extracurricular activities more important than degrees?

Yes

Sara Semic

As much as I would like to say that I geek out over my course and take great pride in my essays, starting with the outline and fi lling it in gradually like a painting with nuance and depth, the reality is that I bash it out in order to submit it by the deadline, and hope that it’s legible. As a humanities student blessed with a schedule unfettered by labs and a workload that can be crammed into one arduous weekend, perhaps I ought to check my degree privilege before waving aside the case for the importance of the Oxford degree.

However, with so much flexibility and freedom it seems a waste to spend my time chained to a desk, going through the reading with a finetooth comb when I can achieve just as much by skimming the texts. And if, according to the old maxim, ‘the vast majority of humanities students get a 2:1 anyway,’ then why would I want to look back on my nine short terms of university and remember the abyss of the Gladstone Link, or obsessing over the origins of WWI?

The real privilege of being at Oxford lies not in the unique tutorial system nor the abhorrent subfusc, but the roulette of societies and extracurricular opportunities available – from student journalism to quidditch and everything in between. At Oxford you have the privilege of being able to try out things that you’ve never done before, and most probably won’t have the chance to once you’re stuck in the rut of the nine to five. It is by joining the countless societies, or indeed starting your own project, that you can discover where your true interests lie (once you’ve realised that your heart just isn’t in Macroeconomics). Plus, to those of you complaining about catastrophic backlogs, given our obscenely long breaks in between, we have more than enough time to catch up on lost sleep and missed work and still binge on Netflix.

On a purely social level, the importance of your extracurricular ties is a no brainer. We defi ne ourselves here in relation to the diff erent Oxford ‘scenes’, distinguishing the thesps from the rowers and the union hacks, rather than the Classicists from the Theologians. On top of this, it has to be remembered that without any society allegiances you run the risk of falling off the radar and sacrifi cing any chance of a spot in Cherwell’s illustrious Top 40 list.

Jokes aside, getting involved in the wider university network allows you to escape the college bubble and meet more like-minded people, who share your interests and niche tastes. Is that not more valuable than attaining a distinction on an essay or a tute sheet?

But even for the career-minded, your extra curricular involvements are all the more vital, both for building future contacts and for standing out from the legion of other students hoping to climb the greasy pole of success in a Magic Circle firm. For the careerists, your time at Oxford is as much about rampant CV building as it is churning out essays and attending lectures. Indeed, being able to show that you can head the Guild and CapitOX whilst holding down a 2:1 is what will stand you in good stead in the overcrowded job market. Employers want to see that you can juggle multiple commitments, lead projects and solve real problems. As much as your tutor will try to impress upon you that your self-worth rests on you acquiring a First, employers will tell you it really isn’t the be-all and end-all, and can even be off -putting for those who think all Oxbridge off spring are just socially inept creatures.

Furthermore, it’s easy to become so absorbed and caught up in the ivory-tower learning of your degree that you lose a sense of perspective and forget that there is a world beyond the dreaming spires. Countless societies and organisations actively engage with political debates and try to tackle the problems that face us all. The Oxford Hub, for example, gives you the chance to make a real diff erence in the wider community, rather than just theorise about solutions in your essays or tutorials.

But does it need to be an either/or question? Surveys have shown that those who maintain an extracurricular commitment are more likely to receive a First in their examination compared with those who ‘just study’, so there’s no reason to sacrifi ce an interest for the sake of your degree either. And I doubt that I’ll look back on my reel of Oxford memories wishing I had had more sleep.

No

Josh Caminiti

I feel somewhat obliged to begin my piece with the small caveat that the irony is not lost on me, and neither, I hope, on my readers, of using an extracurricular engagement (Cherwell) to argue against the relative value of extracurriculars.

This is a helpful, crystallising irony, as it is to show that my true thesis is not to advance a scholarly hermeticism (as Chaucer’s ‘Sire Clerk of Oxenford’ does), or that extracurriculars are wasteful or useless, and should yield in favour of our academic pursuits in every instance, but rather that it would generally be better for us to excel academically than in extracurriculars. However, the essence of the old adage preserved in Brideshead Revisited that to get anything above a third, if not a first, is a waste of time, still chimes a ring of truth for many students. They feel that to be at Oxford means, firstly, to be at Oxford, and secondly (only secondly) to study here. But the 1920s, and the frolicking days of the ‘gentleman’s Third’, are long gone.

To move past a fashionable evaluative nihilism, it would be helpful to establish the grounds on which one thing can be said to be more important than another, or, value-conferring properties. An exhaustive purview of them would neither be commensurate with the allotted length of the piece at hand nor the patience of its readers, and so we will be restricted to considering two: being beneficial for our futures (loosely interpreted) and being fulfilling (socially, existentially, epistemologically etc).

Although, as an arts student, I try my hardest to avoid thinking about future employment prospects, this debate would be incomplete without considering them. When it comes to that great and beckoning hereafter, the ‘real world’, there stands the question, ‘Would I value more walking away from university with several solid extracurricular achievements and engagements under my belt, or a swanky scholar’s gown, a relative mastery of my subject-matter, and the pedigree confirmed by a well-respected degree?’ Oxford boasts that over 95 per cent of undergrads find themselves employed or engaged in further studies six months after graduation, so it seems like, whichever side you take in this debate, you will be ‘just fine’.

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If we had to venture a guess as to why Oxford students seem to do so well on the market, I am confident the answer would lie in the universally-recognised high standard of education we have received, indicating both a passably industrious work ethic and commendable learning. In the outstanding majority of cases, employers tend to strongly favour applicants with good degrees in a relevant field compared to those who have dabbled in extracurricular activities. For a minority of students, perhaps, their extracurricular activities will lead them away from the path set out from their degree: but for every rower who participates in the Olympics there are thousands more law students who become lawyers, economics students who go into finance, and medicine students who go into medicine. Our degrees have, for the most of us, already plotted the trajectory of our future lives, and to excel along this path is to excel in the future.

Il faut cultiver notre jardin – what is too often overlooked, and often can only be appreciated in retrospect, is the intense fulfilment and self-cultivation that our academic life can provide us with, in a way that equals if not outstrips the fruits of extracurriculars. Putting aside sloppy considerations of utility for a moment, the knowledge and skills that we receive as part of our degrees (provided we maintain our end of the bargain as students) are of inestimable value, and “the best provision for old age” (as an aside: spurious Aristotle quotes are the best Aristotle quotes). I genuinely enjoy my degree, or rather, the content of which it is so constituted, and for me some of the greatest opportunities offered by Oxford are to be found in a reading list, not a boat house.

A good education teaches us to delight in the education received; Hamlet to an English student, or Cicero to a classicist, or (even) the Krebs Cycle to a biochemist. To respond informatively and creatively to questions that matter to us is one of the noblest tasks we can undertake and a fundamental part of getting a degree here.

This is the only time in our lives where we will have the outrageous privilege of dedicating our days to the increase of knowledge in an ever-growing depository (or rather flame, for ‘education is not the filling of a bucket’), with access to some of the greatest educational resources in the world and under brilliant tutelage.

To see our degrees as slavish contracts we have unwittingly entered into, with extracurriculars our only hope of real fulfilment and enjoyment, is too see incorrectly. In all this discussion, I am reminded of the words of Ecclesiastes (non-inclusive, blame King James) that, “to rejoice in his labour; this is the gift of God”. Now, to avoid charges of hypocrisy, I should really get started on that essay. 

Milestones: Jusepe de Ribera’s ‘The Bearded Woman’

“Look, a great miracle of nature. Magdalena Ventura from the town of Accumulus in Samnium, in the vulgar tongue Abruzzo in the Kingdom of Naples, aged 52 and what is unusual is when she was in her 37th year she began to go through puberty and thus a full growth of beard appeared such that it seems rather that of a bearded gentleman than a woman who had previously lost three sons whom she had borne to her husband.”

Thus reads the Latin inscription adorning what is arguably one of the strangest pieces of the art to emerge from seventeenth cen- tury Italy. Whilst Flemish artist Sir Anthony van Dyck was busy wooing the English court with his intimate style of portraiture, his delicate hands and features, Spaniard Jusepe de Ribera was attempting to do the same with his work in the Neapolitian court. His career as leading artist in Naples was sealed with his beautiful portraits of religious figures and court ladies.

So what is a man who prayed so heavily at the altar of Caravaggio doing painting such a subversive subject? And what is it even depicting? It appears the Duke of Naples at the time, Ferdinand II, had rather a strong interest in collecting art depicting the wonderful and strange: he indulged in the fashion for subversive art. Naturally, wishing to cosy up to his patron and earn himself a few extra gold coins in his rich leather purse swishing at his belt, Ribera was more than obliging to indulge in the Duke’s interests.

But what is the scene unfurling before the viewer’s eyes? In his inscription, the artist provides the viewer with all the information he or she could want: and apparently all there is surrounding the woman in the painting. She is celebrated within the limits of oil on canvas, a ‘miracle of nature’. But simultaneously, she appears to be treated as a novelty for her bearded appearance. In her facial hair, she bypasses the pubescent mass upon the chin of her husband. He is emasculated almost to the point of castration in the light of Ventura’s flowing locks.

In the seventeenth century, the sight of the portrait and its female sitter was undoubtedly a curiosity for many viewers. Even now, it isn’t common to see a bearded breast-feeding woman bearing her naked breast in the street. It is tempting to read the column at her side like an advertisement for a freak show: merely another oddity in the Duke’s vast collection.

However, look closely at the expressions of the sitters. The couple’s expressions are worried, forlorn at the woman’s strange condition now believed to be brought on by an ovarian tumour producing excessive testosterone. What appears to be a curiosity contains a heart-breaking story of the fear of social prejudice: of being viewed as a freak. The Duke’s eyes may have glinted with glee when this sad tableau first adorned his palace walls. However, for the sitters, Ribera adorns their eyes with the beginnings of a stream of tears. As opposed to the laughs emerging from the tourists led around Bedlam Hospital to look at other ‘miracles of nature’, the viewer is stupefied into a contemplation of the uncertain fate of a woman facing so many stigmas in the early modern world. 

Joan of Arc — “Tell the boys their time is through”

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The tragically short life of Joan of Arc, fifteenth century peasant-girl-turned-visionary-and-military-leader, has inspired countless literary and artistic representations taking wildly varying perspectives on just about every aspect of her character and story. Not least in the catalogue of controversies lies Joan’s adoption of male clothing (think tunics and fab gold armour), and her role as a young woman occupying a position of status independent of her relationships with men – God and the Archangel Michael being, of course, the exceptions.

T.S.Eliot remarked upon watching George Bernard Shaw’s Saint Joan that “[Shaw’s] Joan of Arc is perhaps the greatest sacrilege of all Joans: for instead of the saint or the strumpet of the legends to which he objects, he has turned her into a great middle-class reformer, and her place is a little higher than Mrs Pankhurst.” Eliot’s objection to seeking a middle road between saint and strumpet on the grounds of the supposedly pedestrian result of such a route is telling in its reluctance to abandon the conventional but seductive polarisation of women – especially women in power – as the embodiment either of absolute purity or absolute depravity.

Writers in the first couple of hundred years after Joan, when her reputation and story was being codified, negatively and positively, for future generations, can be seen to move with ease between praising powerful women they favoured as pure, and decrying those they disliked as promiscuous, regardless of the facts of their sexual behaviour. Writing in 1558, Protestant John Knox derides Catholic Mary I as a ‘monstrous Jesabel,’ and then only thirty years later Cardinal William Allen claims his ideological enemy Elizabeth I had spawned numerous bastard children, despite her repeated emphasis on her status as a virgin queen. At the same time as Joan’s story was beginning to be experienced by those who had not lived through its events, there was a notable emphasis on women in power as either chaste or depraved, and the influence on her legacy can be observed to have long-lasting effects. Though The Maid of Orleans, a tragedy by Friedrich Schiller, later adapted as an opera by Tchaikovsky, has Joan fall in love with an English soldier, there is no sexual component to the relationship, and those representations of her story in which she is anything other than virginal are exclusively those in which she is the enemy.

Throughout her time as part-mascot, part-military advisor to the French army, Joan wore men’s clothes and her hair short, but artistic representations of her will often give her long, flowing locks, and occasionally put her in a dress, even though her refusal to don feminine clothing was so vehement as to contribute to the charges of witchcraft brought against her by the English. This is indicative of her dedication to male dress and the transgressive nature of her attire, for her accusers but also for later sympathisers. Though Joan herself is notable for her occupation of a space outside of traditional gender roles, fictional accounts of her life stray inexorably towards pinning her to archetypal images of womanhood, irrespective of the more complex, and more interesting, place she forged for herself in a male-dominated society.

‘He that hath no beard is less than a man’

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You may have noticed that, despite what some UKIP candidates and professional Pick Up Artist bloggers may have you believe, feminism has moved on a bit since Shakespeare last picked up his pen. We’ve since all figured out that women don’t need to be broken like horses in order to make good wives, and that universities don’t need to be men-only in order to allow anyone to get any work done. Modern adaptations of plays with plot devices hinging on these outdated beliefs handle them in different ways. Some, like Polanski’s Macbeth, put a strong visual emphasis on the historic setting, suggesting that we should see these values as superficially worn, like the codpieces and ruffs, to give an authorial representation, but clearly not recommending them for adoption off-screen. Some are reimagined freely. In Ten Things I Hate About You, it is instead Petruchio/ Patrick who finds himself tamed by Kat, as she teaches him the joys of feminism, quitting smoking, and “angry girl music of the Indie Rock persuasion”.

Such dramatic tonal changes are harder when the original text is kept, but Branagh manages it in his Love’s Labour’s Lost. The men who contractually give up women for academia are played as young buffoons: the audience finds a lot more sympathy with Alicia Silverstone’s wry glances and sarcastic tone than a more traditional Princess.

However, it’s a lot more difficult to reconcile Shakespeare with modern feminist thinking when that thinking isn’t so orthodox, as with cross-gender casting and character cross-dressing. Although casting women as female characters and men as male characters has become the norm, there is an ongoing trend of all-male productions, a novelty usually marketed to tourists and English undergrads and defended by claims of authenticity and authorial intent. It is certainly true that Shakespeare wrote with boy actresses in mind, and many of the jokes are lost without this visual clue. Beatrice’s complaint in Much Ado About Nothing that “He that hath no beard is less than a man” is a lot more ironic when made by a beardless boy in a dress.

The key word there is “boy”: female parts were played solely by specifically trained pre- pubescent or pubescent boy-actresses, often apprentices loaned to the companies by their masters. This was done at the time out of necessity, as women were not allowed on the stage and to have adult men play women was considered to be distracting and degrading. Beardless boys were both socially and biologically immature: they are not yet men. Beards were interpreted by early modern scientific thought to be a type of seminal excretion, and therefore a sign of reproductive capability and sexual maturity. This was accepted to the point where it was frowned upon by some for a man to marry before he could fully grow a beard, as he would not be expected to be capable of fulfilling his marital duty and produce children. On top of this, they indicated social maturity and financial independence. As financial dependents with no source of income or ability to take on dependents in the form of wives or children, apprentices were closer in social status to women within the patriarchal economy of early modern England. They could play female characters, and female characters could play them.

Which leads us to the cross-dressing. We see a wide range of characters try and fake it as the opposite sex but one specific model reoccurs as the acceptable method: a young woman (Viola, Rosalind, Julia, Portia, Nerissa…) dresses as a boy apprentice, and interacts with adult male characters (Orsino, Orlando, Proteus, Antonio…) who, crucially, remain at a higher social stratum to them. These girl-pages never wear prosthetic beards, despite discussions of wearing codpieces and men’s clothing. This is partially a matter of practicality, as a high-voiced, small-statured girl character or boy-actress simply could not make a convincing strapping, hirsute, older man: socially or physically.

Modern all-male productions of Shakespeare plays cannot be considered more accurate, as the way gender is viewed has changed. The actors playing male and female characters are not divided by whether they have earned their beard, and an audience does not see the latter as more similar to women. When the only point the pro- duction is trying to make is one about historical correctness, the change is at best “distracting” (as Telegraph reviewer Dominic Cavendish put it) and at worst unpleasantly comic. Whether or not the exclusion and imitation of women in these modern productions is insulting on a semantic level, or to glorify the sexist history of the English stage, it inarguably reduces the already disproportionately low number of Shakespeare roles available to female actresses, a serious problem in the theatre business.

For this same reason, there has emerged a trend for all-female productions and women actors playing male parts. This is done either as a result of gender-blind casting, where the director didn’t necessarily envision a woman in the role but the best actor who auditioned was one, or to make a point about gender nuance. These attempts are, in themselves, contentious. For some, they highlight the slipperiness and non-binary nature of gender by demonstrating the ease with which one can alter one’s self, and even exist simultaneously in multiple roles. Further, less restrictive limitations on the visual performance of cross-dressing or cross-gender casting can allow for complex power dynamics that the use of beardless boy actresses sought to prevent in the early modern theatre: the power dynamic of Viola-as-Sebastian and Duke Orsino in She’s The Man is definitely more equal than the master-servant relationship in the original text of Twelfth Night.

Others would argue that by trying to make a point about the (gendered) characteristics of characters, you risk reinforcing stereotypes. When the gender of the cast member is changed but not the character, that actor is then seen to “pass” for the rest of the characters, but not the audience.

It is not my place to speak from my position of privilege on behalf of the transgender community or women or decide for them whether Shakespearean cross-dressing and cross-gender casting is offensive, but I think the potential for offence, or expression, should be considered. It is impossible to stage Shakespeare’s plays as he would have intended, as visual symbols like dresses and beards do not possess the same meaning for modern audiences, and equally impossible to ignore the sources of controversy in his work.

OxStew: Terrorism expert new VC to combat leftwing students

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The nominations committee of the University of Oxford has proposed the counterterrorism expert Louise Richardson as the University’s next Vice-Chancellor. The OxStew understands that expertise in terrorism and security matters was a key criterion for the committee, in light of recent ‘terrorist’ acts by gangs of left wing anti-austerity students. These acts include holding protests every now and then, endless meetings, and the aggressive use of jazz hands.

Jason Akehurst, an expert in ‘terrorism’, told The OxStew, “Ever since the government started trying to pass the Counter-Terrorism and Security Act 2015, everyone has been scared shitless. Universities across the country have started seeing terrorists everywhere – so much so that they have started redefining what terrorism actually is. “The University of Oxford is perceived as being particularly at risk, due to the presence of ISIS at the University which authorities are concerned is radicalising students by spreading their dangerous hipster ideology.

“The last straw really was when students started questioning Andrew Hamilton’s salary. How students could criticise the pay gap between the highest and lowest paid at the University is beyond comprehension. Clamping down on any students who question this really ought to a priority for the next Vice-Chancellor.” The Oxstew understands that the University is also currently considering the purchase of several drones and Kevlar gowns, in order to bolster the University’s security capability. In addition, documents have been leaked to The OxStew revealing that Richardson plans to convert Exam Schools into a new secret service headquarters for the Oxford University Security Service (OUSS) if appointed, which, yes, is a real thing and, no, is not the Oxford University branch of the Waffen-SS.

Giles Ashwood, a privately educated communist and ‘student activist’, commented, “It’s no surprise that we have the University on the run, considering all the protests we’ve organised recently that are attended by the same very small group every time. If we just organise one more poorly attempted demo, the University will have no choice but to give us what we want.” “Maybe the University has concluded that we’re terrorists as a result of our excessive use of militaristic language when it comes describing things, despite us all being anti-war vegans. We’ve been talking about ‘fighting’ and ‘resistance’ against austerity for years, and yet only now is how hip and radical we are being fully recognised. In any case, there’s only one place this battle will be won and that’s the streets!”

A spokesperson for somebody commented, “I am delighted that Louise Richardson has been nominated as Vice-Chancellor and hope that she will continue this great university’s tradition of having shit library hours on weekends. Being extremely well paid is both challenging and rewarding and I wish her luck in her new role.”

International Student: Finland trying to continue its rise

On 24th April a group of Finnish producers, student volunteers and music festival organisers were holding their breath in Tokyo, Japan. They were kicking off something big. But they were not in Japan to play music. They were in Japan to transform the country’s economy.

The event was Slush Asia, the first overseas instance of a Helsinki-based start-up carnival. To get a grip of what we are talking about, think about a Glastonbury version of the Shark Tank. The event has its root in Aalto Entrepreneurship Society, a Finnish student network promoting the start-up ideology as a way to tackle the problems inherited from the corporate age. Titled by The Economist as “the most constructive student revolution in the history of the genre”, Aalto Entrepreneur Society is an interesting story in its own right. To be honest, creating one of the world’s leading venture capital events is a hell of a job for a student society. But more importantly, the story is only one act within a bigger play: a play featuring a new generation of Finns determined to shake away the dust of the past.

Despite the many similarities between Finland and the Scandinavian countries, their histories differ significantly. When Finland gained independence from Russia in 1917, it was the backyard of Europe. This didn’t change during the following decades. The Finns didn’t truly care, they were busy enough building an independent state. It was only after the collapse of the Soviet Union that Finland turned to the third chapter of the story: the lifestyle state.

The youth gathered inspiration from no-borders Europe, as their parents invented the mobile phone. A new generation was ready to kick the field. Not only were they educated by the universally praised Finnish school system, but these kids were hungry for the world. This hunger, embodied and exported by the Slush-entrepreneurs, has yielded an astonishing change in the urban landscape of Finland. The older generations were bewildered about change that took over the streets of Finnish cities in the new millennium. The void capital had turned into one praised by the Michelin Guide, full of music festivals and buzzing with energy. When the lifestyle-bible Monocle announced Helsinki as the world’s most liveable city in 2011, a lot of us gave a deep sigh. We did it.

But times were changing quickly in 2011. Europe was in crisis. An array of alarming data started piling up from Finland. While Slush was launching in Tokyo, people voted for the new parliament in Finland. The preceding debate had seen a country united by the anxiety of the economic depression, divided in the values that they wanted to salvage from it. Conservative values won. Many fear that Finland’s economic troubles will make it a new member of the European periphery. Rome without jobs is still the Eternal City. Helsinki without jobs will easily become a city long forgotten in the cold, windy north. No matter how much faith the nation places in the Slush-generation, it might be that even these young people cannot save the country from forces of greater magnitude. The entrepreneurs might disagree. They are running, and might be winning.

But they had better keep running, for the soil is fast disappearing beneath their feet.

Finalists express anger over mistake during Law exam

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Law finalists have expressed anger over missing materials in an exam on Tuesday.

Seven students in the extra-time room were asked to start their Tort exam without Tort Case Lists, which are meant to be one of the materials provided.

One student affected, who asked to remain anonymous, told Cherwell, “In the Tort exam this morning, we were originally given Contract Case Lists. When I brought it up, they took them away but didn’t send anyone to go and look for them for around 10 minutes, which put us past the start time of the exam.

“When I complained they said, ‘Do you even need them?’ They then tried to start the exam without us having the case list, and the whole room complained.

“It was at this point that they said, ‘We’re under just as much pressure as you are,’ which obviously caused the whole room to scoff. The cases turned up eventually, but they set us off writing one by one instead of all at once, meaning the people who received their exam papers last ended up getting less time.

“It seems like a frivolous complaint, but when you’re already nervous about the paper you’re about to sit and there are these sorts of problems, it really makes you panic and lose focus. It took me at least 10-15 minutes to calm down and refocus, so I’m hoping it hasn’t affected my grade.”

Benjamin Ong, a postgraduate Law student, said, “Having completed the same exams last year, I understand that materials provided for use during exams, such as case lists and statute books, can be very important to those who have prepared for their exams on the understanding that these materials will be readily available.

“It is no answer to say that candidates do not or should not need them. Firstly, candidates are, quite simply, according to the Examiners’ Edict, entitled to use them. Secondly, reliance on them is not a sign of being ill-prepared, for they serve the important functions of refreshing candidates’ memories and acting as checklists to make sure that answers address the appropriate range of issues.”

A number of students expressed their discontentment on Facebook group Overheard at Oxford Uni. Cherwell understands that a number of students are intending to submit official complaints.

A spokesperson from the University said, “The correct exam materials were quickly given to the seven candidates who did not have them. These candidates started and ended the exam ten minutes later than scheduled, so they lost no overall exam time.”

JCRs unite to condemn Oxford Union after cocktail scandal

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The Oxford Union has been criticised in motions passed by the JCRs of at least nine colleges following the ‘Colonial Comeback’ cocktail scandal last Thursday.

The Union held an open meeting on Monday morning to agree on an appropriate response, to which members of societies including Oxford University African and Caribbean Society, the Oxford University Africa Society, Rhodes Must Fall Oxford, the Oxford Pan-Afrikan Forum and the Black Students’ Union were invited to attend.

The meeting was chaired by President Olivia Merrett. Treasurer Zuleyka Shahin proposed a motion declaring that the Union was institutionally racist, which was passed by the Standing Committee, the Union’s highest governing body.

Meanwhile, Magdalen, Christ Church, Pembroke, New, Mansfield, Oriel, Corpus Christi, St Hilda’s and Worcester JCRs all condemned the Union’s actions publicly.

Corpus JCR resolved to contact OUSU President Louis Trup to request the Union be barred from using OSSL (the student email service run by OUSU), or failing this to request a list of “complaints and offences” be circulated alongside the Union’s advertising emails, as well as organising a protest for JCR Union members.

Corpus JCR President Bethany Currie told Cherwell, “Corpus JCR is appalled by the cocktail the Union served and advertised on Thursday evening… Oxford University is steeped in colonial thought and we have a duty to recognise that and actively work to dismantle it. We welcome the Union’s recognition of its institutional racism and its seeking out of racial awareness training… I hope that we all take this opportunity to raise race consciousness and awareness in our own communities as well.”

Mansfield passed a similar motion condemning the Union. JCR President Luke Charters-Reid told Cherwell, “We thought that multiple attempts at apologising by the Union were inadequate because they failed to acknowledge what was actually wrong with the cocktail and the poster.”

Christ Church and Pembroke also both passed a motion formally condemning the cocktail virtually unanimously. Magdalen JCR’s BME rep wrote an open letter to the Union stating, “The shockingly callous response from the Union has left the members of the college horrified and we believe that it is important that the Union take a stronger stance against racism and racial oppression.”

Another letter to the Union, signed by Worcester JCR’s President, Vice-President and Access and Equal Opportunities Rep, said, “We write this letter in solidarity with students of colour within the university, as we are aware of the alienating and damaging effect this could have on members of the Oxford community. We are also expressing our disapproval of the Union’s handling of these events.”

At the open meeting, the Union refused to name members of bar staff responsible for producing the posters for fear of prosecution and also said that it was not allowed to publicly detail any disciplinary measures that will be taken against employees, again for legal reasons. When Merrett was asked during the meeting if she would resign as president, she gave no response.

The Standing Committee went on to point out that there are weekly debate-themed cocktails, and drew comparisons to an incident in Michaelmas when there was a debate about anonymity for cases of sexual violence and a cocktail called ‘Dark Love’ was made. This was deemed “inappropriate” and vetoed by the then-President. Merrett resolved that “the Standing Committee has for too long not had control over these matters [such as the cocktail themes]. No students were involved in the making of these posters and we are looking to change this.”

The President of Oxford Africa Society Simukai Chigudu stated in the meeting, “We were delighted that the Oxford Africa Conference was held here the other week; it was a gesture of goodwill and we feel the cocktail scandal has undone all of this work.”

Members of Rhodes Must Fall Oxford were present at the meeting and said in a press release on Wednesday, “Rhodes Must Fall is pleased with the proceedings [of Monday]. The Oxford Union not only recognised its responsibility to address racism within itself, but also in the University and society as a whole. It further acknowledged that its initial apology was wholly inadequate failing to take into account the racist nature of the cocktail.”

BME Officer Esther Odejimi resigned after the incident, commenting that she felt marginalised as the President did not consult her after Thursday’s events. Yesterday, the Union issued a statement of apology towards Odejimi and all members offended by the cocktail, as well as resolving to strengthen the mandate of the liberation officers (BME, LGBTQIA+ and Women’s officers) and to host mandatory antiracism workshops.

Further motions of condemnation are expected to be proposed at Merton, Balliol and Somerville. When contacted, the Oxford Union declined to comment on the JCRs’ condemnation.

Benet’s students "emotionally blackmailed" by Master

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Students at St Benet’s Hall have claimed that they were “emotionally blackmailed” by the Master of the Permanent Private Hall (PPH) to cancel an emergency JCR meeting called to discuss a boycott of a student dinner to which HRH Princess Michael of Kent had been invited to attend.

St Benet’s Hall host a ‘common table’, where the Master, fellows of the PPH, the six Benedictine monks who reside in the Hall, and both graduate and undergraduate students eat together and have discussions.

HRH Princess Michael of Kent was invited by the Master, Professor Werner Jeanrond, to attend one such pre-paid dinner in St Benet’s Hall. However, students had spoken out against this invitation, as, according to one undergraduate at the PPH who wished to remain anonymous, “[HRH Princess Michael] has a history of publicly expressing appallingly racist, classist, and elitist views”.

The JCR called an emergency meeting to be held last Friday, where they planned to discuss a boycott of the dinner in protest against the PPH’s association with Princess Michael and to write and issue a statement clarifying the JCR’s opposition to her attending the dinner. This was intended to distance the undergraduate community at St Benet’s from the remarks Princess Michael has made on record about BME individuals.

However, before the emergency meeting was to take place on Friday evening, Professor Jeanrond allegedly threatened both his resignation, and the loss of the new building necessary for the admission of female undergraduates in future years, if it went ahead. The emergency meeting was subsequently cancelled.

A St Benet’s student, who wished to remain unnamed, explained, “The Master has informed us that if we are to speak out we will lose our new building and he will have to resign. We don’t believe that to be true. The Master said the Hall would lose all of its funding, we’d lose the new building, so women would be off the agenda, he’d have to resign, and Benet’s would have to shut down.”

Speaking on the day of the planned emergency meeting prior to its cancellation, one St Benet’s JCR member told Cherwell, “We feel that this [the meeting and its aims] is of significance because, due to some members of the Hall making it clear that [they] felt unwelcome and ill-fitted to the atmosphere of the Hall, we have recently (in a very controversial JCR meeting) instituted a BME position on the JCR committee.”

The student continued, “Furthermore, a significant majority of the JCR also want to move Benet’s towards being more progressive; we believe this move [inviting HRH Princess Michael to the PPH] significantly contradicts the Master’s publicly aired views, leading him open to accusations of hypocrisy, as he is reinforcing the toxic elitist image of St Benet’s, which so many of us who care about the image of the Hall want to address.”

Professor Jeanrond told Cherwell, “St Benet’s Hall prides itself for its hospitality at its common table. Every Tuesday evening in term time students and fellows suggest guest speakers from very different parts of society and culture to address our table for approximately ten minutes. A member of our JCR has suggested we invite HRH Princess Michael of Kent, an invitation which the Hall has supported.

“No member of the Hall has ever been coerced into dining. The decision on the admission of female undergraduate students to the Hall is entirely unrelated.”

The dinner to which HRH Princess Michael was invited as the Hall’s guest took place last Tuesday. Students were not allowed to bring phones or cameras into the hall, and security was hired for the evening.

Another controversial guest, Cardinal Raymond Burke, was welcomed to St Benet’s Hall on 28th May. Cardinal Burke’s attendance caused further anger amongst St Benet’s students, due to alleged homophobic comments he had made prior to his visit. Cardinal Burke was removed from the Vatican committee in 2013 for his “anti-gay” values, and in 2014 he claimed that children should not be exposed to same-sex couples.

Buckingham Palace declined Cherwell’s request for comment.

A member of St Benet’s JCR further explained to Cherwell why he believes the invited speakers to be problematic, commenting, “The Hall lobbied the University to remove the PPH opt out from the University admissions process, which probably means they should be more open to the greater diversity of students they’re going to get now people can’t elect not to be considered by a PPH.

“They said it created a bad impression. When you applied to Oxford, you used to get an email asking if you wanted to opt out of being considered by any PPHs.

“If the Hall campaigned to have the opt out removed so people could no longer chose not to be considered by a religious hall then they should have taken into account that people who would have previously opted out, for example gay people uncomfortable at the thought of attending a conservative Roman Catholic institution, would end up attending the Hall, and so should have made moves to provide welfare and a more inclusive atmosphere.”

St Benet’s has made steps towards becoming more inclusive, with a board of trustees of the PPH voting unanimously on Thursday to formally confirm the decision to admit female undergraduate students for the academic year 2016 to 2017.

Currently, St Benet’s has female graduate students, but no female undergraduates, as the six Benedictine monks that live and work in the Hall are not permitted to live with women. St Benet’s is the last PPH or College at Oxford that is not co-educational.

Professor Jeanrond commented on the future admission of female undergraduates, “This vote means the happy end of a process. Last year the St Benet’s Trust decided to admit female graduate students, and we were delighted to welcome the first female graduate student doing an MSt course in Jewish Studies last October.

“The reason why we are deciding now to admit undergraduate students has to do with our success in identifying a second building for St Benet’s. Our main site at St Giles houses a Benedictine community of monks. Therefore, the house offers male accommodation only.

“The new house offered to us to buy by the Sisters of the Sacred Heart in Norham Gardens would allow us to accommodate both male and female students. I am very happy indeed that we now have the opportunity to transform St Benet’s into a coed college community within the Benedictine educational spirit. And I am encouraging female students interested in the subjects we teach to apply now for admission in October 2016.

“My colleagues in Ampleforth Abbey, at St Benet’s Hall and I are actively engaged in fundraising to secure the funds for the acquisition of this new building. We hope to move into the new site already in October 2015.”