Sunday 17th August 2025
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Interview: Toby Huelin

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Toby Huelin has genius hair and a musical laugh; deep, infectious, with an accompanying shoulder shake. Originally from the Isle of Jersey, Toby emmanates up-and-coming musician in his appearance. His pre-Oxford years were filled writing songs and incidental music for other theatre projects (including a rock opera version of Orwell’s Animal Farm) alongside musical directing and keyboard performances in various local theatre productions.

Now a third year music student at St Anne’s, Toby is best known around Oxford for co-writing A Theory of Justice: The Musical. The show centers around the philosopher John Rawls, who, during a search for writing material, journeys back in time to court Fairness, dodge Robert Nozick’s evil plans and converse with a canonical selection of philosophers from Plato to Mill. This production, which ostensibly presented philosophical theory in an accessible form was hugely successful in Oxford and at the Edinburgh Fringe last year. Its success has resulted in attention from acting troupes internationally who are interested in taking A Theory of Justice abroad.

Toby listens to “so much music” that his compositional pieces are an indistinguishable milieu of them all. He’s not fussy about genre and would be happy to spend his future career writing anything, as long as it’s “composition in some form”, from musical theatre to popsongs, or music for television or the concert hall. However, his favorite figures from musical theatre include Jason Robert Brown, Andrew Lloyd Webber (he’s a particular fan of Jesus Christ Superstar) and Richard Taylor to a range of modern music, One Direction included.

However, Toby mentions this “pop” taste features little in his new production. Putting aside his array of musical talent and interest, I sat down to delve into something more specific, Toby’s next theatrical project, In Her Eyes. Rather than building on the success of Theory of Justice, this new production is going in the opposite direction: “I love challenging myself to write something different”, Toby explains. In Her Eyes, or IHE, is a story about “Isolation and truth, rumors and gossip”. In terms of subject matter at least, IHE stands out from the current musical scene, as “not a “jazz-hands” musical” but something “much more thoughtprovoking”. Not your conventional musical,the composition of In Her Eyes followed on from a discussion with Huelin’s family about “a similar situation”. Written in just two weeks, Huelin composes ‘very intensely for a short period of time, rather than writing a little bit of music each day’.

I want to know if he he prioritises plot, lyrics or music. For In Her Eyes, Toby explains, “Lucy Fielding [his co-writer and girlfriend] and I figured out the plot together, and then I wrote both music and lyrics in tandem, rather than writing one then the other, which seems to be a more standard way of working. I always write on the computer with a piano nearby!” But it’s different everytime, Toby explains; he isn’t one of those writers with an established creative process. Oxford will host the second performance of IHE, which was originally performed last summer in Toby’s home town, Jersey. Nevertheless, Toby is looking forward to performing to a larger audience.

The plot of In Her Eyes is a modern love story that explores the destructive dynamics of obsessive love; Freddie, a seventeen year-old girl, falls for an older boy, Jamie. Jamie is never seen by the audience, which means we will have to glean his actions and characteristics from other characters’ reportage. This allows an intentional ambiguity within the script that, as Toby informs me, will allow us to form our own opinion of their relationship. Take one of your more laid-back friends along to see In Her Eyes with you, or be preparared for the heated debates that scuch a production must surely result in.

If you were interested in developing a taste in musical theatre, this term seems to be the term for it. Toby adds that Hilary 2014 “is very exciting for musical theatre in Oxford, with at least one show every fortnight. In Her Eyes is the first, and is something very different.” In Her Eyes will be performed at the Burton Taylor Studio in 2nd week at 9:30pm (running time 60 mins). Tickets are available from www. oxfordplayhouse.com or www.IHEmusical.com.

Treasury debates scrapping student fund

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Speculation that the Treasury plans to scrapthe £327 million Student Opportunities Fundhas been met with condemnation by Oxford students.

Although no decision has been reached as to whether or not the fund will be cut, it is expected that David Cameron, George Osborne, Nick Clegg and Danny Alexander will push forsubstantial reductions or even cutting thefund altogether, after the Treasury and the Department for Business, Innovation and Skills (BIS) failed to come to an agreement earlier thisweek. The fund is currently used by universities across the country to improve access and success rates for students from disadvantaged backgrounds.

Andrew Smith, MP for Oxford East, was one ofthe first to speak out against the possibility of cuts in Parliament on Wednesday. He said,“This torpedoes the government’s claimed commitment to social mobility throughhigher education,” he said. “Many universities run fantastic outreach programmes, but these cuts to the Student Opportunity Fundwill mean universities will not be able to afford the staff and other costs to make these aseffective as they need to be. 

A number of students also expressed their anger at the Treasury’s potential plans. OULC chair Dan Turner condemned the proposed cuts: “It’s difficult to see how these cuts will do anything other than damage university efforts to encourage those from worse-off backgrounds to apply for university.

Worse, it will disproportionately affect those collegeswhich make the most effort to recruit disadvantaged students. The whole policy creates perverse incentives and will set back social mobility in higher education across thecountry.”

Jane Cahill, former Queen’s JCR President, also condemned the move. She commented, “Student-led access work is drastically under-funded and under-resourced, despite being the most effective.”

“The students working at Target Schools need better support so they can get away from spreadsheets and emails and engage with students. I don’t see how the student union could fight for that if the university as a whole experiences a cut. Raising tuition fees at the same time as cutting access budgets is just about as regressive an HE strategy as you could hope for.”

As the coalition partners began their debate, OUSU launched a Twitter campaign to garner support for the action against the proposed cuts, calling on Nicola Blackwood to“#SaveStudentOpportunities and protect access funding!”

OUSU President Tom Rutland told Cherwell, “The government must not renege on its promise to ensure fair access to universities by further cutting the money dedicated to this area.”

He went on to point out that Oxford’s allocation of the Student Opportunities Fund is significant. “Here in Oxford, the £600,000 ofStudent Opportunities Fund money goes towards the widening participation work that the University does in the local community to encourage application to universities, as well as supporting disabled students.”

Oxford University is waiting for a government decision to confirm their position on the matter and clarify what action they might take if the fund is cut. A spokesperson said, “We cannot speculate on any effects this may have on the University before details are confirmed. We are naturally concerned about the impact of any cuts that may affect our ability to support students and encourag ewidening participation, and we will be following the issue closely.”

Missing Bean needs major hygiene improvements, says FSA

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The Missing Bean, the popular coffee shop on Turl Street, has received a food hygiene rating calling for “major improvements” from the Food Standards Agency.

The food hygiene rating is a system managed by the Food Standards Agency (FSA), a government body which awards ratings out of five for “standards of food hygiene found on the date of inspection”. It indicates that any organisations receiving a rating of two or fewer require improvement: The Missing Bean received one out of five. The inspection took place in November 2013.

When asked by Cherwell, the FSA commented that a rating of one out of five would be awarded for a wide range of problems, from “evidence of widespread pest infestation” to “inadequate temperature control for high-risk foods. ”

However, The Missing Bean stressed that its problems were of a different nature. According to the owner, “the rating of one star is because of the state of the building and doesn’t concern the food side.” 

The coffee shop also noted that improvements, such as fixing the walls in the basement, have been made since the inspection, and claims that the FSA, “has said that once [they]have made the changes it can guarantee a four or five star rating.”

The FSA is a non-ministerial government body which was established in 2001 to protect public health. It rates every company selling food in England, Wales and Northern Ireland.

Student reaction to the FSA’s report on The Missing Bean has been mixed. One frequenter of The Bean expressed disapproval, commenting, “Frankly I’m disturbed – I visit The Bean regularly and I’ve always thought that it was clean and hygienic, but I don’t think I’ll be going as often until it improves.”

Yet despite some concerns, many students were less worried. Unfazed by the FSA’s verdict, one Pembroke third year observed that, “the best coffee comes from digested animal waste… so long as their coffee continues to be delicious, I wouldn’t care if they were cycling it through their own digestive tracts.”

Thomas Cranshaw, a Lincoln medic, expressed his surprise at the rating. He said, “I’ve always found the Bean to be clean and hygienic. I’ve never had any problems with any of my food from there, nor heard of anyone else getting ill… It’d be good if they improved it but this won’t be altering my Beaning habits.”

Oxford has a large number of institutions that score poorly with the FSA. According to its website,132 businesses in Oxford City have a rating of two or less, meaning that over one in ten food vendors have been told to improve hygiene standards.

In the last year, other organisations given a rating of one out of five included Oxford Rendezvous, the Organic Deli, and Freud’s in Jericho.

Arzoo was given a rating of zero, meaning “urgent improvement necessary” in a report from October 2012.

Student banned from college after flamethrower incident

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**See a video interview with Inigo**

Christ Church second-year Inigo Lapwood has been banned from entering Christ Church until the beginning of the next academic year – except when attending tutorials. The ban was issued after he used a home-made flamethrower at a college party at the end of Michaelmas.

The second year also made headlines this year for choosing to live in a houseboat. Due to his unconventional living circumstances, the ban will present a challenge to Lapwood, as it will remove access to the sanitation available in college that he had been reliant on. Despite this, he remained upbeat about the potential consequences of his punishment.

He told Cherwell, “I feel this ban may actually help my degree. It is an important and popularfact that all the best philosophers have bitching beards. I currently have neither a shower norworking sink in my accommodation, and was relying on college for basic hygiene. I now lack the ability to either shower or shave, and can onlyassume this will lead to a marked improvement in my collections results.”

Lapwood seemed remarkably grateful to have got off so lightly for his pyrotechnic mischief. Early reactions from the police suggested that he could face criminal charges, but Lapwood said the authorities need not worry. He commented, “I don’t think I pose a continued safety risk to other members of college, but the ban is more punitive than protective. I don’t really mind this: I’ve since been informed that if it is classified as a flamethrower then it’s illegal under the Geneva Convention. Given that I’m not currently standing trial for war crimes (simply for the sake of a pun), pretty much any punishment seems contextually lenient.”

Lapwood had built the weapon using parts from a nail gun, a diesel engine glow plug and a canister of butane gas in what a Univ third year called “Blue Peter-grade arms manufacturing.” The flamethrower was complemented by a similarly handcrafted cardboard cut-out of a space invader, which completed his ‘Arcade Fire’ costume.

Otamere Guobadia, a second-year and self-described “inappropriate fancy dress enthusiast” said, “I think we should be celebrating Lapwood’s dedication to extreme, guerrilla physical comedy. As far as costumes go, he’s set the bar for college parties and bops all across Oxford, and has revived a fancy-dress scene that is otherwise plagued by Primark onesies and half-hearted face paint. He is so committed to levity that he was willing to endanger people’s lives, not least his own. I think such determination is laudable in any field, and I will be attempting to trend the hashtag #prayforInigo. you should do the same.”

Review: The Curious Incident of the Dog in the Night-Time

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The Curious Incident of the Apollo roof tumbling down in December brought media attention to Marianne Elliot’s production of Mark Haddon’s best-seller, but for all the wrong reasons. Fortunate enough to experience this slick West-end production a week before the disaster, I was struck by the incredible attention to detail which saw the seats with prime numbers (the protagonist’s mathematical love) accentuated with white seat-covers. Shame, then, that the £1-a-head ‘restoration’ levy for the theatre was not put to better use.

It is undoubtedly challenging to stage a novel which provides a touching insight into an autistic boy’s confusion as he investigates a murdered dog, but this production allows the audience to appreciate Christopher’s misunderstanding with sympathy. Tackled by Luke Treadaway, who never leaves the stage in an impressive display of stamina, the performance is convincing and the humour frequent.

From deafening white noise when characters accidentally touch Christopher, to coloured stage blocks which function variously as ovens, seats and suitcases, the technologies and staging are bold and relentlessly different. Regular black-outs and bright lights recreate the assault on the senses that the protagonist faces, though some of these innovations feel dramatic for their own sake.

However, none of the pyrotechnics or potential gimmicks detracted from the phenomenal quality of acting. Christopher’s parents were commendable, providing moving portrayals of the frustrations and complications of raising any child, but in particular one with autism. The supporting cast were also impressive. Treadaway is a strong lead throughout, although eases into character more in the second half: by his triumphant explanation of a Maths question as an unconventional encore, Treadaway is positively vibrant. Deserving of its seven Olivier Awards, I hope to see the Apollo theatre reopening this month to continue this hilarious yet poignant production.

Tom Mendelsohn on drinking societies and the media

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It isn’t about the drinking, you know; lord knows we’re all entitled to drink what we like. It isn’t about societies, either, and it isn’t even that drinking societies are bad, in themselves. I was in one myself, and it was daft and fun and harmless.

The problem, really, comes when they’re not harmless, when some bright spark floats the notion of spiking women’s drinks on a crew date, or when Conservative society decides dressing its women up as animals for a “fox hunt” social.

I just can’t help but feel that anger with the press for shining a light on, say, rugby players dressed as savages for an off-colour bop, or white folks in blackface in general, or people dressed as the exploding Twin Towers, for fuck’s sake, is particularly well placed. Blacking up, it should not need to be said, is not banterous, it’s a hurtful, overtly racist means of belittling a whole group of people for the colour of their skin. Describing women as “FREE PUSSY” and seeing them as nothing more than quarry to be hunted is equally unacceptable, and when this stuff happens, you can be damn sure it counts as news.

To be clear, I do not report on every last speck of ill behaviour I hear about; “shitfaced lax team projectile vomits across curryhouse toilet” is not news. You are vastly welcome, as far as I’m concerned, to get as battered as you like and indulge in as much naked windmilling as you physically can without the thing falling off, and you’ll never see me publish so much as a frowny-faced emoticon on the matter. But if you’ve gotten arseholed and disrupted A&E en masse in Cambridge, people are going to want to hear about it.

I admit that Oxford does get more than its fair share of press. I’ll tell you why: you are the elite, socially and academically, and people care about you and your misdemeanours. Why do you think the boat race has a viewership in the tens of millions? I guarantee it is not because Britain at large harbours a secret love of rowing. So if you misbehave on an egregious level – which of course practically none of you ever do – it will be read about.

There’s this feeling that Oxbridge somehow gets a negative rap in a media totally stuffed with alumni. If anything, I would contend that it gets a positive ride verging on the hagiographic, and that truly negative articles are noteworthy entirely by their rarity.

But it isn’t just you guys up to no good. There are drinking societies acting the twat up and down the land, from Stirling to Aberystwyth. Hell, when the Cambridge Wyverns were told they could no longer invite (intelligent, autonomous) women to jelly-wrestle in their pants, they invited them instead to ride a big pink bucking penis.

On a personal level I always found the whiff of class that pervaded most Oxford drinking societies to be more obnoxious, with their black ties and their black-balling. But my distaste for the likes of Grid and Piers Gav is better understood through a prism of economics, and the way Oxford’s posh boy boozing jamborees illustrate Oxford’s posh boy problem in general. That, though, isn’t news.

Drinking societies: a class distinction

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Unless you’ve spent most of your undergraduate life so far in a state of eremitism, someone will have presented you with an account of an all-male Oxford drinking society sexually objectifying, or even preying upon, a group of women. Drawing up fit lists; assuming guests to their events will end up ‘in bed with’ them; inviting female students to be ‘hunted’. That behaviour so belittling, entitled, and sometimes sinisterly predatory has not been suffered gladly and has in the last few years brought under fire such societies as the Black Cygnets of St Hugh’s, the Syndicate at Teddy Hall, and Hertford’s Penguin Club bodes well for Oxford’s development towards a less intimidating social landscape. What bodes less well, however, is that the criticism levelled at these institutions and others of their ilk is largely limited in scope to their treatment of women, occasionally extending to their proclivity to smash up restaurants, leave trails of glass in their wake, and decorate second quads with vomit. Of course, with their readily identifiable victims and their palpable consequences, these are the transgressions of Oxford’s drinking societies which make the easiest, and in some ways the most urgent, matters of discussion. However, if we are committed to confronting the quietly pervasive feelings of inadequacy and isolation that haunt so many of the university’s less privileged students as well as dealing with the ubiquitous spectre of misogyny, the discussion can’t end there. We have to address a number of other problems with Oxford’s drinking society culture.

Foremost amongst these is the way that drinking societies promote, by the very fact of their existence, the idea that some people’s company is so undesirable that barriers must be erected in order to ward it off and an association with them so objectionable that it must be denied. I know that sounds like a very ungenerous interpretation of drinking society culture and I don’t believe that many (if any) of its participants consciously set out to deliver to other students the message that they are ‘undesirables’ but considering the facts for a moment, I think it is clear that it is something they absolutely do. Now, there are some contexts in which our social interaction with others must be in some way circumscribed and formalised. A football competition is one such context. A boozy meal or night in Bridge is not. The nature of your activity is not emptied of its meaning if one or two more people decide to join you, as would be the case if two more players took to one side of the football pitch. The activity you are engaged in does not depend on all participants remaining recognisable as members of a named social constellation, as is the case in a football tournament. Alcohol-fuelled inter-year or inter-collegiate bonding is not enabled only by the formalisation of a social grouping and the close controlling of its boundaries. Thus where such formalisation has occurred, it is difficult to understand what the motivation behind it could be if not a deep disinclination to mix with, or even to be categorised alongside, anyone outside the select coterie in question. Even in the many cases where those who are excluded have no real desire to mix with the members of the self-proclaimed society, these clear, public signs that they would not be welcome to do so can still prove hurtful.

But it is not only over this essential fault that most of our drinking societies should be challenged: a high proportion of Oxford’ effective private members’ clubs must be called out for their gleeful flaunting of privilege. What makes that longstanding rumour about Bullingdon boys burning fifties in front of the homeless so believable is the fact that they, alongside members of most of the city’s other drinking clubs, can be seen burning their money on so many other occasions. Sometimes through excessive consumption (apparently the raison d’être of the Piers Gaveston society), sometimes through wanton destruction. Always in very bad taste. Because while it is easy to see, when you think about it rationally, that it is the individuals who put on these displays of luxury who are further out of step with most of Oxford, that does not stop those of us from working class backgrounds feeling, when another tale of their excesses hits the rumour mill, that old fear that Oxford is a place for the rich: a playground of privilege in which we are quite alone. And the fear is coupled with an increasingly strong sense of dissatisfaction with your own lot. Both this dissatisfaction and the sense of not belonging are reinforced, of course, by the way that a number of drinking societies not only flaunt them but treat those inherited comforts of wealth and social prominence as the ultimate indices of a person’s worth, indulging in a practice (unprovable but very real) of shortlisting candidates for each new intake based primarily, if not exclusively, on the schools they went to and the people they holiday with. Such a modus operandi, when it is observed in action enough times, goes a step further than making working-class students aware of their relative position on a socio-economic spectrum: it leaves them embarrassed by it. If you are shown repeatedly that only being rich and well-connected makes you socially desirable, eventually you start to believe it. Because their ways reinforce, and sometimes even inculcate, this sense of embarrassment, alongside feelings of dissatisfaction, isolation and rejection, Oxford’s drinking societies – even when they seem to be on their best behaviour – represent a dark blot on the university’s social landscape.

Question and answer with Regent’s Rabbits

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I’d like to know a bit more about Regent’s Rabbits – what sort of things do you do?

Beth: As a normal drinking society we go on crew dates (with all sorts of societies, blues teams, other college drinking societies and college sports teams). We go to Arzoo for crew dates. We used to go to At Thai but aren’t allowed back there…

Henna: We mainly do crewdate dinners at Arzoo, but we also have events where we spend a small budget we have from the JCR on drinks for the girls in a more informal setting (for those who don’t necessarily enjoy the traditional crewdate).

So you mainly do crewdate style dinners. Do you have any particular traditions for these events?

Henna: Yep, we do have our own set of drinking rules and traditions e.g. fines for those who wish to leave the table. They tend to be on the slightly outrageous side perhaps but are all good fun.

I understand that it is a very inclusive society, inviting to its events any who wish to go. Do you think this is an attitude more societies should take, especially those which term themselves ‘drinking societies’?

Beth: Our society is open to all girls at Regent’s and most girls come on at least one crew date to see if it’s their sort of thing. Some girls come on every crew date, some on just one. But I think it’s probably impractical for most colleges to be completely inclusive in their drinking societies because their colleges are big and they would have an impractical amount of people trying to crew date. Regent’s only have 30 people in a year so we can afford to invite all girls on crew dates.

Henna: I think the Rabbits are very specific to the culture of Regent’s generally, particularly its size. I’m not sure the model we have would work at larger colleges where perhaps the girls don’t know each other as well. We know each other really well and are generally open and comfortable each other. This makes boundaries very clear.

How do you think your society is perceived within college? Is it an important part of college life?

Beth: I think Rabbits is an important part of college life; the fun we have on crew dates inspired the boys of Regent’s to form their own drinking society, Re-Gents. As a college we love drinking and going out and the drinking societies create an organised outlet for this.

Does it enhance the reputation of the college, or make it a nicer place to be?

Beth: Within college I think our society is perceived very positively. We are a pretty well known drinking society throughout Oxford; I’ve met people who haven’t heard of Regent’s but have heard of Regent’s Rabbits. Most people in college love Regent’s and are proud to be a part of it; by making Regent’s well-known throughout the University we are doing a positive thing that the college support.

Is there anything you’d like to tell me which I haven’t asked?

Henna: In my opinion it’s a really good chance for us to assert our identity and have some fun as a group. There is the perception of crewdates as being all about pulling and girls being objectified but this is really not the case with our crewdates. We dress up because we enjoy it.

"Disproportionate coverage"?

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The relationship between the press and drinking societies has proved controversial over the years. Many students think that drinking societies receive a disproportionate and unfair press, while many think that their actions are reprehensible and should be reported upon accordingly. C+’s asked, “How do you think drinking societies and their activities are portrayed by the press?”

In response to this, there was a greater number of students who thought that the press report unfairly or very unfairly on drinking societies than fairly or very fairly. There appeared to be a general consensus amongst those who replied with ‘unfairly’ or ‘very unfairly’ that the press only ever report upon the negative aspects of drinking societies, such as when an instance of misogyny occurs, because that is the only time they are newsworthy.

One student wrote, “Those that are reported on probably deserve the bad press they receive, but as with anything, there are numerous societies that don’t behave appallingly, but of course this isn’t newsworthy, so isn’t reported. People tend to be mainly aware of raucous, infamous men-only societies, and take this to represent drinking societies as a whole.” Another student seemed to agree with this, saying, “I think the press tends to report mainly on the negative aspects of drinking societies, simply because they make much more interesting stories than the many incidents that happen which have no bad consequences.”

Most students agreed that the press tend to exacerbate the situation by reporting so frequently on Oxford drinking societies, with national papers picking up on stories and turning them into far bigger stories than they might otherwise have been. When the Black Cygnets ‘fox hunt’ story was reported upon by Cherwell and the OxStu last term, more than half a dozen national and international papers picked up on the story, including the Daily Mail, the Telegraph and the Huffington Post.

The Daily Mail in particular was cited by students as guilty of sensationalism. As one student commented, “The Daily Mail is a pile of piss.”

Yet for one person, student journalism was the most damaging, uncovering stories which might be better left uncovered. He said, “Drinking societies are awful, elitist and shouldn’t still exist, but opportunist and sensationalist stories from student ‘journalists’ looking for something vaguely like news to entice the national press often create a far bigger problem for Outreach/The University’s reputation than the actual societies themselves.

“When stories like these get picked up by say, the Daily Mail, they are hugely damaging for access work and as much as drinking societies often deserve condemnation, I can’t help thinking it would sometimes be better if they were just ignored.”

However, some think that such extensive coverage is important, highlighting some of the problems which are caused by the activities and attitudes of some drinking societies. One student wrote, “I was so so so glad to see that the student press was highlighting problems within some drinking societies. I was absolutely horrified to read some of the stories about young, naive fresher girls being subject to drinking societies that subscribe to what I think is a sick, damaging and distorted image of women. Well done Cherwell and OxStu and keep at it!”

Another student agreed that drinking societies should be reported upon, saying, “The members of the drinking societies should be named and shamed in public. Why is it that wealth and status provides a cloak over reprehensible behaviour?”

Many people said that by covering controversial stories, the press makes members of drinking societies aware that they cannot act entirely free from scrutiny. One student told Cherwell, “It’s good that this investigation is being carried out – I am aware that student papers are often unwilling to report on these societies and hold people to account, due to fears over defamation.”

Students are divided over how fairly Oxford drinking societies are treated in the press. 6.52% of students said that they were treated very fairly, 47% fairly, 43% unfairly, and 3% very unfairly. One student put the consensus simply: “Reporting can be salacious and gleeful, but is often sadly accurate.”

Drinking societies – a relic of Oxford?

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For many members of the public, the flaws of Oxford University are epitomised by drinking societies. In the press, discussion of students is dominated by talk of the Bullingdon; more recently, the Black Cygnets at St Hugh’s were condemned in national newspapers for leading a “fox hunt” of freshers. But how true are the rumours of elitism, misogyny, and ‘lad culture’ which surround drinking societies? This week, C+ investigates the truth about drinking clubs across the University.

Drinking societies have long played a role in the lives of students at the University of Oxford, with the Bullingdon Club – probably the university’s most famous and most notorious, drinking society, founded in 1780. Drinking societies have proliferated since, with the majority of Oxford colleges today playing host to at least one group which terms itself a ‘drinking society’.

Respondents to a survey by C+ revealed 28 drinking societies across fifteen colleges. Much of the information used in this investigation was gathered from a survey with questions on drinking societies, and which attracted over 250 responses.

Many students noted that the breadth of the term “drinking society”, ranging from Exeter’s Topiary Team to university wide clubs like the Stoics. One comment on the survey read, “‘Drinking society’ is a broad term which encompasses the Bullingdon, Teddy Hall rowers, Regent’s Rabbits and weird OUCA ones. It’s not a one size fits all.”

Nevertheless, the term ‘drinking society’ is viewed in a negative light by many people. Several students said that college drinking societies and those affiliated with sports teams or political organisations seem to be viewed in the same way as university wide drinking societies, which are the most famous and the most notorious, despite major differences.

References to the Bullingdon Club often featured in the comments of students as collected by the Cherwell survey. Responses to the question, ‘Do you believe Oxford University’s reputation is affected by reports of drinking societies and the activities thereof?’ included one answer of “negatively”, which was elaborated simply with “The Bullingdon”, while another comment read, “Drinking societies fit right into the image of a Bullingdon Club member and this is not at all the image of Oxford we want to be painting.”

But whilst the Bullingdon might attract the most attention, it is not the only organisation which gives drinking societies a reputation of wealth and privilege. The Piers Gaveston society, notable for former members including Tom Parker Bowles, Ian Hislop and Hugh Grant, holds annual parties at secret locations, to which the members (limited to twelve students) invite hundreds of friends. These parties are supposedly held in large country houses and are rumoured to involve the consumption of champagne, caviar and illegal substances such as recreational drugs. The Piers Gaveston is, however, ostensibly a dining club, not a drinking society. It is called a drinking society by many and as such put into the same category as, for example, Regent’s Rabbits.

It is not surprising, then, that drinking societies, when referred to with that umbrella term, conjure up the image of wealth, privilege and decadence for which Oxford is famous. Many of those who responded to the survey made this point. One read, “Drinking societies are often nothing to do with people who like to drink/get drunk; they’re often just rich groups of friends”, while another said, “Drinking societies are a relic of an Oxford which is no longer. They are a chance for public school boys to maintain their sense of superiority, and for the more capricious of state educated students to have a go at playing with the ‘lads’. Drinking societies are misogynistic, exclusive and quite frankly repulsive.”

Many drinking society members tried to distance themselves from perceived elitist organisations. One member of the Somerville Ladies Ultimate Tequila Society, or SLUTS, said, “We have never been particularly outrageous. It really is all about getting together, seeing your friends, meeting some new people on a crew date and having a bit of fun. I think this is necessary given how stressful and intense Oxford can be at times.”

While the number of women’s drinking societies is growing, many students alleged that there are several misogynistic drinking societies. The Black Cygnets, a society based at St Hugh’s, courted controversy when they invited a group of female freshers to take part in a “fox hunt”, with the women dressed as foxes attempting to “evade mauling”. Last year, Teddy Hall’s society ‘The Syndicate’ was criticised for inviting female freshers to their ‘In Bed With The Syndicate’ event, asking them to dress up as schoolgirls.

Hannah Dickinson, the college’s current JCR welfare rep, attended an ‘In Bed’ event as a fresher in 2012. She commented, “I attended ‘In Bed’ as a fresher (Summer 2012) and I do believe that for the girls who are invited to the event there is a certain degree of pressure to attend, however I feel that much of that is peer pressure borne from within the girls and not necessarily from the members of the Syndicate.

“I personally feel uncomfortable with the event being named ‘In Bed With the Syndicate’ as I feel it promulgates an image which is inherently negative for the girls who attend the event. However, as I have previously stated the girls are not told what to wear, and as I said before, if the fresher girls chose to wear school uniform then they ultimately chose to subscribe to whatever ‘objectification’ comes as a corollary of dressing as a ‘school girl’. At essence I believe it is wrong for the boys to expect the girls to wear a ‘uniform’ of any kind, but obviously it is possible for the girls to subvert that request and choose to wear a uniform which is not typically seen as attractive.”

One person who responded to the survey commented, “I am so completely against the culture of some drinking societies at Oxford. I think the ‘lad culture’ which pervades many male drinking societies and rugby clubs (including my own college’s rugby club) must be stamped out. Oxford students are meant to be young and intelligent, it’s both sad and shocking that young men in our university think it’s OK to regard their female peers in a derogatory manner.”

Some students remain suspicious of drinking societies due to their secrecy. A Freedom of Information Request sent to all colleges and PPHs, suggests many colleges are unaware of drinking societies. Of sixteen responses from colleges and PPHs, all stated that from information available no disciplinary action had been taken against drinking societies or their activities.

Members of drinking societies are reluctant to talk about them. E-mails were sent to over sixty alleged members of drinking societies based in colleges across Oxford, yet only four responses were received. Three stated that they weren’t members of drinking societies, and only one gave information on a drinking society.

In the view of some students, drinking societies undermine the reputation of Oxford University. One student wrote, “The main male and female drinking societies are very narrow, since new members are ultimately decided by the president alone. Both societies consist of a large proportion of the people that everybody secretly dislikes, in college, resulting in a negative feeling towards the societies on a personal level.”

68% of students said that drinking societies had an effect Oxford’s reputation. Conversely, when asked whether drinking societies affect college reputations, only 35% said yes. One comment explained, “A highly misogynistic drinking society at my college is not known about outside of it.”

One student, who thought the university was affected negatively by drinking societies, said, “The image of Oxford as an elitist, isolated place in its own little bubble that is detached from reality is only enhanced by the survival of drinking societies which choose along lines (i.e. gender) which are no longer socially acceptable in the wider world.”

Despite all this, many Oxford students are ambivalent towards drinking societies. Of those who said they were not members of drinking societies, the most common reason was simply, “I don’t want to join one”.