Friday, April 25, 2025
Blog Page 1643

Proctors assaulted after exams

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Post exam celebrations are being scrutinised by the University after allegations of assault on two members of staff following morning exams on Tuesday.

Students have been warned to ensure that they behave in an appropriate fashion upon leaving Examination Schools, after increased concern from the University over public order.

A letter from the Proctors forwarded to all members of Balliol JCR read, “We write to inform you of an incident which occurred in Merton Street yesterday (5 June 2012) after the examinations in the Examination Schools finished at lunchtime. Two members of our staff were injured by an out-of-control man thought to be a student who was ‘celebrating’ with one of the Finalists.

“Those injured were a Proctors’ Officer (who sustained bruises and abrasions to his hand, which is today so swollen that he cannot use it) and an Assistant Proctors’ Officer (who sustained a black eye and bruised ribs and who has today been sent home from work).

“Many of you will know the latter, who is a long-standing and loyal member of staff. The man in question ignored instructions to stop what he was doing and ran away from the scene. The Proctors are currently investigating this case, which may become a matter for the Police.”

In forwarding the email, Douglas Dupree, the Balliol College Dean, added, “As anyone who has found themselves on the wrong side of University discipline knows, the Proctors take very seriously inappropriate behaviour (and behaviour against the University rules) by fellow students greeting those finishing exams. This incident will no doubt underline the sobriety by which any infractions are evaluated. The Master joins me in wanting to bring this to your attention.”

The police have downplayed their involvement, stressing that this was a matter that would be dealt with by the University independently. A spokesperson for Thames Valley Police commented, “Police were called by university staff at 1.35pm on Tuesday, who asked if police had CCTV of a man who allegedly had pushed past two proctors at the university. The CCTV cameras had not recorded any footage of the incident.

“The Proctors were not injured and the member of staff reporting the matter said he did not want it formally reported to the police, but that the university would be dealing with the student themselves. There is no further police involvement.”

News of the incident has been met with mixed response among students. Whilst many feel that the celebrations are a harmless Oxford tradition, some have condemned the “rowdy” nature of them. First year lawyer John Huxley said, “Trashing is a nice tradition, but if it boils over into violence, then it’s gone too far.”

However, others have criticised the University for being “too harsh” on students celebrating the end of finals. One student commented, “Finalists deserve to have a few minutes of fun straight after they’ve finished.

“Of course I don’t condone violence, but exuberance is understandable, and sometimes it’s harmless fun that’s punished. But I don’t agree with the use of eggs. That’s just not cool.”

Euro 2012 Preview: Group B

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Is the future Oranje? Can Denmark draw inspiration from 1992 and defy the odds? Is this Germany’s year? And will Portugal stop the 28 year old rot?

 

Holland

The Coach: Bert van Marwijk

Since taking over the reins of the National Team in 2008, the 60 year old has guided the Oranje to a runners-up finish at the 2010 FIFA World Cup and enjoyed a successful 2012 European Championship qualification campaign. His progress has been rewarded with a new four year contract.

Key Player: Wesley Sneijder

Despite enduring a disappointing season with Internazionale, the 27 year old playmaker remains a key asset to the National Team set-up, demonstrated by his outstanding displays at Euro 2008. The former Real Madrid player’s versatility and inventiveness will have to come to the fore in a group which could be decided by a few moments of sheer brilliance.

Formation: 4-2-3-1

Van Marwijk has worked hard to shrug off the ‘anti-football’ tag that the Dutch have become synonymous with following their performance in the 2010 FIFA World Cup Final. In truth, the formation has changed little from that of the previous coach Marco van Basten. In a team with plenty of competition for places, the question remains as to whether a balance can be established between attack and defence.

How Did They Qualify? Winners of Euro 2012 Qualifying Group E

Best European Championship Finals Performance: Winners (1988)

 

Denmark

The Coach: Morten Olsen

The longest-serving head coach at Euro 2012, the 62 year old has led his country for 12 years. He has guided the Danes to every major international tournament during his spell in charge and the ex-defender was the first from his homeland to achieve a landmark 100 caps.

Key Player: Nicklas Bendtner

Hit and miss. Infuriating. Talented. The mystery that is Nicklas Bendtner. Whilst his club form is distinctively average, the tall striker has been impressive for his country, scoring 18 goals in 48 games. This year’s tournament may well prove to be the vital catalyst for the 24 year old to match his glittering words of potential with actions.

Formation: 4-2-3-1

In order for Bendtner to succeed then much of Denmark’s creativity will lie at the feet of their highly-rated Ajax midfielder Christian Eriksen. If he can replicate his excellent domestic form on the international scene then Denmark could spring a few surprises. If not, then a lack of other game-changers, creativity compounded with doubts in their backline may mean that their stay in this year’s tournament is cut short.

How Did They Qualify? Winners of Euro 2012 Qualifying Group H

Best European Championship Finals Performance: Winners (1992)

 

Germany

The Coach: Joachim Löw

Since taking over from Jürgen Klinsmann, the 52 year old has led the National Team to a runners-up spot at Euro 2008 and a third place finish at the 2010 FIFA World Cup. His brand of free-flowing football has won his team many plaudits from around the world. 

Key Player: Bastian Schweinsteiger

If the Germans are to be got at, then it is in defence. Thus the role of the holding midfielder to shield the defence becomes of paramount importance. The FC Bayern Munich player’s ability to break up play and retain possession for his team, who like to play with the ball to feet, will be pivotal.

Formation: 4-2-3-1

Since 2010, Germany have looked a more technically gifted and tactically aware team. They now have strength in depth, a host of exciting youngsters who have forged an excellent team spirit and, above all, an age-old winning mentality. They can more than make up for their uncertainty in defence with pace, energy and creativity in the attacking third.

How Did They Qualify? Winners of Euro 2012 Qualifying Group A

Best European Championship Finals Performance: Winners (as West Germany in 1972 and 1980 and as Germany in 1996)

 

Portugal

The Coach: Paulo Bento

The former Sporting Lisbon midfielder took charge of the National Team in September 2010 following the dismissal of Carlos Quieroz. They were pipped to top place by Denmark in their qualifying group however progressed through the play-offs with an emphatic 6-2 triumph over Bosnia & Herzegovina.

Key Player: Cristiano Ronaldo

Unquestionably one of the most talented footballers the game has ever seen, the country’s 27-year-old captain has yet to make his mark on the international stage. He is at the heart of all of Portugal’s creativity and will be heavily relied upon by both his coach and teammates to destroy defences with his pace and trickery. 

Formation: 4-3-3

Retaining possession and using the flanks effectively will be key to Portugal’s success. Individual brilliance from the likes of Cristiano Ronaldo and Nani as opposed to team cohesion could well see them sneak into the Quarter Finals. Bruno Alves and Pepe will have to be resolute in defence but their main problem could lie upfront with no real goal poachers at Paulo Bento’s disposal. 

How Did They Qualify? Qualified through the play-offs having been runners-up in Euro 2012 Qualifying Group H

Best European Championship Finals Performance: Runners-up (2004)

 

Twitter: @aleksklosok

Review: Snow White and the Huntsman

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I’ve never been a big fan of ‘Once upon a time’. I guess it’s because I always thought the underlying plots, the heroes and villains and the morals were good but they’d make really bad movies.

I’m delighted to say on this occasion, Universal Pictures proved me wrong. A new genre is opening up after the success of ‘Red Riding Hood’, with ‘Snow White and the Huntsman’ the latest fairy-tale inspired action epic (I hereby name this genre ‘fairy epics’) to hit the screens, with a deluge set to come in the form of films like Jack The Giant Killer and Hansel And Gretel: Witch Hunters. Looks like storytime’s about to get a whole lot more interesting. 

To the plot then, where poor orphaned Snow White is left languishing in a dungeon following evil Ravenna’s murdering her way to the throne. Upon the authority of the magic mirror, Ravenna and her henchman/brother (played by The Hurt Locker’s Sam Spruell) need to kill Snow White in order that Ravenna remain ‘the fairest of them all’. This all seems fairly straightforward when she’s safely locked in a dungeon however, this feisty determined Snow White (brought to us by Kristen Stewart) manages to escape the grips of her captors.

This then develops into an all-guns-blazing action adventure including Chris Hemsworth (yes I know ladies), as the damaged and mysterious huntsman, eight (yes eight) dwarves and a nail-biting battle to rid the land of the much despised Queen.

It’s like Game of Thrones: the movie. In saying this we couldn’t expect anything less from former chairman of 20th Century Fox and Walt Disney Joe Roth who was the billion dollar blockbuster producer of ‘Alice in Wonderland’. Also, this must be a dream come true for director and state-of-the-art visualist Rupert Sanders for whom this was his feature film debut. The SFX on this film are stunning and with the limited use of green screen the fight for ‘the real experience’ is very much evident in the battle scenes and Ravenna’s demonstrations of dark magic where the twist of modernity is taken to a whole new level.

This movie sees Hollywood A-lister Charlize Theron versus up and coming teen mascot Kristen Stewart. Once again, Stewart finds herself caught between two men: childhood friend William (played by Pirates of the Caribbean’s Sam Claflin) and Hemsworths’s The Huntsman. Sound a little bit like Twilight?

Actually Stewart does well to shake off her Twilight origins and brings a new edge to a well-worn character. It does appear though that she runs, she makes the battle speech and she pulls all the right faces but there’s something a little bit missing from her performance. An admirable effort though especially when faced with the dramatic powerhouse that is Theron who provides the best interpretation of a kid’s story villain since Glenn Close’s turn as Cruella De Vil.

As for the others, there’s more room for development from Hemsworth’s mysterious Huntsman potentially hinting a follow-up and the dwarves bring the breaks of comedic relief from the drama with lines like: Dwarf 1: ‘How much have you had to drink?’ Dwarf 2: ‘No it was the mushrooms.’

Overall a good solid film for Stewart to start venturing into the realms of more mature cinema. This is going to be a tough act to follow for the rest of the fairy epics to come. With a cast and production team like this, it may just be unbeatable.

A capp-hell-yeah!

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Fresh from a tour which took them across the US and UK, Out of the Blue, the self proclaimed
all-male vocal sensation have come a long way since their foundation in 2000 by American postgrad student Derek Smith.

This month sees the boys in blue return to their hometown, with dates booked at the New Theatre on the 11th and 12th of June. At the press preview for these shows, Cherwell witnessed the group demonstrating the talent that is the source of their success, particularly in an engaging mash-up of Coldplay’s ‘Every Teardrop is a Waterfall’ and ‘Paradise’.

One of the positives arising from Out of the Blue’s time on BGT is that the profile of a cappella music has been raised within the UK. Finding its roots in the US tradition of a cappella groups (Glee anyone?), Tommy Lyle, a fourth year chemist at Oriel, explained that the genre is considerably more popular in the US than the UK. A central part of Out of the Blue’s ethos is, therefore, an aim to raise awareness of a cappella and to make it more popular here on their home turf.

If this is the aim then Oxford are certainly at the front of the pack: the standard of a cappella
groups here is particularly high in comparison to other universities. We can boast six university-wide groups in the form of two all female ensembles, The Oxford Belles and In the Pink; two all-male groups, Out of the Blue and the newly formed The Ultrasounds; and two mixed groups, The Gargoyles and The Alternotives.

It’s fair to say that a cappella music is a pretty big thing around here, with the Oxford region of the annual Voice Festival UK competition being especially hotly contested. Oxford’s success is such that the competition has been won twice by Oxford groups (Out of the Blue in 2009 and The Oxford Gargoyles in 2010) in the four years that it has been running.

It seems that currently a cappella is only gaining in popularity and diversity as a music form. Asked about the reasons behind this, Gina Robinson of the Oxford Belles told us, ‘I think because people are interested in hearing popular songs that they know – whether they be old school floor fillers or pop classics – arranged and performed in an individual or unique way. For example, we’re currently working on a Spice Girls medley that’s been arranged in a jazzy, slow tempo style. I love a cappella because the arrangements get stuck in my head for days – I find myself singing my part (or occasionally trying to beat box) whenever our songs come on in Park End!’

The Belles are another group which is going from strength to strength, performing at numerous balls and garden parties every year, with another CD in the pipeline as well as a return to the Edinburgh Fringe this summer.

Oxford’s a cappella groups have become so integral to Oxford culture that it can be easy to forget that they are entirely student-run and constantly have to fight to raise money and awareness in order to allow them to keep doing what they do. There are signs, however, that this climate could change in the future.

Thanks to coverage from TV shows like Britain’s Got Talent and a cappella albums from established British bands such as The Futureheads, the profile of a cappella is steadily being raised within the UK. It would probably be too much to ask British music lovers to embrace the kind of sickly-sweet Glee-style a cappella popular in America, but, happily, there are definite signs that the UK is currently in the process of carving out its own particular brand.

A View From The Bridge – Varsity Special!

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Turns out skiing is a dangerously Freudian activity after all…

Euro 2012 Preview: Group A

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Can Poland make home advantage count? Will Greece stun Europe again? Are Russia the dark horses? And can the Czech Republic roll back the years?

 

Poland

The Coach: Franciszek Smuda

One of the country’s most respected coaches, the 63-year-old former defender was appointed in October 2009 following Leo Beenhakker’s failure to guide the National Team to qualification for the 2010 FIFA World Cup. He won three Polish Championships with Widzew Łódź (2) and WisÅ‚a Kraków (1). 

Key Player: Robert Lewandowski

The Borussia Dortmund striker comes off a domestic season which saw him score a far better than expected 30 goals. Despite being strong in the air, nifty with his feet and working the channels well, the Manchester United-bound centre-forward will have to rely on good service from the flanks in captain Jakub Blaszczykowski and Maciej Rybus.

Formation: 4-2-3-1

Smuda’s team will line up defensively and look to break on the counter attack. Their strength undoubtedly lies down their right flank with the Borussia Dortmund duo of Lukasz Piszczek and Jakub Blaszczykowski linking up extremely well. They are solid in defence and boast attacking options in the form of Ludovic Obraniak but questions remain as to whether their unambitious central midfield can create attacking opportunities for Lewandowski.

How Did They Qualify? Qualified directly as co-hosts of the tournament

Best European Championship Finals Performance: Group Stage (2008)

 

Greece

The Coach: Fernando Santos 

Voted in February 2010 by the Greek Football League as the best coach of the last decade, the 57-year-old has coached three of Greek football’s top club sides – AEK Athens, Panathinaikos and PAOK Salonika. He steered Greece undefeated through qualification after replacing the long-serving Otto Rehhagel.

Key Player: Sotiris Ninis 

With his impressive technique and range of passing, the 22-year-old midfielder is the creative outlet for the National Team. The Parma-bound attacker is best used high up the pitch, in the hole behind the striker, but he will face stiff competition for a place in the starting XI from another very promising player, Giannis Fetfatzidis of Olympiacos. 

Formation: 4-3-3

The reactionary football played by the class of 2004 remains in part, but the class of 2012 is more creative and technically accomplished. The team is still broadly defensive in its nature and their attacking thrust will come in the form of both full-backs. Just as in 2004, set-pieces will be a determining factor in their success with Dimitris Salpigidis and Georgios Samaras providing the main aerial threat.

How Did They Qualify? Winners of Euro 2012 Qualifying Group F

Best European Championship Finals Performance: Winners (2004)

 

Russia 

The Coach: Dick Advocaat

Aside from success at domestic level, the ex-Rangers manager has plenty of experience when it comes to international tournaments. The Dutchman led his native Netherlands at both the 1994 FIFA World Cup and Euro 2004 as well as South Korea at the 2006 FIFA World Cup.

Key Player: Andrey Arshavin 

Having been deemed surplus to requirements at Arsenal, his subsequent loan move to former club Zenit Saint Petersburg in February has coincided with an upturn in form. The captain appears to be rejuvenated, hitting the sort of impressive form that he showed in Euro 2008. His pace and trickery is a worrying sight for any defender.

Formation: 4-3-3

Just like Spain, Russia have successfully combined their two most powerful club forces together to create a wonderfully free-flowing side. CSKA Moscow provide the goalkeeping and defensive base of the team whilst Zenit Saint Petersburg provide the midfield and attacking flair. Their fluidity allows for a change in formation, switching to a traditional 4-4-2 or more sold looking 4-3-2-1. Their main dilemma lies upfront: Pavel Pogrebnyak or Aleksandr Kerzhakov?

How Did They Qualify? Winners of Euro 2012 Qualifying Group B

Best European Championship Finals Performance: Semi-finals (2008)

 

Czech Republic 

The Coach: Michal Bílek

Qualifying was by no means plain sailing for the man who represented Czechoslovakia 32 times. A play-off win over Montenegro guaranteed their place at this year’s competition. His most notable managerial achievement came in the 2006-7 season when he led Sparta Prague to a domestic double.

Key Player: Tomáš Rosický

At the age of 31, the Arsenal midfielder remains the most creative outlet for the Czechs. He produced his best form towards the end of the season which will give him confidence going into this year’s competition. His experience and creativity could be the difference between the Czech progressing or going out of the Group Stages.

Formation: 4-2-3-1 

Functional, well-organised and with a good mix of youth and experience best describes this Czech Republic team. Bílek does not have an attacking side at his disposal and thus he may look to a more direct style of play. They have a solid spine running through the team in goalkeeper Petr ÄŒech, midfielder Tomáš Rosický and striker Milan Baroš whilst their two wingers will carry the attacking threat.

How Did They Qualify? Runners-up in Euro 2012 Qualifying Group I 

Best European Championship Finals Performance: Winners (1976)

 

Twitter: @aleksklosok

5 Minute Tute: Quantum Physics

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How was quantum physics discovered?

 Quantum physics began with perceived inadequacies in classical theory, the basis of all of physics up until the late nineteenth century. One of those problems is the stability of matter. (Why do solid objects retain their shapes when banged?) Another problem was equilibrium of matter with radiation at some constant temperature. If you look at those issues in classical physics, it seems that no such stability and no equilibrium is possible.

So what exactly is quantum physics?

 It began as the theory of the very small. So quantum physics is about molecules, atoms, elementary particles, like electrons and protons, and whatever they are made out of – quarks, perhaps superstrings. But the equations are completely different from the equations of classical physics. Moreover, you can’t just contain the difference to the micro world. It really gets out and contaminates large molecules; it contaminates collections of large molecules and then biological organisms and ordinary objects and then the planet and then the universe as a whole. This in itself isn’t surprising. In physics, when we have a new theory, we push it to its limits. If you think of what Newton did with his theory of gravity, he didn’t stop with the motions of the planets around the star but extended it to include every motion of every atom in the entire universe. That was essential to all the later discoveries. But when you try to do that with quantum theory you end up with something that seems like nonsense.

There is a famous experiment in quantum physics called Schrödinger’s cat, which finds that a cat can be simultaneously both dead and alive. How is this possible?

That is an example of what I mean. It seems like nonsense. In the face of this, what seems to follow from the equations, it was just declared that something else takes over when you have macroscopic things involved, and especially in ‘experiments’. But many physicists found this unacceptable. They think the equations have to be applied whether or not something is an experiment, or involves macroscopically many particles, but they are modified equations – they are not the usual ones. Or else you have to have extra equations, for new variables – either way, that dictate one or other of the dead cat or live cat. There is another solution, discovered by an American PhD student, Hugh Everett. At the time the idea was too radical, but nowadays, with other theories in physics calling for similar ideas, it has to be t aken more seriously. E verett’s idea was that you’ve got this superposition of the cat alive and the cat dead which extends in time (as the equations evolve in time) to a superposition of the experimenter looking at the cat dead and another experimenter looking at the cat alive, and the equations continue to evolve and then give you a collection of colleagues of the experimenter all agreeing that the cat is dead, superposed with a collection of colleagues all agreeing with one another that the cat is alive, so the fact that you’ve got the superposition cannot be observed, and this keeps going until in the end it extends to the entire universe. This is the ‘manyworlds’ theory. It is an extremely lively branch of quantum foundations. Some of the most interesting questions on this interpretation concern probability and its relationship to decision theory.

Do any of the discoveries made in quantum physics have any application to the ‘real world’?

Oh my gosh! It has transformed almost all the technology you use in everyday life: mobile phones, laptops, media, medical instrumentation, and almost anything else that uses lasers.

Simon Saunders is a Professor of Philosophy of Physics and Fellow Linacre College, Oxford

The UK and Europe – born to lose

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Why. Can’t. We. Win. Eurovision? We’ve tried everything: Scooch’s airborne masterpiece gave us cheese; that guy who lost X-factor five years ago tried disco; Teenage Life gave us, well, something. Even deploying the accomplished and ancient Mr Humperdink hasn’t saved us. Yet again we’ve been forced to watch painfully as those potential points slip through our fingers like fine Azerbaijani sand; another annual reminder of our worryingly strained relationship with Europe.

Surely the standard of our entrants cannot be faulted: a man who is tired of Blue is most definitely tired of life. And, whilst Estonian novelty acts may win some votes with their attempts to drown us all in a sea of silly hats and backing beats that sound like they came from a child’s Casio keyboard, generic pop songs similar to our own usual efforts take home the trophy.

 Clearly the reason for our perpetual embarrassment is that nobody likes us. And with good reason: our nation of greasy beef-eating tea-fetishists has spent the fifteen years since our last win grossly and deliberately out of step with our European neighbours. Over Euro entry, over Iraq, over Cameron’s veto: our belligerence knows no bounds. Such was the fallout from the veto alone that German MEP Alexander Lambsdorff moaned it had always been ‘a mistake to let the British into the EU’. So that’s one vote lost for Engelbert then.

 The lack of solidarity with Europe is ingrained in our national psyche. For all we might ridicule Americans’ lack of universal healthcare and inability to solve problems without shooting them, we shamelessly ape their culture and their politics like an uncool younger brother. Our leaders are far keener to stress the ‘special relationship’ and sidle up to the big and shiny ‘land of the free’ than accept our position as one medium-sized economy amongst equals in Europe. To do so would be to ditch British exceptionalism, to shake off the imperial delusions of grandeur. But our immature non-compliance with the EU loses us more than just singing contests. With a return to recession and the emergent need for a coordinated rolling back of austerity, the ability to organise and cooperate with our invaluable European trading partners has become ever more pressing.

 If there was one lesson to take home from the economic crisis, it was the vital importance of international agreement over fiscal policy. If we are to return to growth and help end the Euro crisis for the benefit of all, then Cameron must put his gut instincts to one side and work to end this silly antagonism between ourselves and our neighbours. And who knows, perhaps then Europe’s leading musical talent might actually make it over to Britain some day.

 

Sides of the story – the Baroness Warsi scandal

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Facts of the matter

Baroness Warsi, long treated with contempt by fellow Tories, has come under fresh criticism this week for her expenses, only one week after the embarrassing revelation that she failed to declare rental income to the Lords. Between October 2007 and March 2008, Warsi claimed £12,000 for 74 nights spent in a party member’s property in Acton, West London. The trouble is, the landlord, Dr Moustafa, claims he let Warsi use the bedsit for free.

Yet Cameron will not find it as easy to let go of Warsi as he did Liam Fox or Jeremy Hunt, assuming the Culture Minister falls on his sword in light of the Leveson Inquiry. The Baroness, ennobled in 2007 after failing to win her parliamentary election in 2005, embodies everything the Tories are not: ethnically diverse, Northern, working-class, urban and female. Her appointment as Conservative Chair and minister without portfolio at the tender age of 39 was part of Cameron’s attempt to detoxify the Tory brand. Her fate will ultimately not be dictated by the tabloids, or even her perceived value as a minority, but by the potency of the allegations and whether in time they will prove accurate.

Laugh-a-minute

Andrew Pierce of the Daily Mail smells blood. His article screams ‘A Muslim working-class mum hand-picked for Cameron’s A-list…But is Sayeeda Warsi up to the job?’ It somewhat tarnishes the Mail’s enlightened attitude towards women in government. The article implies she was promoted because she ‘symbolised the public face of a Conservative Party modernised and reformed by David Cameron’, seething at the idea that any unembarrassed social equity should belong in the Tory Party. He attacks her as ‘weak’ and the beneficiary of tokenism. As the only gay commentator on the Mail, is Pierce by his own logic not subject to the same charge? Wherever the allegations now lead, she should be sacked. After all, she isn’t a ‘Tebbit-style heavy hitter’, reflecting on the affable and measured minister of ‘Get on yer bike’ fame.

Voice of reason

Michael White of the Guardian questions the real motives behind the attacks. The rental income was declared to the Cabinet Office and to the taxpayer, so it seems credible that the failure to declare it to the Lords was an oversight. But as the long postponed Cabinet reshuffle approaches, backbench MPs, who increasingly see her as ‘lightweight’, are piling on pressure to replace her with a more ‘robust’ party figure (for ‘robust’ read ‘white, male, Home Counties’). If Cameron wishes to throw his backbenchers some red meat, then Sayeeda Warsi is surely a likely sacrifice, with these allegations sealing her fate. Would that represent a backwards step for diversity in the upper echelons of government? Perhaps, but as he points out, Priti Patel, a fiery Hindu backbencher, ticks every box that Warsi does, without the limpness that local Tories despise in Warsi.

Review: Moonrise Kingdom

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If you’ve ever been to (and enjoyed) a night at Baby Love then, chances are, you’ll enjoy Moonrise Kingdom, the new film from ‘Supreme Leader of the Hipsters’, Wes Anderson. The film follows two runaway 12 year-olds, determined to escape their captivity (from parents like Bill Murray and Frances McDormand and Head Khaki Scout, Ed Norton) and find romantic bliss in the wilds of Anderson’s imagined New England archipelago. The whole thing is imbued with the same fizzing absurdist streak that marks out Anderson’s films, particularly his sort-of-for-children/sort-of-for-adults adaptation of Fantastic Mister Fox.

The film won’t be to everyone’s tastes and the deadpan humour does consume some of the more heartfelt moments but the film is, fundamentally, a sweet story of pre-adolesent love, driven by two fantastic performances from the young leads. Whilst the film does rotate around their flight, Anderson’s grown-ups (Bruce Willis, Tilda Swinton, Jason Schwartzmann to name but three) get their time in the sun, delivering their performances with the same stoney faced seriousness as Bob Balaban’s bizarrely charming narrator.

Moonrise Kingdom is clearly not for everyone and the results might be quite polarizing. But I found the movie to be a near perfect demonstration of where twee, indie cinema can go when it is not governed by auteurial ego (I’m looking at you, Miranda July). Beautifully brought together and performed, this little piece of whimsy should be essential viewing for anyone who’s bored of the multiplexes being choked up with The Avengers, Battleship and Piranha 3DD.