Friday 13th June 2025
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Interview: Hamish Bowles

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Having worked at Vogue for over twenty years, Hamish Bowles is a treasure chest of ideas and information about the protean world of fashion. “My interest in fashion came out of an interest in costume history”, he explains. As a child, he went to ballet, attended exhibitions at the V&A museum, and frequented the theatre, captivated by the costumes. “It was in my tweens that I started reading British Vogue and I became interested in contemporary fashion”. His first important couture purchase was an early 60s Balenciaga suit, found in a rummage sale, but he tells me that some of his most historically important pieces to date are a 1926 beaded Chanel gown and an iconic 1952 Charles James Lampshade dress.

On 8th May, The Costume Institute’s new Anna Wintour Centre will open with its inaugural exhibition, Charles James: Beyond Fashion. “This is going to be a really fascinating opportunity for people to reassess the work of an extraordinary designer who has become almost forgotten through the years, and who was so significant in his day”, Hamish assures me. “It’s going to be a revelation for people”. Charles James is often described as the greatest American couturier, influencing the likes of Christian Dior and Zac Posen. For Hamish, “Vintage fashion holds a mirror up to its time. It is so potent, and then there is the memory of the women who wore it”.

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The Museum’s Costume Institute Benefit will be held on 5th May to celebrate the opening of the exhibition three days later. One of the co-chairs is icon Sarah Jessica Parker, who has recently brought out her own shoe line, collaborating with George Malkemus, the CEO of Manolo Blahnik. “When legitimate brand extension, like SJP and shoes, is something where you really have a sense of design integrity and the named creator is very much involved, it is an interesting idea”.

Bowles was pictured with the actress at the 2013 Annual Met Gala, about which he says, “It is always extraordinary because it is a real confluence of fashion and celebrity, and extraordinary clothes and entertainment, and really wonderful visuals in terms of the décor. It is an annual high point.” Meeting all of these celebrities must be quite the experience, but does the International Editor-at-Large ever get star-struck? “Oh, constantly, yes! Certainly at the Costume Institute Gala!” What about the first time he met Anna Wintour? Was she anything like Meryl Streep in the Devil Wears Prada?! “Well, when I met her for the first time, I think I was wearing a Chanel suit, so she might have been more intimidated than I was! But certainly, her reputation preceded her.”

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As part of his job, Hamish gets to travel the world, which he loves. “I go back to Tangier in Morocco all the time, and Greece. Personally, I just got back from Qatar, which I thought was a completely fascinating and compelling place. I am always fascinated to go somewhere that I have never been before”. Travelling to such diverse places, Hamish has a good idea about the ever changing fashion world and the up-and-coming fashion cities. “I’ve been to see the fashion scenes in Copenhagan, and I certainly think Scandinavia is interesting. I’m intrigued to see what happens in China; there are already some very interesting people coming out of there. What is exciting is that fashion is so global and that people are so engaged with fashion around the world.” This all sounds wonderful, but, are there any downsides I ask? “Jet lag is a downside, and deadlines!” The latter is certainly something we can all relate to.

English born and bred, Bowles moved to New York in the 90s, accepting Anna’s job offer at US Vogue. “The street style is livelier in London”, he tells me, “There seems to be a lot of young designer energy there. It’s more like Brooklyn than NYC. But I’m also very excited by the Upper East Side groomed fashion that you see here”. He does explain, however, how over the years the differences between the two cities have somewhat eroded, making them more similar in terms of fashion style. I ask his opinion of the Duchess of Cambridge: “Kate Middleton’s style is absolutely appropriate in every way and thoughtfully considered”.

Not only has Bowles made a name for himself in the fashion and interior design industries, he has also found time to act. Appearing in Sofia Coppola’s film Marie Antoinette, an episode of Gossip Girl, and the fashion documentary Valentino: The Last Emperor, Bowles says, “Acting has been a lot of fun, I’d love to do more of that!” But, if he were doing anything other than working at Vogue, he explains how he would like to design costumes for the theatre or the movies, as fashion design is what he began studying at St Martins. A man of many talents indeed.

Hamish Bowles was also involved in the now infamous Kim Kardashian and Kanye West cover for the April Edition of Vogue. “Well, I wrote the story, so I obviously feel very connected to it. It has provoked more dialogue than any other cover I can think of since I have been here, which is exciting. As a couple, they are a part of the contemporary zeitgeist and it’s important for Vogue to respect that.” When asked whether he thought it was a good idea to put a reality star on the cover of such a prestigious fashion magazine, he responded “This particular reality star and her fiancé are part of the fibre of today’s fashionable world. I think they are both very engaged with fashion and style, and that’s something we celebrate.”

Hamish is currently working on a personal fashion memoir, and says, “I hope to continue to work at Vogue. I’m having a lot of fun doing it!” Well, we certainly enjoy following his fashion journey and cannot wait to read the memoirs.

Charles James: Beyond Fashion Exhibition will run from 8th May to 10th August in the Anna Wintour Costume Center in the Metropolitan Museum of Art.

@HBVogue

Instagram: hamishbowles

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Cézanne and the Modern: Masterpieces of European Art

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Cézanne has long been hailed as one of the fathers of modern art; he was one of Picasso’s major influences, and is seen as the precursor to Cubism. Fairly well represented in England, with large numbers of work on display in London, he is something of a house- hold name, due in large part to his still-lifes of apples and pears.

What is particularly exciting about this exhibition is that we see a side of his work which is less familiar, with a large number of water- colour and graphite works on display in the first gallery. One lady’s exclamation of “Oh no, I don’t like that at all!” shows that the works are unexpected. These works have a delicacy and deftness which is absent from his thickly, boldly painted oil on canvas works. Chemin des Lauvres: The Turn in the Road, c.1904-06 is a great example, combining challenging compositional elements with a strong yet subtle use of watercolours.

The first of the rooms focuses on Cezanne, mostly the watercolours, but with notable oil inclusions, such as Route to Le Tholonet c.1900- 1904, an ostensibly unfinished work, which shows his modern handling of paint, combined with traditional method of using under-drawings. Alongside the Grand Baigneuses, Cezanne’s other most familiar motif is Mont Sainte-Victoire, the mountain near his home in Aix-En-Provence, which he painted almost obsessively. The version of this here, in water- colour, presents an interesting variation, with large areas of empty canvas interspersed with thin graphite lines and patches of green and blue paint.

The second room is entitled “Impressionism and Beyond”, with the use of the double height ceiling seeming to open up the scope of what is being displayed. It must be said that the paintings on display can feel somewhat bewildering, with works by Gauguin, Toulouse-Lautrec, Manet, Monet, Pissarro, Courbet, Degas, Daumier and van Gogh, alongside more by Cezanne himself, but it does give one a much broader sense of the context in which Cezanne developed, and the artists he worked with. Manet’s Young Woman in a Round Hat, c. 1877-79 is particularly striking, as is the brightness of van Gogh’s Tarascon Stagecoach, 1888, next to the more subdued Cezanne works either side of it. While these works can all seem very different to one another, their display together does go some way to drawing out the similarities between them, working as they were in the same milieu in early twentieth century Paris.

“Figurative Modernism in Paris”, the third and final room of the exhibition, takes us into another milieu, displaying works by Chaim Soutine, Jacques Lipchitz, and Amedeo Modigliani. Soutine was one of the first artists Pearlman collected, which tells us something of the breadth of his taste. Soutine’s Hanging Turkey, c.1925 and Steeple of Saint-Pierre at Ceret, c.1922 feel rather a step away from Cezanne’s provincial landscapes in the room next door. Unfortunately the lighting in this room does make some of the artworks hard to see, particularly densely painted oil works by Soutine. The sculptural works in the room do not suffer however, and we are presented with interesting contributions from Jacques Lipchitz, demonstrating the variety of styles he is able to accomplish, with Acrobat on Horse, and Theseus difficult to note as works by the same artist. The one Modigliani sculpture, Head, c.1910-11 shows something of the non-European influence that has come to be associated most with Picasso’s work of this period.

On leaving the exhibition one is of course met with the ubiquitous exhibition gift shop, with Cezanne umbrellas, Cezanne fruit-bowl boiled sweets, and watercolour pencil sets, which says something about the expectation for art museums to function as much as commercial ventures as houses of art. However one is allowed a greater degree of freedom of thought in this exhibition that is usual in large exhibitions. Information on the theme of each room is set at the back, slowing viewing of the works and encouraging individual impressions.

Overall the Ashmolean, continue their winning streak of brilliant exhibitions, worthily following on from the highly praised Bacon and Moore. Entry is free for Oxford University students, the beautiful landscapes suit Trinity term, whilst offering relaxation for the vexed finalist, and are just edgy enough to gain one some cultural clout with the tutor.

Oxford cricket scene poised and ready for big Trinity

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With Trinity term about to begin, Cherwell Sport turns its attention to the upcoming cricket season. Last season’s dominance for the Blues in Varsity matches, spectacularly capped by Sam Agarwal’s triple century in the four-day fixture, should provide grounds for optimism in the University arena. The real life-blood of cricket in Oxford however is the College Cricket League and Cuppers competition, which we will focus on here.

The College Cricket League is set to begin in 1st Week and looks to be as hard to predict as ever. Last season’s league was slightly affected by rain, but with a warm summer in the offing the teams will hope that consistency and quality will be more fairly rewarded. The 1st Division last year was a two-horse race between Balliol and Keble which finished in a dead heat, some 44 points in front of the chasing pack. These two teams will be looking ahead to more dominance, although newly promoted St. John’s and Somerville will provide stiff competition and the likes of St. Catz, Univ, and New will always offer a challenge to any opponent.

The lower divisions were fiercely contested last season, with a much smaller gap separating the teams in the top half of both leagues. The 2nd Division thrived, with St. John’s, Somerville and Exeter contributing to a nail-biting finish which would have been all the more thrilling had Pembroke not run out of time to play their ninth and final fixture. As it is the teams dropping down from the 1st Division, Brasenose and Merton, will face a tough fight for promotion as Exeter, Pembroke and Jesus will all be looking to finish in the top two. That is not to mention Trinity College, who as last year’s beaten Cupper’s finalists are my pick to finish first as they bid to follow St. John’s up to the 1st Division. No doubt the match of the season in this league will be the Jesus/Exeter fixture as an age-old College rivalry coincides with both sides’ realistic chances for promotion.

The 3rd tier of College cricket was more interrupted last year than the other two divisions, as a mixture of weather and the inability to consistently get full sides to turnout for regular matches lessened the competitive edge of many contests. Nevertheless Lady Margaret Hall look to be the team to beat this time around, having gone unbeaten in their four games last year and missing out on promotion only because Oriel and Magdalen got through more games. Linacre should also challenge for the title along with former 2nd Division sides Teddy Hall and Wadham, who failed to win a game in last year’s competition.

The Cuppers competition begins in 2nd Week, with the 1st Division teams looking to redeem themselves after two 2nd Division colleges, St. John’s and Trinity, competed in the final last year. Victory for St. John’s capped a successful season for the team, who also gained promotion and look well placed to mount a serious defence of their Cuppers title. The competition should see some all-round quality cricket played, as the colleges will have the freedom to select their full complement of Blues and ‘Tics players, something not allowed in League fixtures. This could potentially alter the prospects of some of the lower ranked teams; not least in the case of Lady Margaret Hall, whose star batsman Matt Winter is a mainstay of the Blues middle order and over the winter gained a place in the MCCU squad. Elsewhere last year’s 2nd Division whipping boys Wadham will be hoping that the availability of Jack Kelleher will boost their chances in Cuppers if not the league. The competition will be stiff however as 1st Division stalwarts Worcester and Balliol can also call on University players for their cup fixtures.

With an action-packed season in store for all the teams involved, cricket at Oxford seems to be in rude health. Although the ultimate victors in all levels of competition remain a mystery, what is incontestable is the tension, excitement, and passion that will accompany quality cricket across the university. Keep up with all the twists and turns with Cherwell Sport.

Interview: Pat Jennings

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Pat Jennings is widely recognised as one of the best British goalkeepers ever to have played. Born in Northern Ireland in 1945 Jennings went on to play nearly 600 games for Tottenham, over 300 games for Arsenal and earned a then world record 119 caps whilst playing for Northern Ireland.

Football wasn’t Jennings’ principal sport whilst he was growing up. Raised as a Catholic in Northern Ireland his school played only Gaelic football and other Gaelic sports. Jennings told me that he “never dreamt about professional football as a career…I left school on my fifteenth birthday…I went to work in one of the local linen factories from eight in the morning until six”.

Jennings unlikely career in professional football developed from his love of goalkeeping when he played football with his school mates, “We went to a field close to where we lived and  took a couple of stones out of the ditch or put down a couple of coats [for posts]…the goalkeeper always had the most to do.” Jennings was clearly a very good goalkeeper as a young boy and he played for his local under 19s team – Shamrock Rovers – when aged 11. This is an absolutely phenomenal feat for a goalkeeper, where height is often very important and Jennings told me “I couldn’t reach the crossbar” whilst playing in this team with people close to twice his age.

Despite his clearly noticeable ability from a young age Jennings continued working in the linen factory and then a timber yard. He had essentially stopped playing football when aged 17 the team his brother played for – Newry United – lost their goalkeeper when he went to England to look for work. Jennings said “I wasn’t all that keen” on playing for Newry United but he went along to a few training sessions anyway.

Three months later he and the team won the Irish Junior Cup and in the next year he was put forward for the Irish National Youth Team by the chairman of his club. Jennings was subsequently picked for the Northern Irish National Youth Team. The Northern Irish team qualified for the UEFA European Under-18 Championship in 1963 to be hosted in England. Jennings and Northern Ireland went on a run to the final, “At 17 I’d never been any further south than Dublin or any further north than Belfast…to finish up playing in the final at Wembley…I couldn’t believe it. England beat us on the night at Wembley 4-0. The England team we were playing against were all playing in the first division.”

Things moved quickly for Jennings after this as Watford bought him from Newry and took him over to England. A year later, in 1964 Tottenham then purchased him and it was in this thirteen year stint at Tottenham that Jennings made his name as one of the best British goalkeepers ever. He won the 1973 Football Writers’ Association footballer of the year award and then in 1976 he was the first goalkeeper ever to win the Professional Footballers’ Association (PFA) player of the year.

Jennings played 1098 first class games in his career and made his Northern Ireland debut on the same day as George Best. A player he told me was the best player he had ever seen because as Jennings said “He did everything a yard quicker than everyone else.”

Unlike George Best Pat Jennings did represent Northern Ireland in a World Cup; in fact he managed to qualify for two. After four previous attempts at qualification with Northern Ireland Jennings made it to the 1982 tournament and then later the 1986 tournament as well. This is something that Jennings had wanted to achieve his whole playing career, “I had been trying [to qualify for a World Cup] from 1964…around 1982 you’re thinking you’re not going to make it…you always live in hope”.

Jennings’ last ever match was in the 1986 World Cup on his 41st birthday against Brazil. Jennings told me that “playing against them [Brazil] was just a dream for my last match.”

Tottenham still employ Jennings as a coach where he works with their academy two days a week. Jennings has been involved with professional football for over fifty years now and when I asked him what the biggest change had been he simply said “money”. He told me “I would’ve played football for nothing had someone paid my keep.”

Jennings also believes there has been a significant change in the culture in football clubs, “After matches and that we had get togethers, players would have a drink and then maybe go to a local pub. That was just the done thing in those days.” Not only does Jennings see a change in the players’ culture but he also thinks that clubs are putting more and more pressure on the young players as well as managers. Jennings told me about the boys he works with at Tottenham, “Some of the young keepers think they shouldn’t make mistakes. The man who doesn’t make mistakes, he hasn’t been born yet. It’s the one that makes the fewest mistakes that are the best goalkeepers.” Moreover with managers Jennings commented that “The old managers got four or five years at a club when they came in. They had an opportunity to come in and set up a youth policy at a club. Whereas now they work from three to four games.”

Clearly football has changed significantly since Pat Jennings played but he believes the players aren’t that different as he told me “I could’ve played [in the modern game] no bother.” With such an impressive career it’s hard to disagree.

Sporting Rock Stars: Nick Diaz

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Nick Diaz is well known in the world or mixed martial arts (MMA) and is a particularly entertaining figure within the Ultimate Fighting Championship (UFC). Diaz holds a Brazilian jiu-jitsu black belt under Cesar Gracie, a member of the Gracie family, the founding fathers of the UFC, and the most recognisable name in jiu-jitsu. He is a former Strikeforce Welterweight Champion, former WEC Welterweight Champion, and a former IFC Welterweight Champion; a pretty impressive record for a thirty year old that started out as a boxer. Although a renowned trash talker, with controversy and attention seeming to follow his every move, Diaz has the skills to back it up, and that is why he is this week’s sporting rock star.

Born in Stockton, California, the mixed martial artist had a career spanning 11 years since his first professional fight in 2001 just after his 18th birthday. It didn’t take him long to progress in the sport, however, becoming IFC Welterweight Champion in 2002 after his second professional fight. His younger brother, Nate, is also a professional mixed martial artist, ranked 6th in the official UFC lightweight rankings. Athleticism clearly runs in the family. Both siblings have taken part in professional triathlons, and Nick is rumoured to complete a triathlon every weekend for fun. Supreme fitness and natural talent are two reasons why the brothers are both admired and envied when it comes to MMA.

Nick’s way with words has attracted attention throughout his prolific career, and his most infamous quotes prove very useful in demonstrating why he is such a controversial figure, and successful trash talker.

First up, Diaz never hides his passion for the use of marijuana, and regularly defends it publicly. The fighter can be found smoking (what looks like weed) on YouTube during an outing on his bike, and has tested positive for the drug after a visit to the octagon during a professional fight!

“For the record, right now, I think someone needed to come out and say it: I think smoking pot is good for mixed martial artists. It’s a new day and age, this it, uh, the year… f*** year is it? I don’t know, because I’ve been training and smoking pot like I should, instead of paying attention to other bulls***, which I don’t do”

When asked by a reporter whether his use of marijuana had affected his fighting, Diaz replied: “Actually, on the contrary, my fight career has gotten in the way of my marijuana smoking”.

The press and media often have a tough time when trying to get an interview with Diaz, due both to his well known dislike of public attention, as well as his more than frequent use of expletives in any situation:

“See if people are gonna hate just cause I say the word mother*****, then f*** them, I don’t have time to worry about marketing and s***. In my last fight my hair looked like s*** cause all I did was train…”

When pushed by a reporter to comment on potential future fights, Nick replied: “I feel that you instigate fights quite a bit… I mean that’s your job but, where I come from, people like that get slapped”.

His disregard for what people think of him is well known too. His ‘do what I want’ attitude, however, has gained him as many fans as it has lost him:

“If people can’t handle watching me or they can’t handle the intensity of my life or they can’t handle me cussing saying f*** this and f***, then you know, I think people really need to become a little more mature, kinda grow up a little bit…”

Nick can be respectful to some though, but mainly towards those that he admires and his fellow Stockton ‘homies’:

“If you’re not on my team, then F*** YOU, cause if you’re not with us, then you’re against us”

Perhaps the most famous words to leave the lips of Diaz were spoken following a defeat to KJ Noons in 2007. Noons asked the crowd whether Diaz deserved a rematch, to which his hometown posse of Hawaiians booed. This prompted Diaz to utter the now immortal words:

“Don’t be scared homie!”

(YouTube it)

The ring immediately broke into a brawl, and the Diaz brothers left displaying their trademark middle fingers to the crowd. The brothers were also involved in the infamous ‘Nashville Brawl’ with Mayhem Miller, both receiving fines.

Nick’s antics outside the octagon only distract from what was an amazing martial arts career. He retired after a decision loss to Carlos Condit at UFC 143 in February 2012, and then returned to fight Georges St-Pierre at UFC 158 in 2013. After losing this battle, he hung up his gloves for real and has not since returned to the octagon after many attempts at asking. His latest activity in the world of mixed martial arts was to launch his own promotion called WAR MMA. The first event took place on June 22, 2013 in Stockton, California, of all places.

Send the FA to Specsavers: In defence of Andre Marriner

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Aside from the angry outbursts of humiliated Arsenal fans, the post-match furore from Arsenal’s trip to Chelsea on Saturday 22nd March centred largely on the sending off of Arsenal’s Kieran Gibbs, fifteen minutes into the game.

Arsenal were two, soon to be three, nil down to their London rivals when Alex Oxlade-Chamberlain made a dive that team-mate and goalkeeper Wojciech Szczesny might have been proud of, had his palming of the oncoming ball by the goal-line not forced referee Andre Mariner to blow for a penalty.  

Mistaking the identity of the handballing villain, however, Mariner showed Kieran Gibbs the subsequent red card instead of Oxlade-Chamberlain – despite the latter repeatedly telling Mariner that it was him.

In terms of the match the mix-up barely mattered. Arsenal were well on their way to being stuffed before being reduced to ten men, and had Oxlade-Chamberlain gone off instead of Gibbs the result would hardly have been any different.

More than anything, the false dismissal once again questioned the referee’s capacity to observe and judge key events of the game, as well as reopening the barely sealed can of worms entitled ‘technology in football’.

With no ill-feeling directed towards Andre, he and his colleagues are prone to messing things up every now and then.

It’s extremely easy to sit in the stands at a football match, or on our sofas at home, and disagree with everything a referee is doing, telling him that he’s an idiot and should have gone to Specsavers, while we watch the game with the sincere opinion that we would control the game better than the man in the middle.

We frequently assume, as Pat Nevin suggested shortly after the incident, that the ref is bereft of mental capacities expected of any adult, let alone a referee: “I feel quite sorry for the referee, who didn’t see it. But Alex Oxlade-Chamberlain was telling him it was him. Use a bit of common sense, surely?”

However, Graham Poll, ever the public’s insightful eye into the mysterious mental processes of football’s officials, was quick to defend Mariner’s actions. “You can’t reverse a decision based on what a player says to you. If we’re at 1-1 in the semi-final of the World Cup, Wayne Rooney gets involved in a heated debate or violent confrontation with an opponent, and the referee says ‘I’m sending you off’ – the left back might come over and say ‘No it was me ref’, because he wants to keep Wayne on, as he might score the winning goal in the World Cup final.”

“You have to go on what you’ve seen, what you believe you’ve seen, unless there’s evidence to the contrary. The only evidence you can get is from one of your other officials, or from video.”

Refereeing demands empirical evidence: an official cannot simply take another player’s word for it, and so must rely on what he believes he’s seen. It is easy to forget that, thanks to Sky and co., we have an unobstructed view of the action and can replay it as many times as we like – when you’ve got what really happened replayed and zoomed in on in your front room, it isn’t hard to make referees appear as though they ‘don’t know what they’re doing’.

There is a view among some fans, players and managers who believe (to borrow the words of Everton boss Roberto Martinez) that ‘errors, misjudgements and mistakes’ are merely ‘part of football, and you need to accept it because that is what makes football what it is’. Yet in the modern game, a referee’s decision makes the difference between gaining or losing millions of pounds, as well as between ecstasy or deep sorrow.

Whatever one’s opinion is on the increase in investment in the game, it must be accepted that vast amounts of money are now ‘part of football’ and are responsible for making the Barclays Premier League ‘what it is’. Sky has not only given us the technology to rewind and pause live action – they have also contributed to the vast wealth available to Premier League clubs. As a result, the demands on the limited visual capabilities of the human referee are greater than ever before.

The FA maintained its commitment to empirical-based evidence by allowing Mariner to referee a Premier League game the following weekend. But until they extend this commitment to the introduction of video-technology to assist with refereeing decisions, officials will continue to be seen as idiots lacking in common sense, as the 21st century, Sky+-ready eyes of the spectator remain vastly superior to the eyes by which the game is actually officiated. 

Hertford cycles from Bridge to Bridge to raise money

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This summer 32 Hertfordians will take part in a cycle ride from the ‘Bridge of Sighs’ in Oxford to the Bridge of Sighs in Venice to commemorate the 100th anniversary of the iconic bridge.

The team, which will be headed by Principal Will Hutton, will consist of fellows, students and alumni. Notable alumni taking part in the journey include television news presenter, Krishnan Guru-Murthy, and UK ambassador to Lebanon, Tom Fletcher. The team aim to raise £250,000 for bursaries, scholarships and outreach.

The journey is expected to take eleven days. Approximately 100 Hertfordians will take part in the first phase, with 32 completing the entire journey to Venice.

Will Hutton said, “As Principal of Hertford, I have accepted the daunting challenge of cycling 1,100km in 11 days – and as I can already tell from the training, it will be no easy task! It’s an incredible adventure, and for a great cause. Hertford has a long tradition of promoting access and helping disadvantaged young people to thrive at university – and it is increasingly critical that we have the money to continue this support”.

Miriam Chapman, a first year Hertfordian who will be cycling the first phase of the journey told Cherwell, “I am taking part in the bridge to bridge bike ride, aside from being a keen fresher, because Hertford’s Access scheme is generally awesome. Not only does it really benefit individuals – myself included – but it benefits the college as a whole. Hertford’s merit over means ethos is what makes is such a down to earth and friendly college. Plan of attack for 1st year cyclists is to stick to the training plan better than we do our revision timetables and just cycle everywhere!”

She added, “It’s great that so many Hertford alumni are great involved. Famous or not, their stories about their time are Hertford and how it helped them in later life is pretty inspirational. It’s also really excellent that they can pull in a variety of sponsors, not just students friends and family!”

Anna Baskerville, Senior Development Officer at Hertford College, told Cherwell, “At Hertford, we believe that money should not be a barrier to an Oxford education – so we have organised this bike ride to coincide with our celebrations of the iconic Hertford bridge being 100 years old in order to raise much-needed funds”.

She continued, “All funds raised will be going towards student support: bursaries, scholarships and outreach. The bike ride from Oxford to Venice is an amazing opportunity to bring together alumni, fellows, students, staff and friends for an event that is not only challenging but for a great cause that will benefit future generations of Hertford students”.

Plans for new Rail Station in Oxford revealed

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A new railway station is to be built in Oxford as part of the Oxford to London Marylebone rail link.

The station, called Oxford Parkway, will open in Summer 2015 and it has been funded by Chiltern Railways £130m development of the Oxford to London Marylebone link.

It will be built on the site of the derelict Water Eaton silo, demolished in October last year and will be the first station to be built in Oxford since 1935.

The service running from here will get to London Marylebone in under an hour and is the first link between the two cities for 100 years.

The project is being managed by Network Rail and Chiltern Railways.

Managing director at Chiltern Railways, Rob Brighthouse, commented, “Oxford Parkway will be one of the best located stations in the county due to its positioning adjacent to the existing Water Eaton park and ride site just off the A34 and close to the A44.

“This station is going to transform travel between Oxford and London when it launches in summer 2015. Our new station and service will provide significant economic, social and environmental benefits for people in Oxfordshire.”  

The plans also show that it will have a car park with more than 800 spaces, over 100 cycle spaces and access to many buses which serve park and ride sites.

OUCA campaigns with pro-life Tory

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Students have expressed outrage at the Oxford University Conservative Association’s affiliation with a senior figure in a controversial anti-abortion group running in the upcoming elections to Oxford City Council.

Mark Bhagwandin, who is running as the Conservative candidate for Headington Hill and Northway this May, is a senior officer in the Thames Valley branch of the controversial pro-life campaign group LIFE.

LIFE has been accused of providing misleading advice to pregnant women. Sexual health charity Brook condemned LIFE after counsellors allegedly told an undercover reporter that abortions increased the risk of breast cancer. Last term, LIFE made Oxford news when Andrew Smith, MP for Oxford East, reported their adverts on Oxford busses to the Advertising Standards Agency for “giving the unrealistic impression that LIFE is offering impartial counselling.”

OUCA members have campaigned alongside Bhagwandin on several occasions over the past year. Most recently, OUCA tweeted a photo of students, including four committee members, canvassing with Bhagwandin in Headington this March, along with the caption, “We were out spreading the Conservative message in Oxford this morning.”

Alice Nutting, a contributor to the Oxford feminist magazine Cuntry Living, told Cherwell, “It is unfortunate, although hardly surprising, that OUCA is openly endorsing an outspoken anti-choice campaigner. LIFE has a track record of providing dangerously misleading information, such as leaflets claiming that 85 per cent of abortions are carried out using vacuum aspiration and that the woman has to dispose of the foetus herself.”

Oxford University Labour Club have strongly condemned OUCA’s association with Bhagwandin. OULC Women’s Officer Rebecca Grant told Cherwell, “It is deeply worrying that someone so involved in fighting against women’s basic reproductive rights is even permitted to stand for election on behalf of the Conservative Party. I am shocked that OUCA is campaigning for a candidate who is associated with LIFE, especially given the very serious allegations about the organisation’s deceitful imposition of their agenda on the most vulnerable women.”

Helena Dollimore, former Co-Chair of OULC, observed, “It’s worrying that OUCA are choosing to spend their time campaigning for a pro-life candidate who works for a highly controversial pro-life charity. Women who find themselves pregnant unexpectedly need impartial help and support, not politicians who oppose their right to choose. When the majority of students are pro-choice but OUCA are heavily supporting a pro-life candidate, it’s no wonder the Conservatives have a problem with women.”

Responding on behalf of LIFE, Bhagwandin, who is also chairman of the Oxford East Conservative Association, told Cherwell, “My role in LIFE and in the Conservative Party, are separate and distinct. It is absolutely presumptuous for Labour students to try to dictate to political candidates what groups they should or shouldn’t be associated with. LIFE has already responded extensively to the criticisms by Education for Choice, of its service. It has a proud history of providing professional counselling and practical support and housing to pregnant homeless women.”

He continued, “Maybe while the Labour activists are it, they can criticise their own Labour MP Andrew Smith who visited the LIFE house in Oxford only a few weeks ago and was very positive about it, even promising to help. They can also point a finger at Labour MP Jim Dobbin who spoke at a LIFE conference about the wonderful work being done by LIFE.”

OUCA President James Heywood commented, “OUCA is a branch of the Conservative Party. As such we campaign for the Party, not individual candidates. We don’t have our own separate policy agenda, and frankly any society which is part of a political party but has such a separate platform cannot view itself as a serious branch of that party. OUCA is not in the business of pointless grandstanding; our focus is always winning votes for the Party, wherever we can. I would also point out that the Party does not take a specific stance on abortion anyway. It is a ‘free vote’ issue.”

Cowley Passion play cancelled after mistaken for sex show

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The Cowley Road Passion Play, a religious event re-enacting the trial and crucifixion of Jesus, was cancelled last week after a council mix-up.

An officer of the city council refused to sanction the event because he thought it was a live sex show.

Damian Feeney, director of the play, commented in his blog post, Chinese Whispers, “It’s an object lesson to everyone in the way in which the media plays chinese whispers with facts, choosing the most salacious half-truth and magnifying it until the original story is unrecognisable.”

In its report of the story the Daily Mail used the headline, “Gormless Labour council bans Good Friday Passion of the Christ play because they thought it was a live SEX show”.

The play was cancelled because a council officer told the organisers that some parts of the play may need a license to be performed and at that time it was too late to procure one.

He did not realise that it was a religious event and as such did not need a license.

The play was cancelled before the misunderstanding could be resolved.

The organisers of the Cowley Road Passion Play told Cherwell, “An unfortunate mistake from a council officer doing his best to help us meant that the Passion Play was cancelled this year. We are naturally disappointed, but look forward to working with the council to bring the play back to the streets of East Oxford in 2016.”

Oxford City Councillor and United Reform Church pastor Dick Wolff said, “Unfortunately, one of the city council’s licensing officers didn’t recognise that a Passion play on Good Friday was a religious event. I think he thought it was a sex show, so he said it may be committing an offence. This is a case of the system tripping over its own shoe laces.”

A spokeswoman from the Oxford City Council added that the application to the council arrived, “Too late, with limited information to enable the event to take place.”

Passion Plays, performed on Good Friday around the world, re-enact of the trial and crucifixion of Jesus Christ as a way of celebrating the holiday. The Cowley Road Passion Play was first performed in 2012 without a license.
Councillor Tony Brett, chair of the licensing committee, said, “It pains me greatly to see this activity cancelled.

“The Jesus I know and live by is one whose ministry was radical and disruptive and the Cowley Road Passion play is / was a fantastic example of that.”

The council official responsible, Julian Alison, has since apologised, admitting that he didn’t know a passion play was a religious event.