Saturday 4th April 2026
Blog Page 1926

Win for tiddlywinking Tabs

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On Sunday afternoon, amidst the hymns and hangovers of Mayday, Oxford hosted another less well-known but equally idiosyncratic event, the annual Varsity Tiddlywinks match.

The match, which was held at Balliol College, was won by the Cambidge University Tiddlywinks Club (CUTwC) by a disappointingly impressive 99 to Oxford’s 13.

Cambridge has only lost the Varsity Cup on four occasions since it was first contested in 1964.

John Lees, a Balliol student who represented Oxford in the match, commented “CUTwC came prepared with a selection of squidgers, despite our early attempts to Blitz out we were foiled by the Tabs excellent squopping. Two failed John Lennon memorial shots later, and it felt like every winkhad been subbed at once.”

Although the Oxford University Tiddlywinks Society is used to losing to the Tabs, this defeat was particularly hard for the team as out of a total of 16 games Oxford has only won one. The loss also seems to have caused tension within the team.

Lees commented, “It was widely agreed that [Daniel] Kessler’s tactical ineptitude and poor potting technique led to our 99-13 defeat, and he has now resigned from his post as president due to pressure from the team.”

Despite the upsetting outcome for Oxford, the entire team were awarded quarter blues.

OUSU move over

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 OUSU President David Barclay has told Cherwell that the Student Union’s new premises are a “far more professional set up”.

 Now located at 2 Worcester Street, the new offices provide disabled access and improved meeting spaces for OUSU’s groups and campaigns.
 
The move was carried out over two weeks during the vacation, and was funded through a one-off payment from the university.
According to Barclay, the new offices will be “substantially cheaper” to run than the old ones in Thomas Hull House on Bonn Square.
Figures obtained by Cherwell last year found that the rent for the Bonn Square site accounted for 30% of OUSU’s annual budget.
Barclay stressed that money saved will go towards funding “essential” student activities.
“The move has also saved OUSU and the University money at a time of great financial uncertainty”, he added.

“Not only were the old premises in a pretty poor state of repair and poorly serviced, but the disabled access to the building was not befitting a 21st century Student Union”, Barclay said.
OUSU are still working to inform students across the university about the move.
Despite adverts and notifications distributed by OUSU over the past month, not all students are aware that the Student’s Union has relocated.
“It will take some time to make all students aware of the change”, Barclay admitted, “but I think we’re getting there.
Ugo Okoroafor, OUSU/NUS and Returning Officer at St Hilda’s, said, “I imagine there’s always room for improvement but I think the advertising that was done was adequate”.

Varsity Match 2011 Preview

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This Friday’s Varsity Match sees the conclusion of one of the most successful seasons in the history of OUAFC. After an indifferent start to the campaign, an incredible winning streak after Christmas catapulted the Blues into a promotion play-off position, with the chance to play University football at the highest level next year at stake. The Blues also achieved unrivaled success in the National Cup, eventually defeated at the Quarter-Final stage by an unsurprisingly talented Loughborough outfit. However, as any Oxford sportsman will confirm, a season of competitive success is easily dampened by a failure to succeed in Varsity, and coming up against a Cambridge side going equally strong in their respective league, the Blues will face one of their toughest challenges to date on Friday if they are retain the C.B. Fry Trophy.

A quick look at the stats is all that’s needed to see where the Blues’ strengths lie. Having conceded only 9 league goals all year, a solid back 5 is undoubtedly to thank. Goalkeeper Dwayne Whylly has been consistently spectacular in his shot stopping and handling, and a defence marshalled by skipper Elliot Thomas, ably assisted by the evergreen Timothy Squires, has been at times impregnable. The pressure of full debut seasons seemed not to tell on the other half of the defensive unit either, as both Jason Adebisi and Anthony Beddows have proved to be composed, ball-playing additions to the back line, disciplined when going backwards but confident with the ball on the floor.

In midfield, the seemingly irreplaceable Leon Farr has seen his boots more than adequately filled by silky Blues boxer Alec Ward, whose vision and passing ability has been perfectly complimented by the physical presence of Ben Quigley, another former Blues fighter. Quigley’s strength, energy and eye for goal have seen him transformed from a Half Blue in 2010 to one of the team’s most integral members. On the wings, Players’ Player of the Season and topscorer Ezra Rubenstein has been a constant threat with his quick feet and cultured finishing, as has counterpart Adam Zagajewski. The pint-sized Yorkshireman’s set piece delivery has been nothing short of pinpoint all season, and his pace and trickery will no doubt prove to be one of the Blues’ most damaging weapons on Friday night.

Through the middle, ex-rugby under-21 Adam Healy has proved that a switch of sporting allegiances is not always detrimental for a sportsman. Commanding in the air, Healy has tested the best University centre-backs in the country all season with his dominant physical presence and tireless running. Healy will be supported by relative newcomer Chris Wright, whose late arrival into the Blues set-up was hampered by injury. Still, his sharp movement and clinical finishing has earned him a place in the Varsity squad, and a goal on Friday night will surely ease the frustration of a season on the sidelines.

If, at any point, coach Mickey Lewis looks to the subs’ bench for attacking inspiration, then the talented pairing of Tom Castro and Rob Frost offer superb support to the Blues’ attacking line up. After an impressive season for the Centaurs, fresher full-back Adam Fellows has also gone from strength to strength since his training with the Blues began, recently deputising well at centre half in a tough fixture against the RAF. Similarly coming off the back of a strong season for the Centaurs is sub ‘keeper Tom Haigh, who has trained well and looks ready to step in for Whylly, should the Barbadian find himself in trouble during the game.

With two successful pre-Varsity friendlies under their belt, it looks as if the Blues have managed to maintain the winning habit that saw them find victory against every team in their league, despite their Easter hiatus. But with the added pressure of formidable away support (Cambridge have sold int he region of three hundred tickets) and the cup-final atmosphere that comes with a Varsity Match, it remains to be seen whether the Blues will end their season in the appropriate manner and send their Light Blue rivals home empty handed.

**Support the Varsity Match: tickets available from Elmer Cotton all day, with coaches leaving from Iffley Road at regular intervals to the Kassam Stadium. K.O. at 7:45pm**

Review: Jenny Hval – Viscera

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Amidst whispered chimes and bowed cymbals, Jenny Hval delicately delivers the line ‘I arrived in town with an electric tooth brush pressed against my clitoris’. It is a typically provocative opening gambit from the Norwegian singer, in her first recording released under her own name and her first outing on the Rune Grammofon label. Earlier albums recorded under her Rockettothesky incarnation – 2006’s To Sing You Apple Trees and 2008’s Medea, a fantastical evocation of Euripidean pain – straddled timbral experimentation and potential leanings to the mainstream. Viscera is a very different beast and it does not make for easy listening.

Finding freedom in a more acoustically concerned setting, Hval obsesses about her vocal attack, carefully sculpting the front of notes. Her ability to dart from hushed voicing to open lyricism is astonishing. The fragile haze set up by Hval’s church organ and zither, drifting into periods of more pronounced percussion from drummer Kyrre Laastad, echoes Joanna Newsom’s darkest moments.

Above all, for Hval, it is music that plays with the primitive sensations of the human body. On Blood Fight, she swiftly articulates ‘I carefully rearranged my senses so they could have a conversation’ as guitarist Håvard Volden coaxes pulsating blocks of sound from his instrument. Moments of outstanding beauty come with pure textural manipulation – the electronic waves of sound dashed through with snatched voicing that could open ‘golden locks’.

This is an important record, one that establishes Jenny Hval as a significant force to watch alongside the likes of PJ Harvey and Björk. Viscera is certainly an uncompromising proposition. Its vocabulary runs through the female anatomy, spilling out in Hval’s vivid references to organs and primal senses: clitoris, cunt, pores, erections, blood, itching. It is feminist language that aims at a graphic anti-pornography, finding an erotic backdrop in her meandering night music.

Review: Fleet Foxes – Helplessness Blues

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Since the rapturous reception received by their eponymous debut album back in 2008, Seattle-based sextet Fleet Foxes have found themselves between something of a rock and a hard place. Garnering both widespread critical acclaim and commercial success, Fleet Foxes was an album so fully realised that it seemed to leave the band with little room for improvement. The remarkable thing about the band’s long awaited sophomore record, Helplessness Blues, is that Fleet Foxes have managed to maintain their musical identity without merely repeating themselves.

 The weightless vocal harmonies that steadily build and recede atop the finger-picked guitar on opener Montezuma would have sat happily alongside White Winter Hymnal or Quiet Houses on the band’s debut album. Indeed, all of the characteristics of Fleet Foxes’ previous music are abundant on Helplessness Blues, the songs unfolding organically like mini suites with warm, almost baroque arrangements of mandolins, acoustic guitars and woodwind. Despite its similarities to the band’s previous work however, listening more closely to Montezuma does reveal a tangible shift of focus from first album Fleet Foxes.

‘I wonder if I’ll see faces above me, or just cracks in the ceiling,’ ponders lead singer Robin Pecknold as he imagines his death bed, the emotionally direct lyrics in stark contrast to the pastoral meanderings that made up the majority of Fleet Foxes. Throughout Helplessness Blues the spotlight is placed firmly on Pecknold as he explores themes of loss and alienation, providing an emotional contact that was lacking from the band’s occasionally clinical debut. Whilst one could argue that many of the melodies on their debut were more instantly memorable than anything here, Helplessness Blues displays a new depth to Fleet Foxes’ music.

This is a welcome addition that keeps the album from sounding like a tired retread and instead transforms it into something entirely new.

Rafsanjani case sparks urgent admissions review

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Cherwell can exclusively reveal that the University is currently reviewing their graduate admission process with “increased urgency”.

Cherwell can exclusively reveal that the University is currently reviewing their graduate admission process with “increased urgency”. This follows an investigation into the legitimacy of the admittance of Mehdi Hashemi Rafsanjani, son of the former president of Iran. 
Rafsanjani began a five-year DPhil course at the Faculty of Oriental Studies in October 2010. Two months later, a senior academic raised doubts over the legitimacy of Rafsanjani’s application to study at Oxford, as well as the authenticity of his doctoral thesis proposal.  
Kaveh Moussavi, an Associate Research Fellow at the Centre for Socio-Legal Studies, who filed the allegations, claimed that Rafsanjani did not live within a 24 mile radius of Carfax as specified by the University, and that he had failed to meet the level of English recommended for doctoral study at Oxford. Moussavi also alleged that Rafsanjani had been written his doctoral thesis proposal with the help of others.
The University initially claimed that the investigation into the admission of Rafsanjani had not triggered any tightening of the review of the graduate admissions process. 
However the Press Office disclosed to Cherwell on Thursday evening that a private letter had in fact been sent from the Vice Chancellor to Moussavi. 
The letter explained to Moussavi that the graduate admissions process was now being reviewed with “increased urgency”, as a result of the investigation. 
After Cherwell learned about the existence of this letter, the University revised its earlier statement, and confirmed, “We are working with increased urgency to reconsider certain parts of the graduate admission process as a result of matters raised in the report that followed from the investigation”. 
Aside from the allegations levelled against Rafsanjani about the legitimacy of his acceptance according to the University’s own criteria, Cherwell has also discovered that Rafsanjani was implicated in a case heard by the Canadian Supreme Court in February 2002, which involved allegations of torture, kidnap and bribery. 
A paper published by the European Journal of International Law in 2008, titled “Immunity from Torture: Lessons from Bouzari v. Iran”, describes how Houshang Bouzari, an Iranian businessman, was tortured by anonymous agents of the Iranian government.
The paper relays how prior to his arrest, Bouzari was approached by Rafsanjani, who demanded a bribe of $50 million, in exchange for facilitating a lucrative contract with the National Iranian Oil Company. Bouzari refused to pay the bribe. The paper describes how on 1st June 1993, “three plain clothes police officers arrested Bouzari in Tehran and took him to Section 209 of Even Prison. For the next eight months, Bouzari was brutally tortured”.
However, no charges were pressed in connection with the torture and kidnap, as the Supreme Court ruled that Canadian courts had no jurisdiction to rule on the liability of a foreign state, as it would be contrary to international law and Canada’s own rules on private international law. 
The Court of Appeal found in December 2003 that “[Bouzari’s] action is barred by the State Immunity Act.” Such was the concern caused by this ruling that in May 2005, the UN Committee Against Torture, recommended that Canada should “review its position…to ensure the provision of compensation through its civil jurisdiction to all victims of torture”.
Pascal Jerome, outgoing President of Oxford University Amnesty International, said, “Though no-one should be damned without trial, the weight of evidence against this man calls for more transparency on Oxford’s part.”
A spokesperson from the Press Office said that personal background checks are not a formal part of the admittance requirements as “logistically it would be very hard to implement”. 
The University said that all details of the investigation into Rafsanjani remain strictly “confidential”. Moussavi, who initially bought the case of Rafsanjani to the University’s attention, said, of the investigation “the matter is confidential but it is by no means over.”

This follows an investigation into the legitimacy of the admittance of Mehdi Hashemi Rafsanjani, son of the former president of Iran. Rafsanjani began a five-year DPhil course at the Faculty of Oriental Studies in October 2010.

Two months later, a senior academic raised doubts over the legitimacy of Rafsanjani’s application to study at Oxford, as well as the authenticity of his doctoral thesis proposal.  Kaveh Moussavi, an Associate Research Fellow at the Centre for Socio-Legal Studies, who filed the allegations, claimed that Rafsanjani did not live within a 24 mile radius of Carfax as specified by the University, and that he had failed to meet the level of English recommended for doctoral study at Oxford. Moussavi also alleged that Rafsanjani had been written his doctoral thesis proposal with the help of others.

The University initially claimed that the investigation into the admission of Rafsanjani had not triggered any tightening of the review of the graduate admissions process. However the Press Office disclosed to Cherwell on Thursday evening that a private letter had in fact been sent from the Vice Chancellor to Moussavi. 

The letter explained to Moussavi that the graduate admissions process was now being reviewed with “increased urgency”, as a result of the investigation. After Cherwell learned about the existence of this letter, the University revised its earlier statement, and confirmed, “We are working with increased urgency to reconsider certain parts of the graduate admission process as a result of matters raised in the report that followed from the investigation”. 

Aside from the allegations levelled against Rafsanjani about the legitimacy of his acceptance according to the University’s own criteria, Cherwell has also discovered that Rafsanjani was implicated in a case heard by the Canadian Supreme Court in February 2002, which involved allegations of torture, kidnap and bribery. 

A paper published by the European Journal of International Law in 2008, titled “Immunity from Torture: Lessons from Bouzari v. Iran”, describes how Houshang Bouzari, an Iranian businessman, was tortured by anonymous agents of the Iranian government.

The paper relays how prior to his arrest, Bouzari was approached by Rafsanjani, who demanded a bribe of $50 million, in exchange for facilitating a lucrative contract with the National Iranian Oil Company. Bouzari refused to pay the bribe.

The paper describes how on 1st June 1993, “three plain clothes police officers arrested Bouzari in Tehran and took him to Section 209 of Even Prison. For the next eight months, Bouzari was brutally tortured”.

However, no charges were pressed in connection with the torture and kidnap, as the Supreme Court ruled that Canadian courts had no jurisdiction to rule on the liability of a foreign state, as it would be contrary to international law and Canada’s own rules on private international law. 

The Court of Appeal found in December 2003 that “[Bouzari’s] action is barred by the State Immunity Act.” Such was the concern caused by this ruling that in May 2005, the UN Committee Against Torture, recommended that Canada should “review its position…to ensure the provision of compensation through its civil jurisdiction to all victims of torture”.

Pascal Jerome, outgoing President of Oxford University Amnesty International, said, “Though no-one should be damned without trial, the weight of evidence against this man calls for more transparency on Oxford’s part.”A spokesperson from the Press Office said that personal background checks are not a formal part of the admittance requirements as “logistically it would be very hard to implement”. 

The University said that all details of the investigation into Rafsanjani remain strictly “confidential”. Moussavi, who initially bought the case of Rafsanjani to the University’s attention, said, of the investigation “the matter is confidential but it is by no means over.”

From Rags to Rubble

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With Matthew Bourne’s Cinderella in Oxford and the Birmingham Royal Ballet’s new version on DVD it seems that Ashton’s version, still performed in Covent Garden, is being left behind. However novelty isn’t everything and here in Oxford tradition is often something held dear to the heart. 

Bourne first transported Cinderella to wartime Britain, and more specifically the Blitz, in 1997, marking a great shift in the performance of the ballet and the fairytale itself – as the bombs fall Cinderella finds the Pilot of her dreams. A male Fairy Godmother is not as drastic a change as male swans but the production is suitably innovative for a choreographer and director often hailed as groundbreaking. 

Much more recent is David Bintley’s work in Birmingham – less obviously original to the layman and probably least surprising to someone who grew up with the Disney version of the plot – the neglectful father has been replaced with a Stepmother and the Ugly Sisters are danced by women, which makes them less pantomime and in many ways more comic,  because they are believable. 

However the canonical version has not been eclipsed. The inclusion of a father beloved by Cinderella and manipulated by the Ugly Sisters makes the First Act all the more tragic and the empty vastness of the stage makes Cinderella’s solos more evocative. The lack of artifice and high-concept allows the romanticism and lyricism of the music and choreography to shine through all the more. 

Something the Royal Ballet have always mastered is costumes, and the story of Cinderella requires some dramatic costume changes. The drabness of her initial tatters are more than made up for by Cinderella’s entrance at the ball with a lace cloak stretching across the entire stage – it’s a moment of extravagence which takes you back to childhood. For the boys there’s an abundance of role models with the cheeky Jester entirely stealing the show whenever he appears. Still, Bourne’s version does provide us with men in uniform and, having witnessed the royal wedding fever which swept the nation last Friday, I know they will be well received.

Of course the standard of dancing and choreography is brilliant across the board and each production has its merits. It is very in vogue at the moment to adapt well known fairytales and the reason these adaptations work is because of the intimate knowledge and love of the original shared by the audience and performers. Re-interpretation often serves as a mirror, highlighting and challenging previous assumptions,  but however much I look forward to an inventive retelling I tend to drift back to the original.  Call me sentimental but I still love a classic.

Rory and Tim’s Friday Frolics

This new sketch show will come out on Fridays for your enjoyment.

Breaking Legs – The Stage News Podcast Week 1

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Tune in next week for more information.

The Eagles That Rose From the Ashes

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Emblazoned on the front of the red 1958 Manchester United FA Cup Final jersey is that of an eagle. It is a symbol which came to define the Red Devils in the months following the most significant moment in postwar English football in which eight players lost their lives. What resulted was an impromptu scramble to rebuild a team in need of major surgery but whose soul remained intact – embodied by caretaker manager Jimmy Murphy. It was Murphy – often the forgotten man in this story – who would nurture a new generation of Eagles to rise from the ashes of Munich.

The events of 6th February 1958 on a cold winter’s day in Munich were unprecedented in the history of English football. The facts of the day have been regurgitated over and over again but what remains at the very core is that United had lost eight players, more commonly referred to as the Flowers of Manchester. What united those eight was youth, talent and, above all, a lack of fulfilment. Chief amongst them was defender Duncan Edwards – recently named in a Manchester Legend XI – who died 15 days after the crash. Edwards, more so than anyone, embodied these three characteristics. At the tender age of 21, he was the youngest ever international to represent England and gradually established himself as the heartbeat of the England midfield. Many have since posed the question that if Edwards had been alive and well, would he have been the captain leading the Three Lions to World Cup glory in 1966? Matt Busby’s team was widely regarded as the greatest team that ever was however the task of upholding this reputation let alone rebuilding the team following such a tragedy, was a daunting one – a task placed upon the shoulders of one, Jimmy Patrick Murphy.

United’s loss and subsequent rebuilding process must be placed into some sort of perspective. Nine years earlier a similar tragedy befit Italian club Torino whose loss was even more substantial than that of United’s. In total the club from Turin lost their entire team composing of 18 players including five members of the coaching staff. Like United, they had risen to prominence in the postwar years, winning four straight Serie A titles between 1945 and 1949 and, according to some sources, pioneered the 4-4-2 formation. It has been suggested that the Granata (The Clarets) have never quite recovered since that disaster. Nonetheless, what United found in this period of adversity was solidarity in the form of their nearest neighbours and fierce rivals, Manchester City. Three days after the crash, UEFA asked City to replace United in the European Cup to which The Blues responded ‘no’ to – wanting to help their Manchester counterparts instead of benefitting from the circumstances. This hand of support went so far as helping United’s staff, with City’s director and surgeon, Sidney Rose, arranging medical help for returning players. Whilst administrative back up was a priority, rebuilding the team around a central figure was of paramount importance.

Only three first team players – goalkeeper Harry Gregg, right back and newly appointed captain Bill Foulkes, and striker Bobby Charlton – remained from the decimated squad. Nonetheless, after much persuasion, Murphy was able to call on these players who had formed an integral part of the Busby Babes team. As for the rest of the team, Murphy – who was on international duty on the night of the crash guiding the Welsh National team to their first and so far only ever appearance at the World Cup – looked to the youth setup at United. He was viewed as a master of judging ability and potential, nurturing the likes of Ron Cope and Alex Dawson into the starting XI whilst also making shrewd acquisitions such as defender Stan Crowther from Aston Villa and attacking midfielder Ernie Taylor from Blackpool. Furthermore, it was Murphy’s insight which helped Busby to bring in a future Manchester United legend, Denis Law, from Torino in 1962 for what was then a club record fee of £115,000. It was principally he who, despite the panic around him, galvanised this new group of players together, resulting, against all the odds, in the team reaching the FA Cup Final that year.

In the space of a mere three months, Murphy had taken a team blighted by loss and tragedy to the final of English football’s premier club competition beating Sheffield Wednesday, United’s first game after the crash, West Bromwich Albion and Fulham along the way, the last two with the help of a replay. It was a game which pulled at the heartstrings with the majority of spectators rooting for United, hoping for the fairytale finish to what had been, up until that point, a season defined by the events of Munich. Nonetheless, someone hadn’t informed Bolton Wanderers’s skipper and striker and prolific England centre forward Nat Lofthouse – who died in January this year – of the script. Lofthouse singlehandedly steered The Trotters to victory, scoring the only two goals of the game – the second of which has been a point of controversy – and thus 1958 forever became The Nat Lofthouse Final. Furthermore, victory was made sweeter as Wanderers came back to the same venue where they had lost in the final six years previously to Blackpool. Despite the script not going according to plan, this final was the moment which signalled the beginning of a new generation of Manchester United legends.

Busby resumed his full-time managerial duties in time for the beginning of the 1958-1959 season working alongside Murphy who never chose to become manager of the club, sighting a hate of the limelight and a preference for working behind the scenes. Together they continued on from where they had left off before Munich, vowing not compromise on their attacking style on which their success had been built on. The United of the 1960s still had experience within its ranks but alongside it was another dimension, that of youth, exuberance and talent, embodied by the ‘Diamond Four’, as I like to call them, of Bobby Charlton, George Best, Nobby Stiles and Paddy Crerand. How fitting it was then that ten years later United returned to the scene where the foundations for the next generation of Manchester United players had been laid with their historic first European Cup triumph against the great Eusébio’s Benfica under the floodlights at Wembley. Symbolically Foulkes and Charlton, who scored two goals on the night, had finished the work begun by their former teammates ten years ago – a fitting tribute to those who were now firmly memorialized in the hearts and minds of all Manchester United fans.

The events at Munich, which will always remain an integral part of the fabric of Manchester United, and Welshman Jimmy Murphy being suddenly propelled into the managerial hot seat were never supposed to happen. Despite being approached to manage the Brazilian National Team, Italian giants Juventus and Arsenal, Murphy remained assistant manager at United until 1971, passing away in 1979. Thirty years later a small unassuming plaque commemorating his remarkable achievements is attached to his former family home in Treharne Street in Wales. Those who knew Jimmy Murphy will tell you that that’s the way he would have wanted it.

 

Click here to listen to more on the aftermath of the 1958 Munich Air Crash with the Cherwell Sport podcast, ‘Extra Time’.