Friday, April 25, 2025
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Review: Who’s Afraid of Virginia Woolf, Brasenose

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Though unafraid of Virginia Woolf, Edward Albee’s play did, at points, have me jumping out of my seat. Take the pig-headedness of a drunken brawl, and filter it through some intellectual minds; douse this with the age-old issue of being boxed inside an unhappy marriage, and finally add the cherries on top – two awkward guests who are (at first) as tight-skinned as onions. Plus masses of alcohol, of course. This is the cunningly brutal cocktail that our performers had forced us to down along with them in their absurd pageant.

The craziest (and in my humble opinion, most exciting) part of this performance was the way you almost feel present: George and a Martha might well be mentally clubbing each other to death in front of you. At first, you almost feel like you’re intruding. A front-row seat meant that at points I was literally sitting a few inches away from George. Being squeezed into a room about the size of a luxurious living room, with curtains drawn against the cheerful, sunny view of Brasenose, you are lulled into a false sense of security. From the word go, you’re locked into place by the easy bickering (or bellowing), the interrupting and the talking over one another – you follow it at the same pace as any other conversation. If you actually read the script, I’ve no doubt you’d pick up a billion more stinging puns than the few thousand that flew back and forth like pins – but you wouldn’t get the same hot-cold concoction of hard fear as you watch four real people let loose on each other. Sound exaggerated? There was even a fight scene.

Although you do end up leaving your cosy seat more than slightly traumatized, Who’s Afraid of Virginia Woolf? isn’t just a truckload of insanity and malice being tipped onto your head. Jokes, and good ones too, are thrown in so casually that it’s hard to believe it’s scripted. And don’t forget those die-hard practical jokes, too – nothing adds more flavour to sheer horror than humour.

A laugh or no – this play was certainly a scream.

 

FOUR STARS

Review: Court, BT Studio Theatre

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Billed as ‘an original law drama’, Hanzla MacDonald’s new play Court certainly is that. It follows the trial of Suleyman Jones (Tim Schneider), a recent convert to Islam, who is being prosecuted for assisting with seven suicides while sojourning in an Indian mental asylum. He is flanked throughout by his dirt-obsessed lawyer, Adil Aziz (Ibrahim Khan), and the troubled lesbian Prosecution, Harriet Macaulay (Fi Johnston). Then there are the manifestations of both lawyers’ guilty consciences: a skittish convict named Mickey Turner, and Harriet’s father, Paul (both played by Gabriel Nicklin). You’d be forgiven for any confusion in attempting to reconcile these seemingly disparate elements.

Court takes us between past and present, real and imagined, and everything in between. Without effectively used alterations of lighting state, the audience would no doubt have been lost in this complex script. Unlike many writers in Oxford, MacDonald is not a novice: two of his plays have been professionally staged at Coventry’s Belgrade Theatre, and that experience is easily detected. The dialogue feels like it was written by someone comfortable with their own voice, and not – thankfully – like a poor-man’s Pinter. Sometimes, however, MacDonald himself is too pervasive, giving lines laced with that authorial smugness which comes through when A Clever Thing to Say is put in a mouth which doesn’t suit it.

In playing ‘a sort of narrator’, Schneider’s background in stand-up is evident. The assurance with which he chats to the audience ably glides over the initial unease emanating from the stalls, yet he employs a sarcastic knowingness which, though a mainstay of comedians, jars here. Perhaps it is intentional that he never quite connects with his fellow performers, but it renders the story somewhat disjunctive. The performance is overly cynical, ramming home an artifice which precludes any care about the outcome of Suleyman’s trial (in which his life is at stake). Khan struggles to give anything meaningful to a character who serves mostly to feed us clever turns of phrase and discourses on the similarities between dirt and law, though manages to sustain a sinister affability throughout. Similarly, Johnston (beyond some first-night jitters) never quite manages to show any emotional truth with which we could engage. By contrast, Nicklin’s vivid characterisations bring a welcome bolt of energy and excitement to proceedings. It is testament to his skill that, when he burst into the scene having switched role, it took me a while to realise that it was the same actor (despite the costume change being minimal). The prevailing dissonance between actor and character is nowhere to be seen here, allowing him to drag an otherwise rather languid play into a genuinely dramatic penultimate scene. Sadly, he highlights what could have been if director Eamon Jubbawy had pushed the rest of his cast to play the journeys of their characters faithfully and without reserve.

We are instructed to ‘call it meta-theatre; call it mental theatre’, and Court is undoubtedly at its best when it abandons the intellectual pretensions of the former and descends into the abject surrealism of the latter (the recounting of Suleyman’s journey to Islam, from ‘circumspection to circumcision’, is a highlight). Were these sections placed within a narrative which allowed the characters – not the playwright – to take centre-stage, Court could really engags with the themes which it touches upon but refuses to speak meaningfully about. As it is, we are left with a confusing ‘conceptual muddle’.

THREE STARS

Euro 2012: England’s Known Unknowns

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As the clock ticks down to the start of Euro 2012 and another England managerial era begins so too do the selection guessing games. Will Roy Hodgson’s mantra be out with the old and in with the new? Form over reputation? Or substance over style?

 

Ben Foster (West Bromwich Albion)

Despite announcing his international retirement last May, the 29-year-old has played an integral role in ensuring that the West Midlands club sits comfortably in mid-table. Overlooked for England’s 2010 FIFA World Cup squad, his agility, command of the box and experience would make him a more than adequate back up to England No.1 Joe Hart.

 

Kyle Walker (Tottenham Hotspur)

This year’s PFA Young Player of the Year has benefited hugely from a sustained and successful spell in the first team under the guidance of Harry Redknapp. Defensively assured, the 21-year-old excels when in a forward position. He provides much needed width with his pace and directness and has a lethal right-footed shot in his locker.

 

Ryan Shawcross (Stoke City)

A tough tackling, no nonsense central defender known for his physicality and commitment, the ex-Manchester United player has been a pivotal figure for Tony Pulis’s team during the club’s four seasons in the Barclays Premier League. His growing maturity and leadership on the field was rewarded with the 24-year-old taking over the club captaincy last season.

 

Phil Jagielka (Everton)

Since his move from Sheffield United in 2007, the central defender has been a mainstay in the Everton backline alongside Sylvain Distin. With doubts cast over the futures of John Terry and Rio Ferdinand, he’ll be hoping to rekindle his successful relationship with Joleon Lescott whom he partnered in defence in his debut season at Goodison Park.

 

Leon Britton (Swansea City)

An extremely tidy, reliable and skilful midfielder, up till January of this year he had a remarkable pass completion rate of 93.3% in the Barclays Premier League – better than any other midfielder in world football. The diminutive 29-year-old has linked up well with striker Danny Graham and has offered a creative outlet for the Welsh side.

 

Michael Carrick (Manchester United) 

Overshadowed in the media by fellow midfielders Paul Scholes and Antonio Valencia, the steady and assured Carrick has been an unsung hero for Sir Alex Ferguson’s side this season. Despite being overlooked by previous England managers, the 29-year-old should come under consideration to play alongside either Gareth Barry or Scott Parker in the holding midfield role.

 

Alex Oxlade-Chamberlain (Arsenal)

The winger-cum-attacking midfielder has risen to prominence this season with a series of impressive cameo appearances that have earned him plaudits from fans and pundits alike. The 18-year-old possesses blistering pace, physical tenacity and has an eye for goal. His fearlessness on the big stage and the “Unknown Quantity” tag could be the perfect tonic for England.

 

Scott Sinclair (Swansea City)

Energetic, tricky and direct, the 23-year-old is enjoying the best form of his life at the Liberty Stadium. The winger has represented the National Team from U17 upwards and his ability to cut infield thus drawing defenders out from their normal positions and freeing up more space for other players gives his game an added dimension.

 

Grant Holt (Norwich City)

The Canaries’ talisman has performed well above expectation this season. Far from being a simple target man, the 31-year-old’s bulky physique, constant movement and aerial threat make him difficult to defend against. He’s the second top scoring Englishman in the Barclays Premier League this season and his lack of international football should not count against him.

 

Andy Carroll (Liverpool)

It has taken a little longer than expected but the Gateshead-born striker has been unplayable of late. His strengths lie in his ability to hold the ball up and bring others into the game as well as his heading talent. Whilst the long ball game is predictable, there’s no doubt that the 23-year-old is a game changer.

Twitter: @aleksklosok

The fundamental freedom

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Designated by the United Nations in 1993, 3 May was World Press Freedom Day, something that you might have missed in last week’s news. Journalists in Britain arguably ignore the event with good reason; as a country we are proud of our tradition of respecting the public’s right to criticise, which predates any official guarantees first set out in the Universal Declaration of Human Rights. Over a century ago the archetypal Victorian radical teetered on soapboxes flinging pamphlets to the crowd (when he had one) and today’s savvy hacks use hidden microphones and cameras to expose up-to-no-good politicians.

The situation, to generalise, exists in a similar fashion throughout the rest of the developed world. Ever since Henry Demarest Lloyd published articles exposing corruption in business and politics in 1880s America, the culture of bold investigative journalism in Western Europe and the United States has been a regular source of scandal, capable of administering strong doses of accountability to those living in the public eye.

Yet the value of a free press is easily taken for granted. The United States has historically avoided the routine pursuit of journalists’ sources, but after winning an historic election with promises of radical reform, Barack Obama’s administration has gone on to prosecute more government ‘leakers’ under the Espionage Act than any previous administration. In the U.K., the Leveson inquiry into press standards constitutes a government-mandated probe into the behaviour of a profession already ring-fenced by super-injunctions and some of the world’s most repressive libel laws. As a knee jerk reaction to the excesses of a badly behaved press, it inferred the end of press self-regulation; a universally accepted ideal and the strongest measure of a society’s willingness to embrace unfettered freedom of expression. Any perceived shift away from this framework would set a worrying precedent that will resonate around the world.

War and economic crisis make it unsurprising that so few column inches are devoted to the shocking combination of extreme violence, impunity and pernicious legislation that results from an absence of freedom of expression in the majority of the rest of the world. The headlines too often direct focus elsewhere. Yet press freedom advocates have been unwavering in calling a free press the essential right necessary for accountability and a free society. The economic rise of the Gulf States and China has not correlated with any greater regard for human rights. Sanctions on Myanmar are likely to be revoked after its recent opening, yet press censorship and human rights abuses reportedly continue. Ensuring that the structures of power exist within a framework of accountability remains the essential role of a free and independent press; taking it for granted is the first step towards losing this hard-won privilege.

About The Town #1

CherwellTV takes to the streets each week to find out more about the general public. 

This week, we ask what talent people have.

Interview: The Rain Starts A-Fallin’

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Hannah Blyth speaks to Rory Platt, the writer and director of The Rain Starts A-Fallin’, Kate Legh the producer and Emily Stewart who plays Kate.

The Rain Starts A-Fallin‘ is being performed from the 15th to th 19th of May at the Burton Taylor Studio. 

The mystery at the heart of the financial crisis

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The problems at the heart of the financial crisis are awfully complicated. Or so we are told. In recent years, the discussion seems to have focused on the inadequacies of mind-boggling mathematical equations, the tangle of regulations impeding the implementation of capital requirements or the ring fencing of domestic retail banking. But in fact, one of the most serious problems is wonderfully simple: shareholders have been unable to hold their banks to account. And yet for all its simplicity, it remains unsolved and virtually untouched.

Over the past 20 years, the proportion of banking profits going to shareholders has decreased, while the proportion going directly towards salaries has increased. Not only this, but in the lead up to the financial crisis, banks continued to expand their balance sheets, reduced their capital ratio and invested in ever more risky assets. Nowhere is this more evident than at the Royal Bank of Scotland (RBS), which from 2000-08 rapidly rose to global prominence as the world’s largest company by assets (£1.9 trillion). These executive strategies may have been in the CEOs best interest, but shareholders suffered and banks were consistently underperforming their FTSE100 rivals. The RBS Annual Report of 2009 illustrates this point clearly.

Why did they let this happen? If anyone could give me an answer, it was Professor Sir John Vickers, Chair of the independent Commission on Banking, Warden of All Souls and economist extraordinaire. I found him in an intimate room on the upper floors of the Ashmoleon, where he was giving a talk on his latest take on the banking crisis. There I asked him how he would explain the apparent passivity of shareholders in the lead up to the crisis. “Why they tolerated more profits going to remuneration rather than shareholders seems inexplicable”. However, he volunteered to try to explain all the same. In part, Vickers believes the reason why such risky behaviour was tolerated was that shareholders appeared to get the upsides form those investments without suffering the downsides. Many shareholders were all too aware that their banks were ‘too big to fail’ and that in case of emergency, the government would have to bail them out.

But there is also a more sinister explanation for this trend, which is the tacit collusion between the elites in the financial sector. For all the talk of free markets, power remains surprisingly concentrated in the hands of banking executives, fund managers and insurers. These individuals have approved riskier strategies and higher pay packets in the name of self-interest.  ‘I’ll scratch your back if you scratch mine’ seems to be the underlying philosophy. All too often, the board of directors have been populated with the same small crowd of executives who have an interest in partially ignoring the shareholders’ interest so as to create a norm which they can replicate at their own financial institutions.

But all that is changing. On 27th April, 32% of Barclay’s shareholders failed to support the remuneration report which approved a payment of over £20m to their chief executive, Bob Diamond, last year. Last Thursday, 54% of Aviva’s shareholders voted against their pay report and 37% revolted against that issued by UBS.  For too long, shareholders have been asleep at the wheel. It is time to wake up.

 

No Minister – hearts and young minds

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What do teachers in Britain today have in common with the miners of the 1980’s? Both, in their respective times, represented an organised political bloc that did its utmost to resist Conservative policies. At the 2010 annual party conference, Michael Gove said that “the Conservative party is now the party of the teacher” and that he had no desire to “go back and re-fight the old battles of the 1970s”. And yet the current changes to Ofsted inspections are evidence of both a lack of confidence in already embattled educators, as well a desire to break them as a political force.

In what other profession are workers as rigidly observed and criticised whilst receiving so little support as those who chose to “do something amazing” and teach. No one challenges the need to inspect schools. However, the current system places unreasonable demands on professionals who are already stretched to their limits. During an inspection, a teacher must be able to give evidence of constant learning occurring for every pupil in said class for the duration of the hour long lesson. Sound difficult? More like impossible. With such difficult and poorly defined goals, it is often left to the whim of the inspector to decide on a pass or fail.

The actual labels given by an Ofsted inspector have also been re-engineered to meet political ends.  This January the term “satisfactory” was dropped in the favour of “requires improvement”. In isolation the change appears acceptable, as Michael Gove commented; we should strive to push our schools to be more than satisfactory in a world that places ever greater demands on our students. However, this change is more a case of political expediency than idealism. It all ties back to the government’s desire to push as much of state sector education as it can into the private sphere. By moving the goal posts, the Gove has pushed more schools into the ‘failing’ category and as a consequence, this has encouraged many into becoming academies. In addition to this, no notice is taken of the fact that a bad rating, rather than encouraging improvement, will often do just the opposite. A failing school will often fall into the trap of the self-fulfilling prophecy of failure, as it may no longer be able to attract pupils who are successful or from a background that is conducive to success.

This is to say nothing of the additional stress placed upon teachers, who in schools undergoing special measures face twice-termly inspections.  The disruption to the schools daily routine does little but damage the education of its pupils. Morale is important to any workforce and constant inspection gives the impression that one’s skills are not trusted and a feeling of being undervalued. This is breaking the will of many educators and driving them from their profession.

Professions that still retain a degree of political conscience and awareness are a dying breed. Aside from being a convenient way to push forward its education reforms, targeting teachers and by extension the state sector in this way offers it the chance to break the will of one of the last few organisations with the numbers and the power to stand against government policy. In this way teachers today are just as much victims of government agenda as the miners and northern communities were under Thatcher. Some say they are a vested interest, some argue that they are unreasonably resistant to change. But ultimately they are civil servants concerned who refuse to see the well-being of their students as a card to play in the game of politics.

Miss-Represented in the media

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Name a film that passes these three tests: (1) there are at least two named female characters (2) who talk to each other and (3) who talk about something other than their love interests. Struggling? The dearth of such films is indicative of a media industry that perpetuates latent prejudice in society. Or so the argument presented by Miss Representation goes. On Saturday I joined a febrile audience at the South Exam Schools to watch the a feature-length documentary, launched to critical acclaim in the States and now garnering attention on university campuses in the UK.

I liked it. It conveyed a social mission similar to the Michael Moore movies, but with less theatrics and more focus. The thesis is that Western youth are being sold the concept of female value lying in youth, beauty and sexuality. The media – increasingly conglomerated and dominated by private, masculine interests – is doing the selling and we, as consumers, are conditioned from youth to lap it up. The result is that we have an intensely patriarchal society in which new gender stereotypes encourage men and women to participate in an inequitable system which rewards and values female endeavour less. The arguments are multifaceted, and my interpretation is just one. I had only two criticisms, one incidental, the other fundamental. First, there is a somewhat lazy use of statistics. The film states that 65% of women suffer from eating disorders – this seems spurious or based on an overly expansive understanding of what eating disorders are. Second, whilst the diagnosis was clear and powerful, the prescription proved elusive.

Hollywood has undoubtedly done women a disservice by consistently awarding women mundane, one-dimensional roles. For every Thelma and Louise or Million Dollar Baby which feature strong female leads, a hundred others portray women as the helpless sexual playthings of powerful male protagonists. Indeed, the 23rd film of one long-running series of patriarchal propaganda, otherwise known as the Bond films, will be released this October. Even the Sex and the City series rarely deviates from the ladies’ desire to be whisked off their feet by handsome, rich Prince Charmings. Most ‘chick flicks’, which are supposedly ‘for women’ though usually produced and directed by men, fall into this category.

Media matters. The main reason for the female deficit at the top is a lack of assertiveness, underpinned by confidence. Leadership demands decisiveness, daring and strength of will – traits as common to females as to males, despite being shown to be exclusively masculine qualities in the media. Female assertiveness in films is strictly sexual, expressing their desire to find love and the security it entails. Otherwise they shown as are passive or emotional when faced with challenges. No doubt, women are prone to be more patient, receptive to others’ views and less confrontational, but it’s our patriarchal conception of leadership that considers these as weaknesses rather than strengths.

When a recent study asked American eight-year olds whether they wanted to become President, the proportion of each gender who responded in the affirmative was identical. Ten years later, nourished by a toxic diet of sitcoms and magazines that condescend the ‘weaker sex’, two thirds of those ambitious young girls had changed their minds, while the young boys largely retained the aspiration. Of course a host of careers merit ambition and we shouldn’t demonise those women who become committed stay-at-home mothers. The point is that as long as we have a political/business/media elite comprised wholly of men, women lose out. In fact everybody loses out: would the financial crisis have occurred if the major banks hadn’t been run by cack-handed, testosterone-fuelled machismos?

Let’s return to politics. The US Congress contains a lower proportion of women than its legislative counterpart in Afghanistan. Our own parliament doesn’t do much better. However, the situation may be improving. Here in Oxford our OUSU President is female, as were the last three Union Presidents. In Westminster Theresa May is the Home Secretary, an office traditionally seen as ‘unsuited’ to a woman’s temperament. And of course there was Iron Lady, the film that boasts a tremendous example of female success against the constraints of that age. All these figures are role models for young women, though tragically their imagery evades our popular Kardashian culture.

What needs to be understood – and to be fair the film did grasp this – is that the status quo isn’t conspiratorial. We aren’t a nation of misogynists, though that doesn’t preclude a misogynistic culture. There’s a certain inertia to the state of affairs that requires us to expunge the sort of lazy sexism represented by ‘lad’ culture that the sexualisation of women encourages. Miss Representation is right to malign it. Inducing cultural changes is hard but the regulation of the media is unpalatable to me. Largely it’s about awareness, learning what is and isn’t acceptable. The media matters because it catalyses the process. It can stop obsessing over what Theresa May wears rather than what she says. Some attack capitalism – drawing a causal chain between the capitalist market and pornification of media. Well, let’s turn the market on its head. We should use our purchasing power to bankrupt those newspapers and production studios that degrade women. Those choices have to be free in order to affect a genuine cultural shift. That requires a more thoughtful understanding of just how potent the media is.

5 Minute Tute: Women’s Rights in Afghanistan

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What kind of crimes are women accused of committing as part of Afghanistan’s Zina laws, and what are the punishments?

 There are two main acts treated as ‘moral crimes’ in Afghanistan. The first is ‘running away’ which is when a girl or women flees her home against the will of her father or husband. Running away is not a crime under the Afghan penal code but the Supreme Court of Afghanistan has instructed its judges that they should treat it as one. The second main ‘moral crime’ in Afghanistan is Zina, which is sex outside of marriage. Zina is a crime under the Afghan Penal Code and is punishable by up to 15 years in prison.

How does the Afghan legal system disadvantage women who are accused of moral crimes?

The Afghan legal system is biased and heavily stacked against women at every stage. An accusation from a man seems to almost always be enough for a woman to be arrested. Statements are taken from women who are alone in police stations without a lawyer or even a friend, signed (with a thumbprint) by women who cannot read. Invasive ‘virginity tests’ which have no medical validity are routinely administered and treated as valid evidence. In one case, even a letter from a woman’s husband saying that she was disobedient was treated as evidence by the court.

The defence of women’s rights was a major justification for the invasion of Afghanistan. How has the presence of NATO troops changed the situation for women?

There has been important progress. Several million more girls go to school now than did in 2001. Maternal mortality has been falling steadily, and life expectancy has increased dramatically. About 28% of the elected house of the Afghan parliament is women. There are female police officers, prosecutors, defence attorneys, judges, civil servants and even two female ministers. But overall, progress has been less forthcoming than that which women had a right to expect in the heady days after the fall of the Taliban. Worst of all, the progress that has been made is terribly fragile and could disappear within a few years, if the international community walks away entirely from Afghanistan.

What restrictions do women still face in everyday life?

Segregation of the sexes in Afghanistan is extreme. In many families, especially in rural areas, women are not permitted to leave the house at all, or at least not without a male chaperone. A large proportion of families will not permit women to work outside the home where they might come into contact with strange men. Many women still wear the burka, and all women have to wear concealing clothing and head scarves. Forced marriage is the reality for most women, and underage marriage is still very common.

What would you say are the forces behind the Karzai government that are keeping the system of moral crimes in place? President Karzai has always faced a difficult balancing act of maintaining good relations with the international partners he relies on for military assistance, while also partnering with powerbrokers in Afghan society. As the international community increasingly appears ready to turn its back on Afghanistan, Karzai’s calculus about the relative importance of these partners is shifting and it becomes less and less important for him to be seen to care about women’s rights.

Kenneth Roth is the Executive Director of Human Rights Watch