Sunday, April 27, 2025
Blog Page 1622

College Room with A View

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Living away from home for the first time can seem daunting at first. You shouldn’t be too worried – it really is pretty cushy, and certainly a long way from ‘the real world’, where you have to sort out bills and clean your own toilet. And yet, despite the allure of college living: I had a mouse in my second year room. No, I didn’t buy him from a pet shop and keep him illegally in a tank under my desk and hide him when people came in, feeding him sultanas and reading him the first drafts of my essays. Oh no. He decided to stay of his own accord.

During a particularly cold period in Hilary term, he was in my room almost daily. Every time I was alerted to his presence by a rustle and tried to locate him, he would dart back into a hole in the wall or down a pipe. On one occasion, I triumphantly cornered him and placed a shoebox over his miniscule body. I should have crushed him there and then but I wasn’t wearing shoes, and didn’t want fractured mouse rib embedded in my soft soles.

Gradually, I began to warm to him. When I saw his little face and whiskers I just couldn’t think of hurting him. He was a poor defenceless little rodent! I was much bigger than him, and it was horrible outside, who could blame him for seeking some warmth and company?

My noble extension of clemency was rapidly regretted. He bothered me for weeks thereafter, which taught me a lesson. This was evolution in reverse – survival of the weakest. I needed to learn to stand up to the weak. Hornets are black and orange to ward off predators. Perhaps nowadays the human race is so far divorced from the realities of nature that a more effective defence against Homo sapiens’s superior strength and brain size is to look really cute.

The other regular visitor to my room was of course my scout. This is yet another one of those Oxford words you will initially feel self-conscious about using at first. Your home friends will hate you now. Oxford has changed you, mate. A good scout can be an adviser, confidante, gatekeeper, even an advocate if you are ever in trouble with the powers that be. If you are enriching uranium in your sink or subletting your wardrobe, you are probably putting them in an unreasonably difficult position. However illicit toastie makers, sticking up your posters with blu-tac, one-night stands, or that one time something unspeakable happened in your bin – the likelihood of these events being reported will depend on your relationship with your scout. Buy them chocolate at the end of term. Be nice to them.

So, what about the other people you will be living in college with? Living in close proximity to people you don’t (initially) know very well brings with it some responsibility, particularly if you are sharing a bathroom or kitchen. Even if there is no shared space it is important to retain at least some awareness of your neighbours’ existence. One boy on my fresher staircase habitually urinated in the landing when intoxicated, hurled empty beer cans from his first floor window in the mid-afternoon, and listened to songs such as ‘Elton John – Are You Ready For Love?’ and ‘The Darkness – I Believe in a Thing Called Love’ at full volume at all hours. This isn’t really on. Do unto others and all that.

It inevitably takes a while to make your close friends in college. Don’t worry too much if you don’t immediately click with the people you spend freshers’ week with. The Oxford system is very good at ensuring you make good friends in a fairly quick space of time. You will instantly get to know people doing your subject and those on your corridor or staircase. Over a short space of time thereafter you will get to know pretty much everyone in your year.

Once you have a close friendship group in your year it is easy to expand to older years and other colleges. People in your year at your own college will probably (but not necessarily) be your closest friends while you are at Oxford – it will take you a while to find these, but once you have them you will start to enjoy Oxford and all it has to offer a lot more. Living in college is an amazing opportunity. You get to live a few metres away from all your mates for at least one year. Academic work in Oxford is difficult and time consuming for every subject, but ultimately prelims (first year exams) don’t matter. Have some fun while it lasts.

Director of Modern Art Oxford passes away

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Michael Stanley, a Turner Prize judge and the Director of Modern Art Oxford, has died aged 37.

Stanley, who was found dead in a garden on Friday, leaves behind his wife and three children. Police are not treating his death as suspicious.

A statement on the Modern Art Oxford website read, “We are deeply saddened to report the death of Modern Art Oxford’s Director, Michael Stanley. Michael joined the gallery in January 2009 and during this time he delivered a vibrant and critically acclaimed artistic programme. He spearheaded an approach that showcased both neglected and established artists, as well as introducing cutting-edge contemporary artists. His approach was sometimes radical, often revelatory and always thought-provoking.”

Tributes have poured in for the late director. David Isaac, Chair of Modern Art Oxford, extended his condolences, commenting, “He will be hugely missed by everyone in the artistic community both nationally and internationally. We have lost a great talent; our thoughts are with his family at this very sad time.”

Dr Christopher Brown, Director of the Ashmolean Museum, said, “Michael Stanley was a terrific young museum director and an enormous talent who was, I thought, destined for great things. He had already made an impact in Oxford with a series of great exhibitions and the Ashmolean was recently very pleased to collaborate with Modern Art Oxford on recent exhibitions. Michael’s death is an enormous personal sadness to me. My thoughts are with his young family, his friends and his colleagues.’

Sir Nicholas Serota, Director of Tate, shared similar sentiments, commenting, ‘Michael Stanley was a curator and director with enormous talent, imagination and dedication to art and artists. His exhibitions at Milton Keynes and Oxford were original, brave and beautifully presented. He was much admired and loved by artists who responded to his warmth and conviction. His early death is a great loss to Oxford, to the audiences he served and to the whole art world.’

 The gallery has set up an online book of condolence

Boat Race swimmer in court

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Trenton Oldfield, who earlier this year caused the 158th Oxford-Cambridge Boat Race to be suspended by swimming into the path of the racing crews, is appearing in court this week, charged with causing a public nuisance.

The case, being held at London’s Isleworth Crown Court, is expected to last several days. Oldfield, who portrayed his actions as a protest against elitism, is pleading not guilty to the charge made against him.

The famous contest was halted for about 30 minutes in April, after Oldfield jumped into the Thames near Chiswick Pier and deliberately obstructed the two boats. The race ultimately ended in controversy, as the blade of one of the Oxford oarsmen was broken shortly after the race was resumed.

Oldfield, who was privately educated in Sydney before attending the London School of Economics, justified his actions at the time in an online post entitled ‘Elitism leads to tyranny’. In it, he called the Boat Race “an inconsequential backdrop for these elite educational institutions to demonstrate themselves”, describing the competition as “a public event, for and by elites”.

Referring to his own disruption of the race, he wrote, “This is a protest, an act of civil disobiedience, a methodology of refusing and resistance. This act has employed guerrilla tactics. I am swimming into the boats in the hope I can stop them from completing the race.”

The prosecutor in the present hearing, Mr Louis Mably, said of Oldfield’s actions, “What Mr Oldfield had done was in effect to force someone else to take responsibility to stop him from serious injury.”

To the claim that Oldfield’s actions constituted an anti-elitist protest, Mably said, ‘He replied that he was protesting about elitism. Exactly what he meant by that – who knows?”

The hearing continues.

Iain Banks to attend Charity Literary Festival at LMH

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Five writers, including Iain Banks and John O’Farrell, are taking part in literary festival ‘5 x 15’ at LMH on Friday.

On the day, the authors will each speak on any subject of their choice for 15 minutes, but without a script. The event is to raise money for the children’s charity First Story, which seeks to address educational disadvantage across the UK.

Celebrated Scottish author Iain Banks, famed for his novels such as the controversial The Wasp Factory, as well as his science fiction works like Consider Phlebas, will be joined by Esther Freud, author of Hideous Kinky. The festival also welcomes writer, poet and performer Salena Godden, and writers Ross Raisin and John O’Farrell.

Ross Raisin, winner of The Sunday Times Young Writer ofthe Year in 2009, is the author of God’s Own Country, which won a Betty Trask Award. O’Farrell is the best-selling author of The Best a Man Can Get, and May Contain Nuts; a vocal supporter of state education, he is currently writer in-residence at Burlington Danes Academy through the charity.

First Story helps to interest students aged 14 to 18 in creative writing by organising weekly creative writing workshops with acclaimed writers. Students’ work is then published in anthologies and showcased in public readings. Since 2008, First Story has worked with 150 authors, including Godden, Raisin and O’Farrell. Some 1,700 students have written an estimated 50,000 stories and poems, in 27 challenging schools across the country.

LMH JCR President George Barnes told Cherwell, ‘With speakers hailing from backgrounds as varied as science fiction to poetry, any student that attends will be able to explore new areas of literature and academia that lie far beyond those found in their narrow university syllabuses. It is also a point of pride for every student at LMH to see an event that works towards such an admirable goal, and is open to the whole community, being held at our College’.

The event will be held at LMH on Friday 28th September, at 6.30pm. Tickets for the event can be purchased via the First Story website www.firststory.org.uk. Full-priced tickets are £15 while concession ticketsare available for £9.

Re-freshers

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Your three or four years at university are said to be the best of your life. Setting the tone for your university career, freshers week has a lot to live up to. You are eighteen years old with a chance to meet lots of new people, experience life away from home and do it One Direction style and ‘go crazy crazy crazy ‘til you see the sun.’ But with a stack of pre-course reading to do and the inevitable nervousness of having to make new friends from scratch, it’s actually the second years that have more fun. Cherwell’s Lifestyle looks at the reasons why re-freshers week trumps the original.

 

Meeting new people

Freshers week is an exciting blur of organised fun and meeting far too many people for successful name-face matching. The problem with the whistle-stop you-must-try-to-meet-everyone-on-day-one approach is vitally flawed in that you never get beyond the undeniably dull fresher small talk. What’s your name? Where are you from? What subject are you doing? are questions that will haunt you for the entirety of your freshers week experience. Despite providing an easy conversation starter with an equally nervous stranger, this set of interrogatory questions sound more like a hideously un-sexy version of Cilla Black’s Blind Date. Going back to college as a second year offers much brighter prospects in the form of the re-freshers week. You have already established a solid group of friends who you have either spent the summer with, or didn’t manage to see – in which case you have the whole of refreshers to catch up on your summer antics. No longer being pigeon-holed by the “Fresher” title allows you to return with a whole new air of maturity. You will all comment on how young the new freshers look. “We definitely never looked that young…”

 

Reputations

As mad and alcohol oriented as any university freshers week is, the collegiate system results in a rather justified fear of getting a college reputation. If your college parents haven’t already warned you – they should. Do not bring back strangers from Park End in your first week. Do not streak across the lawn because someone dares you to. Do not exchange clothes with a stranger from the waist down in the middle Jammals (I learned this the hard way). If you do, be prepared for all the Sunday brunch gossip that ensues. As a re-fresher, you can get away with reckless behaviour. Not only can you live safe in the knowledge that you cannot possibly undo all the hard work you put in in first year to earn that flawless reputation but you also have a long list of mates ready to put you in the recovery position if needs be. Central to any Oxford experience; as a second year, you know what makes a good BOP costume. Life as a fresher is spent worrying about being creative and politically correct so as not to get your face branded all over the student (if not national) papers. As a re-fresher, you are liberated of all the stress; you have perfected the art of the home-made, last-minute, low-budget fancy dress costume.

 

Free-time

Freshers week is far more structured than you would ever have imagined. Whilst the freshers spend their days attending-or feeling guilty that they didn’t attend-all the scheduled welcome/fire safety/introductory talks, the second years are sleeping in until 2pm, lunching at The Grand Café (when the student loan comes through) and having a long session down the pub.

 

Sharking

However controversial, there is no denying that sharking is a massive part of re-freshers week. No matter how much you try to withstand temptation to shark, the excitement of the new ‘fresh meat’ coming into college is all too overwhelming. So whether you are abusing your position as Freshers Week President or acting the role of over-friendly college parent/grandparent (Sounds creepy but it happens- I can testify) you are guaranteed to get a bit more nookie than you did in freshers week. Even if the fresher in question is bold enough to seduce you, the second year, you will inevitably be termed a shark, for the mere principle of the age gap. 

 

Drinking

Be it subject or sport initiations or the first crew date of term, it is the second year’s responsibility to prepare the freshers for the uni lifestyle that awaits them. For the sake of tradition other than anything else, “down it fresher” can be heard echoing through the city of spires for the duration of freshers week, if not most of Michaelmas, Hilary and Trinity. If you are a fresher, do not be intimidated. You can of course refuse to see off your drink, but over the year I found that the best tekkers was to always have a soft drink to hand, so that you are guaranteed the respect minus the intoxication. By the time you get to second year, you can wave goodbye to the binge drinking culture and welcome in the new academic year with a civilised glass of port amongst friends. “Down it second year” just doesn’t have the same ring to it…  

 

Freshers-flu-free

Two weeks into Michaelmas and half the population of freshers are overcome with sickness. The freshers flu epidemic is a phenomenon caused by a combination of a lack of sleep, excessive liver-bashing and a hell of a lot of germ sharing. You’re lucky if you can hear every third word of a lecture come 8th week, over the coughing Mexican-wave. Noone has ever heard of re-freshers flu. That’s because it doesn’t exist. With a year of experience behind them, second years come back to college with a stronger immune system and a cupboard full of berocca and lemsip.

Woman-To-Be

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For more of Angelika’s gorgeous look on life through the lens, see her blog ɐ vantage, showing her ‘hunger for colour, the patience to stop and stand and observe and most importantly an immense love for people, their faces, their stories.’

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London Fashion Week: Observations of an Outsider

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Between November and January, an ice rink adorns the cobblestones behind Somerset House’s neoclassical façade, providing a refuge from the steady rhythm of passing businessmen and students along The Strand. Some glide along the ice, others stumble; no heads turn. In February and September, no such sanctuary exists, nor any partition between the location’s interior and exterior, as the chaotic and exuberant spectacle spills out onto the street, and an unintentional misstep makes news. Welcome to London Fashion Week: an overwhelming fusion of masked rivalry and overt voyeurism.

In 1984, at the birth of London Fashion Week, it was the editors, stylists, designers and press who filled the rows at each show. They took notes, commented on emerging trends and lived out a half hour fantasy on behalf of their readers, as they watched an unattainable and alien body carry the outfit that they would soon burn to possess. The event’s 28-year history has led to the convergence of politics, history, pop culture and fashion. Margaret Thatcher, Princess Diana and, more recently, Samantha Cameron, have all attended shows, whilst homegrown models Kate Moss, Naomi Campbell and Lily Cole have all paraded down the runway.

In 2012, the fashion pack has been completely transformed. One no longer needs to belong to a particular magazine in order to be a fashion journalist, nor to be signed by an agency to adorn the pages of the next issue of Vogue, and you are equally likely to find Susie Bubble perched on the Front Row, as you are to find Anna Wintour. We are all legitimate members of the blogging generation, and there is no more definitive confirmation of this than at Fashion Week. This year, plugs were introduced on the Front Row, and I observed more eyes glued to their iPhones than to the podium, as those assembled frantically tweeted, hash-tagged, and instagrammed the show. The experience is no longer rooted in the moment, but in being perceived to have been at the moment, and being the conduit for its broader transmission to the world.  Being there is entirely secondary to being seen to be there. And I could not help feeling that the editors, and others, who sat before me, rendering the experience in front of them square with a 60’s tint, were deferring their experience: perhaps, in deference to the greater good of sharing it?

In that, it is no different to the manner in which we all live our lives.  How many gigs and parties do we realise, belatedly, that we have virtually missed, because our focus was on capturing the scene on our phones or cameras, and telling our friends all about it, rather than on what was there before us?  And so we go home, and savour our experiences the next day, as we review our photographs and upload them to Facebook. Nothing is truly lived until it is tweeted, as our identities are defined by the character of our presence on social media. It is through tweeting and blogging that we find authenticity and our existence is legitimised.

We live our lives at one remove, and it is not too much of an exaggeration to say that those who sat at home on their laptops, enjoying instant access to the images or the live feed of the London Fashion Week shows, in some sense, experienced it more immediately than many of those who were there. Far from being the exclusive event that it once was, London Fashion Week is now instantly accessible to all, and, ironically, may be enjoyed in a more immediate way by those who are absent. The once so-coveted seat on the Front Row at fashion shows is now The Frow; doubtless because it reduces the number of characters squandered on Twitter.

This year, anyone could enter into Somerset House’s courtyard, and I observed groups of ticketless teenage girls wandering in, wearing their most outrageous outfits, in order to attract the attention of street style photographers, before walking out five minutes later. Students from Central Saint Martins and London College of Fashion chose to become walking billboards, exhibiting their own designs, hoping to attract media attention. People exchanged business cards and blog URL’s, although, new to this game, when someone asked me “Where are you from?” (meaning magazine or blog), I naively replied “Islington”.

Having only once attended a show at Paris Fashion Week, whilst I was interning for a French magazine, I arrived on the first day in an understated outfit, attracting stares from a sea of neon green tights and metallic skirts. Whilst everyone else belonged to the street style photographer, editorial, or blogger ‘crowd’, and exchanged knowingly fake smiles of veiled rivalry, I rocked up alone, on Day Two, having missed the two shows on Day One due to being too terrified.

MARQUES ALMEIDA
was my first London Fashion Week show experience. The Portico rooms were buzzing as the intro to 90’s hit ‘Drinking in LA’ played and the first model did the circuit of the square-shaped catwalk. The Portuguese designer duo Marta Marques and Paulo Almeida spent the winter in the woods together designing the collection, and this was evidenced in the earthy green tones and use of natural frayed edges.They have cited their inspiration as the moody, unfashionable teenage girl of the 90s and pride themselves on their collections being effortless, young, and wearable. Their shoes have always been a particular hit with buyers worldwide and the mix of platform, ‘bright white’ sandals and patent black boots didn’t fail to impress this time either. The show was a small, intimate affair, and fairly unintimidating, as the seating was molded around the square-shaped room, leaving no room for ‘front row politics’. Yes, they were ‘f***[ing] the system’ (see their mood board, below.)

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The second day of Fashion Week heralded personal favourite PETER PILOTTO and his cathedral-inspired technicolour offering. It was 9am, as a bleary eyed, yet still immaculate, crowd arrived at Topshop’s show space in Bedford Square, although some editors arrived more than fashionably late, having to sneak in round the back. (Of course, they proudly tweeted about it later). Peter Pilotto and Christopher de Vos crafted each dress in the collection from a single textile, and the pair even travelled to India for the beadwork, having to cross the Ganges every morning to check on its progress. The order in which the outfits emerged signalled a progression from the minimalist black and white, to an added detail of peplum skirt and neon stripe, to the pinnacle of their collection: no doubt, the sequin-embellished, ball gown-form dresses. This season, the Peter Piletto silhouette became much more defined, balancing out the increased eccentricity of print. Anna dello Russo and Franca Sozzani were seated in the front row, proof that Peter Pilotto’s collections have only gone from strength to strength, and previous collections were also spotted on much of the fashion crowd throughout Fashion Week.

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As the iconic British favourite, Burberry Prorsum was yet again the most highly anticipated show with the most glittering front row, including Dita Von Teese, Andy Murray and Harry Styles. Christopher Bailey had modestly said of the collection: “People are stopping work to watch. You’ve got to give them a good reason”. Indeed, despite the live streaming of nearly all runway shows, it was Burberry that had started the live revolution, and Burberry that still dominates it. The collection was cinematic, and featured a mix of outwear and underwear, worn as such. The finale featured a stream of metallic trenches in all different colours: a modern approach to the classic Burberry design. The previously extremely wearable Burberry has taken a step towards escapism, perhaps in an effort to shake off the checkers now associated with the British ‘chav’.

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Supplimetary image credits:
http://www.openingceremony.us/entry.asp?pid=6617
http://www.showtimestitches.blogspot.co.uk/
http://www.style.com

Another stab in the EBacc

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The world is a harsher place for young people exiting school. The three-fold increase in tuition fees, a political u-turn accompanied by little apology to Britain’s young people, has seen an approximate 7.7% decrease in university applications in just one year. Even if it amounted to a so-called graduate tax, it has created a climate of drastically depleted academic aspirations. And of those who have graduated in the past five years, many have had to come to terms with the saturation of the jobs market.   

Now another radical change has come about, the English Baccalaureate (EBacc), and it will make it even harder for a young person to succeed: all for a good purpose in the eyes of the government, of course. It is another part of the government cap on the aspiration of today’s young people, which has been especially damaging to the poorest. First, there were cuts to public services and education which saw library closures, the closing-down of youth centres and a decreased investment in schools. Libraries play a huge role in developing literacy, but the government nevertheless went about cutting their budgets. The EMA, which enabled thousands of poor children to attend sixth-form, was abolished. Kids had to make do with less, making hard times harder as their parents’ real incomes shrunk. Now Gove’s EBacc seeks to raise standards. It will certainly be harder to achieve the top marks than it was under GCSEs, but for whom will it be hardest?

There are a number of serious issues with the EBacc. Perhaps Gove is a romantic who believes compulsory French will increase children’s future prospects by knowing the language of love, but perhaps this nation’s future would benefit more pragmatically from Spanish or Chinese. Secondly, the Dyslexic association has warned that it would be illegal for Gove to introduce a qualification that would discriminate against dyslexics, whose struggle with exam environments is not a reflection of their intelligence, or how hard they worked. The exam emphasis would have a detrimental effect on the performance of all students with learning disabilities. Most serious are the comments from those in education, including Christine Blower, general secretary of the National Union of Teachers. They have suggested it will create a two-tier system, in which far more children will leave school without any qualifications at all. Certainly no credible, less academic route has yet been offered for those who will not suit the exam emphasis of the EBacc.

 Unnervingly, Gove seems poorly educated about education, and astonishingly in need of French practice as his recent announcement in parliament, ‘vive lE difference’ would not score him well in an EBacc exam. Education is not just how well you can sit exams, and if it were, most intelligent people would disengage from school very early on. For those with learning difficulties and from under-privileged family backgrounds, the EBacc is unlikely to recognize much of their intelligence at all. It is simply false to assert they will learn more in the process of preparing for the EBacc, just because it is exam focussed. School is about developing the whole individual, and learning valuable skills including in-depth research, interpersonal skills, creativity and problem solving, something that only coursework forms of assessment draw out. Exam success can be bought by a spoon-fed approach to teaching and focussed learning, something the private sector has always had the ability to achieve, whereas state run schools are far more challenging learning environments, sometimes with six times the class size. 

After considering how exactly Michael Gove’s EBacc intends to change standards, and the effect this is likely to have on education, it is not difficult to be appalled at how discriminatory the system will be on future minds. We should dread the effect the EBacc will have on the prospects of those who leave school with little or nothing to show for it. GCSE grades were inflated, but the EBacc is not the solution. It will not reward hard work or develop potential. It is more designed to burst kids’ bubbles and deflate aspiration. And has there not been enough of that from this government?

Review: Julius Caesar

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It’s a play where tricolons reign and rhetoric is king. And, although Julius Caesar inescapably concerns the assassination of its title character, the power in this play is generated more by the words themselves than by any tangible weapon of destruction. No dagger or knife wielded by the half a dozen conspirators is as pointed or as compelling as Mark Anthony’s appeal to his “Friends, Romans, Countrymen’; no death on the battlefield as resonant as the “Peace, Freedom, Liberty!” of the revolutionaries. 

And, fortunately for the 2pm Thursday matinee, director Gregory Doran proved he was more than worthy of realising this, his cast expertly showcasing oratory skills to rival that of any Downing Street quibble. Ray Fearon projects his Antony with real conviction and charisma during Casear’s funeral, his delivery moving both character and stage audiences, whilst the grizzly vocals of Jeffery Kissoon reveal a Caesar who is more benevolent leader than destructive dictator as reckoned by conspirators.

The link between Shakespeare and Africa may appear hazy, and at first, even irrelevant. After all, more than four hundred years have elapsed between the Elizabethan playwright and our Africa of today. But Doran’s motivations for recontextualise the piece becomes increasingly apparent as bubbling conspiracy is concocted, as the power hungry are never sated, and as political confrontation snowballs into furious civil war.

Catchy bongo rhythms and heavy African accents do more than to simply transport the play into a different continent; it makes the play as a whole become more intense, more immediate. These are the events we see all too regularly on the news, and designer Michael Vale’s statue of Caesar reminds us of this- it would be hard not to compare the looming statesman to that of Saddam Hussein’s toppling statue. 

Doran purposely omits any direct reference to specific locations of the vast continent, veiling the play in a certain air of ambiguity. For although the director may have decided to use an all-black cast, the generic label of ‘black’ spans a wide range of actors from different backgrounds and different locations- Nigeria, Ghana, Jamaica, Trinidad to name a few. A quality of the universal, then, is produced which allows Post-Colonial Africa to act as a timeless microcosm for the rest of the world.

Julius Caesar invites us to consider the nature of politics, to ponder: how can we really appraise our leaders until after they have finished leading? The dilemma is most apparent in Brutus’ pompous words that “we shall be called purgers, not murderers” following Caesar’s assassination, words which are undermined fully when civil war and turmoil blanket the land.  James Paterson wrangles into the character of Brutus perfectly, the actor revealing Brutus to be far from the noblest Roman of them all, but, perhaps more aptly, the most deluded; we witness a man who enthusiastically stabs Caesar in the genitals, a man who self-righteously beats his chest when talking about himself.

Shakespeare is prone to becoming stagnant if performed poorly, and what with the prospect of more than two hours of Julius Caesar to contend with, this was a very real threat. But Doran’s cast performed with a contagious energy and meticulous polish all around, even if the pace did falter somewhat during the military scenes – which had the tendency to be too drawn out. Nevertheless, the production has breathed new life into this tragedy, transforming a play of the past into a play of today.

Regrettable freshers’ facebook group behaviour

This is it. This is your whole year on Facebook. Or most of it. Discounting those who don’t have Facebook, obviously. Quickly scour through your pictures, think twice about giving a blow by blow account of the saga that is your packing experience. Freshers’ group etiquette is difficult to judge but there some very basic pitfalls to avoid. Oh, and the really helpful second years… they’re judging you.

 

Stupid questions will come back to haunt you.

For most it’s the excitement of a notification followed by a groan of disappointment. Yeah, people have questions; no one knows what to expect. But no, college doesn’t do your laundry for you. Yes, bring a bike. And saying you might bring a Segway instead isn’t funny or going to make you many cyber friends in advance. Frankly, you look like a bit of a prat. The contents of your freshers’s group never die. You will probably be reminded somewhere down the line, when renowned as the college’s biggest rugby player, that you once asked if you needed to bring an ironing board and an apron. The stupid questions carry on once you start too, and probably well on into second year. There is the tired, nay exhausted, frape, but asking a couple of hundred-odd people if you can borrow a pin gets old really very quickly. 

 

Eagerness is embarrassing.

The problem with Freshers’ groups is that they breed keenness and, if there’s one thing you don’t want to appear if you’re going for that air of disaffected cool, it’s keen. Apathetic and disinterested are much better for your social standing. This is by no means restricted to incoming freshers. For every interviewee who posts a picture of their college from the last time they’ve been up (still looking fundamentally the same as it has done for the last 500 years, although perhaps augmented with a squirrel/snow/large group of Japanese tourists), there’s that second year who just has the be the first one to answer any questions. Sometimes this turns into an arms race, with two people frantically trying to be the quickest to reply or the most helpful. They say it’s good intentions, but chances are it’s just to make sure they’re the most recognisable one on the RnB floor of Park End…

 

You think you’re a LAD? This will impress no one.

We’ve all been there: this is your very first opportunity to stake your claim as your college’s premier LAD/ LADETTE, and it’s time to get in there first. Stories of your banter will be whispered in hushed tones as you stagger around the quad, nursing a hangover and a bruise from that particularly brutal match or race. It’ll be ok though, because while you stagger you’ll have at least one, maybe three, other freshers doting on your every move, just waiting to hear stories of your intrepid derring-do, the time that you scored that try or the time you got so drunk you were thrown out of three clubs and STILL pulled. Trust me when I say this, the time to demonstrate your laddish tendencies is not the freshers group.

 

Don’t brag, you’re not that great.

You’ve managed to get yourself an Oxford offer. You either got lucky or are genuinely intelligent. Well done. It might come as a surprise to you then that every single incoming fresher is in the same position as you. You are not exceptional. Gently informing your peers that you managed to achieve 100 UMS marks in your Chemistry January exams will just piss people off. Sugar coating it with humility by insisting that you are “so surprised” or that you don’t know how you “managed it” is even worse. You will not come across as a shining beacon of intelligence but as very insecure.