Tuesday 5th August 2025
Blog Page 1772

Santa among the Victorians

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Charles Dickens’ is A Christmas Carol that continues to resound to this day. The Victorian Dickens may well have given us the Ghosts of Christmas Present and Future, but our Christmas culture is one completely and continuously haunted by the presence of the past. 2011 might have brought us a John Lewis advert that made more middle-aged mothers melt to their knees in weepy warmth than any card, present or display of selfless love than their actual child could ever give, and a Christmastide return by Kate Bush, that makes one want to burst back onto those wiley, windy moors again (albeit in the cosy comfort of a Santa Claus hat and snow boots), but our contemporary Christmas culture is one almost entirely constructed by Victorian artistry – more specifically, by Victorian literature.

Believe it or not,  it was upright, stalwart social polemicist Charles Dickens who taught us that Christmas should be spent slobbing out with the family. The pre-Victorian Christmas was one of waning popularity, having been disdained and banned during the puritanical Commonwealth as a Catholic indulgence, and understood ever since as a collective spiritual observance, rather than  as a familial feast.  Dickens was inspired by fellow nineteenth-century author Washington Irving’s own revival of the American Christmastide tradition after its rebuke as a trapping of English Imperialism, through his Christmas writings in “The Sketch Book of Geoffrey Crayon”, which describe the harmonious warm-hearted English Christmas festivities Irving experienced while staying at Aston Hall, Birmingham. It was Dickens’ images of the rosy-cheeked Fezziwig’s parties, the resplendent, indulgent Ghost of Christmas Present and the close-knit Cratchits that popularised the image of Christmas as a celebration of the home, as much as any religious rite.  Perhaps it is the perfect example of Dickensian irony, then – or else simply Christmassy karma – that today our homes are haunted by the unmercifully unending train of adaptations of this yuletide tale – from the muppets version, to the Barbie version, to the version in which each part is played by a different breed of dog.

The indulgent idea of Santa Claus as a man of material worth, with his primary function as toy-dispenser, is another creation of the nineteenth century literati. Whilst the ideas of Father Christmas as a personification of “Christmas spirit”, and St Nicholas as Christmastide spiritual presence had originated centuries before, it wasn’t until Clement Clarke Moore’s 1823 poem “A Visit from St. Nicholas” that these two were amalgamated into a more lucrative figure. The famous poem, known more commonly as “The night before Christmas”, establishes Santa as “chubby and plump, a right jolly old elf,” and for the first time acknowledges how he brings “a sleigh full of toys” with which to fill “stockings.” Moore also gives us the image of “a miniature sleigh, and eight tiny rein-deer” that “mount to the sky” with the infamous roll-call; ‘Now! Dasher, now! Dancer, now! Prancer and Vixen, / ‘On! Comet, on! Cupid, on! Donder and Blitzen”. To add another layer or literary elaboration, this idea of a magical sleigh had been pulled from a preceding poem, “Old Sancteclaus”, an anonymous work featuring in the 1821 work, “A New-year’s present, to the little ones from five to twelve”.

Victorian poets even thought to establish Santa’s other half. Mrs Claus was invented by James Rees, in his 1849 work, “Mysteries of City Life; or, Leaves from the World’s Book”, and popularised by Katherine Lee Bates’ poem of 1889, “Goody  Santa Claus on a Sleigh Ride.” Bates introduces the figure of “Goody Claus” – a character, who demands of her glorified husband, “Why should you have all the glory of the joyous Christmas story, / And poor little Goody Santa Claus have nothing but the work?”

It’s not only in the secular sphere that Victorian writers continue to haunt our cultural consciousness either – even church carol services are underscored with a distinctly Victorian pen. Carol collections began to be printed in the early nineteenth century, such as Davies Gilbert‘s Some Ancient Christmas Carols (1822), William B. Sandys‘s Selection of Christmas Carols, Ancient and Modern (1833), and Thomas K. Hervey‘s The Book of Christmas (1837). The ever-popular yet oddly eerie and melancholy “In the Bleak Midwinter” comes from everybody’s favourite maudlin Victorian, Christina Rossetti.

So whilst it may be a common, and increasingly popular notion that Christmas, year on year, becomes more materialistic, more and more skewed from its origins, we must remember that we are in fact following centuries-old stipulations for the perfect Christmas, adhering to a textual tradition before which there was hardly any sense of celebration at all. If these complainers wish to take on the wisdom and words of Dickens, I wish them the best of luck, but I think I may be too busy indulging in the brand new transformers-themed adaptation of “A Christmas Carol” to contest. 

Varsity Ski Trip 2011

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Varsity ski trip 2011 was an overwhelming success, including world-class acts, exciting competitions and (finally!) some good snow. Listen to what the students themselves had to say about it during the week.

The delusion of democracy and demography

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Orwell never did get the revolution he was hoping for when he wrote in Nineteen Eighty Four, “if there is hope, it lies in the Proles”. But if there’s any consolation, these prophetic words came true this year after the Arab Spring that gripped the Middle East.

 

Just as Communism failed the world over, so did the Muslim world’s very peculiar interpretation of a revolution. Other than a lot of rubbish strewn streets and pictures of hideous booty from tyrant’s palaces, it’s hard to see what has been achieved at all. The post revolution elections were also a painful anti-climax. In Tunisia, once a bastion of secularism in the Arab World, Islamist leaning Ennahada won 89 of the 217 contested seats. Rather than attempt to tackle Tunisia’s over reliance on foreign investment, Ennahada’s first political action was to shut down Tunis’ fledgling red light district. Further to the west in Morocco, the right wing Justice and Development party won nearly a third of the total seats, promising a return to “traditional values”.

 

Why would the Muslim world, despite massive educational and economic development in the last fifty years, choose to look not just to the East rather than the West as a way of forging a new social identity, but on a more universal level, to the past rather than the future? The availability of mass media effectively rendered defunct the sophisticated mind games of the old regimes, as well as casting doubt on the question of social isolation. Asef Bayat’s 2002 pre-revolution book, ‘Making Islam Democratic’ mentions the old favourite, western imperialism. However, what the decision to shut down Tunis’ red light district, the oldest trade in the world, has to do with western imperialism is anyone’s guess.

 

Perhaps, although no one likes to admit it, resurgent Islam’s popularity has nothing to do with an anti-imperialist backlash, or the supposed appeal of religion over the corrupt politics of the West. The reason why the Arab Spring started to look like 1979 Iran all over again has more to do with the most primal instinct of all. Making babies.

 

Let us be under no illusion, educated people do not have enough children whilst their uneducated countrymen have too many. It takes no genius to work out that an illiterate labourer’s family of eight fills the ballot box faster than a teacher’s family of four. The core support for Egypt’s Muslim Brotherhood lies not in the wealthy central Cairo neighbourhood of Zamalek, but in the sprawling, biblical looking mud huts the tour buses pass on their way to the Pyramids.

 

Islamist parties, after decades of persecution from the ruling, largely secular elite, have had time to do their homework. The Middle East’s rapid development in the latter part of the 20th century was a tale of two halves. Although the Gulf’s swanky shopping centres or Egypt’s tourist industry can rival those of any western country, the structure of Middle Eastern society remains positively medieval, split between a small, ruling elite and a heaving proletariat, without a sizeable middle class to act as a cushion in-between.

 

Whilst plotting their reprise behind locked doors, the Islamists became bored of revising political tactics and instead turned to something that needed no thought at all: large families. In countries such as Egypt where birth rates and illiteracy rates remain stubbornly high, the slums of any large Arab city remain ideal receptors for Islamist sympathy. As Asef Bayat justly affirms, the poor, preoccupied with daily subsistence, “cannot afford to be ideological”. Western notions of tolerance and equality mean little to the poor, left out by rapid development, whose knowledge of the arts extends little beyond a rudimentary grasp of the Qur’an. Therefore, the Islamists in the post revolution elections have embraced the democratic principles of citizen participation and individual rights. Notions that are concerned more with the physicality of turning up to vote rather than difficult, abstract notions of equality and tolerance.

 

If the answer is so simple, why then has the question of numbers eluded so many western political strategists? As well as containing considerably fewer syllables than weighty terms like “stagnation in socio-religious thought” or “global marketisation”, the question of demographics  very easily assumes a sinister edge. No one likes to confront the question of who should or should not have the right to vote. Quantifying people like a classroom biology experiment forces people to confront disturbing lessons from history.

 

However, unless the West faces up to this population time bomb, the chances of anything close to a western democracy being installed in the Arab world will remain as remote as the chances of a Saudi Gay Pride parade. Without effective family planning, compulsory education and a secular government, a feudal, Eloi/Morlock style society will never be broken.


Review: Nuel – Trance Mutation

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I’m writing as the wax is spinning. Nuel’s new experimental slab, Trance Mutation, has been on heavy rotation since the kind postman delivered it. This intensely emotive album is the product of Manuel Fogliata’s imagination run wild, creating a series of melodic and percussive gems that initially demand your attention and then make all attention redundant. The Seattle based Further Records has been going from strength-to-strength over the past couple of years: Donato Dozzy’s K was easily my favourite record of 2010, and since then we’ve been treated to fantastic live recordings courtesy of Ekoplekz and Conrad Schnitzler (who sadly passed away the day I picked up his Live ’72 doublepack), as well as o1o’s twisted Futurespective EP.

The only link I can see between Further and Nuel is his production partner’s (Dozzy’s) prior appearance. Further’s ideology is worlds away from the sound that Nuel has been pushing on his Aquaplano imprint: relentless deep, dubby techno for dark rooms filled with dark souls. I know, I’ve been one of those souls. To show just how dark, Mike Parker has even released on Aquaplano.

Nuel takes a trip away from his normal production style resulting in a package that is altogether at home on Further. The seven tracks are far from techno, but they are trance-like. Not Goa, Hard, or Vocal; but meditative, hypnotic scapes with heavy emphasis on tabla rhythms and plucked guitar. That’s where the Mutation comes in. Fogliata is responsible for all the instrumentation, overdubbing his live performances with more live performances. A track per day; a week of creativity. Nuel, like Lerosa and Dozzy before him, has once again shown the world that the Italians are untouchable. Be quick, there aren’t many copies, and now there’s one less.

Stream, or buy the album.

Review: One Man, Two Guvnors

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Five Stars *****

Still recovering from the deep mental scars carved during several horrific experiences of family pantomimes over the last couple of years, I thought that it was about time I branched out into festive theatre going that would actually prove amusing. Whilst, of course, Richard Bean’s modernisation of Carlo Goldoni’s 18th-century Italian commedia dell’ arte piece, The Servant of Two Masters, does not seem the most festive of choices, this superb production filled myself, and the rest of the audience, with so much cheer that we soon forgot about the lack of transforming vegetables and dark caves with shiny lamps.

The plot for a start, with its constant twisting and turning, is sheer delightful madness.  Bean has relocated the action to Brighton, 1963 and the narrative follows Francis Henshall, a failed skiffle player who, in order to fund his eating, drinking and sexual antics, finds himself simultaneously employed by two ‘guvnors’. One, a female, Rachel Crabbe, is disguised as her dead twin and the other, Stanley Stubbers, is not only responsible for the death of Rachel’s brother but is also her secret lover. The production has been shortened by twenty minutes from it’s National Theatre days, but has lost none of its zeal.

James Corden as Francis is outstanding. From the chewing of letters to the dragging of supposedly heavy suitcases across the stage, he demonstrates not only farce at its very best, but also, through constantly interacting with his audience as if we had known him for years, gives a master class in audience manipulation. Yet, under the spell of Corden mania, other equally strong performances are all too easily forgotten. Whilst he may simply be playing a stereotype a particular highlight for me is Oliver Chris as the toffish Stanley, delivering his brilliantly caricatured lines-“Buzz-wam! Wrap his nuts in bacon and send him to the Nurse”-with unending pazazz and variety.

There simply is too much praise for this production to fit into one review. The glorious painted facades of the moving set are so wonderfully Carry On-esque I thought that I was watching Boxing Day television, the Sixties skiffle band, with added musicians as different cast members demonstrate their musical finesse on instruments ranging from the steel drum to squeeze horns, beautifully smooth over the scene changes, and the last scene of the first half is perhaps the single funniest that I have seen in my theatre going history, during which I laughed so hard, it felt like I had eaten three Christmas dinners.

In short, you would be a fool to miss it, so make sure you grab your ticket before it heads to Broadway in April 2012.

Oxford students branded ‘boring’ after latest Varsity trip

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Despite early worries about the lack of snow in Val Thorens, last week’s Varsity Ski Trip went ahead successfully. This year’s trip did not see a repeat of last year’s ‘Valley Rally’ which gained notoreity in the national press for the scandalous behaviour of students.

Students had expressed worries about the weather in the run up to the trip, as milder temperatures saw a distinct lack of snowfall in the week before departure. However, a last minute change in the weather meant that by the end of the week the snow depth had reached 130cm. Worcester College Varsity Trip Rep Matt Henshaw said that “as the coaches started arriving the whole resort was brown” but that despite being  “very fine cut … the snow situation ended up being awesome.”

There were still some issues with the weather with the heavy snowfall causing problems with visibility. Third year PPE student Oscar Hutchinson described the middle of the trip as “four days of whiteout”. Because of the bad snow conditions, some events, such as the Red Bull Homerun, were called off. Second year student, Matija Vlatkovic, who had wanted to compete in the crowded downhill race, described this as a “real shame”. 

However, weather trouble was unable to dampen enthusiasm for the social side of the trip. Oscar Hutchinson said that the weather conditions would have “mattered more if the focus had been on the skiing itself, but … there were lots of people around in VarCity and in the town so it wasn’t too bad.” Second year Univ student, Esme Hicks agreed, commenting, “Varsity is about both skiing and socialising so even with little snow, you’re bound to have fun.”

Students were treated to an entertainment line-up that included Ms. Dynamite, DJ Fresh, and Basement Jaxx, in addition to a Live Music Night, a Comedy Night, a Swap/Crewdate evening and a Silent Disco.

The Oxbridge trip also included several opportunities for the two universities to compete in sporting events. While the tabs triumphed in the main Varsity Ski Race the Cuppers competition was won by the team Trinity College, Oxford. Oriel fresher, Jamie Reid, who got the fastest Oxford time commented, ‘The races were a lot of fun. After falling in the first run I kissed goodbye to the overall individual cup, and frustratingly I got the quickest time on the second run.’ He added, ‘Next year and we’ll have them.’ 

Conspicuously absent from this year’s trip was the controversial “Valley Rally”. The challenge, which saw teams take part in “outrageous” tasks as they competed to win a free holiday, received bad publicity in the press last year.  Some students felt that this could have been part of the reason that this year’s Varsity Trip was without major scandal. An Off-The-Piste Rep who had assisted organising other university ski trips told one student that the Oxbridge trip was very sophisticated when compared to other universities from the UK, saying that “Oxbridge really is pretty boring.”

The Varsity Ski Trip had sold out in record time this year; with over 3000 Oxbridge students attending, it is the biggest student-run snowsports event in the world. 

Oxford University Press to reprint controversial essay

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Oxford University Press has decided to “immediately” reprint a controversial essay, after pressure from scholars and members of Oxford University.

OUP’s decision in 2008 to stop printing two books containing A.J. Ramanujan’s essay ‘300 Ramayanas’ coincided with certain groups in India looking into legal proceedings based on the claim that the essay was offensive to Hindu sentiments, with OUP India as one of the potential respondents. 

Members of the academic community in Oxford and abroad criticised OUP’s decision, with many claiming that it was detrimental to OUP’s reputation, and to Oxford University’s by extension. 

This had been reported on by Cherwell this term.

OUP claimed that its choice to stop printing the books was solely down to commercial factors, but this week changed their publishing decision, reprinting both books and a further book called Questioning Ramayanas, also on the topic. A spokesperson stated, “OUP has an important role to play in ensuring that the best scholarship is disseminated freely, and we hope the reprinting of these three important works will demonstrate our commitment in this regard.” The books will now be available in India and beyond.

Campaigners at Oxford University said they were “extremely glad that OUP recognised the importance of reprinting these books”.  The three organisers of an international petition to reprint the books issued a joint statement, stating “We whole-heartedly support this affirmation of OUP’s longstanding commitment to excellence in scholarship, to the broadest possible dissemination of knowledge, and to the right of scholars, writers, and artists to freedom of thought and expression everywhere.”

OUP also rejected allegations that they had “apologized” for publishing the essay and had not stood by their publishing decision. A letter sent in 2008 from OUP to the potential litigants apologized for offending the sentiments of Hindus, adding that OUP was not selling the book nor were there any plans to reissue it. OUP claims they have been “misinterpreted” and wish “to restate the fact that OUP does not and never has apologised for publishing any work by Ramanujan.”

The essay in question looks at different versions of the ‘Ramayana,’ a Sanskrit epic poem which is also a sacred Hindu text. One issue for the potential litigants in India was that one published version has the protagonists Rama and Sita as siblings, whereas they are husband and wife in Hindu tradition. The narrative is celebrated in the Hindu festival Diwali, and is part of Buddhist tradition.

The author of two of the books, A.J. Ramanujan was a distinguished historian who spent most of his career at the University of Chicago studying Indian culture and literature. He died in 1993. 

Theology Faculty to undergo name change

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The Faculty of Theology will be re-titled “The Faculty of Theology and Religion” by October 2012, should the proposal be accepted by the Humanities Divisional Board and Council.

The name change is in part driven by the findings of the 2010 Review of Theology, which recommended that “the Faculty should consider changing its name to reflect more accurately its identity in the 21st Century.”

Professor Sarah Foot, Chair of the Faculty Board, suggested that the change would make clear the breadth of study available in the modern Theology course whilst also appearing more attractive to potential students. She argued that the new name would attract applicants who wished to study religions other than Christianity and those interested in comparative study on the nature of religion, stressing, “Very few institutions now offer degrees in single-honours theology and we hope to compete better with programmes elsewhere by changing our name.”

This proposal comes alongside changes to the structure and nature of the course also being discussed. These include the suggestion that Prelims should happen in Trinity term rather than Hilary of first year and that there should be greater freedom in the Final Honours School. Currently students have to study four compulsory Christian-based papers for Finals but this could be relaxed to reflect the interests of future students.

Faculty members have welcomed the planned changes, in particular suggesting that a new name is necessary to reflect how the course had changed over recent years. Dr Timothy Bradshaw, a University Research Lecturer at Regent’s Park, argued that the alteration well reflects the current reality of the Faculty, stating, “Its world famous theology teaching and research has for years included philosophy, sociology, psychology ‘of religion’, plus ‘science and religion’, and non-Christian religions.”

This was also supported by Dr Bernard Green, of St Benet’s Hall, who argued, “The new name of the Faculty expresses more clearly its membership and research interests and what it offers as degrees at both undergraduate and postgraduate levels.”

However this positivity was not shared by several members of the undergraduate population. Sophie Giles, a first-year Theologian, stated, “I wouldn’t be as enticed to study ‘Theology and Religion’, probably because it reminds me of my R.S. classes at school where we learnt a few simplistic things about several religions.” Joshua Felberg, a second-year student of Theology and Oriental Studies, had the same concern, arguing, “Employers look at a degree in Religion as opposed to Theology negatively, considering one a classic academic pursuit [the latter] and the other something relative to a once a week GCSE half course.” He also expressed fears that the change could “damage the traditional nature of the University and the course.”

Answering these criticisms, Oxford can point towards statistics from Cambridge University. Despite offering a ‘Religious Studies’ programme, only 5.6% of students who graduated between 2007 and 2010 are still seeking employment. These figures left one second-year Theologian to comment, “It seems like you can get away with a crap name if the course retains the advantage of being linked to a top institution.”

Other students expressed anger that their views had not been taken on board regarding the change, especially since hostile reaction to the alteration had been registered as early as May of this year. Aidan Hampton, a first-year Theologian, stated, “I didn’t really feel part of the decision.” Another student claimed after reading the minutes of the Faculty meeting that “student opinion was ultimately seen as irrelevant” and that “those in charge of the department considered that they knew best.”

The decision was reached by the Faculty Board after a consultation period during Michaelmas this year and current students were informed of the plans in early December. The change, if it goes ahead, will only affect the title of the degree for students applying from 2013.  

Oxford unveils plans for £800m science area

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Oxford University has revealed plans to drastically redevelop the existing science site in South Parks Road.

The move, set to increase the total spent on science buildings since December 2008 to over £1bn, will benefit students through improvements in lecture and teaching space. The current densely developed site surrounding the University Parks will be completely overhauled, with only the best of the current buildings being retained. The university has similarly promised to only commission leading architects, to ensure the proposals will “live up to the reputation of Oxford.”

Plans include eradicating car parking spaces and pedestrianizing the area, in a project which looks set to dwarf the transformation of the Radcliffe Infirmary site in size and cost. A university spokesperson emphasised that the new area would demonstrate Oxford “incorporating its sustainability strategy into the masterplan,” adding, “The redevelopment of the science area represents a huge transformation of the already world-leading research and teaching of science at Oxford University.”

He emphasised that the plans were necessary to maintain Oxford’s position at the forefront of scientific research, stating, “The new buildings will provide researchers with state-of-the-art facilities, allowing scientists to broaden the type and quality of their research and to continue [to] attract world class academics and talented students.”

Professor of Biomedical Engineering, Constantin-C. Coussios, welcomed the proposals, commenting, “The redevelopment of the science area as a site that encourages multidisciplinarity and communication between the basic sciences will undoubtedly enhance Oxford’s unique capabilities in translating basic research into clinical practice.” This is in contrast to the current situation, which he described as containing world class departments which have been “developed in a fragmented fashion” and are therefore ‘relatively isolated from each other.”

Science students also welcomed the redevelopment, with first-year Physicist Sam Thomas commenting, “Scientific research continually needs to adapt to meet new challenges and questions posed by experimental evidence. Continual investment is therefore the only way to keep our researchers at the forefront of scientific discovery.”

Phillip Oddie, a first-year Medic at Somerville, added, “We are living in difficult economic times. It is progress in Materials Science and engineering that will solve the energy crisis of the coming years and only investment in biosciences will fix the problem of our ageing population.” Oddie also welcomed the discrepancy between investment in science subjects and the arts, stating, “No matter what their cultural value, the arts don’t produce enough practical benefits. When was the last time that a thorough analysis of the metaphysical poets’ use of metaphor gave us a new treatment for prostate cancer?”

However, first-year French student Eleanor Halls expressed her disappointment concerning “the undeniable discrepancies in funding for science and funding for arts projects.” She claimed it was a “great shame” that arts subjects were “comparatively neglected,” adding, “£1bn is an incredible sum of money — I can only wish that a fraction of it was spent on the humanities.” This feeling was shared by second-year Classicist Emily Hinks, who added, “Whilst I fully appreciate the invaluable role of science in society, I am disappointed that a similar level of support is not given to arts subjects.”

However, such high spending was defended by the university, as a spokesperson explained, “The £1bn figure represents a number of individual buildings constructed over a large period of time, some of which have not been built yet. The money for buildings does not come out of government funding but from philanthropic donations and other sources of funding including University and departmental contributions. Building only starts on a project when funding is already in place.”

The plans come in addition to a £49m biochemistry building and a £28m earth sciences building recently constructed, and on the back of successful planning applications for a £165m chemistry department and a £34m physics building, for which construction is expected to begin next year. 

Borges: From Zero to Hero

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Appearing on television adverts, billboards and on magazine covers, at the age of just 19, Brazilian football’s teenage sensation Neymar is already a ubiquitous figure in Brazilian popular culture. His strike partner at Santos and 12 years his senior, Borges, has had to bide his time for his turn in the spotlight but now that he’s made it to the top he’s eagerly looking to make up for lost time. 

In stark contrast to the aforementioned wonderkid, whose rise to global footballing stardom has been nothing short of meteoric, Borges’s road to success has been far from straightforward — one that has taken him from the south of Brazil to East Asia and back again. Despite enjoying a successful spell at Paraná Clube, it was in 2006, during his solitary season in Japan with Vegalta Sendai, where the Salvador-born striker made his mark. Under the former South African manager Joel Santana, he scored 26 goals and in the process became the Japanese Second Division’s leading scorer. Unlike Hulk, who trod a similar path in enjoying an equally successful spell in Japan that was to earn him a lucrative move to Europe with Portugal’s FC Porto, Borges returned to home comforts to join Muricy Ramalho’s São Paulo. 

During his two years with Tricolor the 5ft 9in centre forward came to the fore, enjoying both individual and collective success. He quickly gained a reputation as an instinctive finisher, who given even the slightest bit of time or inch of space inside the six yard box would come to punish opposition defenders for their slack marking. In his 84 games for the Estadio Morumbi outfit he scored a total of 27 goals. Alongside fellow striker Dagoberto, the two struck up a formidable attacking partnership, which was to be instrumental in guiding the club to successive Campeonato Brasileiro Série A titles in 2007 and 2008. Borges’s excellent form continued into the following season in the Copa Libertadores where he emerged as São Paulo’s star striker, that despite the club’s disappointing early elimination from the tournament.

Following a stint with Grêmio with whom he won the Campeonato Gaúcho, the Rio Grande do Sul State Championship, earlier this season he once again joined forces with Ramalho — this time at Santos. Having carefully monitored his progress during his time at São Paulo and before that at São Caetano, the 56-year-old knew what he was getting for his money, namely a tricky customer upfront and a dependable source of goals. Whilst on occasions the man known as Cyborges, Didier Drogborges and Borjão, among others, can be known to go missing for large parts of the game, when provided with a goalscoring opportunity he’ll usually make little mistake in putting the ball in the back of the net. Since his arrival at Peixe, neither manager nor fans alike have been left disappointed by his performances.

Despite losing Zé Eduardo, a key member of Santos’s Copa Libertadores winning team, to Genoa in this year’s January Transfer Window, Borges has revelled in his role as the club’s number 9, spearheading Santos’s three man attack, flanked either side by Neymar and Alan Kardec. His reputation as one of the most consistent goalscorers in Brazilian football held true this season with his tally of 23 goals in 31 both surpassing the previous club record held by former striker Serginho Chulapa that had lasted for 28 years and earning him the Bola de Prata de artilheiro do Campeonato Brasileiro (Brazilian football’s silver boot), awarded by the nationwide football magazine Placar. His consistently high levels of performance on the pitch coupled with his goalscoring prowess culminated in him earning his first cap for A Seleção — albeit at the age of 30.

His 72 minute debut in the Superclásico de las Américas against Argentina in September showed signs of promise, combining well with his club strike partner Neymar whilst causing problems for the Argentine defence, in particular using his intelligence to hold up the ball and bring his fellow teammates into the attacks. Such has been the wave of popular public support for Borges that many Brazilian fans feel that the 31-year-old deserves to be given a thorough examination by Head Coach Mano Menezes in future international friendlies. And whilst he still harbours hopes of claiming a place in Brazil’s 2014 FIFA World Cup Finals squad, in the short term at least, both his and the focus of his Santos teammates is firmly set on this week’s annual FIFA Club World Cup.

Following victory in the Copa Libertadores in June, Santos’s focus has been geared towards the tournament in Japan. Ramalho side must first dispose of the hosts and this season’s Japanese First Division Champions Kashiwa Reysol in the semi-final before they can think about a dream meeting with FC Barcelona, who must overcome Qatar’s Al-Sadd, in the final. Much of their success will depend on whether another of Santos’s stars, Paulo Henrique Ganso, can find time and space to thread balls in behind Pep Gaurdiola’s defensive line and how well the team can press and attack as a unit. Whilst they’ll undoubtedly miss the presence of their defensive midfielder Adriano, they’ll be delighted to see Elano return to the fold. His ability to deliver quality from set pieces as well as instigate counter-attacks could prove crucial. 

48 years on from Santos’s last triumph in the then Intercontinental Cup, Borges will be hoping that he’s the one to follow in the footsteps of another footballing great, Pelé, in firing Peixe to glory, sealing his own place in Santos folklore and thus completing his own remarkable career turnaround.

Twitter: @aleksklosok