Tuesday 29th July 2025
Blog Page 1817

Let Europe Shake – Part One

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Manchester United are intent on avenging their defeat in last year’s final at Wembley whilst their city neighbours and closest rivals Manchester City will be mixing it with the cream of European football for the very first time. Chelsea are ready for another tilt at the trophy which has so far eluded them on a number of occasions and Arsenal will once again be hoping to propel themselves into the later stages of the competition.

 

UEFA Champions League: Group A 

• FC Bayern Munich; MANCHESTER CITY; Napoli; Villarreal CF

 

FC Bayern Munich

Four-time winners and current leaders of the Bundesliga, Bayern have a proven pedigree in this competition. Suspect in defence despite the presence of captain Phillip Lahm, their main strengths lie in the final third. Arjen Robben and Bastian Schweinsteiger are key in midfield whilst in form Mario Gomez will be key upfront. 

One To Watch: Mario Gomez

 

Manchester City 

Strength in depth and quality in all departments, Roberto Mancini’s men look in excellent shape to challenge Europe’s elite. Question marks persist in defence making Nigel De Jong’s defensive midfield role even more important. David Silva has been a revelation and Sergio Agüero and Edin Džeko are looking to continue their excellent form.

One To Watch: Sergio Agüero

 

Napoli

Under manager Walter Mazzarri, The Azzurri have emerged as genuine title contenders in Serie A. They have re-enforced their midfield this summer with the introduction of Swiss defensive midfielder Gökhan İnler and Macedonia captain Goran Pandev on-loan from Internazionale. Marek Hamšík will be key to Napoli’s creativity alongside Uruguayan striker Edinson Cavani.

One To Watch: Edinson Cavani

 

Villarreal CF

El Submarino Amarillo had a memorable debut season in 2006, losing in the semi-finals. The loss of Spanish midfielder Santi Cazorla to Malaga CF this summer is a blow given the small nature of the squad. Midfielder Marcos Senna will provide experience with Nilmar and Giuseppe Rossi undoubtedly a potent strike force. 

One To Watch: Giuseppe Rossi

 

UEFA Champions League: Group C

• FC Basle; S.L. Benfica; MANCHESTER UNITED; FC OÈ›elul GalaÈ›i

 

FC Basle 

Current holders of the Swiss Premier League and with a predominantly Swiss-based squad, Basle are relative newcomers to this competition. Midfielders Xherdan Shaqiri and Granit Xhaka are vey much the future of Swiss football and will provide the main threat. Leading all-time Swiss National Team scorer Alexander Frei could pose problems upfront.

One To Watch: Xherdan Shaqiri

 

S.L. Benfica

A club with a proud European football history, the Lisbon-based club look like finishing runners-up in this group. Fabio Coentrão’s departure this summer to Real Madrid for €30,000,000 has allowed the club to strengthen. Ezequiel Garay and Luisão are a strong centre-back parternship and keep an eye on Belgian midfielder Axel Witsel.

One To Watch: Axel Witsel

 

Manchester United

Runners-up in last season’s competition, Sir Alex Ferguson will be looking to roll over an unstoppable looking FC Barcelona. United have pace and dynamism with Ashley Young and Nani in midfield along with experience in the form of Nemanja Vidic and Rio Ferdinand in defence. Rooney and Hernandez continue to impress upfront.

One To Watch: Ashley Young 

 

FC Oțelul Galați

The great unknowns in this year’s competition, the Romanian champions won their first domestic title last season. They have European experience in the form of the UEFA Cup. The team will look to emulate the success of their counterparts CFR Cluj who made a real impact in the competition in 2008.

One To Watch: Marius Pena

 

UEFA Champions League: Group E

• Bayer 04 Leverkusen; CHELSEA; Racing Club Genk; Valencia CF

 

Bayer 04 Leverkusen

Runners-up in 2002 to Real Madrid and that Zinedine Zidane wonder goal, Leverkusen are certainly a handy outfit. Defensively weak, Leverkusen’s strength lies in midfield which includes veteran midfielder Michael Ballack, Swiss winger Tranquilo Barnetta and Simon Rolfes. Striker André Scurrile is another German sensation, partnered upfront by the highly rated Eren Derdiyok.

One To Watch: André Scurrile 

 

Chelsea

So near and yet so far has, in recent seasons, been the moral of the story for the Stanford Bridge outfit. André Villas-Boas demonstrated his European pedigree during his only season at FC Porto, winning the UEFA Europa League. Juan Mata will be pivotal in this season’s pursuit of European glory.

One To Watch: Juan Mata 

 

Racing Club Genk

Winners of the Belgian Pro League last season, Genk are one of the main players in Belgian football alongside the likes of RSC Anderlecht and Standard Liège. Their main threat comes in the form of Belgian midfield starlet and Chelsea target Kevin De Bruyne. Thomas Buffel will be familiar to Rangers fans.

One To Watch: Kevin De Bruyne

 

Valencia CF

Financial problems off the pitch in recent seasons have signalled the departure of key players David Villa and Juan Mata. Nonetheless, Los Che remain an exciting team to watch. Manager Unai Emery has carried on regardless and brought in genuine quality in the form of Victor Ruiz and Pablo Piatti.

One To Watch: Pablo Piatti

 

UEFA Champions League: Group F

• ARSENAL; Borussia Dortmund; Olympique de Marseille; Olympiacos FC

 

Arsenal

A fourteenth consecutive appearance in the Champions League Group Stages represents a terrific achievement for The Gunners. Despite a number of Deadline Day re-enforcements, Wenger’s team look lightweight. Per Mertesacker will add much needed European experience in defence alongside Thomas Vermaelen however they will once again be over-reliant on Robin Van Persie.

One To Watch: Aaron Ramsey 

 

Borussia Dortmund 

A revelation last season under Jürgen Klopp, the current Bundesliga Champions make a welcome return to the competition. The highly coveted Serbian defender Neven Subotić will be vital in defence whilst in midfield Jakub BÅ‚aszczykowski will be a threat down the wings with youngster Mario Götze and Shinji Kagawa pulling the creative strings.

One To Watch: Mario Götze

 

Olympique de Marseille

Manager Didier Deschamps knows all about this competition having won it as the Captain of L’OM in 1993. César Azpilicueta is a talented attacking full-back whilst they are marshalled well in midfield by both Lucho González and Alou Diarra. Their attacking flair comes in the shape of Loïc Rémy and André Ayew.

One To Watch: Mathieu Valbuena 

 

Olympiacos FC

Despite being the most successful club in Greek football history, Thrylos have reached the quarter finals of this competition on just the one occasion. Centre-back Olof Mellberg will be familiar to fans of Aston Villa, however it’s their Spanish contingent of midfielders David Fuster and Francisco Yeste who’ll provide the greatest threat.

One To Watch: Kevin Mirallas

Twitter: @aleksklosok

The Fringe

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Oxford locals clash with University

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Plans to build four new University buildings in Headington have run into stiff opposition from residents, as locals claim that the University is not doing enough to minimise the impact of this development on the surrounding community.

The £57m proposal, which won formal approval from Oxford City Council last week, would house the new Nuffield Department of Medicine and the Kennedy Institute of Rheumatology, which are moving from London. The development will be used for research into medical conditions including dementia and arthritis.

150 staff are expected to work at the site, and residents are concerned about the pressure it might place on local traffic and residential parking. The Divinity Road Area Residents’ Association (DRARA) has been particularly vocal, telling Cherwell, “Hundreds of construction staff, and then permanent staff and visitors, will be free to use our streets as a car park”.

A particular issue for the Residents’ Association is the travel plan submitted by the University as part of its application for planning permission. They claim that it includes an inaccurate travel survey, under-reporting of on-site staff numbers, and unrealistic estimations of future falls in car usage, which mean that it is “not credible and, in parts, is misleading”.

Oxford University, however, categorically denies these claims, insisting that “The Travel Plan has been reviewed by the county council who agreed the assessment reflected the situation in Oxford.”

DRARA has criticised the behaviour of the body responsible for the project, the Oxford University Estates Directorate, claiming it has been “uncooperative in responding to residents’ requestlicens for help and information”.

In their submission to the City Council DRARA cites instances in which it felt that letters from locals had received delayed or unhelpful responses, and says that the affair “indicates that the Estates Directorate are not sympathetic to the problems experienced by neighbouring institutions and residents”.

The University again denies these claims, telling Cherwell in a statement this week, “It is University policy to consult widely on every planning proposal and this one was no different.” 

The spokesman for the University stressed that they have responded to local concerns. He said that certain key changes to the planned building work had been made after the public consultation, pointing out that “the building will be further from Old Road than was originally planned and the number of windows will be reduced.” 

He added, “We will continue to consult with interested parties to address any concerns as the process continues. We have tried to answer questions from residents and third parties during the process but in some cases the information to answer questions simply was not available.”

Both the local council and the University hope to avoid the congestion feared by local residents by implementing Controlled Parking Zones, areas which limit unrestricted parking to licensed vehicles (usually belonging to residents). These zones are commonly found in urban areas to protect local parking availability from commuters and visitors.

Oxford City Council told Cherwell that the planning committee “felt that [the potential for extra cars] could be alleviated”, adding that “immediate neighbouring roads have Controlled Parking Zones”.

The University pointed out that they have paid a contribution to the County Council, and that “The County Council and University have agreed that the priority for this money should be to implement Controlled Parking Zones near the Old Road site.”

A Fresher’s Guide to Packing

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With only a few weeks left until the start of term, here are a last few nuggets of advice before you begin preparations to fly/flee the family nest, fresh-faced and filled with gleeful anticipation of the weeks to come; all handily paragraphed and subtitled for your reading pleasure.

Room.

First of all, unpack within three days. Of course, not having to pack again eight weeks later does have its merits but living out of a suitcase does not. And neither does finding the food package you know your Mum put somewhere midway through the term. Posters, photos and even the odd throw is just about acceptable but adorning your room with West African wall hangings, Thai banana leaf mats and Buddhist prayer flags will earn you a reputation as a Gap Yah crisis. Similarly, the rest of your college will not thank you when the fire alarm goes off after you’ve been burning incense. And no, leaving the window open won’t work (note— bring some kind of dressing gown to limit the damage of mid-shower fire alarm related incidents). Three sets of sheets can just about last you the eight weeks in an almost acceptable level of hygiene and will save you from washing them. Correspondingly, bring as much underwear as possible or, do as one of my friends, and just buy more as the term goes on.

Food Supplies.

Anything you have you will eat. After attempting to shop weekly quickly and repeatedly deteriorated into nights of consuming a week’s worth of biscuits whenever an essay was due in, I soon learnt to opt for more of a shopping basket to mouth policy. Nonetheless, the beginning of term provides your last opportunity to gather as much sun dried tomatoes, olives and bottles of your parents’ wine as can fit in the car before your diet deteriorates into Tesco’s donuts and kebabs. For these reasons bring fruit — it is also deceptively expensive.

Medical.

You will get ill. You will probably be constantly at least 30% ill throughout the whole of Michaelmas. And to avoid waking up hungover and feverish with lectures to attend and without sufficient medication, hot foot it to your nearest pharmacy and deplete their stock of uppers, downers and various types of pain relief. You will also probably consume more lemsip than you had ever imagined.

Fancy Dress.

Comical hats, onesies, and, for the boys, any women’s clothing you can lay your hands on will come in useful embarrassingly often. Face-paints are also a wise investment that can form the basis of almost all bop costumes, providing you have some brightly coloured clothes to form the rest of it. But then you will be laughing, as the rest of your friends spend £20 in the fancy dress shop. So don’t be afraid to go a bit Blue Peter; in this case paint, string, cardboard, scissors and glue will be your best friends. And, while, your costume will undoubtedly be less hardwearing than the shop variety it will be far more photo worthy and, when it comes to bops, everyone loves a trier. As for the girls, avoiding shop bought costumes frees you from the tyranny of outfits prefixed by ‘sexy’. ‘Sexy Pacman’ anyone? — a genuine find, I swear.

Other.

Don’t bother with extra books, course based or otherwise, you won’t have “spare time” and I can’t remember what “reading for fun” is. Non-work-time, as I like to call it, is pretty much filled up with activities (sports, drama and the like), drinking and box sets. It is also probably true that the larger and better your supply of the latter, the more friends you will have. Alternatively, secure these friendships through a comprehensive working knowledge of the BBC iPlayer and other such catch-up marvels. And, to finish off, bring something to pack your stuff back into at the end of term. Otherwise, you will end up carrying armfuls of clothes and carrier bags of toiletries to the car, cursing the naïve assumption that you would be entitled to leave your own belongings in your own room — damn those conferences. Don’t worry kids, there’s always second year.

You just can’t get the staff…or can you?

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It’s all well and good to decide that you’re going to start a business, but it has to be said that realities of becoming an employer can be quite difficult. And that’s before you actually employ anybody at all. As a restaurant we might expect to employ about 30 people under all sorts of terms for all sorts of roles. There are the really crucial ones – head chef, front of house manager – without whom we’d sink like a mafia hit – and there are also the less apparent but no less important other members of the team, like the wonderful individual who covers three hours of Sunday lunch rush.

So, let’s look at the logistics. In a town as short on jobs as Oxford purportedly is, it can be difficult to get applicants for even the best jobs we have to offer. The main bulk – the waiters and waitresses and whatnot – are still being processed, so we’ve only got the core four for now – but they are certainly a great start. To take you back to the beginning – our head chef position was a great offer and we endured months of torpor before finally, we were struck down and overjoyed by a sudden rush of top quality applicants. Prior to that Josh was waking up every morning and wondering whether it was finally time to rush through that NVQ so we could have a semblance of a chef and Hannah was having anxiety dreams at the possibility of having to study the terroirs of France (darlink) as well as how to tap a cask of top quality British beer as the general manager position was just as slow to gain attention.

Getting the applicants was only the beginning of the test.

Those that made it to the final round of the chef interviews had met with no fewer than five of us at least four times, sent in sample menus (with cost estimates) and been grilled on every conceivable subject from their feelings-on-working-with-thousands-of-students-to-improve-sustainability-in-the-hospitality-industry to, well, grilling (sorry). We discovered that picking staff was very much a different matter than simply selecting the best CV. We had some great technical chefs that left us cold and one candidate who gave us a collective shiver of mistrust almost straight away.

What were we looking for exactly? For front of house some of it is obvious: of course you want someone who knows their wine, their beer, their food as well as a really good grasp of maths and management. Those practical skills are an asset, undeniably (and in our eventual selections we’ve come up trumps), but what we’re looking for is someone to host the space: to be the personality of our restaurant. Personality may seem to matter less for a chef – we’re all well enough familiar with the screaming sociopath from Hell’s Kitchen – but outside of the world of reality television world we needed someone who would be dedicated, cook the stunning food, and also engage with us, the volunteers involved and the vision of the whole project. Personality aside, they did also have to prove reliable; candidates fell by the wayside as they vanished into thin air during the process, with phone numbers going dead and emails bouncing. It was all very Willy Wonka. Ish.

So, with all of this running through our heads, who did we choose in the end?

Well, here, meet our fantastic team: Carl is our very own Alain Ducasse (and for those of you who know your chefs, he’s Ducasse because he’s got more integrity than Gordon Ramsey and less science than Heston Blumenthal and does a good classic great). Hubris aside, Carl’s a great cook, can talk about food and growing your own from dawn to dusk and could not be more personable. Carl has come to us via Oxford’s own Branca and Magdalen Arms and all manner of places across London.

Carl is to be backed up by a sous chef of exceptional pedigree, but I can’t reveal the name for another couple of days, in case his boss gets angry with us. Patrick is our general manager. Responsible for booze, conviviality (the two are, in fact, distinct) and making sure we offer the best service in town (once again; more on this next time), Patrick comes to us via Kiss FM, Red Bull, some of London’s top gastro-pubs and more recently, his very own lovely place in the country. Supporting Patrick is Sean. Another of last year’s graduates (it’s not been two years yet, not for at least a couple more weeks), Sean was born into hospitality and brings a top-flight hotel service pedigree.

We still need plenty more bodies, but at the very least we have a head. And it’s got brains and beauty. Until next time.

From the Sublime to the Riddikulus: Part 2

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A lot of people lost their skepticism about the potential for blockbusters to be imaginative, first class art last summer, with the arrival of Christopher Nolan’s Inception. If I had been old enough to appreciate it at the time, my moment would have been six years earlier, when Warner Brothers took the bold move of appointing a little known but ingenious Mexican auteur, maker of the raunchy Y Tu Mamá También, to direct the third installment of their mechanical money-making Harry Potter franchise. I don’t think any of the subsequent episodes have reached the heights of Cuarón’s achievement in The Prisoner of Azkaban, but with the exception of the embarassingly casual Deathly Hallows Part 1, all have undoubtedly benefited from his injection of a sinister side to complement the joyful aspects of the world of magic. He permanently darkened the series’ visual tone no end, whilst still retaining the fun and fantasy we loved Rowling’s books for. Yet the story’s finale, dominated by the battle to defeat Lord Voldemort, hardly leaves much room for laughs. Yates was wise to look back to Cuarón’s work for guidance; when it has come to carving out a feeling of dread in this family-friendly franchise, Cuarón’s portrayal of the Death Eaters has been unparalleled. Azkaban should go down as the finest film in the series.

Jacob Williamson on Harry Potter and the Prisoner of Azkaban

 

I have long been an advocate of The Order of the Phoenix as the best Potter novel; I was cheered to discover that the fifth film was its equal in spirit. It’s in this film that the loyal audience must quickly grow up, and is forced to acknowledge that what started as a quirky Dickensian magical and heroic world may be harbouring taint, perversion, and loss. Here the film that separates the two worlds — magical and non-magical — is split and mixed. A violent temper, emotional unsteadiness, a sense of estrangement, and growing paranoia set the emotional tone for the film, which centres on a character slowly becoming possessed, and simultaneously undergoing the worst of puberty. Thus introducing the film’s best and most mockable line: ‘I feel so ANGRY ALL the TIME.’

At a running time of 138 minutes, The Order of the Phoenix is shorter than its predecessors, and, for being the biggest book in print, pedantic fans may complain at the omissions. But David Yates succeeds in capturing the brooding mood of the book, and sensitively translates Harry’s internal warring between good and evil. Though the cinematography is showy (especially in the climaxing skirmish in the Ministry of Magic), Nicholas Hooper’s scoring of the film deserves praise. Hooper uses the obligatory John Williams’ theme but introduces a buoyant and thumping melody for the Order’s broom journey to Grimmauld Place, a delicate chimed and slowly unfurling theme for Harry’s moment with Cho, and a moving counterpointed string piece (‘Possession’) for Harry’s ordeal in the Ministry which Hooper conducted himself.

The Order of the Phoenix also introduces Rowling’s best villain (Voldemort is as un-scary as a puppet demon): Dolores Umbridge. Umbridge is a squat, pink-and-kitten encrusted bureaucratic witch with a glottal tick and a lust for making boys cut themselves. Never has detention been so dark. And to crown it off, Harry’s cut off his mane, and, looking fanciable, gets his first kiss.

Christy Edwall on Harry Potter and The Order of the Phoenix

 

‘Mummy, look! She conjured a Warner Bros sign!’ Embarrassingly, I owe this somewhat harsh reality check to the child sitting next to me at the local Odeon. Helena Bonham-Carter opens the final Harry Potter film with a swish of her wand, producing that WB emblem so definitive of the perpetual void between Rowling’s wonderful books and the less-than-wonderful Potter ‘movies.

The seven Harry Potter books provided so much more than just the cinematic presentation of a magical world. I felt like I had been let in on a secret that no-one else knew about. Yes, Harry Potter was Rowling’s, but Rowling’s ownership of the books and any apparent concrete ‘meaning’ ceased upon publication.

Most importantly, the Potter films were just too cheesy. Allow me to refer you to the infamous ‘Tent-Dancing Scene’ of the penultimate film — the moment at which Harry and Hermione decide to abandon their worries about a fallen magical world, in order to indulge in a spot of foxtrot. Both unnecessary and, more importantly, absent in the book . I nearly had to reach for the nearest Horcrux to vomit into.

The films were good. Great, even. The special effects and star-studded cast were brilliant. However, Rowling inspired her readers to establish their own magical world, using her language and their imaginations. The subsequent films are too ambitious. They occupy both Rowling’s and her readers’ roles, denying Potter fans the opportunity to imagine what their time at Hogwarts will really be like.

Harriet Clarfelt

From the Sublime to the Riddikulus: Part 1

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Harry Potter films have been meted out over the years with a regularity which is sometimes comforting and sometimes the opposite – where did all that time go? The big budget, big business aspect of the franchise has its advantages – beautiful actors, beautiful effects – and its problems: the quality of acting and writing which drops disappointingly at times (not being the areas which rake in the money). The sheer impersonal scale of it all, which is very different from being involved in the books themselves, especially having grown up with them as children, can also be a little off-putting. For an adaption which truly throws itself into the books – the in-jokes, the flaws, the fun – I’d say the University of Michigan’s ‘A Very Potter Musical’ (see Youtube) sticks close, perhaps closer, to their spirit.

Hattie Soper

 

The beauty of the first two Harry Potter books is the creation and destruction of a perfect world: a point the first two films miss completely.

It’s easy to forget how the books start, a child suffering from a brutal reality (and a life in a cupboard under the stairs) is taken to a world of perfect fantasy. But this world only lasts so long. The first book ends with the man who killed Harry’s parents emerging from the back of the head of a teacher who was supposed to be protecting him, the complete subversion of the safety we enjoyed.

The second book pushes this unease and terror further. The school is undergoing a series of racist attacks. The perpetrator is not an external threat, but one of the students, a child trying to kill other children. Harry and his friends both act as accusers and accused, as the children tear their friendships apart in fear.

But the films just don’t take it seriously. The Dursleys are purely comic, the cupboard under the stairs roomy. The second film is worse. For me the second book is thematically darker than any other in the series, but the second film captures none of this.

Perhaps the greatest of all director Chris Columbus’ crimes is that through both the first two films the whole thing still seems like a bit of fun. I am not living in some fantasy world where I see the books as great works of literature. They are children’s books, meant for children. What the films fundamentally lack is the way that Rowling treats her audience with respect. We are spoon fed everything because Columbus deems us incapable of keeping up.

Luke Partridge on Harry Potter and the Philosopher’s Stone and Harry Potter and the Chamber of Secrets

 

The Harry Potter films (and, indeed, most book-to-film adaptations) were often criticized for their exclusion of key book elements. This was put down to a variety of factors that mainly boiled down to running time – the films could only be a certain length, meaning that a lot of material had to be left by the wayside. So when it was announced that the final Harry Potter book, The Deathly Hallows, was to be split into two films, I was interested. Perhaps now all of J.K. Rowling’s ideas could be presented fully, as they deserved.

Unfortunately, this didn’t quite work out. Both halves of The Deathly Hallows feel slightly stretched, with lots of information and characters from the books shoehorned in for fan service (yes Bill Weasley, I’m looking at you). This feels a little contrived, and requires a lot of exposition that slows down both films’ pace. The overload of characters also means that great actors like Jim Broadbent and Maggie Smith have very little to do by the end, and others like Bill Nighy turn up for about 5 seconds then disappear. This is a waste of their talent, and unfortunately places a lot of the acting duty on the heads of the three inexperienced leads. Also, I hate to bring this up, but does Voldemort really have to say ‘Nyeaaahhhhh!’ so many times?

These films pull off being both overfull and stretched beyond their natural limits, and I was disappointed. I’m not saying they’re awful, but they’re not great, and not really the send-off that the Harry Potter generation deserves.

Huw Fullerton on Harry Potter and the Deathly Hallows: part one and two

From Europe with Love: Part Two

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Upon leaving Madrid, we all agreed that it was a remarkable city: one in which you work, sleep and play, rather than ostensibly a tourist honeypot. Much of the city seems unassuming, yet boasts some jaw-dropping sights such as the old palace which faces the cathedral towards the west of the city centre, and the busy Gran Via street running across the area. It is, nevertheless, a lively city, and as expected from Spain full of people eating late into the night: although we learnt the hard way that a meal on the Plaza Mayor is a terrible idea. A definite mistake to trust the menus! Toledo was the next destination: a mere half an hour train journey away from the Spanish capital, but a complete change in atmosphere if equally sweltering!

Having a hostel in the old part of the city was a real find, as the central part of Toledo is medieval, picturesque and definitely worth spending the time to explore properly. Surrounded by huge hills and the ancient city walls, Toledo is made up of countless tiny streets weaving into each other (which, aside from being inspiring to walk through, are all too easy to get lost in, as we found out all too many times!). There’s something very unique about the place, too: whether it’s the alarming amount of sword vendors or the turbulent mix of Jewish, Christian and Islamic cultural history, and the fact that it isn’t somewhere that everybody you know has visited makes exploring that much more exciting. Walking through the city continued to reveal amazing monuments nestled away, such as the grand cathedral which is quite literally in a hidden square, but nevertheless quite beautiful! Our day finished with tapas in the Enebro bar, recommended by the owner of our hostel, which was a find that defies belief- for every (very cheap!) drink, a tapa comes to your table, outside in a tree-covered courtyard. Nothing tastes better than Spanish sangria after a long day in the baking sun! It became even easier to get lost after leaving this restaurant, but night time Toledo was an incredible experience. The whole city carried a buzz late into the evening, with many eating and drinking late just like us, whilst the stars above the old buildings of Toledo surrounded by bats was so atmospheric.

Our next connection was to Turin, via a night train from Barcelona; we managed to reach Spain’s second city after a horrendous day of negotiating with surly ticket attendants to let us on to trains with the Interrail pass- not the most calming way to travel, especially with the night train to Italy being the last for five days! We had just enough time to head to the Sagrada de Familia, Gaudi’s world-famous cathedral, between our trains- despite Barcelona being a humid 37 degrees, the building was unbelievable- ironically, the empty back entrance boasts the best view of the structure. There’s something strange about the fact that it is under perpetual construction, too, as it depends on donors to keep the building work going. Even decades after the architect’s death, the sense of anticipation around the cathedral is a feeling that remains with you. However, we all collapsed into the night train at around seven that evening- air conditioning for 15 hours was irresistible! We had also been fed several horrific night-train crime stories by a sadistic friend before boarding, but thankfully there were no uneasy Agatha Christie/Orient Express vibes, and we awoke to the misty Alps speeding by: again, the view from the trains is a massive plus side to the whole interrailing experience.

So began our stay in Italy, which would continue for five days- we were immensely fortunate to meet a friend who was spending the summer in Italy who could interpret for us (finding breakfast after we left the Turin station was quite an experience with unfriendly and unsympathetic cafe owners!). Turin, despite being planned originally as a brief visit, proved to be a valuable addition to the journey: we had our first taste of authentic Italian pizza for lunch, (it goes without saying that this was delicious), and managed to see the whole of the city from above from the top of the Turin Cinema Museum, which slightly unexpectedly had a tower. It’s a clean, spacious city and is a lovely place to walk around- it’s a definite regret that we only had the afternoon to see it before we moved on to Florence.

Firenze was where we spent the weekend before moving on to Venice, and was also where we would meet the other half of our party who had spent the days between Paris in Rome. It was a struggle as we moved to throw our bags down in the hostel there, it being as hot as everywhere else so far, but we were soon able to go out for a meal once all together. It’s surprisingly easy to find cheap pizza meals in the city, whilst the table wine is absolutely fantastic- nothing on what you’d get in Britain for the same price- and dirt cheap! A stroll around in the evening led us to gelato near the Piazza di Santa Croce- nothing is more touristy, admittedly, but a definite must for any visitor. We devoted the entire next day to walking through the city, spending some time in the Medici Palace (a remnant of an ancient powerful family in the city’s history), and just wandering through the tall streets and Piazzas. There seems to be a grand Piazza every hundred metres or so in Florence, each with an ornate and immensely atmospheric church in the corner- almost beyond belief! After reading Forster’s A Room With A View, and realising that the city boasts a huge artistic and literary heritage, it feels like you’re walking through a novel, tracing Lucy Honeychurch’s steps, or perhaps featuring in a Browning poem: a really surreal experience at times! Nevertheless, a truly memorable experience- more from Florence and from the beautiful Venice to come in the next instalment!

Dons clash over Shakespeare film

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A new film which suggests that the Earl of Oxford, Edward de Vere, was the real author of some of Shakespeare’s plays has divided the opinion of Oxford dons. Anonymous, directed by Roland Emmerich and starring Rhys Ifans and Vanessa Redgrave, focuses on the Oxfordian theory that the 17th Earl of Oxford wrote the plays and poems usually attributed to Shakespeare.

The making of the film is a cause for concern for those who worry that audiences may begin to believe this controversial claim. Professor Katherine Duncan-Jones of Somerville College said, “I do think there is a risk that the film Anonymous may be seriously misleading…any film that is based on the premise that the works known to Elizabethan and Jacobean contemporaries as Shakespeare’s were in truth written by someone quite different is absurd.’

Generally, the theory that Shakespeare’s plays were written by the Earl of Oxford are disputed by academics, who point to the use of Warwickshire dialect in Shakespeare’s plays, and to the fact that Shakespeare’s competitors, such as Ben Jonson, never challenged his authorship.

Dr Colin Burrow, Senior Research Fellow at All Souls College, said that “all of these reasons [for believing such a claim] are bad. They include social snobbery (a glover’s son? A genius?), and the conviction that a conspiracy must surround every interesting cultural phenomenon.”

However, not all Oxford English dons feel that the film will have a negative effect on the public’s perception of Shakespeare. Dr Emma Smith, fellow and tutor in English at Hertford College and author of The Cambridge Introduction to Shakespeare, said, “I do not feel particularly bothered by the film it if it makes people interested in the period or the qualities that make Shakespeare special…the worst thing that could happen is people don’t believe Shakespeare wrote Shakespeare. That would be wrong, but it will not take away from the plays.”.

Professor Duncan-Smith disagreed with Dr Smith, saying, “my view is that it will [take away from the plays]…in so far as it foregrounds the ‘authorship’ question as supposedly of more interest than the plays (and poems) themselves.”

Ben Williams, a second-year English student at Hertford, agreed with Dr Smith, saying, “I think any film which increases the popularity of Shakespeare and the period in general is a positive thing. If people do take more of an interest in Shakespeare after seeing the film, then they will quickly encounter the myriad of opinions which challenge the Oxfordian theory and won’t be able to believe that whatthey have seen in the film is factual.”

However, some tutors are unwilling even to give it this chance: Dr Burrow, looking forward to the film’s release, commented: “Wow. It sounds, like, unmissable. But somehow I think I will be giving it a miss.”

Cherwell Music presents Mixer: August 2011

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So, a month left until you’re plunged back (or, for Freshers, take a tentative first paddle) into the Oxford deep end. Here’s a reading list soundtrack of sixteen of the best tracks that August 2011 had to offer, featuring everything from ballads to synthpop to Ghostface Killah. Turn up the volume and enjoy just don’t let it distract you too much from A Very Short Introduction to [Your Degree].

S.C.U.M – Amber Hands

Although they formed without a guitarist, S.C.U.M have layered swooning six-strings all over this shoegaze sunburst, which comes across part-Ride and part-Stooges. It’s the first single from their album ‘Again Into Eyes’ (released 12th September).

M83 – Midnight City

This stadium-sized new wave anthem is a reminder of M83’s infectious pop sense and, as always, Anthony Gonzalez’s enduring sense of grandeur. His sixth studio album, due in October, is aptly titled Hurry Up, We’re Dreaming. 

Eleanor Friedberger – My Mistakes

This month’s solo debut album from Eleanor Friedberger, Last Summer, represented a surprising return to form for the artist. Opener ‘My Mistakes’ recalls Friedberger’s finest work with The Fiery Furnaces but with a refreshingly streamlined focus to balance her delightfully off-kilter delivery.

Talons – Rowboat

Taken from Mike Tolans’ Song For Boats, a collection of miniatures for guitar and voice which finally saw vinyl release this month, the gentle drift of ‘Rowboat’ is as sleepy and understated as it is utterly arresting.

Active Child – Hanging On

When amateur producer Pat Grossi (alias: Active Child) left the confines of bedroom pop, this August’s You Are All I See was the result. ‘Hanging On’ is surely its pièce de résistance: its pained, drowning catharsis is built through aching vocals and oceanic atmospherics.  

Stephen Malkmus & The Jicks – Tigers

Pavement’s much-trumpeted reunion last year obscured the solid material still being released by its ex-members, notably frontman Stephen Malkmus. Luckily, the Beck-produced album Mirror Traffic is exciting even those too young for fuzzy nineties nostalgia.  

Blood Orange – Sutphin Boulevard

Essex-based Dev Hynes has worn many hats (member of dance-punk trio Test Icicles, indie writer/producer for Solange Knowles et al., solo folk artist as Lightspeed Champion). His latest project is the stylish minimalism of Blood Orange, best exemplified by this atmospheric and sultry single.

Warm Brains – Worried Seed

Slicing guitars meet hypnotic chanting in the latest single by Hynes’ former Test Icicles bandmate Rory Attwell, which shows off his credentials as a highly-regarded producer as well as a top-notch guitarist.

The War On Drugs – Baby Missiles

‘Baby Missiles’ sounds like early Springsteen under a layer of Slowdive-era shoegaze. The unique sound of this Philadelphia quartet is a welcome antidote to the fairly uninspired output of ‘nu-gaze’ and dream pop in recent years. 

DOOMSTARKS – Victory Laps

Underground legend MF DOOM is never one to rush a release, and his collaboration with Wu-Tang veteran Ghostface Killah (under the joint name of DOOMSTARKS) has been pending since the first half of last decade. But recent single ‘Victory Laps’ is proof of progress, and the combined swagger it brings to the table is certainly tantalizing.  

Princeton – To The Alps

Despite their name, Princeton hail from Los Angeles, and their particular brand of sunny indie pop is a dead giveaway. Featuring some of the tightest instrumentation to be found in the Californian scene, ‘To the Alps’ is a textbook summer jam. 

Charlotte Gainsbourg – Memoir

In a particularly well-chosen collaboration with Conor O’Brien of Villagers (who wrote the song and lyrics), Gainsbourg’s recent single ‘Memoir’ is an impeccable guitar-led ballad of alluring warmth.

Cant – Answer

Chris Taylor just can’t go wrong. The Grizzly Bear bassist has produced for the Dirty Projects, Department of Eagles, and Twin Shadow to great acclaim, and his first full-length Dreams Come True – its approach exemplified by the trademark breathy vocals and intoxicating dance groove of ‘Answer’ – is already looking promising. 

The National – Exile Vilify

As far as muses go, a video game – Portal 2, to be precise – isn’t the first that comes to mind. But it was inspiration enough for ‘Exile Vilify’, a beautiful and breathtaking composition by The National, whose wholly unique style strengthens with each release.

The Drums – Money

In this ditty, whose bars could be a soundtrack for much of the hemisphere-wide ‘downturn’, The Drums sum it up: “I want to buy you something, but I don’t have any money.” But a little austerity shouldn’t get in the way of a killer hook, right?

Bon Iver – Holocene

June this year saw the second album from Justin Vernon’s folk project and this new single (along with its gorgeous video) is a highlight, with stripped-bare melodies and plaintive vocals bolstered by slide guitar and whispering percussion.

Mixer: August 2011 is also available on Spotify – click here to load the playlist.