Sunday 13th July 2025
Blog Page 1577

Student’s artwork exhibited in Trinity’s dining hall

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Trinity College’s hall is hosting an art exhibition which showcases
work by one of Oxford University’s first ever Aboriginal Australian students.

The exhibition by DPhil student Christian Thompson is the first to be held in the college’s Hall for 450 years. His paintings will temporarily replace portraits of alumni including Cardinal John Newman and two British Prime Ministers.

Thompson told Cherwell, “The exhibition in the Trinity Dining Hall is a survey show of my work spanning the last 13 years. It’s an amazing honour and massive vote of confidence that Trinity believe in my work in this way; a touching gesture and an opportunity to share my work with my college and the broader Oxford community.”

He continued, “I am one of the first Aboriginal Australian students to ever be accepted into the University in its 900-year history, and the first artist to hang his works in place of the formal portraits in 450 years of Trinity’s history. It is a generous way to celebrate these landmark historical moments.”

Thompson, 34, arrived at Trinity in 2010 as the inaugural Charlie Perkins scholar, and graduates this year with a doctorate in Fine Art. He has had
seven solo exhibitions since 2002, and won the 2007 Australian Postgraduate Award.

He stated, “My art is the space between my conscious and unconscious world. I delve into both realms and what I retrieve manifests itself in my work.”

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The exhibition was organised by Trinity’s Estates Bursar Kevin Knott, after Thompson’s successful exhibition at the Pitt Rivers Museum last year. College fellows voted unanimously to allow the hall to be used. 

Knott said, “As well as studying for his DPhil in Fine Art, Christian is a very successful contemporary artist. The College decided that it would like to show its support for him and, at the same time, to ring in the changes by showing his works here in Hall. Unsurprisingly, the student and public response has been mixed, but personally I think that they fit in very well and am pleased that Trinity’s governing body agreed to this break with tradition.”

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The decision to take down alumni portraits has been criticised by some
Trinitarians. JCR President Andrew Butler said, “Naturally the move to put Christian’s work in Hall has been controversial, yet in many ways this is its greatest attraction because it allows us to view a very traditional space in a new light. From the perspective of the undergraduates, opinion has been mixed but I feel that having something different to chat about and appreciate at dinner has been widely appreciated.”

MCR President Anna Regoutz agreed. “To replace the traditional portraits has shown what a great exhibition space our Hall can be. In my opinion, and I think most postgraduates would agree with me, we would love to see exhibitions like this happen more often.”

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Most undergraduates also responded positively to the exhibition. Crawford Jamieson, a first-year theologian at Trinity, commented, “It’s not my normal cup of tea, but there’s an interesting juxtaposition between Thompson’s artwork and Trinity’s architecture.”

Joel Scott-Hughes, a student at Ruskin School of Art, argued, “It’s important to keep things different, and expose people to as many styles as possible. Traditional portraiture is only considered superior because we live in a western society – it’s good to challenge people’s conceptions of what portraits should look like.”

Thompson’s exhibition costs £2 and runs until 8th February.

Review: Dull Roots Spring Rain

★★★☆☆
Three Stars

Ambitious in its literary referencing (T.S. Eliot’s The Waste Land) – though at times disserved by noticeable discrepancies of aptitude within its dancers and issues with synchronization – this production deserves to be seen, if only for its extraordinary solos, imaginative, eclectic soundtrack, and the obvious talent of its choreographers.

Dull Roots, Spring Rain is a modern portrayal of the age-old experiences of maturation and loss of self, incorporated into the ancient Greek myth of Persephone. It is split into three distinct, but by no means insular, movements: “Spring”, “Roots”, and “Rain”. The first thing one notices about Emily Romain’s ambitious piece of contemporary dance is its musical track. Infused with a decidedly international mix of tones, its moods range from Afro-Caribbean to Latin and Southern European. Often extremely evocative, it is perhaps one of the most successful elements of an otherwise limited production.

The first piece, whose choreography was created by Martha Masoero, suffered either from the cast’s initial nervousness, or from the glaring disparities in level within it. Although these would somewhat fade away as the cast progressed through the various pieces, the movements of the ensemble were too often jarringly out of step, lending to what seemed to be a highly well-thought out choreographic construction an air of shabby discord. In brief, “Spring” tells of the conflict between two selves, the one older and disillusioned, looking back on the other: its more innocent, life-trusting past. The use of blindfolds, which the “innocents” place over their “mature” counterparts’ eyes, was interesting insofar as it began by hinting at the “Ignorance/innocence is bliss” truism, but ended up transfiguring the audience’s associative expectations by becoming cocoons in which the “hardened” selves were wrapped, in a foreshadowing of the reconciliation to come – which was, in passing, a little crude in its redundancy, all smiles and big hugs.

The second and third pieces, “Roots” and “Rain” respectively, were undoubtedly the high points of the production. In the former, the skill and engagement of Demeter and Persephone’s solos redeem any previous discordance, while changes in costume, lighting and music highlight the contrast between pastoral idyll – at times a tad on the twee side, though the costumes were wonderfully reminiscent of Pina Bausch’s creations – and hellish underworld. A special mention of appreciation to those dancing Hades’ “temptation” of Persephone, as well as to Persephone herself for her harrowing rendition of a young girl’s absolute disintegration of self. Indeed, a good allegory for the entrapment within an identity she does not recognize is the circle of white light in which she desperately dances, as well as the use of strobe effects, to convey the sense of loss, of character pulverization.

Worth mentioning too is the use of video in the background as another means of foreshadowing the change to come from innocence to emptiness, even if it may have been slightly overexploited over the course of “Roots”.

The third and final segment of this saga of self-discovery is a bravura piece of dancing, and an interesting, if a little heavy-handed, work of staging. The insertion of live music, with an offstage, though visible drummer was a remarkable idea, and extremely effective in its creation of the military, geometrically rigorous tone sought by Romain and Masoero. The energetic and imposing rhythms of the drumming, as well as a naturally increased concentration, contributed in giving the ensemble decidedly more backbone. The metaphor of the building blocks may not have been the most original analogy for a self divided, discombobulated, and then reconstructed into one pyramidal whole (a pyramid of blocks had literally been erected by the end of the performance) which echoed the tripartite construction of Dull Roots, Spring Rain overall – but it was a clear and accessible rendition of the themes which appear with increasing poignancy as the dance advances.

 

Hamster made member of Worcester JCR

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Worcester College has recently voted in favour of a motion to make a Russian dwarf pet hamster, named Luka, an honorary member of their JCR.

The motion was passed with thirty-four votes in favour and six against and was proposed by second year student and owner of Luka the hamster, Angus Barry.

Barry explained his reasons for proposing the motion, telling Cherwell, “As soon as I brought Luka back to Worcester I had a steady stream of people coming to visit him and before Facebook took down his profile (which Luka still maintains is the fault of an ‘evil bourgeoisie of  cats’) he had 123 facebook friends, many of whom were Worcester students.

“I thought it was silly for him to be such a large part of college life and not be an official part of it.  So I had a look through our JCR constitution and found a clause which allowed non humans to become honorary members.”

The motion read,  ‘This JCR notes that: Hamsters are incredibly cute’ and that ‘Adopting a hamster would therefore be beneficial to the happiness and general well-being of the members of the JCR.’

It continued, ‘Angus Barry, member of the JCR, is in possession of a young Russian Dwarf hamster (called Luka) that is in need of adoption.  Luka is already well loved by many JCR members’ and noted that, ‘Luka’s personality fits well with the spirit of the College.  He is adventurous, enjoys cuddles and likes grapes’.

Luka’s personal hero is Abrahamster Lincoln and he enjoys moving cotton wool around his house, scratching his nose and going on adventures

As an honorary member, Luka will not be able to run for election but there is nothing to prevent him from attending and voting in JCR meetings, although Barry explained that, “he often has difficulty following proceedings as English is his third language after Hamster and Russian.”

Luka plans on continuing to make the college happy through his cute appearance and hopes to propose a motion demanding hamster-sized portions in Formal Hall.


Queen’s College vote to make the ball for all

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Members of the Queen’s College JCR have unanimously voted in favour of the ‘Ball for All’ motion this week.

The motion seeks to support any Queen’s student struggling financially as a result of the expense of buying a ticket for the college’s ball this Trinity term.

JCR President Jane Cahill told Cherwell, “The proposal came about because I thought it was important to recognise that ball tickets do not represent the same financial commitment for everyone, and the Ball Committee agreed that if anyone were to face financial hardship [after buying a ticket], they’d be happy to help out with that.”

Stephanie Jackson, JCR Social Secretary and Ball Marketing Director, added, “The ‘Ball for All’ motion has been designed in order to aid Queen’s students who, as a result of attending the Ball, might suffer slight financial hardship.

“We realise that £120 might be a greater sacrifice for some students than for others, but we are determined to give everyone the opportunity to participate in what is going to be the most important event at Queen’s for the next three years.”

A £250 donation has already been made to the college’s JCR Hardship Fund by the Ball Committee itself, with funds having been drawn from the profits of the college’s previous Ball.

The ‘Ball for All’ motion itself pledged that the JCR would equal the amount already donated, bringing the current total to £500. There are also high hopes that the college will agree to add more money to this fund.

Cahill continued, “I will be lobbying the college this week; I’m fairly hopeful of success but it very much depends on their approach. Even so, I think a £500 pot is a nice one to start with, and represents an appropriate commitment from the students.”

The motion is concerned mainly with retrospective welfare provision, rather than with any kind of ticket drive for the Ball itself

As one Ball Committee member pointed out, “Since we’ve sold out of tickets already, the grant kind of works as a ‘get money back on your ballot’, which might help some people with managing their living costs for the rest of the year, but (this is an important point) it’s not going to make anyone buy more tickets or suddenly choose to buy a ticket now (since, obviously, they won’t be able to as the tickets are already sold out).

“Basically the grant and the JCR/Ball Committee’s decision to contribute money for it isn’t a profit incentive for Queen’s in an attempt to get more students to buy tickets, but it is recognising that the Ball is an important event for Queen’s students and, although it is an optional event, it is one that we hope that everyone who wishes will be able to go to.”

Welfare Rep Maria Newsome added, “I’m excited to extend the excellent work of our Hardship Fund to the Queen’s Ball, continuing our efforts to make Queen’s an inclusive and affordable place to both study and socialise.”

Although the Ball has now sold out, those who might have been swayed by the possibility of such a provision are still able to join the waiting list and file their claim once they do have their ticket.

Money will be allocated to students on a case-by-case basis. Members of the college will be able to file a claim to an ad hoc committee, comprising the JCR President, Vice-President, Treasurer and Welfare Reps. Depending on the outcome the student might be awarded anything between £20 and £50.

Money remaining from the fund will be kept as welfare for the 2016 Ball.

Stephanie Jackson clarified, “If any money is not spent, it will roll over to the next Ball, thus starting a tradition in Queen’s of helping students attend what should be one of the most special nights of their entire college life. The Ball Committee and current JCR Exec are proud to have worked together in order to start this tradition, and hope it carries on for many years.”

The Cherwell Culture Show – Episode 1

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Share your thoughts @CherwellCulture and using the hashtag #OMGCulture.

An Interview With… The Cast and Crew of Another Country

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Another Country will be on in 5th week at the Oxford Playhouse, from the 13th-16th February

It’s going to be MAD

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The MAD Festival, which has been in the pipelines as an O’Reilly – and Keble – project for a while is finally coming into the theatre, and comprises of a series of informal rehearsed readings of underappreciated modern American plays as well as a night of cabaret-style modern American music, followed by a drinks reception celebrating of all the plays.

DOUBT by John Patrick Shanley, directed by Josie Mitchell
Tuesday 12th February, 7.30pm

Some people will have seen the excellent film adaptation of Doubt, starring Meryl Streep and Philip Seymour Hoffman, but I think fewer people are aware that it is actually an adaptation of a Pulitzer Award-winning play. Put simply, this is a play about a priest who may or may not be a paedophile. What makes Doubt so frustrating and wonderful is that whilst every member of the audience will have an opinion one way or another, there is no certainty. Trust me, I’ve read the play at least five times. I’ve made lists of evidence. It’s about gut response. The problem is, the stakes are high when you are accusing someone of sexual deviation.

So, yes, the play engages with some serious stuff. This week, I found myself directing a scene in which a mother tells the school principal that the priest can “have” her son. What does she mean? Well, the play definitely doesn’t provide easy answers. Instead it’s got lots of repressed anger and verbal fireworks. Is Father Flynn innocent, we just don’t know. If you want to form own opinion, you better come see for yourself.  

THE GOAT, OR WHO IS SYLVIA? by Edward Albee, directed by Dan Byam Shaw
Wednesday 13th February, 7.30pm

So often, in plays I’ve directed or been in, we’ll have spent weeks looking at really small details in the text, developing nuances and polishing performances, only to discover a week before it goes on that no-one can remember any of their lines. So I’m actually quite excited at the prospect of doing a reading rather than a play.

The Goat is a brilliant script – it either won or got nominated for most prizes there were going when it came out ten years ago – and one that I think will work well as a rehearsed reading. Obviously you’re limited doing a reading in a way that you’re not with a full play but I think it will suit being heard as much as seen. It’s a play about prejudice and preconceptions but it’s also about language itself (and before we get too carried away, I should say it’s also about a man fucking a goat). I can guarantee you won’t have seen anything quite like it.

THE CRYPTOGRAM by David Mamet, directed by Will Felton
Thursday 14th February, 7.30pm

Cryptogram, n. A piece of cryptographic writing; anything written in code or cipher.

As its title suggests, The Cryptogram is a play about codes. Our cryptographer is a young boy, John, who has trouble sleeping. John attempts to cipher meaning out of his surroundings, which seem more and more alien to him with the continued absence of his Father. However, these surroundings are populated by the confusing figures of Del, a family friend, and Donny, his Mother. Both Del and Donny engage John in evasive language games in which the boundaries of waking and sleeping and meaning and nonsense become blurred. At some point in the play, John seems to loose his childhood. Written by David Mamet (Glengarry Glen Ross, American Buffalo, House of Games), and as a play that is concerned more with language than action, it is very well suited to the ‘rehearsed reading’ format of the MAD festival. Sudoku and crossword lovers, epistemologists and philologists, young adults from broken homes and adults considering whether or not they should break one: this is the play for you.

ANGELS IN AMERICA: PERESTROIKA by Tony Kushner, directed by Jack Sain
Saturday 16th February, 7.30pm

It seems like yesterday that Part One of Angels in America was on at the Playhouse. In fact, it’s been two weeks. I firmly believe that Millennium Approaches works as a standalone play, but for anyone who is curious about what happens to the characters after an angel crashes into their world from the other side, then this is the night for you. If you didn’t see the first part, it’s a great final opportunity to see Tony Kushner’s weird and wonderful mind come to semi-staged life with the original cast.

I’m very lucky to have the opportunity to do a reading of Perestroika: the MAD Festival allows us to spend a few detailed hours on the text itself, and with a show like Angels in America a full production means focusing on immense technical challenges. I can’t wait to get back into a room with the insanely talented team from the original show and have a chance to explore the play as what it is, and I hope people enjoy the surprising journey that the characters take.

Mansfield Ball throws up a nasty surprise

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Students across Oxford are experiencing virus-like symptoms which have been linked to the Mansfield College Ball, which took place last Saturday.

Mansfield Ball President Anna Ploszajski said, “We have had reports from a minority of students of virus-like effects like vomiting and diarrhoea.”

The college’s main site Junior Dean Claire Palmer emailed students on Monday, stating, “We have had a number of reports today regarding students (Main Site and Off-site) feeling unwell with a suspected virus.”

On Tuesday, a further email was sent around students by Palmer, saying, “Since the email below was sent last night, the College has been in contact with the Environmental Health and Public Health Authorities. Environmental Health has requested that all students who have experienced symptoms in the last few days contact their GPs so that samples can be taken (and the guilty organisms readily identified).”

The Ball President told Cherwell, “There have been allegations of food poisoning. It appears to be the seafood bar that has come under questioning.”

She stressed however that the causes of the illness remain unclear, saying, “Mansfield College are carrying out a full investigation into the possible cause of the illness and until the investigation is complete, I am unable to offer a suggestion as to what has brought on the symptoms.”

She suggested that the seafood bar may not have been responsible for subsequent illnesses, saying, “Some people who got ill ate at the seafood bar, but others who got ill didn’t eat there.”

She added, “This unfortunate incident should not, and will not, belittle the achievement of what has been the culmination of almost two years of preparation. The event has consistently been trumpeted as unquestionably the most successful ball in Mansfield’s history.”

One Mansfield student told Cherwell, “At the moment there is no confirmation of this being food poisoning as a result of the ball or if people have just caught a virus from each other. I don’t think it is as straightforward as ‘food poisoning at the ball’ because as someone who was there and enjoyed (with all of my friends) all the food on offer there, neither I nor any of my friends or anyone I have spoken with have contracted this lurgy.”

Another noted, “A lot of college are ill; no one’s really sure what the mystery lurgy is, although it striking so soon after the ball seems to indicate there’s some causal link. A lot of people have Norovirus-y symptoms, so we think it could be that someone came to the ball carrying it. Now people seem to be catching it off housemates/people in the same accommodation block.”

The Queen’s College Welfare Officer Mark Holmes has confirmed that students at his College are suffering from the same illness. He told Cherwell on Tuesday, “A number of students from Queen’s have come down with sickness and diarrhoea since Saturday evening, with most recovering by now…As far as I am aware all the students who are ill were part of the group who attended Mansfield Ball.”

Students at St Anne’s are also claiming that they are suffering from food poisoning. One St Anne’s student, who wished to remain anonymous, said, “In St Anne’s there have been at least a dozen cases that I know of, but there’s likely to be more.

“I don’t think anyone has been hospitalised but everyone who has had it has been pretty much bed ridden for a day. I fully intend to be chasing Mansfield up for a full refund if I can get it. I believe our JCR President has sent an email on our behalf and I’ll be interested to see what Mansfield Ball committee come back with.”

St Anne’s JCR president Oscar Boyd sent an email to the Mansfield Ball Committee, alerting them to illness within the College. He stated, “Following a splendid ball, I’m sorry to inform you that there has been a bout of food poisoning at St Anne’s with numerous people who attended the ball severely affected. While I know this is not the fault of anyone on your committee, those affected have been confined to their beds due to sickness since yesterday afternoon and have been inconvenienced as a result. I hope you will be able to talk to your suppliers and offer some compensation to all those affected.

“Again, I’m sorry to have to contact you like this after what was otherwise a fantastic ball, but it is a serious matter and should be dealt with appropriately.”

Physicist Tiber Karadag told Cherwell, “My symptoms kicked in at around 2am on Monday, so roughly 24 hours after the ball. I think the symptoms definitely point towards food poisoning. I don’t think it is the Norovirus, as people who I spent Sunday evening with would be showing symptoms by now.”

Karadag concluded, “I think the least the Mansfield Ball Committee could do is to cover the cost of toilet paper used in college the past few days!”

Third-year Mansfield lawyer David Lukic had a positive experience at the Atlantis-themed ball. He told Cherwell, “Although our crew were seemingly made seasick from a mysterious illness, the treasures that we plundered from the lost city made the adventure a success. YARR!”

Mansfield student Thomas Adlam pointed out that not everyone who ate at the seafood bar has fallen victim to the bug, saying, “I ate at least a dozen oysters and was completely fine. In fact the only thing I consumed all night beside one hog roast burger at the start was seafood. I feel 100%.”

World’s largest biotech ideas competition opens

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A competition designed to impel a new generation of bio-entrepreneurs has opened, offering a £100,000 prize for innovative ideas with the potential to improve the lives of patients.

The OneStart contest, the result of a collaboration between SR One, the corporate venture capital arm of pharmaceutical company GlaxoSmithKline, and the Oxbridge Biotech Roundtable, a student-run initiative to bring academic and industry groups together on-campus, is the largest of its kind in the world.

The competition consists of three rounds and covers four tracks: drug discovery, medical devices, diagnostics and health information technology. Entrants are first required to fill in an entry form which sketches out the idea, before up to 35 teams progress to the semi-final round.

“Ideas at all stages of development are accepted,” says D.Phil Organic Chemist and OBR events team member Peter Crane. At the semi-final stage, teams are invited to a day of seminars, breakout sessions and workshops, with the chance to refine their ideas and build a business plan in conversation with industry leaders from across the venture capital, biotech, pharmaceuticals and advisory communities.

Teams will also have the chance to make pitches to expert panels (“like on Dragon’s Den,” Pete says) for specific feedback and advice on how to take their idea forward. The one-day “Business Boot Camp” will take place in mid-March.

President of the Oxbridge Biotech Roundtable, and dual-doctorate student at Lincoln College and The Scripps Research Institute in California Dan Perez says, “to be a successful entrepreneur, especially in a field as complicated as the life sciences, you need mentors. Our goal is to equip all the participants (and not just the winners) with the tools they’ll need to get their current and future biotechs off of the ground.”

“It’s about breaking down the barriers between a good idea and its market,” Pete adds.

Entrants come from any profession or degree field, as teams are encouraged to incorporate a range of skills from business savvy to legal knowledge. “If you don’t have an idea, you can still participate,” Dan says. “there are a lot of entrepreneurs looking to complement their ideas with co-founders of a particular skillset. All you need to do is register online, and get networking.”

Judges will be looking for ideas which demonstrate innovativeness, impactfulness upon patient health and potential economic benefit. The winning idea will, by the time of the final rounds, be backed-up by a watertight business plan, which displays the range of talents and backgrounds which make up the team.

“Most of all, you’ve got to believe in your project,” Pete says. “It’s all about the idea. Though there are contacts to be made throughout the process, and doors will open for talented people, the competition isn’t a recruitment exercise, it’s an ideas competition!”

The competition couldn’t come at a more important time for the healthcare industry, with patent cliffs looming, the pursuit of new “blockbuster” drugs on the part of big pharmas seeming ever more futile, and government selectivity narrowing production options.

The competition is an extension of the Oxbridge Biotech Roundtable’s broad aim to reconcile the worlds of business and scientific research in the university milieu and beyond: “The aim of the society is to engage people,” Pete says. “Sometimes it feels like there is a link missing between the business students and research scientists. OBR is a great way for scientists who are interested in commercialising their research to really get involved with the business side of things, which may be outside of their comfort zone.”

Budding bio-entrepreneurs from any discipline are eligible to apply, on the condition that each team member is under 36 years of age, and currently living, working or studying in the UK or an EU member state. Entrants needn’t be UK or EU citizens.

The prize money can be used to develop the idea to the point at which it will be able to raise further funds from investors. Dan Perez says, “Science is expensive and risky. While a lot of small web start-ups can be born on a laptop at Starbucks, science needs serious capital to get going. Our goal was for this not to be just a fun prize, but an opportunity for serious entrepreneurs to build a business.”

“Sadly it’s not a chance to go on a holiday of a lifetime. Or several holidays of a lifetime,” Pete jokes.

Also up for grabs is valuable Lab Space at Stevenage BioScience Catalyst, and a year-long membership to a number of life-science related business networks in Oxford, Cambridge, London, and Europe.

The competition launched on the 24th of January at the Said Business School. Initial entries are due by midnight on the 21st of February.

www.oxbridgebiotech.com/onestart