Saturday, April 26, 2025
Blog Page 1621

New app makes Oxford landmarks disappear

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The latest update to the iOS6 iPhone and iPad operating system is causing confusion in Oxford, after several attractions on the new map application disappeared or changed their location overnight.

The program appears to have made several errors, such as marking the location of the Radcliffe Infirmary, despite the building having been partially demolished since it closed five years ago. The application also mixed up the positions of several Oxford colleges, locating Magdalen College in the River Cherwell.

A spokesperson for Apple acknowledged the limitations of their new map service, stating, “Maps is a cloud-based solution and the more people use it, the better it will get. We appreciate all of the customer feedback and are working hard to make the customer experience even better.”

Some of the errors have already been addressed by Apple, including the omission of the town train station which had been replaced by the Golden Harvest Canton Restaurant.

Tourists have been caught up in the confusion at a time when the city has experienced a downturn in visitor numbers. According to the Oxford Mail, there was a 43 per cent drop in tourist numbers at the Oxford Visitor Information Centre between May and August of this year, compared with 2011.

Susi Golding, director of Visit Oxfordshire, hoped that tourists will get past the confusion by relying less on their phones and choosing more traditional methods of navigation, such as asking staff at Broad Street’s tourist information centre.

In addition to the map application, pedestrians can make use of a new navigating system, Oxford Explore, which is being made available throughout the town centre this October. The program gives directions to various landmarks along more obscure routes, allowing visitors the opportunity to explore more of the city.

Second year historian Henry Baker commented, ‘I think Oxford as a cohesive unit would be much better if it really was the case that Magdalen and its stuck-up students were miraculously drowned in the Cherwell. I would of course save the deer; they never did anything to deserve such an end.’ Second year Maths student Elizabeth Rendle added, ‘I hope the tourists can swim!’

Keep Off The Grass: The New Fresher’s Guide

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Dear Fresher,

You’ve made it!

At least, you’ve made it this far. Forget school, personal statements, and any semblance of routine. Expect drunken debauchery, late night essay crises, and work you actually like to mark the next three years (at least) of your life. If you survive, you’ll graduate with the best friends you’ll ever have, a degree you can be proud of, and memories to last a lifetime.

Oxford, if we do say so ourselves, is an amazing place. In these hallowed halls you can experience everything from the regal elegance of college balls to the somewhat less classy bops. You can opt for inconceivably early outings on the river or just roll out of bed for a lazy afternoon punt. Nowhere else will you face both intense library sessions and the prospect of drinking with tutors in progressively less formal dinners.

Coming up for the first time is a whirlwind of new people and places, with demands from tutors, clubs and societies, and friends thrust upon you all at once. This guide aims to help you wade through the confusion and reveal the real Oxford underneath. We’re anti-establishment and unofficial. We don’t spout OUSU speak or toe the university line. And if you don’t know what OUSU is, we’ve got a dictionary of Oxford terms inside the Guide.

Good luck!

Nupur Takwale, Vicky Lim, Morgan Norris-Grey, Anthony Collins, Lizzie Greene and Iona Richards

Senior editiorial team

 

Check out our preview articles on clubbing and the Union, and take a sneak peek inside with our read online feature.

Were you convinced by Nick Clegg’s apology? Take our survey

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Click on the link below to vote and give us your opinion:

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The X-facts

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I’m not sure what it is about me that screams ‘future pop sensation’ (I reckon it’s the hair. Definitely the hair), but when I mentioned that I was going to the X-Factor auditions, the first question out of everybody’s lips was ‘What are you singing?’.

But don’t bother obsessively scouring YouTube and itvplayer for my barnstorming audition; unfortunately for both myself and the very concept of music I was not there to take part, but merely observe. Yes, strictly in the interests of journalism I subjected myself to being treated like lifestock for 3 hours (and as a Welshman, I’m particularly sensitive to this kind of treatment) and braved the overpriced falafel stand of hell. But I’ve sat on my shocking findings long enough; as boot camp kicks off, I bring you my sufficiently spoiler-free list of surprising X-Facts.

1. The TV show is round 3

The contestants you see on TV have already been through a couple of rounds of auditions; sending in videos and singing for the producers. So while the judges are seeing them for the first time, there has been a great effort to weed out the merely average, leaving only the future stars and the deluded. Which leads to another interesting fact…

2. The screaming queues aren’t contestants

Nope, they’re us. Well, audience members.  Technically, there’s no lying involved in this; those shots are implied to be the hordes of auditionees, but are never explicitly stated to be so. Those shots of the contestants in the queue that usually feature in the show? Well, basically what happens is that the singers in question are inserted amongst us plebs in the queue and then ‘picked up’ by the cameramen. Smoke and cameras. There were only about 20 or so acts for our shooting.

3. The judges are consummate professionals

I don’t know why, but I found the practised ease with which the judges did their job surprisingly satisfying.  They have a well-oiled barrage of questions; rather than the one answered  by contestants on TV, they actually ask more like ten to maximise getting an interesting response from them. In a similar vein, nearly every act is asked to perform more than one song; on the show, this is portrayed as slightly unusual. In actuality, it is just another way of maximising the possibility of ‘good TV’, whether through better performances or, indeed, worse ones. The terrible performers were almost uniformly asked to sing more than one song, making sure they’d wrung out the extent of their untalent.

This might sound slightly dispiriting to you, but I actually appreciated this peek behind the curtain; the show might be highly constructed and cynical, but at least they’re efficient about it. Still, the amount of makeup they get slapped on between takes is phenomenal.

4. The ‘drama’ isn’t all constructed

A couple of auditions down, P!nk tribute act Zoe Alexander came onstage. This has been covered a lot in the papers, but basically she flipped out and attacked a cameraman when she wasn’t put through. I rewatched the TV footage and it was pretty accurate as to what we saw; she was denied, and then said she had been instructed to sing a Pink song (a criticism they had of her ‘not doing her own thing’). This feeds back into the fact that the show is round 3; Alexander had already been chosen by the producers, and may have thought she was a shoo-in. In any case, judging by the turmoil that occurred right after this event (and how upset one of the judges was), with producers etc. on the scene for almost 20 minutes, it seems unlikely these sort of things are always constructed. So that’s something.

5. There’s a slightly nasty vein of sexism

This can be picked up a little bit in the TV show, but at the live auditions it’s a lot worse. In Cardiff, this was mainly due to a warm-up man brought on to keep the audience entertained in breaks (there are quite a few). A lot of the stuff he was saying was pretty misogynistic; if broadcast, one could imagine ITV getting into a lot of trouble. Still, perhaps more disturbing was the fact that the audience seemed to lap it up. For me, it colours my experience of the rest of the programme.

7.The audience aren’t as emotionally manipulated as they appear

At least in my case. I should explain. at one point I had some dust in my eye, and I lent over to rub it out. Quick as a flash, my friend spotted  a chance to embarrass me on national television and patted my back sincerely. I wasn’t sure why, until I realised that he’d conspired to make me look as if I’d been deeply emotionally touched by the Harry Styles-alike doing a Toxic cover.

I’m pretty sure that didn’t make the final cut, but by taking reaction shots out of context like that, the show may make things appear differently. The vibe was never that emotional as far as I could tell; more a hen night in a Nandos sort of ambiance.

And, most shocking of all….

8.They don’t play inspiring music live after every successful audition

Talk about your dreams cynically shattered. They must dub it in afterwards or something. Rubbish. I had to sing it in myself. How else are we supposed to know what to FEEL?

Keep Off The Grass: An Insider’s Guide to Clubbing

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There goes another sweaty Oxford day of reading a thousand books, writing a thousand essays, crying, and plotting your future political career. You deserve a break. You deserve to go out, have fun and laugh in the face of “please drink responsibly” warnings. After all, you’ve spent all day learning facts about magnetic resonance or ancient Roman syphilis: it’d be totally counter-productive to fill some of the much needed room left in your brain by remembering the following evening. It’s time to get to grips with Oxford clubland. Essentially Oxford night life can be divided into two categories. There are the big, mostly generic, regular student nights run by event companies Varsity or Shuffle: each involved club has its own designated night in which Oxford uni stumbles out to get tanked as Stalingrad and rub up against one another. These are mostly centred around the train station on either Parkend or Bridge Street. You’ll get a taste of them in Freshers’ Week. There are also the countless clubs, bars and venues dotted all over the city which you can attend on their alternative student nights, or if you’re feeling rebellious, on a night that is not exclusively for students at all! Because it’s easy to miss some of the good stuff going on you have been generously provided a list of most of Oxford’s clubs. Good luck.

Park End: When you were taught as a child that cows go “moo” sheep go “baa” and dogs go “woof” you may also have been told that Park End goes “Spleaughh!”. This club, arguably Oxford’s finest, is not so much a club as a venue that’s sufficiently loud and poorly lit to enable you to wander around blindly on drunk auto-pilot, pulling the various people you bump into before waking up fully clothed on the floor of your room the next morning. The club is the largest in central Oxford by quite a way. It contains a number of rooms, each of which specialises in a different genre of music. The ‘cheese floor’ is probably the most popular, followed closely by the sparkly R&B (and occasionally EDM) room. However, if the choice of having either Bon Jovi or Rihanna shouted into your ear by a gyrating rugby player feels a little constricting, I recommend the thoroughly underrated Reggaeton/dancehall room. The drinks are cheap and the place is located around the club-covered station area on the street that bears its name. There is occasionally a bit of a queue so make sure to get there a bit early if you think its going to be a big night. Whilst it is seldom referred to as anything else, the club’s title actually changed from Park End to Lava Ignite a couple of years back. It is unclear whether the name is actually beckoning the earth’s supply of molten rock to suddenly combust (“Lava, ignite!”) or whether the owners simply found the title’s two words next to ‘laser’ and ‘intercourse’ in their Oxford Big Book of Exciting Words. Either way it’s a stupid name and if you call it that you’ll probably be shunned from society and thrown into the wilderness, and you’ll deserve it too.

Bridge: This is the Bridge Street version of Park End – prices, drinks and atmosphere are almost identical. Unlike Park End it has two floors which each play the same mix of mostly generic club fodder. It is also fairly large. The upper dance floor is complete with a shiny, coloured, light wall thing, as well as a pole, just in case your afternoon tute has left you keen to try out any skills that might be useful if you drop out and become a stripper. Because its popularity outstrips its capacity, Bridge has a huge queuing problem. In fact if you do not arrive early on its designated Oxford student night, expect to be handed a numbered ticket and ferried into Anuba, a nearby bar/holding pen, until the number on your ticket finally appears on the bar’s TV screens and you can actually enter the club. Not only is this system immensely irritating but it means that the clientèle, trapped in Anuba with nothing to do but drink, tend to be exceptionally unsteady by the time they actually get into the club. I once saw a man in a suit projectile vomit into a corner and then saunter back to the dance floor as if nothing had happened. It was so smooth (the execution of the chunder, not its consistency) that it was frankly awe inspiring. If James Bond swapped martinis for vodka Red Bulls then it could well have been 007 himself.

Camera: Named after its ludicrously impractical circular layout, Camera has blown up in popularity since its inception two years ago. People load up on cheap drinks whilst decent DJs play a mixture of R&B and club classics that slowly transitions into fist pumping brostep as the night wears on. Unlike most other Oxford clubs Camera often suffers from overcrowding. The narrow, winding layout of its bagel-shaped upper floor can make it very difficult to navigate at peak times, and finding adequate space to execute your elaborate, arm-flailingly sophisticated dance moves, can sometimes prove tricky. It also has a reputation for being a bit posh, presumably a result of its unnecessarily large (and poorly guarded) VIP area. Emma Watson once reserved a table there and now everyone keeps going on about it. The result of this poshness is that you see an unusual number of people in black tie, which isn’t normally a problem unless, like myself, you can’t be around people in dinner jackets when blind drunk as you become convinced that you have somehow travelled back to Edwardian England and the entire population are pompous assholes. Nonetheless, if you can avoid days when it is likely to be more crowded (go on a Friday rather than a Tuesday) Camera is probably one of the better clubs in Oxford.

Wahoo: Sports bar by day, comedy venue/club by night, Wahoo is probably Oxford’s most popular Friday hangout. Another Bridge street regular, it shares student night prices with its Varsity/Shuffle comrades. I find the layout of the lower floor quite problematic. For some reason there is always a huge, impenetrable crowd trying to get to the bar which means the only space to dance is the narrow, raised area around the edge. The upstairs, by contrast is open plan and spacious though they seem to keep it really dark for some reason. This makes it extremely difficult to find people if you happen to wander off from the group or just turn around for a few seconds. The club has also has a very large smoking area out front so you can have fun mocking people in the Bridge queue which stretches up the road and round the corner.

Baby Love: Perhaps it is the name, perhaps it is the dungeon like layout, the regular gay nights, the popularity with Wadhamites, but for some reason Baby Love is where all the cool kids go when they want to party. Here’s where the Dalston massive meets Oxford. In fact, Baby Love’s biggest student night, ‘Supermarket’, has recently been exported to a club in Shoreditch. With its self-reinforcing hipstery reputation, Baby Love can be a nice break from the relentless cheese and crew-daters throwing up in your hair that can tarnish other Oxford student nights. The club serves a decent range of marginally overpriced cocktails and plays a slightly, but not very, eclectic mix of music. And, while it could just be the ketamine in everyone’s fashionable veins, the atmosphere tends to feel pretty good. The club does suffer from one serious drawback. Its underground dance floor has quite a limited amount of space and can easily get impregnatingly tight; In the summer you may be better off hanging out in the cooler ground level bar area lest you drown in the sweat dripping off of somebody’s ironic moustache.

Junction: Until fairly recently the London Underground themed Junction was the tiki-themed Kukui. Amusingly the contractors seem to have interpreted “change the décor from Hawaii to the tube” as “leave all the thatched roof and stalls and stuff and just paint a huge underground logo thing on one of the walls”. The result of this weird combination is that being inside is rather like tripping balls by the smoothie stand in Victoria station. As one of the station area clubs it shares similar student night drink and entry prices with its Park End and Bridge Street establishments. And, in-keeping with its Polynesian roots it still serves a handful of almost exclusively rum based cocktails. Whether it will survive in this new incarnation is yet to be determined, but if does shut down again who knows what bizarre combination of themes will emerge once it reopens: I’d pay good money to go to a Hawaiian-London underground-Space cowboy bar, wouldn’t you?

And the rest: Lola Lo is an underground tiki-themed club/bar on Magdelen street, it’s very well decorated and hosts one of the major student nights but I’m not giving it its own paragraph because it’s fairly small and uninteresting and I don’t like it. The Cellar is an underground music venue both literally and figuratively. It hosts live hip-hop nights, drum ‘n’ bass, and popular dubstep night Freerange every other Wednesday. This is somewhere for people who go out to actually enjoy music. It’s really brilliant. The Purple Turtle is an underground former wine cellar that belongs to the Oxford Union and is free to all of its members. The drinks are cheap and the music slightly old school. It attracts and odd crowd and the poor ventilation can turn it into a bit of a sauna. Situated way down the Cowley road the O2 Academy is much the same as the various others dotted around the country, hosting weekly indie pop night ‘Propaganda’ and regular live acts. Until this year it held famously debauched Brooks night ‘Fuzzy Ducks’, and though local pressure may have forced the tragic end of Fuzzies, whatever new musical orgy replaces it (Fluffy Cormorants? Furry Cocks?) will definitely be worth checking out. Rappongi, named after a district in Tokyo, is a totally not Japanese themed and and occupies a very tiny club/bar on George street that is normally almost empty. Entry is always free and it has good drinks promotions. It is a place to get really, really drunk and then jump around the empty dance floor like a mentalist. Would recommend. Thirst is a bar with a dance floor directly opposite Park End, it sells cheap fish-bowls and is actually pretty good. For whatever reason it tends to be almost exclusively filled with locals rather than students but if you’ve got a group together and want a change of scenery its worth popping in. Clem’s is an OK bar and a grimy club situated near Magdelen bridge, it’s not bad but not worth the considerable journey unless you live in Cowley or the Queen’s accommodation nearby. Carbon is a new-comer that was famously forced to abandon plans to have a live zebra at its May day party earlier this year. It does interesting electronic music and has a really cool, big interior. Definitely one to watch out for.

Club nights:

Monday – Varsity night @ Bridge

Tuesday – Varsity night @ Camera, Poptarts @ Baby Love (Oxford’s busiest gay night)

Wednesday – Shuffle night @ Park End, Varsity night @ Lola Lo, Brookes night @ The O2 (formerly Fuzzy Ducks)

Thursday – Varsity night @ Bridge, Shuffle night @ Junction, Supermarket @ Baby Love (odd weeks only)

Friday – Shuffle night @ Wahoo, Varsity night @ Camera

Saturday – Propaganda @ The O2, Varsity night @ No.9, Shuffle night @ Carbon

 

To read more insider guides to life as an Oxford Fresher, check out the guide online or look out for a copy in your college fresher’s pack!

Boat Race protester found guilty

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Trenton Oldfield has been found guilty of causing a public nuisance after disrupting this year’s Boat Race by swimming into the path of the competing crews.

The 36-year-old, from east London, had earlier denied the charge, telling the jury that the race was a symbol of ‘elitism’.

Oldfield admitted disrupting the boat race, but told the court, ‘[The Boat Race] is a symbol of a lot of issues in Britain around class. Seventy per cent of government pushing through very significant cuts are Oxford or Cambridge graduates. [The protest] was a symbolic gesture to these kind of issues.’ 

He added that he made the decision to protest after learning of the government’s public spending cuts, including the decision to ‘sell off’ the NHS. He described such cuts as ‘worse than in Dickens’s time,’ adding, ‘London has the highest inequality in the western world’.

Prosecutor Louis Mably told the court that the Boat Race had been spoiled for hundreds of thousands of spectators, as well as the two crews.

Oldfield, however, disagreed that he had ruined the Boat Race, commenting, ‘Lots of people thought it made it the most exciting Boat Race ever.’ He also disputed the claims that he put himself in danger, telling the court that having lived in Australia, he was used to dodging surfboards, rocks and boats.

Judge Anne Molyneux said that all options were open in sentencing Oldfield. ‘The court will be considering if a custodial sentence is necessary,’ she said.

Earlier, a statement from four-time Olympic gold medallist Sir Matthew Pinsent was read to the jury. ‘The risk to the swimmer was great. He could have been killed if he was struck by an oar or the rigging, which is metal. The incident caused me alarm as one of my primary roles is the safety of the public and competitors,’ explained Pinsent.

Oldfield was released on bail. He is due to be sentenced on 19th October. 

College Room with A View

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Living away from home for the first time can seem daunting at first. You shouldn’t be too worried – it really is pretty cushy, and certainly a long way from ‘the real world’, where you have to sort out bills and clean your own toilet. And yet, despite the allure of college living: I had a mouse in my second year room. No, I didn’t buy him from a pet shop and keep him illegally in a tank under my desk and hide him when people came in, feeding him sultanas and reading him the first drafts of my essays. Oh no. He decided to stay of his own accord.

During a particularly cold period in Hilary term, he was in my room almost daily. Every time I was alerted to his presence by a rustle and tried to locate him, he would dart back into a hole in the wall or down a pipe. On one occasion, I triumphantly cornered him and placed a shoebox over his miniscule body. I should have crushed him there and then but I wasn’t wearing shoes, and didn’t want fractured mouse rib embedded in my soft soles.

Gradually, I began to warm to him. When I saw his little face and whiskers I just couldn’t think of hurting him. He was a poor defenceless little rodent! I was much bigger than him, and it was horrible outside, who could blame him for seeking some warmth and company?

My noble extension of clemency was rapidly regretted. He bothered me for weeks thereafter, which taught me a lesson. This was evolution in reverse – survival of the weakest. I needed to learn to stand up to the weak. Hornets are black and orange to ward off predators. Perhaps nowadays the human race is so far divorced from the realities of nature that a more effective defence against Homo sapiens’s superior strength and brain size is to look really cute.

The other regular visitor to my room was of course my scout. This is yet another one of those Oxford words you will initially feel self-conscious about using at first. Your home friends will hate you now. Oxford has changed you, mate. A good scout can be an adviser, confidante, gatekeeper, even an advocate if you are ever in trouble with the powers that be. If you are enriching uranium in your sink or subletting your wardrobe, you are probably putting them in an unreasonably difficult position. However illicit toastie makers, sticking up your posters with blu-tac, one-night stands, or that one time something unspeakable happened in your bin – the likelihood of these events being reported will depend on your relationship with your scout. Buy them chocolate at the end of term. Be nice to them.

So, what about the other people you will be living in college with? Living in close proximity to people you don’t (initially) know very well brings with it some responsibility, particularly if you are sharing a bathroom or kitchen. Even if there is no shared space it is important to retain at least some awareness of your neighbours’ existence. One boy on my fresher staircase habitually urinated in the landing when intoxicated, hurled empty beer cans from his first floor window in the mid-afternoon, and listened to songs such as ‘Elton John – Are You Ready For Love?’ and ‘The Darkness – I Believe in a Thing Called Love’ at full volume at all hours. This isn’t really on. Do unto others and all that.

It inevitably takes a while to make your close friends in college. Don’t worry too much if you don’t immediately click with the people you spend freshers’ week with. The Oxford system is very good at ensuring you make good friends in a fairly quick space of time. You will instantly get to know people doing your subject and those on your corridor or staircase. Over a short space of time thereafter you will get to know pretty much everyone in your year.

Once you have a close friendship group in your year it is easy to expand to older years and other colleges. People in your year at your own college will probably (but not necessarily) be your closest friends while you are at Oxford – it will take you a while to find these, but once you have them you will start to enjoy Oxford and all it has to offer a lot more. Living in college is an amazing opportunity. You get to live a few metres away from all your mates for at least one year. Academic work in Oxford is difficult and time consuming for every subject, but ultimately prelims (first year exams) don’t matter. Have some fun while it lasts.

Director of Modern Art Oxford passes away

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Michael Stanley, a Turner Prize judge and the Director of Modern Art Oxford, has died aged 37.

Stanley, who was found dead in a garden on Friday, leaves behind his wife and three children. Police are not treating his death as suspicious.

A statement on the Modern Art Oxford website read, “We are deeply saddened to report the death of Modern Art Oxford’s Director, Michael Stanley. Michael joined the gallery in January 2009 and during this time he delivered a vibrant and critically acclaimed artistic programme. He spearheaded an approach that showcased both neglected and established artists, as well as introducing cutting-edge contemporary artists. His approach was sometimes radical, often revelatory and always thought-provoking.”

Tributes have poured in for the late director. David Isaac, Chair of Modern Art Oxford, extended his condolences, commenting, “He will be hugely missed by everyone in the artistic community both nationally and internationally. We have lost a great talent; our thoughts are with his family at this very sad time.”

Dr Christopher Brown, Director of the Ashmolean Museum, said, “Michael Stanley was a terrific young museum director and an enormous talent who was, I thought, destined for great things. He had already made an impact in Oxford with a series of great exhibitions and the Ashmolean was recently very pleased to collaborate with Modern Art Oxford on recent exhibitions. Michael’s death is an enormous personal sadness to me. My thoughts are with his young family, his friends and his colleagues.’

Sir Nicholas Serota, Director of Tate, shared similar sentiments, commenting, ‘Michael Stanley was a curator and director with enormous talent, imagination and dedication to art and artists. His exhibitions at Milton Keynes and Oxford were original, brave and beautifully presented. He was much admired and loved by artists who responded to his warmth and conviction. His early death is a great loss to Oxford, to the audiences he served and to the whole art world.’

 The gallery has set up an online book of condolence

Boat Race swimmer in court

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Trenton Oldfield, who earlier this year caused the 158th Oxford-Cambridge Boat Race to be suspended by swimming into the path of the racing crews, is appearing in court this week, charged with causing a public nuisance.

The case, being held at London’s Isleworth Crown Court, is expected to last several days. Oldfield, who portrayed his actions as a protest against elitism, is pleading not guilty to the charge made against him.

The famous contest was halted for about 30 minutes in April, after Oldfield jumped into the Thames near Chiswick Pier and deliberately obstructed the two boats. The race ultimately ended in controversy, as the blade of one of the Oxford oarsmen was broken shortly after the race was resumed.

Oldfield, who was privately educated in Sydney before attending the London School of Economics, justified his actions at the time in an online post entitled ‘Elitism leads to tyranny’. In it, he called the Boat Race “an inconsequential backdrop for these elite educational institutions to demonstrate themselves”, describing the competition as “a public event, for and by elites”.

Referring to his own disruption of the race, he wrote, “This is a protest, an act of civil disobiedience, a methodology of refusing and resistance. This act has employed guerrilla tactics. I am swimming into the boats in the hope I can stop them from completing the race.”

The prosecutor in the present hearing, Mr Louis Mably, said of Oldfield’s actions, “What Mr Oldfield had done was in effect to force someone else to take responsibility to stop him from serious injury.”

To the claim that Oldfield’s actions constituted an anti-elitist protest, Mably said, ‘He replied that he was protesting about elitism. Exactly what he meant by that – who knows?”

The hearing continues.

Iain Banks to attend Charity Literary Festival at LMH

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Five writers, including Iain Banks and John O’Farrell, are taking part in literary festival ‘5 x 15’ at LMH on Friday.

On the day, the authors will each speak on any subject of their choice for 15 minutes, but without a script. The event is to raise money for the children’s charity First Story, which seeks to address educational disadvantage across the UK.

Celebrated Scottish author Iain Banks, famed for his novels such as the controversial The Wasp Factory, as well as his science fiction works like Consider Phlebas, will be joined by Esther Freud, author of Hideous Kinky. The festival also welcomes writer, poet and performer Salena Godden, and writers Ross Raisin and John O’Farrell.

Ross Raisin, winner of The Sunday Times Young Writer ofthe Year in 2009, is the author of God’s Own Country, which won a Betty Trask Award. O’Farrell is the best-selling author of The Best a Man Can Get, and May Contain Nuts; a vocal supporter of state education, he is currently writer in-residence at Burlington Danes Academy through the charity.

First Story helps to interest students aged 14 to 18 in creative writing by organising weekly creative writing workshops with acclaimed writers. Students’ work is then published in anthologies and showcased in public readings. Since 2008, First Story has worked with 150 authors, including Godden, Raisin and O’Farrell. Some 1,700 students have written an estimated 50,000 stories and poems, in 27 challenging schools across the country.

LMH JCR President George Barnes told Cherwell, ‘With speakers hailing from backgrounds as varied as science fiction to poetry, any student that attends will be able to explore new areas of literature and academia that lie far beyond those found in their narrow university syllabuses. It is also a point of pride for every student at LMH to see an event that works towards such an admirable goal, and is open to the whole community, being held at our College’.

The event will be held at LMH on Friday 28th September, at 6.30pm. Tickets for the event can be purchased via the First Story website www.firststory.org.uk. Full-priced tickets are £15 while concession ticketsare available for £9.