Where are they now: Toni Basil
Wolf Alice: From Carter’s cover to album cover
Review: Drake – If You’re Reading This It’s Too Late
Review: Father John Misty – I Love You, Honeybear
★★★★☆
Fleet Foxes are a cornerstone of the indie folk scene, and Josh Tillman was integral to their success as drummer and backing vocalist prior to leaving the band in 2012. On I Love You, Honeybear – his second album under the moniker Father John Misty – Tillman’s music, in contrast to the more stripped-back feel of his previous solo efforts, is reminiscent of his former band’s expansive chamber pop sound, with lush string arrangements all over this record.
Tillman differs from the Fleet Foxes sound, however, when it comes to the lyrics. Whilst Robin Pecknold’s lyrics on their records are very much of secondary importance, usually coated in harmonies, Tillman’s words take centre stage in Honeybear. He swings abruptly from caustic wit to heartfelt romantic sincerity, complaining about how his girlfriend misuses the word ‘literally’ in the wonderful ‘The Night J. Tillman Came to Our Apartment’, but remaining totally believable when he tells her, “I can hardly believe I’ve found you and I’m terrified by that”, on the next track.
There’s something of Morrissey in this juxtaposition of sardonic lyrics with exquisite instrumental accompaniment and, though there are a few duds, it comes off extremely well in many of these tracks. This is certainly a more personal take on Fleet Foxes’ style of chamber folk, and some may find it even more appealing.
Review: Peace – Happy People
★★★☆☆
Three stars
Despite the calmness of their band name, Peace exploded onto the music scene. Debut album In Love (2013) came with the delicious happiness of ‘Bloodshake’ and the startling beauty of ‘California Daze’. Critical acclaim flooded in, sweeping the band away in a swell of paisley shirts and jangling guitars. Two years later, and the Worcester boys are back with Happy People. But is that the state of mind you are left in after listening to the longawaited return of the indie-rockers?
Bar Review: Lincoln
Lincoln is a conveniently central, if rather tiny, college. Its bar is a short trek from a handful of colleges, and one which is actually worth making. The bar, called Deep Hall, ingeniously named in reference to its relative placement to the College’s Hall, was identifiable by the sign on the door disallowing externally bought food and drinks.
Although I perhaps wouldn’t have described the cellar bar as ‘atmospheric’, the chosen adjective on the College website (which I first consulted to check that this cozy college even had a bar), it did immediately seem to be a pleasant environment. The room was modern, uncluttered, unpretentious, warm, and surprisingly full. The furniture and decoration was mostly basic and unconventional, with the exception of a few gaudy blue plush couches by the door, which looked comfortable, if out of place, among the wooden benches.
Upon approaching the counter, I was quickly served by the burly, blokey barman, whose confident competence was a refreshing change from the usual lazy confusion of humanities students trying to fund their Park End addiction. When I asked for the college drink, he just laughed at me, and explained that the nine-pound concoction is designed to get rugby lads drunk in five minutes, and would have me under the table. This choice of target market surprised me, considering the content, subdued, hipstery clientele that filled the bar (shoutout to the notable wavey hero in the neon orange suit) but perhaps the intention was to get them out as well as drunk.
Embarrassed, I settled for a pint of pale ale from the fair selection of beers on tap, which was considerably cheaper than the aforementioned toxic cocktail. With a perfectly balanced mix of friendliness and efficiency, he poured it and moved on to the next group, leaving me grateful I’d thought to bring money, as the card machine opposite the entrance charged an extortionate £1.10 per transaction. Despite the friendly, social crowd, it was easy to hide behind a table in an alcove in the wall for a private catch up with an old friend. There we weren’t bothered, due in part to the good acoustics of the lofty cellar, and there we remained until the bar closed oddly early. At 11 pm (and on a weekend night, no less), we were politely ushered out of the college and made our way to a proper pub.
Although unspectacular, Deep Hall is a pleasant place to drink and socialise, assuming that you remember to bring cash with you and don’t expect the character, uniqueness, nuance, and tradition that your own college bar may offer.
Rating: ★★★☆☆ (3/5)
What’s really going into your ball?
Often seen as the epitome of Oxford grandeur, the lavish summer balls are an event that every student should experience at least once. But most attendees know little about the work that actually has to go into them from fellow students.
Before matriculation, interviews for our ball committee were advertised. I eagerly signed up because of my niche set of skills, including obsessive punctuality, and a passion for overloading myself with a to-do list as long as the walk to St Hugh’s. Each role in the committee was given a brief description, and during the ten minute interview we had to have a stab at selling ourselves and our skills to the co-Presidents and Secretary. Admittedly, I didn’t think I’d done a good job of convincing them that my future lay in marketing and advertising… or that my summer job as a cocktail waitress would greatly enhance my contribution to the planning. However, I made it and within the first meeting we threw ourselves headlong into theme selection. Despite sugar laden sustenance, our creativity often seemed to fail us. After at least two hours, the suggestions had well passed appropriateness and had entered the realm of farce, including a 50 Shades of Grey theme and, my personal favourite, ‘Disco: The Ball’.
After two meetings, we had boiled it down to one idea, which had started to take on a somewhat focused form. The creative team were hard at work on Photoshop designing logos, and marketing were already ‘hot on social media’ and obsessively tracking the most effective techy ‘buzzwords’ to sell the idea of an eerie, yet decadent event amongst some of Oxford’s most divisive architecture.
Our first major tasks were keeping the theme secret and selling the premise to college, tasks which we somehow managed. We accomplished this through a launch party which managed to clash with both what is arguably our college’s biggest social event of the term, the aptly named World’s Biggest Crew Date, and the St Hugh’s ball launch in Bridge. It didn’t seem to matter. Arzoo fuelled our college pride, and the lingering taste of curry was a sickly reminder the next day of this special occasion.
The next hurdle was our first release of tickets to college students, and we were impressively backed by IT skills that I will never understand (Google ‘html’ and ‘coding’ and you’ll soon see why). Over the Christmas break, each team was then tasked with actually getting our collective organisation into gear, making plans, and schmoozing businesses. This included an online battle with a printing firm that shall not be named, which lasted over two days, and included an impressive level of headless-chicken-panic at my inability to format a PDF file.
Now, how many of you have thought about how ball trailers are filmed? Well, it actually takes an awful lot of work, some reasonably professional student directors and some not-so-professional student extras. The efforts behind our trailer included a traumatic trip to Botley for equipment (never going that far past the train station again), a day of freezing in summer ball gowns and a co-
President losing most of his dignity by spending half an hour as a glorified door stop. In a tragic twist of fate, the ball trailer never made it out in time to entice ticket customers. We made it to ticket day in one piece. Expecting to spend my entire session of morning lectures unsubtly replying to queries on my phone, I was pleasantly surprised (read: astounded) when we sold out in nine minutes and 20 seconds. Most likely due to last year’s reputation, and least likely due to my fitting the word ‘hype’ in every Facebook post about the subject.
That allowed us approximately half an hour of ‘pat on the back’ time before returning to the meetings to start actually finalising vaguely important things like entertainment and food. The next weeks of Hilary and the Easter vacation may become a totally confusing blur of caterers, diva DJs and missing marquees, but I can tell that the night will be worth it.
Bexistentialism HT15 Week 5
On the day of last year’s Halfway Hall, warfare began. In the house I live in now, a fight broke out. At the beginning of this Michaelmas, five third years remained.
Yes. I am intentionally speaking in a dramatic tone. Now, it is time for our own Halfway Hall. The morning starts with E&M-Mate moping into my room. “Someone’s taken my Mature Cheddar.” I enter the kitchen to aid him in his grumpy quest. But it seems E&M-Mate’s cheese is not the only thievery. My mozzarella is missing. Is-He-My-Mate-3rd-Year is missing two wraps. Boxer-M8 is missing two eggs.
Screams echo about the house. Posts in our Facebook group ensue. A scream comes from Ditz. The toilet is yellow-puddled. “WHY WON’T THEY LEARN TO STOP PISSING ON THE TOILET SEAT?” My mouth opens and shuts. Her door slams, and a minute later a Facebook notification pops up on my phone. She has posted. The third years’ heads rear with anticipation for their response. Mock-retorts follow. My phone ding-ding-dings.
“WHY WON’T YOU STOP LEAVING HAIR IN THE SHOWER?” “STOP LEAVING YOUR DOORS OPEN!”
Cyber passive aggression reverberates about my head. Banter or no banter, by the evening I am glad to get out of the house. As wine trickles from bottles, the weight of the day falls. I ignore the knowledge that I have a term and a half left to gaze fondly at the linguist opposite me. I ignore that I am yet to succeed at existing.
As we glide from drinks to Wahoo, all feels harmonious. Even Wahoo itself. A curse on our house? Pish. The night ends as our ears truly begin to hear the attempts at mixing music. But instead we stumble upon a warfront. An open suitcase which lay lonely on the street earlier is now barricading my bedroom door. Clingfilm covers the toilet. Ditz-Friend decides to have a shower to wash off Wahoo vibes.
As the shower stops, I hear the steady stomp of her feet, and she opens my door. “Come see this.” I follow her into the bathroom. On the shower wall is scribed ‘F U’, in hair. I laugh, and tell her to take it down. “But it took me ages to get the hair out of my hairbrush!” “Take it down. We can’t antagonise.”
The next day, as I pick up my razor, I see something jammed in to the blades. Looking closer, I see that it is cling film. I put the razor down slowly, close my eyes, and quietly sigh.
Oxford town crier exposed as fraud
Oxford’s town crier has resigned following revelations that he lied over his military record. It emerged over the weekend that the 62 year old town crier Anthony Church had falsified his past service with the army.
Despite wearing military medals and having claimed to have served as a sergeant major, Church has never worked in the armed forces. Church purported to have fought in the Falklands War with the Coldstream Guards as a regimental sergeant major. In 2010, he told BBC Oxford, “As far as getting into town crying, I’m an ex-regimental sergeant major, so I had the voice anyway.”
With a voice that can reach 118 decibels, it would seem Church is well-suited to the role.
An outfit of veterans known as the ‘Walter Mitty Hunters’ exposed Church. The group is dedicated to hunting down those who lie about their military record. Church bought two war medals online, a General Service Medal, and a South Atlantic Medal, and inherited a British Empire Medal from his father, Jack Church, an RAF pilot who served with distinction in the Berlin airlift.
Following questioning by a Buckingham Palace courtier, Church admitted he had not won his medals himself. Church also claimed to have been awarded an OBE.
The town crier has been a regular feature of Oxford life in his 12 years in the role. In 2012, he was one of three representatives from the Guild of Town Criers selected to accompany athletes to the Olympic opening ceremony.
In response to the revelations, Church has apologised for his “grave error of judgement” and resigned his membership of the Loyal Company of Town Criers. He stated to The Daily Telegraph, “I was told several years ago that as the sole-surviving son I was entitled to wear the BEM and put BEM after my name.
“I also wanted, with the anniversary of the Falklands and World War One, to show my solidarity for those people who had served in these campaigns and found a place I could purchase replica medals and purchased a South Atlantic medal.”
The Cowley-born crier said he removed his medals “immediately” upon realising the public assumed the Empire Medal had been earned by him, not his father. He said that lying about service with the Coldstream Guards was “a moment of madness” adding “people will probably feel, with hindsight, that I have misled them. It was never my intention to cause any distress but it has backfired and cost me everything.”
Church was the town crier not only for Oxford but also for the surrounding towns of Banbury, Thame, Chipping Norton, Daventry, and Wallingford. Over the course of a decade, he has become something of a local celebrity, even starring on local television in 2010. Whilst delivering public announcements, he would routinely sport these service medals.
The Secretary of The Loyal Company of Town Criers, John Theman, wrote on their Facebook page, “We wish to thank The Walter Mitty Hunters Club for outing Anthony Church. His actions are deplorable and beneath contempt.”
The chairman of the Oxfordshire Royal British Legion, Jim Lewendon, commented to The Daily Mail, “Wearing the medals is an insult to the bravery of the troops who served,” but added, “I can’t believe Anthony was a pretender and I hope he can put this behind him.”
Oxford professor to reassess side effects of statins
An Oxford professor is to lead an extensive review into the side effects of the cholesterol-lowering drugs statins.
Sir Rory Collins, co-director of the University’s Clinical Trial Service Unit and Epidemiological Studies Unit (CTSU), and his Oxford colleagues will re-examine the medical records of tens of thousands of patients included in previous studies into the widely prescribed drug.
The new review will assess the prevalence of various reported side effects, such as muscular pain, diabetes, and memory loss.
The editor of the British Medical Journal (BMJ) Dr. Fiona Godlee commented, “This is of real concern. We wrongly assumed all the details of possible side effects had been thoroughly assessed before new guidance made tens of thousands of people eligible for this drug. We now know this is not the case and would urge that any re-analysis be done in the most transparent way.”
Last July, the National Institute for Health and Care Excellence (NICE) published new guidelines on statins, with doctors instructed to prescribe statins to patients deemed to be at a ten per cent risk of a heart attack in the next decade, if lifestyle changes are unsuccessful at bringing down the risk.
Prior to the release of the latest guidance, NICE had recommended that statins should only be prescribed to individuals with a 20 per cent risk of heart attack in the next ten years.
The new instructions, based on what NICE described as the “best and most complete review of evidence in this field”, mean that up to 40 per cent of the adult population are eligible to be prescribed statins.
Conservative MP Dr. Sarah Wollaston, chairwoman of the House of Commons’ Health Select Committee, said, “I’m concerned there may be side effects that have not been reported. Drug manufacturers should release all their trial data on statins so they are available for scrutiny.”
Oxford’s Visiting Professor of Public Health Epidemiology Dr. Klim McPherson commented, “We know these drugs have side effects but we do not know if these have been assessed properly by the drug companies who carried out the trials.
“It is outrageous. Why do they not make their data available for scrutiny? Taking these drugs should be a matter of individual patient preference with patients fully aware of their risks, which at the moment is not the case.”
Statins are a group of drugs that lower blood cholesterol levels by limiting the build-up of fatty deposits in the arteries, which can cause cardiovascular conditions.
Cardiovascular disease (CVD) is the biggest killer in England and Wales, constituting nearly a third of deaths each year and having cost the NHS an estimated £7.88bn in 2010.
NICE has argued that if all eligible patients were offered statins, as many as 28,000 heart attacks and 16,000 strokes could be prevented each year.
Nonetheless, this has been met with fears of the influence of pharmaceutical companies and unnecessary ‘medicalisation’.

