Tuesday, May 6, 2025
Blog Page 1776

The imperfection of Muhammad Ali

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Muhammad Ali: three time heavyweight champion of the world, the 1960 Olympic gold medallist, the 1999 “BBC Sports Personality of the Century” and one of the youngest and oldest men to hold the heavyweight championship of the world. The list is endless. The man’s face was at one point the most recognized on the planet and truly no sportsman has proved as integral to popular culture since.

But has this global adulation for Ali got far too out of hand? There is absolutely nothing wrong in awarding Muhammad Ali a place in popular culture as his achievements in and out of the ring are most deserving of it. But when I see article after article of lightweight documentary and biography cultivating the “Ali Myth”, the idea that Muhammad Ali was some sort of larger than life, social enigma and learned intellectual, it is too much to accept.

Are we really to accept the notion that Ali was some sort of hero in the Civil Rights movements in the 1960s, standing side by side with Dr King as a symbol for non violence and peace? The legions of hagiographers tend to understate the enormous contradictions and imperfections which made up the man, and it is important that we do not forget them.

Look at Ali’s boxing rival “Smokin’” Joe Frazier, with whom he shared three memorable and celebrated bouts in the 1970’s. The two first met in the late 1960s when Frazier was giving Ali a lift. While Ali’s famous “I ain’t got no quarrel with no Viet Cong” statement, and his subsequent refusal to participate in the Vietnam War, was dividing American public opinion, Frazier actually supported Ali financially when he was temporarily banned from boxing.

In return, Ali was less forthcoming. Ali bullied, teased and dissected Frazier on the world stage once it came to boxing. He called Frazier a gorilla, an Uncle Tom and an uneducated fool. Of course, insult and trash talking is nothing new to boxing; in fact Ali was a famous exponent of it, but he went too far. Using his articulacy and personality, he cast Joe Frazier as the “White Man’s Champion”: a figure to be scorned and rejected by the black community.

Frazier, without the eloquence and stage presence of Ali was continuously humiliated and ridiculed. He could not even walk the streets of his own hometown of Philadelphia without being called an Uncle Tom. Ali’s treatment of Frazier was brutal and seemingly inconsistent with the image of Ali as a deeply affectionate and kind human being. But it is a reflection on the bullying and nasty side of Ali’s personality often played down by his barrage of 21st century supporters.

Moreover, Ali was no intellectual. Somehow his entertaining but rather lightweight poetry (“I’m so mean I make medicine sick!”) and his conversion to the Nation of Islam in 1964 have put him on some absurdly elevated pedestal of social importance. But when interviewed Ali could discuss the doctrines of Islam only on a simplistic and artificial level and in the 1960’s he advocated segregation between black and white communities, arguing it was the only way that violence could be avoided.

Yet paradoxically, Ali had no qualms in surrounding himself with white promoters, trainers, doctors and celebrities over the course of his career. Biographers particularly highlight Ali’s devotion to Islam; yet Ali has had four wives, with his unfaithfulness being well documented and publicized.

A BBC article calls Ali “a powerful activist for black rights, both in America and around the world”. This is surely overstated. Yes, Ali was brave in resisting the US government who stripped him of his livelihood in the years of his prime, but a powerful activist for black rights? Really? Even the change of name from Cassius Clay to Muhammad Ali, the allegedly iconic moment when the man removed the shackles of slavery and ended his subjugation from the white slave masters, was not his decision. It was the decision of Elijah Muhammad, the leader of the Nation of Islam, because Cassius Clay was not an appropriate name for his star promoter for the Nation.

I am not trying to “expose” Muhammad Ali. He is only human and is not a particularly awful one either. I simply think we should re-assess the man and appreciate him for what he really was. His abilities as a sportsman were astounding. He boxed long into the early 1980s and despite being years detached from his prime, Ali was the crown of the heavyweight division going through its golden age with such greats as Joe Frazier, George Foreman, Earnie Shavers and Ken Norton. Ali was, and still is today, the centrepiece and it is not difficult to see why. Ali was witty, extravagant and lively. He was “a photographer’s dream” for Neil Leifer; a man who could floor you with his humour just as much as with his left jab.

His greatest achievement in my mind was his smashing of the race barrier which opposed many black sportsmen of the 20th Century. While men like Joe Louis were slavishly and diligently trained to conform to the acceptable image of what a black sportsman should be in white America, Ali carved out his own image: one of dynamism and charisma. He was, in many ways, the first real personality in American sport. Some of boxing’s most famous stars including “Sugar” Ray Leonard and Mike Tyson have publicly voiced their praise of Ali for making it possible for boxers and indeed sportsmen to achieve fame, recognition and wealth.

It is precisely for these reasons that Ali should be acclaimed. Not for the political, the social, the personal or whatever the cultivators of the “Ali Myth” would have us believe.

Cherwell Sport tries out Korfball

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It is a little known fact that I was once star centre for the highly unsuccessful New College assault on the mixed Netball cuppers trophy back in the heady days of Trinity ‘09. We lost every match. This was clearly not due to a total lack of talent on my part (or from the rest of the boys who gave it a go), but due to the massive pressure to perform in front of a group of girls who actually knew what they were doing.

Thus, I approached Korfball with great hope of achieving redemption, via a ball and hoop (or at least hoop-shaped object – more on that later). To put the previous comment into context, Korfball was invented in 1902 by a teacher from Amsterdam who wanted to create a game where both boys and girls were able to compete on an equal footing, thus avoiding the problem of boys being generally bigger, stronger and faster, while also more prone to silly macho behaviour and having a tendency to play like idiots.

Each team is composed of four boys and four girls, with the twist that boys can only mark boys and girls can only mark girls. The other rule that differentiates it from the slightly heightist games of basketball and netball is that you can only shoot when unmarked, giving those not blessed with about eight feet of height an even playing field.

The ‘Korf’ itself comes from the Dutch for the wicker basket that was originally used as the hoop, although my slightly bizarre Christopher-Lee-and-pagan-rituals-on-remote-Scottish-island train of thought was derailed when it turned out that the thing, perched on top of a 3.5m pole, had met the 21st century head on and was now made of plastic anyway.

The general game itself is very similar to netball: no moving with the ball, no contact, and players restricted to a section of the pitch. Each team is split into two sets of boy and girl pairs and can move anywhere in one half of the pitch, the attacking four trying to score goals while the defending four unsurprisingly defend, and to avoid anyone getting too bored teams switch roles after every two goals (so attackers become defenders and vice versa).

Everything is reasonably simple and easy to pick up, so after a bit of time practising shooting and getting used to the feel of the ball (football size and weight with basketball grip) it was straight into a proper, bona fide game.

And it was here that I got caught out slightly. I come from a rugby background, where you have an opposite man but spend most of your time only vaguely aware of where he is, and hit him occasionally (at least, that’s how I passively play full-back). In Korfball, there are only two opponents in your area of the pitch you can really have anything to do with, you have to know where they are at all times, as a single second unmarked can lead to a goal, and you know that when you have possession they’ll be all over you like a rash.

It makes for a frantic game, although the nature of the two halves of the pitch does at least give you a bit of time for a breather. I also enjoyed the end switching aspect giving everyone a go in both attack and defence as opposed to the rigid roles in netball (I always thought Wing Defence seemed quite dull and a bit pointless).

Although, as the International Korfball Federation website informs me, it is a global sport with 60 member countries from all corners of the globe, the World Championship final has, since its inception in 1978, been contested exclusively between the Netherlands and Belgium. This is the mark of a niche sport, and I think it will remain as such as it struggles to break out of the shadow of basketball and netball, existing as a slightly bizarre mix of the two. This is a pity, as I feel it genuinely has something to offer as the only full team sport I can think of in which men and women can compete as equals.

If you are interested in playing Korfball please email [email protected].

Keble curtail Anne’s ascendancy

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After 3 years out undergoing an intense scouting and training program aimed to create the perfect balance between Barcelona’s passing prowess and Leeds’ version of ‘hoofball’, the St. Anne’s 3rds marked their return to the Oxford reserve league with a surprise 3-0 victory in a fourth reserve division clash with now local rivals Keble.

After spending all summer meticulously preparing for the game, the 3rds were left broken and distraught when they discovered that the match had been cancelled at the last possible moment.
“One minute I was walking out of the shower bellowing ‘Big Bang’s on the shirt’ at the top of my voice,” explained captain Ollie Waring “and the next my sense of decency was violated by the news that ‘we’re going to have to call the game off as we haven’t got enough players.’ I haven’t been this disgusted and angered by humanity since the last time my homepage was changed to a video of Iniesta’s Champions League semi-final winner over Chelsea.”

After hours spent persuading the opposing captain to muster enough men for the game, the 3rds were left with no choice but to take the 3-0 victory by default. Yet despite starting the season with a comfortable win, the victory proved hollow for some members of the St. Anne’s faithful.
“A victory in this manner disgusts me,” alleged an anonymous member of the side. “We even offered to go to their college and recruit players for them but they still couldn’t muster even enough for 5-a-side. It goes against everything this team was formed for. I probably put more effort into getting out of bed this morning than their captain did into producing a team.

“We set up this team to provide your average, uncoordinated, two-left footed college member with an opportunity to enjoy a stress free kick about in the park every week,” he continued. “This kind of behaviour is absolutely despicable: we want to see players play with passion for their side. It’s the same reason we refused to offer Carlos Tevez a deal earlier this month. The lads just wanted to play. We’re taking the three points, but still, it’s nauseating stuff.”

Captain and founder Ollie Waring claimed a brace for his time, effort and passion invested in arranging the match; the pick of the bunch being an absolute thunderbolt curled in from 40 yards.
“It was virtually unstoppable. No goalkeeper in the world who was lazing about in his room watching the latest episode of Glee instead of turning up to the match could have saved that. I couldn’t even dream of a better goal.”

“It’s always nice to score on your debut,” added Waring. “The scoreline flattered them really. We had a couple of great penalty shouts which the ref didn’t see, and were caught offside quite a few times when we were through on goal. To be fair to them, they did use the offside trap well.”
The best goal of the game was accredited to temporary goalkeeper Mark Hannay. “No-one wanted to play in goal for our first match, yet Mark unselfishly stepped up to the plate,” explained Waring. “He fully deserved his goal. The way he picked up the ball in his own box before mazing through their entire team as if they weren’t even there was truly a sight to behold.  It’s a shame Keble weren’t around to see it really; Mark certainly won’t forget that one anytime soon.”

Anne’s host Lincoln 2nds next week and hope to continue their unbeaten record, despite still not possessing a player who has played a full 90 minutes yet.

South Sudan struggles to develop

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n  9th July 2011 South Sudan, after years of chaotic civil war, finally achieved independence. It immediately became one of the poorest countries in the world, with a literacy rate of below 30%, according to some estimates, and an overwhelming dependence on revenue from the oil industry. While these revenues are, and have the potential to be, an enormous source of income, predictably the wealth oil generates is concentrated in the hands of a few. At the declaration of independence there was enormous hope amongst the people of South Sudan that this marked the beginnings of a glorious new dawn for the country. The international community too was keen to pledge its support to make sure that South Sudan did not join the ranks of Africa’s failed states.
   Yet only two months later, the UN was warning that within the next year South Sudan would face severe food shortages, warnings that by and large went unremarked upon and unnoticed. Inflation in August was at 9%, with food prices rapidly escalating out of the reach of many of South Sudan’s poorest. This problem has been further exacerbated by the flood of refugees into South Sudan from the north. The emergency food programmes that were in place simply didn’t and don’t have the resources to feed so many people for so long.
   As if this wasn’t bad enough, the South Sudanese government and the UN have been unable to restore order to much of the fledgling nation. The border between Sudan and South Sudan remains highly volatile, with the Northern Sudanese government intent on destroying what it calls ‘rebel strongholds’ on its territory. Militias and bandits have also taken advantage of the disorder to profit, with the UN warning that new mines have been laid and humanitarian efforts disrupted by such groups in the months since independence. Hundreds of people have been killed in cattle raids or skirmishes between tribal groups in the few months of South Sudan’s existence and the UN and South Sudanese authorities seem unable to check the tide of violence.
  Avoiding outright civil war may also prove to be a challenge. Amongst South Sudan’s estimated eight million people, no more than one million are from any particular ethnic group. Traditional tribal rivalries and the long legacy of instability in the region could mean South Sudan is ripe to rip itself apart. This was something the CIA recognised in 2010 when it listed the country as one of the places in the world where a genocide was most likely to happen in the next five years.
   Economically, the situation also looks fairly bleak for the world’s newest nation. Timber forms an export industry, but overwhelmingly the country’s economy is centred around agriculture. This, however, provides very little in the way of taxation for the government with 98% of the South Sudanese government’s budget coming from oil. In the long run this is clearly not sustainable. Dependence on oil also leaves the country extremely vulnerable in the event of hostilities with Sudan, its northern neighbour, as all of South Sudan’s oil is refined and exported via the country.
   The lack of any sort of infrastructure perhaps poses the most obvious immediate obstacle to South Sudan’s progress. The country lacks anything that could be called a transport network, something which will make the process of nation building considerably harder. Consequently for most South Sudanese life will, due to poor communication networks, remain very locally focused, something which can only hinder the creation of a national community. Perhaps the direst statistics for South Sudan’s state of development can be found with regards to health and healthcare. In some regions there are as little as one doctor per 500,000 people and maternal mortality is the highest in the world.
   In many respects therefore South Sudan seems to be well on the way to joining the list of Africa’s failing states. The frustrating thing is that, despite the enormous challenges facing the country, this doesn’t have to be the case. Sanctions imposed on Sudan have hampered South Sudan’s economic progress, and while America is keen to become involved in the South’s lucrative oil industry, and the World Bank has promised significant funds, little in the way of investment or aid has reached the ground. Natural resources such as iron ore, copper, silver and hydropower are to be found in abundance in the area. The international community could make an enormous difference in securing the future of South Sudan by ensuring that these resources’ economic potential is quickly harnessed and an infrastructure is built in which to do this.
   The lack of action from the international community has meant that instability in the region has only increased in the months since independence, something which will only hamper future attempts at rejuvenating the country. This in turn will only lead to greater instability. People around the world were quick to share in South Sudan’s joy at independence. It would be a great shame if South Sudan and its people were allowed to drift remorselessly into the realms of anarchy and further impoverishment because this intial enthuasiasm turned into indifference.

On  9th July 2011 South Sudan, after years of chaotic civil war, finally achieved independence. It immediately became one of the poorest countries in the world, with a literacy rate of below 30%, according to some estimates, and an overwhelming dependence on revenue from the oil industry. While these revenues are, and have the potential to be, an enormous source of income, predictably the wealth oil generates is concentrated in the hands of a few. At the declaration of independence there was enormous hope amongst the people of South Sudan that this marked the beginnings of a glorious new dawn for the country. The international community too was keen to pledge its support to make sure that South Sudan did not join the ranks of Africa’s failed states.

Yet only two months later, the UN was warning that within the next year South Sudan would face severe food shortages, warnings that by and large went unremarked upon and unnoticed. Inflation in August was at 9%, with food prices rapidly escalating out of the reach of many of South Sudan’s poorest. This problem has been further exacerbated by the flood of refugees into South Sudan from the north. The emergency food programmes that were in place simply didn’t and don’t have the resources to feed so many people for so long.

As if this wasn’t bad enough, the South Sudanese government and the UN have been unable to restore order to much of the fledgling nation. The border between Sudan and South Sudan remains highly volatile, with the Northern Sudanese government intent on destroying what it calls ‘rebel strongholds’ on its territory. Militias and bandits have also taken advantage of the disorder to profit, with the UN warning that new mines have been laid and humanitarian efforts disrupted by such groups in the months since independence. Hundreds of people have been killed in cattle raids or skirmishes between tribal groups in the few months of South Sudan’s existence and the UN and South Sudanese authorities seem unable to check the tide of violence.  

Avoiding outright civil war may also prove to be a challenge. Amongst South Sudan’s estimated eight million people, no more than one million are from any particular ethnic group. Traditional tribal rivalries and the long legacy of instability in the region could mean South Sudan is ripe to rip itself apart. This was something the CIA recognised in 2010 when it listed the country as one of the places in the world where a genocide was most likely to happen in the next five years.  

 Economically, the situation also looks fairly bleak for the world’s newest nation. Timber forms an export industry, but overwhelmingly the country’s economy is centred around agriculture. This, however, provides very little in the way of taxation for the government with 98% of the South Sudanese government’s budget coming from oil. In the long run this is clearly not sustainable. Dependence on oil also leaves the country extremely vulnerable in the event of hostilities with Sudan, its northern neighbour, as all of South Sudan’s oil is refined and exported via the country.  

 The lack of any sort of infrastructure perhaps poses the most obvious immediate obstacle to South Sudan’s progress. The country lacks anything that could be called a transport network, something which will make the process of nation building considerably harder. Consequently for most South Sudanese life will, due to poor communication networks, remain very locally focused, something which can only hinder the creation of a national community. Perhaps the direst statistics for South Sudan’s state of development can be found with regards to health and healthcare. In some regions there are as little as one doctor per 500,000 people and maternal mortality is the highest in the world.

  In many respects therefore South Sudan seems to be well on the way to joining the list of Africa’s failing states. The frustrating thing is that, despite the enormous challenges facing the country, this doesn’t have to be the case. Sanctions imposed on Sudan have hampered South Sudan’s economic progress, and while America is keen to become involved in the South’s lucrative oil industry, and the World Bank has promised significant funds, little in the way of investment or aid has reached the ground. Natural resources such as iron ore, copper, silver and hydropower are to be found in abundance in the area. The international community could make an enormous difference in securing the future of South Sudan by ensuring that these resources’ economic potential is quickly harnessed and an infrastructure is built in which to do this.  

 The lack of action from the international community has meant that instability in the region has only increased in the months since independence, something which will only hamper future attempts at rejuvenating the country. This in turn will only lead to greater instability. People around the world were quick to share in South Sudan’s joy at independence. It would be a great shame if South Sudan and its people were allowed to drift remorselessly into the realms of anarchy and further impoverishment because this intial enthuasiasm turned into indifference.

Oxford Blues sting Wasps

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On the back of a strong attacking performance away to Richmond a week ago, the Blues were looking to notch up their first home win of the season as they entertained a combined Wasps/Henley Hawks XV at Iffley Road on Monday. With club captain John Carter reinstated at Number 8 having dropped himself for the Richmond match, the coaching team were hoping for another morale-boosting win as the countdown to the 131st Varsity Match at Twickenham reached 50 days this week.

It was nigh-on perfect autumn rugby conditions as Oxford kicked off, but for the first half-hour the match itself was a very scrappy affair. The Blues showed flashes of danger in attack, with Carter consistently gaining ground from the base of the scrum and fellow back-rower Derek Asbun keeping himself busy with good support play around the park, but there were far too many handling errors from both sides for any continuity to appear, and neither the scrums nor line-outs from either side were consistently clean. As it was, Oxford slightly had the upper hand, their stronger pack forcing a number of breakdown penalties and allowing left wing Cassian Bramham-Law to kick three penalties and give them a 9-0 lead as the half-hour mark passed.

With five minutes to go in the half, Oxford finally strung some phases together and gave the near-capacity crowd something to cheer about. First, good work from ex-England Sevens player Tom Mitchell at 10 gave Bramham-Law the chance to sneak over in the corner, but he knocked on under pressure. Then, after Carter had cleared up the back of yet another messy scrum, a menacing dummy run from returning blue Sean Morris gave outside-centre (and Hong Kong international) Sebastian Perkins the chance to break through the Wasps midfield and he then neatly offloaded on his inside for Morris to stroll over under the posts and give Oxford a 16-0 lead at half-time, following Bramham-Law’s easy conversion.

Disappointingly, the second-half started in much the same way as the first, with a rash of knock-ons and forced miracle-passes scuppering Oxford’s chances of putting more points on the board. An unfortunate injury to scrum-half Sam Egerton gave Ruairi O’Donovan a chance to impress, while the management also made four changes in the pack, presumably to give everyone enough game time to stake their claim. By this point fifty-odd minutes in, Oxford’s strong ball carriers were starting to make replacement lock Tom Evans and double-blue Karl Outen putting in the hard yards.

The big men also went to work on the Wasps line-out, which was shaky throughout the evening, and this resulted in Oxford’s second try, substitute hooker A.J. Connor pouncing on a loose ball from a poor throw to barrel over, the ever reliable Bramham-Law adding the extras.
Oxford were clearly in the ascendant, even without captain Carter who had come off just before the second try having been Oxford’s best player up until that point. His aggressive ball-carrying and obvious affinity with the ‘Caveman’ look make comparisons with cult-hero Sebastien Chabal easy to draw, and he will be a key player if Oxford are to secure a second successive Varsity match victory in December.

 Fresher fly-half Matt Janney, on for Mitchell, showed some excellent distribution to get Oxford deep in the Wasps half soon after the restart, and when they turned down a kickable penalty to go for the corner it was clear the Blues were going in for the kill. The subsequent line-out was scrappy, again, but wing Sean Morris hoovered up a poor clearance kick to allow all-action seven Derek Asbun, who showed tremendous work-rate all night, to pop up on his shoulder and charge over under the posts. It was now 30-0 with fifteen minutes to go, and the writing was on the wall for a tired-looking Wasps side who were appeared dead set on keeping the ball alive at all times, often to their detriment.

Oxford seemed determined not to rest on their laurels, and after their opposition were reduced to 14 men for the last nine minutes after one breakdown infringement too many, Oxford used their numerical advantage in the scrum to gain a useful attacking platform. Bramham-Law, solid in all aspects of his game throughout the match, came off his wing into the midfield and drove hard before neatly offloading to centre Scott Fernquest  to touch down in the corner. Bramham-Law was unable to add the extras from a tight angle, and with no more points scored that was how the match ended: a 35-0 victory to the Blues. Centre Perkins was awarded man of the match for his good link-play and defence, but that award could easily have gone to Asbun or Carter, while replacement prop Andrew Grounds made a strong impression in the loose when he came on.
After the match, Captain John Carter told Cherwell Sport, ‘We’re working towards being 100%. There were a few errors in the set piece, but keeping them scoreless showed the defence was excellent and I was pleased with the way we wore them down as the match went on’.

And that sums it up neatly. This was a fairly limited Wasps side, and there are definite improvements to be sought in the scrum, line-out and general handling, but this was a job well done for Oxford. Tougher tests lie in their path, starting next Tuesday with a tricky away fixture to National League 1 side Ealing, in the lead up to the 8th of December, where a date with the oldest enemy of all awaits.

Charity begins on the phone

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My mobile must be a call centre quandry. Whenever my perky, “Hello?” is met with, “Ahh good evening, could I speak to Miss Curr-loe Cornish please?” and I sense the office hubbub of row upon row of desperate phone-drones on spinny chairs, I don’t hang up. Actually, I get all excited. After batting back prying about my double-glazing needs for as long as I and they can bear, I have a tendency to try and turn the conversation around. “So let’s talk about you,” husks Dr Cornish into the receiver, part telephone shrink, part nosy hack. Generally this is met with a nervous “aaauhhm,” and lame excuses about the laser vision of supervisors who might strangle them with their headset. But just occasionally-rarely-sometimes, I learn something. 

The other day a homelessness charity called me. Apparently when I was in London I’d written my name on someone’s clipboard. Perhaps I’m still a little naïve about clipboards. Anyway, I may be a bean saving thrift bag, but I’m still doing a darn sight better than someone who has to sleep in a trolley. So I was happy to listen to this telephone chappie’s practiced patter and say I’d give them some money because I’m nice. Once we’d got my £3 a month direct debit sorted out (philanthropy at it’s most generous), I decided I’d earned some quality get to know you time. And rather revelatory it was too.

So this voice, whom I shall name Bucko, because he sounded a teensy bit like Adam Buxton of Adam and Joe fame, was not a volunteer for the aforementioned charity. No sirree. He got paid in real life pounds because he worked for a company called Go Gen. Come again? It transpired that the homelessness charity, along with many of Britain’s other big helpful people organisations, contract out their telephone fundraising to a private agency. And this is no non-profit, woolly hat and sandals outfit. They’re being paid £97,000 for their trouble. Now that seems like a lot, doesn’t it? But maybe our gal Go Jen will be raking in a cool couple of million from the punters, to get a chilly somebody a mattress and a roof? Well, not really. They’re estimating a total of around 324 grand. That’s over 4 years. I may be no economist but I’m pretty sure that nearly a third of what they’re hoping to fundraise will have been used to pay the fundraising company themselves. In fact, practically all the profits they make the first year will feed Gennifer.

“Hold on there, Bucko”, said I, “but that’s rubbish, isn’t it?” It was a cold and unwarranted assault. Paxman points. The previously smooth talking Bucko began aurally sweating through his headset and muttering that garroting by a supervisor was imminent. Bucko was running dry on information, so I apologised for being aggressive and let him off the hook.

I felt a teensy bit annoyed to know that every month, maybe as many as one of my three stirlings will be channelled into a phone-bank, rather than getting somebody off the pavement for the night. Naturally I googled about in search of other vexed parties. But apart from 5 webpages of careful corporate wiffle from Gennifer, the only other hit of interest was a post on Yahoo! moaning about being rung up by Go Gen chuggers. No one seems to have noticed that a lot of charity money is being swallowed up in trying to rustle up more charity money. I’m probably being simple, but the maths doesn’t seem to add up. We need to interrogate more call centre clones, or how will we know whether or not Oxford’s homeless are getting value for our money?

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Winter micro-trends: nail art

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The resurgence of nails as a key part of a look was one of the most tangible reactions of high-end fashion to the recession. The desire to buy into a trend was infinitely more achievable when a luxury investment was a £20 Chanel nail varnish in Particulere, the ‘it’ shade of the lacquer revival, rather than a £2000 handbag. Thanks to Tumblrs such as fuckyeahprettynails and celebrated YouTube stars like luxuriousnails, the nail revolution has blossomed into an impressive network of original designs, using cheap and readily available materials to produce creative and inspiring results.

This DIY spirit is exemplified by the widespread use of liquid eyeliner as a rough-and-ready nail art pen, one that every girl has in her make up bag. Ingenious uses include blogging superstar Gem Fatale’s leopard-print look; incredibly easy to do and when layered on top of a clean nude or mushroom polish, expensive-looking to boot! Alternatively, try cobalt blue spots over a red base coat for a fun and eye-catching pattern.

American mega-site Refinery29 has latched onto the nail art movement, with editor Connie Wang obviously a personal convert. She posts regular videos demonstrating new trends, and while we can take or leave some (stiletto nails? Eurgh!) others are original and fun. These newsprint nails are punchy, more so if you follow readers’ alternative instructions in the comments, and could be adapted to transfer subtle patterns without paying a fortune for Minx stickers.

Borrowing from the catwalks has been a long-time tradition of DIY, and nails are no exception. Bare half moons were first seen at Dior AW09, and there’s an easy way to adapt this without needing steady hands. Using hole reinforcers, found at any stationery shop, part of the nail can be easily masked to produce an original and nail-lengthening effect – check this beautiful tutorial at Wayward Daughter. It could be varied by layering another coat of polish underneath the bare half moon, producing a two-tone look.

There are plenty more surprising nail designs to be found online, especially in the nail art communities on YouTube and Tumblr. Look for marbled polish, crackle topcoats and more to get in on this mini-trend.

Review: Crazy, Stupid Love

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I sometimes wonder if I should add to my list of the most puzzling questions about the world – is free will real, or an illusion? Does God exist, or not? – the issue of why every romantic comedy Hollywood bashes out on an annual basis feels obliged to also be a drama, and include some all too serious moments as if we all need reminders that love and all that is important. Crazy, Stupid, Love is the latest exhibit in a long line of films reinforcing this God-awful trend, but it also makes you reflect on just how easy it would be to get the formula right. Were they merely to tweak their potion by extracting the poison that is the scenes of sincerity or ‘true love’ that seemingly beg for our hearts to be warmed, and insist upon us for some reason saying ‘Aww’ as we leave our seats, then they really would be on to something, and that holds true here no less than anywhere else.

Luckily this disappointing soppiness is mainly saved for the end. Before that, this film has a USP it exploits to its utmost, and it shows signs at times of giving us a real ride worthy of our entrance fee. That X Factor, of course, is mancrush of the moment Ryan Gosling. Between Blue Valentine and his role here, he’s quite remarkably gone from the sweet and idealistic but rough round the edges Dean to the suave stud we see here that girls only dream is the real Gosling behind the camera. Nothing can escape the fact that he’s a stupidly good-looking man, and fortunately the film knows this and uses it. The situation set up is a perfect one: a middle-aged self-flagellating divorced bore is resurrected through the rediscovery of his manhood, with Gosling, of course, teaching him the art of modern pulling and the skill behind sexy dressing.

For all its apparent dullness, it turns out to be a barrel of laughs, and whilst this is the story arc pursued on screen the sparks truly fly. The camera occasionally even stops to film the men in slow-motion strolling with shades on as if we’re watching an extended Gucci commercial, and the technique works a treat, if only because Gosling turns out to be just too good at the smug look that his character’s personality plays upon. We know nothing about him except that he can get any girl he wants into his bed, and that’s all we need to know. Whilst it’s happening, we’re quite happy to continue watching him weave his verbal magic all night long.

Perhaps inevitably, though, to make this a feature film rather than a short, half a dozen other story strands are wrapped around the real fruit, and we’re left watching the tempo rise and fall like the FTSE on a frantic Friday. The most tedious is undoubtedly the thirteen year old son besotted with his slightly older babysitter, and the joke here threatens to wear so thin that we are almost left with no choice but to cynically assume the storyline is here to fill the minutes. Even worse is that it gives rise to the father intervening to make an awkward but ultimately applauded speech in public on his son’s school graduation day, again about love, and again seemingly seeking out our ultrasoft hearts like we’re as duped as Pavlov’s dogs. Not even the presence of such a strong supporting cast (Kevin Bacon, Julianne Moore) can mask the smell of shit that clouds it all.

But in fairness, if there’s one thing that can be said in defence of the convoluted and intertwining love triangles that plague the plot and all lack energy apart from the Gosling strand, it’s that they do culminate in a scene involving all characters convening at once in a garden, and it’s surprising how well the humour pays off here. One wonders if the poor parts we have to put up with for most of the movie can at least be seen as instrumental to the making of this one fun scene. It’s also the scene that single-handedly explains the film’s curious title.

So more of Gosling the smooth teacher next time, please, and less of the preachy drama and mindless window dressing that taints an otherwise smart idea at its core.

Unoriginal Sin: The Downfall of Film? Part 4

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The new pointless rehashing of Charlotte Brontë’s classic prides itself on its innovative jumbling up of the storyline, first showing us Jane staggering tearfully out of the grounds of Thornfield, and then going back to fill out the details via Jane’s sudden and severe flashback attacks. What was obviously conceived as a way to skim over certain passages and stretch the love affair out to cover the film’s entire duration ends up shooting itself in the foot, in that it involves the complete destruction of almost everything likeable about Jane Eyre. She mopes around self piteously and mentally detached from her surroundings; totally inappropriate for a character supposedly so practical, active and deeply observant of others. 
Screenwriter Moira Buffini’s scrambling for a new and modern way to tell this story was never destined for success. Her adaption suppresses everything Gothic and extreme in accordance with modern tastes; the scene in which Bertha Mason tears Jane’s wedding veil in two was shot but cut because it was incongruous with the mood of the film. 
Rochester’s been through the same mill as Heathcliff and come out the other end a loveable rogue, rather than unnerving and unreadable. With the muting of the novel’s Gothic elements we lose all its complementary forms of passion — repulsion, fear, guilt, sexuality and morality — and Mia Wasikowska’s blank and bland Jane joins all the other passive, gormless heroines on our screens waiting to be mastered, usually by vampires. 
With no convincing anger coming from Jane, the film’s efforts at violence and harshness fall flat. There’s no sense of the imagination which gives rise to her drawings, or the intelligence which in the book leads her to speculate about the source of the strange goings-on at Thornfield. She encounters scenes of arson and physical maiming with the same meek and bizarrely uncurious attitude. Robert Stevenson’s 1943 version (starring Orson Welles opposite Jane Fontaine) is melodrama, but at least it strives towards a psychological landscape, rather than a decorous Sunday-night period drama formula with an emotionally neutralising string soundtrack. Perhaps this is a novel which simply doesn’t work as film; we need Jane’s internality to work out what’s going on behind her control and her careful expression, and visually that’s hard to get at. Nonetheless the robotic replication of scenes we’ve seen before is a crime in itself, and a depressing lookout on how producers are trying to capitalise on this property.

The new pointless rehashing of Charlotte Brontë’s classic prides itself on its innovative jumbling up of the storyline, first showing us Jane staggering tearfully out of the grounds of Thornfield, and then going back to fill out the details via Jane’s sudden and severe flashback attacks. What was obviously conceived as a way to skim over certain passages and stretch the love affair out to cover the film’s entire duration ends up shooting itself in the foot, in that it involves the complete destruction of almost everything likeable about Jane Eyre. She mopes around self piteously and mentally detached from her surroundings; totally inappropriate for a character supposedly so practical, active and deeply observant of others. 

Screenwriter Moira Buffini’s scrambling for a new and modern way to tell this story was never destined for success. Her adaption suppresses everything Gothic and extreme in accordance with modern tastes; the scene in which Bertha Mason tears Jane’s wedding veil in two was shot but cut because it was incongruous with the mood of the film. 

Rochester’s been through the same mill as Heathcliff and come out the other end a loveable rogue, rather than unnerving and unreadable. With the muting of the novel’s Gothic elements we lose all its complementary forms of passion — repulsion, fear, guilt, sexuality and morality — and Mia Wasikowska’s blank and bland Jane joins all the other passive, gormless heroines on our screens waiting to be mastered, usually by vampires. With no convincing anger coming from Jane, the film’s efforts at violence and harshness fall flat. There’s no sense of the imagination which gives rise to her drawings, or the intelligence which in the book leads her to speculate about the source of the strange goings-on at Thornfield. She encounters scenes of arson and physical maiming with the same meek and bizarrely uncurious attitude.

Robert Stevenson’s 1943 version (starring Orson Welles opposite Jane Fontaine) is melodrama, but at least it strives towards a psychological landscape, rather than a decorous Sunday-night period drama formula with an emotionally neutralising string soundtrack. Perhaps this is a novel which simply doesn’t work as film; we need Jane’s internality to work out what’s going on behind her control and her careful expression, and visually that’s hard to get at. Nonetheless the robotic replication of scenes we’ve seen before is a crime in itself, and a depressing lookout on how producers are trying to capitalise on this property.

 

Unoriginal Sin: The Downfall of Film? Part 3

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Reboots are often found in the comic book industry with new artists and writers taking on the old material in a new way for a new generation of readers. In fact comic power house DC, who are behind household favourites like Superman and Batman, have recently started their franchise again at Issue 1 in a bid to bring in new readers. So it is no surprise that Marvel, in this economic climate where safe bets are the new game plan, have decided to reboot their most popular and financially profitable franchise: Spiderman. 
The reboot brings in a talented cast to help it stand out. Peter Parker is played by Andrew Garfield who impressed both Hollywood and audiences last year with his portrayal of Eduardo in The Social Network. Opposite him will be the hot young star Emma Stone who has gone back to her natural blonde roots to play Gwen Stacey. Gwen only had a short appearance in the last movie franchise, but fans will know she plays an essential part in the original story of Spiderman; Stone will make Gwen a stronger character than your average damsel in distress (sorry Natalie, but we all know Thor could have been done without you). Supporting these two will be Rhys Ifans, who plays Dr Conners and his slightly less than human alter ego The Lizard, and Sally Field, who plays Aunt May and has previous experience with super hero offspring, having played Martha Kent in the 90’s TV show The New Adventures of Superman. 
This cast make it seem as if this reboot may in fact be good. Add to it the chance that some of the roof top swinging may be filmed in 3D and people should be getting excited. However, it is hard to know who the target audience is. Fans who have already seen the Tobey Maguire version have formed their opinions on the wall crawler’s movie credibility, whilst new viewers may stay away from a franchise that has needed to be rebooted less than ten years after the original was released.  
It may be that both fans and new audiences give the film a shot due to its likable and talented cast, and if this is the case it could be a gold mine for Marvel. If people’s scepticism of reboots triumphs however, this could prove a major blunder for the studio. 

Reboots are often found in the comic book industry with new artists and writers taking on the old material in a new way for a new generation of readers. In fact comic power house DC, who are behind household favourites like Superman and Batman, have recently started their franchise again at Issue 1 in a bid to bring in new readers. So it is no surprise that Marvel, in this economic climate where safe bets are the new game plan, have decided to reboot their most popular and financially profitable franchise: Spiderman. 

The reboot brings in a talented cast to help it stand out. Peter Parker is played by Andrew Garfield who impressed both Hollywood and audiences last year with his portrayal of Eduardo in The Social Network. Opposite him will be the hot young star Emma Stone who has gone back to her natural blonde roots to play Gwen Stacey. Gwen only had a short appearance in the last movie franchise, but fans will know she plays an essential part in the original story of Spiderman; Stone will make Gwen a stronger character than your average damsel in distress (sorry Natalie, but we all know Thor could have been done without you). Supporting these two will be Rhys Ifans, who plays Dr Conners and his slightly less than human alter ego The Lizard, and Sally Field, who plays Aunt May and has previous experience with super hero offspring, having played Martha Kent in the 90’s TV show The New Adventures of Superman.

 This cast make it seem as if this reboot may in fact be good. Add to it the chance that some of the roof top swinging may be filmed in 3D and people should be getting excited. However, it is hard to know who the target audience is. Fans who have already seen the Tobey Maguire version have formed their opinions on the wall crawler’s movie credibility, whilst new viewers may stay away from a franchise that has needed to be rebooted less than ten years after the original was released.  It may be that both fans and new audiences give the film a shot due to its likable and talented cast, and if this is the case it could be a gold mine for Marvel. If people’s scepticism of reboots triumphs however, this could prove a major blunder for the studio.