Sunday 8th June 2025
Blog Page 1447

How to reclaim OUSU

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It’s that time of year again, when in a few short weeks posters will spring up in our colleges overnight calling upon us to vote for the next executive of Oxford University Student Union. Turnout, unless anything spectacular happens, will remain around where it has always been with around fifteen to twenty per cent of the student body voting. Chances are, if your opinion of OUSU seems to be what a substantial plurality’s is, you’ve got bored and stopped reading. For some reason you might find their emails annoying, but you’ve never really thought about it. This is in spite of the fact that voters can vote from their own rooms on the internet in a process that takes all of about four or five minutes. So from where comes that culture of indignant apathy? One might say it’s because we’re fine with our Common Rooms, thanks very much. I’d argue that it’s deeper. OUSU is seen as irrelevant by many because it a) doesn’t do enough, b) hasn’t been that good at publicising what it has done very well, c) still comes across as inaccessible and d) remains dangerously underfunded.

My object is not to lambast the current executive. I have a good deal of respect for the thankless job they do and in fact engagement is at its highest in a while. Its freshers’ fair presence was the best it has been in some time. First week OUSU Council was stuffed with people, and I imagine mostly because of the £16k fees motion. But Andrew Hamilton’s comments alone wouldn’t have brought people into Pembroke to sit through the comic opera of OUSU Council- it was because the executive actually engaged. They encouraged debates in common rooms, the president has now written in the OxStu, and they campaigned successfully, enervating both those who proposed and opposed what the executive were doing. That is what student democracy should be about- a culture of discussion and of standing up for students. It’s not something I’ve seen enough of in my time here (again, no offence to OUSU’s autonomous liberation campaigns- WomCam et al are fantastic organisations.)

The language OUSU uses portrays this discussion deficit. Candidates at elections always talk in terms of ‘what OUSU is going to do for you’, ‘how OUSU is going to engage with students’, ‘how OUSU people should visit JCRs more.’ It is the worst approach possible. OUSU is a student union, and unless you’ve intentionally opted out, you are one of it’s 20,000 odd members. The language above reinforces the idea that ‘OUSU’ is a clique, a group of people composed of the executive and the barflies of Council and elections (granted, I am one) rather than an organisation which we are all part of. It is the collective voice of the student body. It is one that we fought hard to win. Students occupied the Exam Schools for several days in their hundreds, and were violently ejected from Catte Street by the dreaded Bulldogs (a university police who were only abolioshed in 2001) so that we could have a central student union. Intercollegiate student organisation is something Oxford had been trying to block since the fourteenth century! And in a climate where our Vice-Chancellor can talk about £16,000 fees with impunity, in the context of soaring living costs, funding reductions, staff pay cuts and persistently poor access statistics, an organised student movement is more important than ever. OUSU is there to represent students, and that means having the debate all year round and perhaps reinventing the way we do things. It certainly does not mean, as happened in first week council, electing people to obscure and oddly powerful committees that no-one’s heard of at the beginning of the meeting, talking in jargon and then pushing through two intensely bureaucratic motions prior to the £16k fees discussion. Sure, approving election regulations and modernising Complaints Committee procedure needed to happen, but did they have to be the first two items for what would be the first experience of student democracy for many?

The ‘stand in our elections’ adverts that OUSU issue in the first few weeks of term are chimerical. There will already have been candidates carefully working away since Trinity of last year, or even Hilary. The reality is that it is highly unlikely that someone who is genuinely persuaded to run for something by OUSU’s election advertising alone will win. Not because they wouldn’t be good at the job, but because a web of informal networks have already sprung up which they cannot be expected to be aware of. Then there is a two-week campaign period. It is a period in which well-rehearsed electoral machines spring into action, taking the vast majority of students by surprise. One such machine is PresCom, the group of JCR presidents that meet weekly to share experience and collaborate on issues. A noble end, undoubtedly- but isn’t it somewhat worrying that this committee bequeaths virtually all the suspected sabbatical election candidates this year, and an overwhelming majority in previous years? There are all too often also machines of people who have learnt their trade either mercilessly hacking away so they can pose for photos in dinner jackets with famous people at the Union, or alternatively knocking on doors in random cities they’ll never visit again for the Labour Party.) How can anyone be genuinely enthused and excited by any policy platform in the space of two-short weeks? How are we to convince people that elections matter when all they seem from the outside is a two-week fanfare of self-promotion that then fades into oblivion as soon as polls close?

The confines of an article do not permit the wider discussion I would want to have on the importance of pan-Oxford student representation, the issues we face today and the institutional history of OUSU. These may all be things which emerge during the electoral period. Talking of which, as a journalist I’ve always felt that whilst there’s nothing wrong with bias, it is important that biases are displayed clearly rather than cloaked in supposed objectivity. And also, that what we omit is as important as what we admit. Therefore I will confess that I am compromised; I am standing for OUSU President this year and at some point you may come across me and my colleagues trying to win you to our manifesto and inviting you to vote for our candidates or join our team. However, that is not what I am doing now. This article is a plea to everyone- students, opposing candidates, people who agree with me: let’s find ways to get student democracy working again.

Saïd building named after Margaret Thatcher

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A new Saïd Business School extension, opened by the Prince of Wales in February 2013, is now to be named after former Prime Minister Margaret Thatcher.

Wafic Saïd, who asked for the new building to be named after Britain’s only female prime minister, paid £15 million towards the extension. It has now been dubbed the Thatcher Business Education Centre.

There are plans for an event to be held in the future to mark the occasion and officially name the building, but the decision has proved controversial.

A statement from the Saïd Business School said, “The naming reflects the wish of the principal benefactor of the School, Mr Wafic Saïd, who was a long-time admirer of Margaret Thatcher. This wish was put before the appropriate university committees and has now been approved.”

In February 2012, when Saïd expressed his hope that the building would be named after the late Mrs Thatcher, some Oxford academics suggested she was an inappropriate figure to honour, a sentiment  echoed by a number of current students.

Third year History and Politics student Joe Collin said, “it is unbelievably ironic given Thatcher’s own lamentable disdain for the funding of university education. It is to Thatcher that we owe the vicious ideology of free-market liberalism that has reduced students to consumers and halted social mobility, preventing so many students from actually going to university in the first place.

“Think how many communities around the country would be alienated by Oxford university if they name a section of the university after a woman who tore the soul out of so many northern areas in the 1980s.”

Dan Turner, Co-Chair Elect of the Oxford University Labour Club, said, “Margaret Thatcher’s legacy is still incredibly divisive amongst students and academics.  That a politician who destroyed the lives and communities of so many ordinary people in Britain can be considered an inspiration to business students will be, to many of them, insulting.”

However, Dr. Paola Mattei, Fellow of St Anthony’s College, told Cherwell, “It is unfortunate that such decision to name a new facility after a distinguished Oxford alumna should have been highly politicised.”

Jonathan Martindale, Secretary of the Hayek Society, commented, “One would hope that Oxford academics do not view the average well-informed observer as so unintelligent as to presume that acknowledging an individual widely considered to be the greatest British post-war prime-minister is to give the impression of universal academic support for her policies.”

Similarly, Alexander Rankine, Secretary of the Oxford PPE Society, said, “Thatcher is one of Oxford’s greatest modern alumni and to not commemorate her is to ignore the major role she has played in the development of our country and Oxford’s role in turn in shaping her.”

There has been some agreement on recognising the considerable achievements of Margaret Thatcher, regardless of political partisanship. Dr Mattei also emphasised, “Baroness Thatcher dedicated her lifetime to public service, and I am sure even her most ferocious enemies would be able to accept this.Why not respect those Oxford alumni who have left the University with a firm commitment to make a social impact with their actions in the world?”

Despite this, there remains  concern that naming a new Saïd building after Mrs Thatcher casts a uniform judgment on the Baroness’s policies and legacy.

Mark Smyth, Treasurer of the Liberal Democrats, said, “I don’t see how naming a building after her is condoning the policies of her government or this one.

“I see the measure as remembering Thatcher as a person of great influence who studied here. Whether that influence was positive or not is beside the point.”

The decision to name the building the Thatcher Business Education Centre comes following the famous decision of congress in 1985 not to award Thatcher an honorary Oxford degree due to her cuts to education. She became the first Oxford educated Prime Minister since the Second World War to be refused the honour.

BEAUTY CORNER – Cold War

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Now that the weather is turning much colder, the chilly winds tend to really dry out your skin. In order to ensure that you look and feel your best throughout the winter months it is important to place moisturising at the top of your beauty regime. Follow these top tips to help take care of your skin and keep it baby smooth throughout the cold winter ahead of us.

Body
In order to keep your body hydrated, make sure you moisturise after you shower, as this will help to keep your skin hydrated for longer. A good tip is to mix baby oil with your normal moisturising lotion for instant dry-skin relief. If you are prone to dry hands but don’t want to have slippery hands throughout the day, pop a hand cream on your nightstand and use it before you go to bed – regular use will keep your hands soft all-day, every day.

Face
If you suffer from very dry winter skin, use a hydrating serum along side your daily moisturiser. If you have normal to combination skin, use a thicker moisturiser, or a hydrating night cream before you sleep and use your regular face cream in the morning. Even with more oily skin, it is important to keep your skin hydrated in cold weather: use a mattefying moisturiser each morning and evening to keep your skin feeling and looking fresh. A quick tip for all skin types: take your regular moisturiser and liberally apply a thick layer to your face before you sleep.  Rub it in as much as possible, but leave the excess – this will work into the skin overnight and in the morning your skin will feel perfectly hydrated. 

Lips
Your lips are one of the first parts of your body to suffer from the icy wind. In order to keep them in tiptop condition (and ready for any winter statement lipstick) make sure you use lip balm regularly. The best lip treatments are emollients and humectants, as they moisturise, and keep the moisture locked into your lips.  Shock horror: Vaseline is only a humectant! Instead, try using KIEHLS Lip Balm #1 (£9.50, Johnlewis.com) or Burt’s Bees Replenishing Lip Balm (£3.69, Boots). Keep a lip balm in your handbag for throughout the day and use a thicker lip treatment for overnight. 

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Hot Coffee: Joke Candidates

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Oxford remembers

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Thousands of veterans and civilians gathered in Oxford on Sunday to pay tribute to those who have died in conflict since the First World War as services were held around the country to mark Remembrance Day.

The service at St. Giles War Memorial at 10.45am was at the centre of the commemorations, with large-scale ceremonies also held at St. Helen’s Church in Abingdon and at the Commonwealth War Graves Cemetery in Botley. Right Reverend John Pritchard, the Bishop of Oxford, was joined by representatives from other faiths to lead a short, multi-faith service, before two minutes of silence were observed at 11am in a gesture of respect co-ordinated across the UK.

Veterans from a number of conflicts, from the Second World War up to the present day, laid wreaths. Onlookers applauded as they paraded down St. Giles after the service, joined by dozens of local groups, including the Bugles and Drums Detachment Oxfordshire, Battalion ACF, Oxford University Royal Naval Unit, the Royal Green Jackets association and the Fire Services Benevolent Association.

In London, over 10,000 veterans and civilians assembled at Whitehall’s Cenotaph, the centre of Britain’s commemorations, for the Remembrance Day procession. The Queen laid the first wreath on the Cenotaph, marking the 61st Remembrance Day of her reign, while David Cameron was one of four British Prime Ministers to lay a wreath, accompanied by John Major, Tony Blair and Gordon Brown. In Wales and Scotland, ceremonies were held at Cardiff’s Welsh National War Memorial and at St. Giles Cathedral in Edinburgh.

The Defence Secretary, Philip Hammond and Prince Andrew, the Duke of York, attended a special service in Camp Bastion, Afghanistan, where 446 British troops have died over the course of a 12 year long conflict.

“This year’s Remembrance Day Service in Camp Bastion will be the last large-scale act of remembrance in Helmand as we bring more and more of our troops home before the completion of combat operations at the end of next year”, he said.

Introduction to: Grime Instrumentals

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Whereas dubstep rather unfortunately mutated into “HERE COMES THE DROP!!!” fodder for jager fuelled EDM bros, grime has managed to stay much closer to its roots as l’enfant terrible of British underground music.

That’s not to say grime’s progression over the last 10 years has been easy going.  Comments like “bring back grime” and “grime is dead” are a frequent sight on old YouTube rips of classic tracks, providing an interesting timeline of the numerous ebbs and flows in the genre’s popularity.  The career trajectory of grime MC to mainstream rap/pop artist, as exemplified by Dizzee Rascal, Wiley, Tinie Tempah, Tinchy Stryder  etc, didn’t do a lot to help boost creativity in the genre.  The uninspiring output of many of these MCs has perhaps been one of the reasons for a renewed focus on the production side of things in recent years.

Since its inception grime has always been home to some of the weirdest and most interesting electronic music in British history. While the internet is awash with bland and generic “deep house” tracks, grime has never really suffered from the same problem. This is probably because grime has much more of an “anything goes” attitude to production. So it’s not at all surprising that many of the more experimental producers in UK electronic music have been so inspired by the genre. Whether it’s releases on labels such as Night Slugs, Livity Sound, Hessle Audio and Keysound, or US rapper Danny Brown naming Boy In Da Corner as a major influence, the legacy of grime has never been more visible.

Picking just five tracks for this piece was always going to be an impossible task, but nonetheless here is my limited selection of tracks:

Pulse X – Musical Mob [2002]

http://www.youtube.com/watch?v=4bMQTU2iI1E

The first ever grime track? I’ll leave that matter to the historians and the pedants, but regardless of its chronological significance Pulse X perfectly captures the raucous energy of grime.  Unleashing a barrage of snares and bass within the first few seconds, the track’s strength lies in the simplicity of its 16 bar loop. It’s difficult to imagine just how mad this must have sounded when it came out. If this doesn’t get you seriously hyped then I suggest you check your pulse. Pun very much intended.

Wiley – Eskimo [2002]

http://www.youtube.com/watch?v=LkdEOY0bf4U

To be honest, this list could easily consist of just Wiley tracks. But if you have to pick one then it’s got to be Eskimo. The track constructed the template for Wiley’s futuristic Eskibeat sound, the closest thing grime has ever had to a sub-genre.  Aggressive and alien, it is an extremely distinctive style. Once you’ve heard it, you’re unlikely to forget it.

XTC – Functions On The Low [2004] (sometimes credited to Ruff Sqwad)

 http://www.youtube.com/watch?v=nHLPU66yLFY

 This track is the perfect counterexample to the lazy generalisation that grime is all about pounding bass, gunshot samples and violent rhythms.  With its irresistibly catchy synth melody, Functions On The Low is heart wrenchingly beautiful and one of the most emotionally affecting grime instrumentals of all time. If you’re a sensitive soul like me and you too enjoy a bit of emosh grime then I would also recommend the instrumental for Wifey by Tinie Tempah and Together by Ruff Sqwad.

 

Silo Pass (Sir Spyro Remix) – Bok Bok [2012]

http://www.youtube.com/watch?v=_OPxWd1SCeY

A meeting of the old and the new, a track from a more experimental contemporary grime enthusiast, remixed by a true don of grime.  As well as being a nice illustration of the current renaissance in grime influenced sounds, it doesn’t hurt that the track is also an absolute banger.

TFB – Kowton [2013]

http://www.youtube.com/watch?v=oZ4nNImZKV8

Over the last couple of years Kowton has pioneered his own grime/techno hybrid and TFB is a brilliant example of his punishing style. The track shows one of the many interesting directions that grime has taken UK underground electronic music in, and I think we can all agree that it’s a bloody great direction.

If you’re interested in exploring the scene further there are many other producers worth checking out such as Darq E Freaker, Preditah, Faze Miyake, Splurt Diablo, Logos, Bloom, Visionist, Kahn & Neek, Slackk, Wen, Murlo, Samename, Rabit and Mr. Mitch.

 

OUSU Elections: First glance analysis

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With nominations having been announced on Friday, the race to the OUSU crown in 2013 is well and truly underway. With the first blows having been dealt, and candidates engaging for the first time in Sunday’s JCR hustings, it’s time to look at the way things have fallen early on.

Policy

Policy is not of any particular importance in OUSU elections. The majority of the electorate will never even flick through the candidates’ manifestos, and, even if they did, they’re pretty united in their left-leaning thoughts. Jane4Change’s primary commitment is exploring a new student union building. It’s a bold move, because very few Oxford students have ever shown a desire to get more involved with OUSU. But an SU building would have a bar, cafe and student organisation spaces, so it’d almost certainly be appreciated if/when it arrives. It’ll be a 5 to 10 year process though, so your vote for Jane isn’t going to get you much in the short term.

Team Alex’s policies are even more banal and focus on things like ‘fees’ and ‘accommodation’. In the absence of a marquee policy, Team Alex and Reclaim OUSU have more to do in terms of defining their campaign for the electorate. A new SU building and a petting zoo aren’t the strongest manifesto pledges we’ve ever seen, but at least they’re quotable. Reclaim OUSU’s ‘Achieve Equality’, ‘Strengthen Communities’ and ‘Stand Up for Students’ seem, by those standards, particularly trite.

Personality

The cult of personality is the basis of an OUSU election. Izzy Westbury lost last year partly because of people’s perception of her as a Union hack, and, equally, Tom Rutland won because he seemed like a nice guy and looks like an angelic choirboy. The four presidential candidates this year seem less divisive still: Cahill is popular within PresCom, OULC and various OUSU projects; Bartram has the backing of many of the current PresCom and is the editor of the Oxymoron which is disarmingly popular; Akehurst seems to have a following amongst the radical left, despite little by the way of actual charisma; and Louis Trup will, presumably, get the votes of those people who enjoy joke candidates and can actually be bothered to vote.

If there’s going to be a clash, it’ll involve Cahill. Cahill/Bartram offers a tasty division within the players of JCR politics, with a number of JCR Presidents (Ed Nickell and Ianthe Greenwood) pledging for Bartram’s slate in minor roles. Cahill/Akehurst also has potential for a bust-up, especially, after rumours emerged that members of Reclaim OUSU had been less than flattering about the former Queen’s JCR-President.

Marketing

As with any election, OUSU’s elections are as much a matter of marketing as anything else. The candidates have all launched Facebook pages (Cahill is currently leading from Trup, followed by Akehurst, Bartram and the independents), websites, Twitters and videos.

Batram has opted to use Nation Builder, a webpage designer favoured by political parties due to its ability to access visitors email and phone information. Whether he manages to utilise it properly, only time will tell, but it’s a powerful resource and one that Jane4Change were rumoured to be considering. Bartram has yet to release a video but is likely to do so, especially after the Jane4Change campaign video which was, at best, largely meaningless. Reclaim OUSU’s video, on the other hand, was barely audible over wind noise, which might be a suitable metaphor for their entire campaign.

Engagement otherwise seems to be pretty low. Essay Crisis launched a bitchy GIF on the subject, but outside the typically political circles there’s little to suggest that this campaign will improve on the standard sub-20% turnout of OUSU elections. Time, and a Cherwell live-blog, will tell.

Independents

Of the independent candidates, Ruth Meredith seems to have made the clearest charge. C&C has, for the past couple of years, been a VP position held by independent candidates and it’s looking that way again. The CU will get out in force for Meredith, as they did for Dan Tomlinson, and that’ll probably swing it (especially as her only opponent is Reclaim OUSU’s Angie Normandale who appears to have done nothing for either charities or communities during her time at Oxford).

Anna Bradshaw also seems a firm bet for VP Women. Team Alex have made the unorthodox move of slating a VP Women candidate in Corpus JCR President Trish Stephenson, but her manifesto is a lot of bluster and a few errors (OUSU already has a women in leadership programme). Bradshaw’s campaign is being masterminded by Max McGenity who did some impressive work for Dan Tomlinson last time out.

Swing Factors

It’s hard to say, at this point, what will swing the vote. The most important element of any OUSU campaign is activism. Jane4Change have the activist advantage, as their agents – Helena Dollimore, Henry Zeffman and Will Brown – have all been committed OULC members and understand how to doorknock. Bartram’s team is mostly fronted by Balliol students, led by Angus Hawkins, which doesn’t necessarily bode well for their ability to get footsoldiers. But time will tell on that front, and if JCR Presidents pull for Bartram then that may improve his odds- we certainly don’t envy the NUS delegate on Jane4Change’s slate, an Exeter fresher, who has to go up against Ed Nickell.

The impact of a joke candidate like Louis Trup may have some effect, especially if it takes away a significant number of votes in Brasenose that would otherwise go to Cahill who is lined with JCR President James Blythe. The possibility, one that Cahill will be banking on, is Trup’s voters choosing Cahill as their second preference, which will mean that his votes are transferred to her when he inevitably comes last (or perhaps Akehurst will pip her to that post).

If voters for Trup and Akehurst, in general, either decide not to select a second preference, or second preference Bartram, then that could be dangerous to Cahill. But, at the moment, even with a fancy website tracking system, it’s Cahill’s to lose.

Stay tuned for more news on the OUSU elections, including interviews with candidates and a 72-hour live blog of the voting period.

Protest in Art

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The place of protest and strikes in our culture seems particularly pertinent given last week’s student strikes, and having been myself a witness to some of these I began to wonder about how we use such political action in film, art and music, harnessing the power of the people to enrich our culture. 

Billy Bragg is known to many as a popular writer and singer of protest song, and indeed has performed close enough to my house that I have heard the music wafting over the garden walls during Levellers’ Day, commemorating the 17th of May 1649 when, on Cromwell’s orders, three soldiers previously loyal to him were shot whilst protesting his rule, demanding civil rights and tolerance. This annual event takes place in the small town in Oxfordshire where I live, Burford, and has fascinated me since childhood, as it provides an interesting opportunity to witness a huge procession of different groups parade directly past my kitchen windows, with signs such as ‘Anarchy Rules’ delighting my inner pun-lover. But perhaps the most important aspect of the day to consider is the concert which takes place, since here I have experienced the inextricable bond between music and protest. Bragg’s music envelops many different genres, perhaps best defined as folk, but maybe the clearest link is between punk and protest.

When released, ‘God Save the Queen’ by the Sex Pistols caused a huge storm, with its anti-monarchy theme extremely vehemently expressed. Music is something which is intrinsically accessible, and allows people to feel part of a movement without perhaps performing any protest action. Irish rebel music has become part of that country’s culture, with songs such as The Fields of Athenry expressing a desire for freedom whilst including incredibly beautiful melodies and moving lyrics. More recently, as a protest against the X Factor and Simon Cowell, there was a public drive to make Rage Against the Machine’s hit ‘Killing in the Name’ the Christmas number one single. They succeeded – I have always felt sorry for poor Joe McElderry who lost out with his valiant rendition of Miley Cyrus’ ‘The Climb’ – and I suppose this is evidence that there is still public desire to use culture as a means of expressing dissent. 

Art can be a highly effective form of protest, as artists such as the Chinese political activist Ai Weiwei demonstrate, whose exhibition at the Tate of hand-painted sunflower seeds cemented his role in our cultural psyche and who combines his artistic endeavours with protest. Turner Prize winner Jeremy Deller’s exhibit at the Hayward Gallery in 2012 ‘Joy in People’ documented his artistic progress, and included stills from his famous project ‘The Battle of Orgreave’ which re-enacted the clash between police and protesters during the miners’ strike in 1984. 

In film and television, the visual impact of a protest can come across particularly effectively. In Hairspray, for example, a film which combines light-hearted elements of a teen romcom with serious messages about racial discrimination, the protest song led by Queen Latifah’s character is a moving and thoughtful moment of still amongst the usual cheer, and the visual impact of a crowd moving with one purpose is only compounded by the unity of their singing. 

A sense of objection and a desire to make a social impact are both excellent inspiration, and prompt creative expression which can pass on a message more effectively than many methods of communication.

Two cars catch fire on the Iffley Road

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YouTube link

Two cars were ruined outside the Iffley Athletics track this afternoon around 2.45pm. Oxfordshire Fire Service said this evening the cause was unknown, but arson has been ruled out.

Traffic and pedestrians were held back by the police as thick smoke from burning tyres filled the air. A fire crew wearing breathing equipment quickly extinguished both vehicles, and the road reopened shortly afterwards.

Mirror Image

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Models Louis Trup & Leah Hendre
Photographer Henry Sherman

Louis wears pink shirt and chinos by Runa.
Leah wears white shirt, red skirt and blue skirt by Runa.

Runa is a transparent, fairtrade fashion brand targeted at young professionals. Founded by students at Somerville College, Runa is a brand that aims to unite Western consumers with Colombian textile workers in a more meaningful relationship. For more information, visit http://humanistic-capital.com