Friday 3rd April 2026
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Review: Submarine

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Submarine is a coming-of-age story rightly insisting that it has a unique selling point: its quirky main character. Oliver is a 15-year-old Welsh schoolboy with the type of personality that inevitably ends up making the film. He has a wild imagination, daydreaming in class about the mass mournings that he hopes would follow news of his death. He monitors his parents’ sex life by checking in the morning if the lights had been switched off on ‘dim mode’ the night before. He refuses, as a matter of principle, to participate in the bullying rife on the school playground – until he sees that to make progress towards losing his virginity, he needs to impress the girl whom he has a soft spot for. He reads and pretends to understand Nietzsche in his spare time and ultimately comes across as the super-selfconscious Adrian Mole type whose adolescence is being put onto celluloid, the level of mental insight being as strong as that found in a novel because of the prevalence of revealing voiceovers.

Oliver is terribly amusing. You must have skipped your teenage years and be severely lacking in a human touch to not find his persona gently humorous and his actions at times outright hilarious. Ayoade – an actor best known for his part in the hit Channel 4 show, The IT Crowd, and making his directorial debut here – makes clear his love of the French New Wave and expresses a particular devotion to Truffaut. That legendary director’s obsession with childhood is evidently replicated here, alongside the general feelings of joy, freedom, and spontaneity that characterised his work. Forgive the vague language, but it’s difficult to describe how strangely adorable Submarine‘s early scenes are as Oliver and his girl walk and talk alone on the beaches and in the fields of Swansea.

And yet something changes in the tone of Submarine as the film goes on, and it’s frankly unclear as to what we’re supposed to feel about it. Serious things begin to happen, and whilst Oliver tackles them in his typically odd way, there’s definitely an attempt made in the filmmaking to depart from the early fun and make something substantially more dramatic. It comes across bizarrely, almost as if the film were schizophrenic. Comedy continues to colour themes of potential marriage breakdown, depression and adultery; whilst what we’ve seen before suggests these should merely be tools through which we can focus on Oliver’s development, they also seem intent on working as ends in themselves but leave us confused as to whether we should be moved, amused, or somehow both.

The overall feeling you get from the film is too obvious to have happened by chance. Ayoade must have intended it to be this way – what’s hard to work out is why. As a whole, his work here is sufficiently fresh to warrant our sticking with him. I’ll be more than happy to watch how his second effort unfolds. But Submarine is undoubtedly both a hit and miss: its virtues are there at the start for all to see, but then they sadly slip away.

 

Cuts cause controversy

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Recent information about academic cuts at Oxford University has caused controversy over the necessity of its decision to charge £9,000 a year in tuition fees.

Figures published last Thursday by the Higher Education Funding Council of England (HEFCE) reveal that Oxford is expected to face a reduction in funding of just 1% in real terms.

Cambridge is seeing its funding cut by only 3%, whereas City University in London is suffering a 10.8% cut. The worst hit university, with its funding slashed by 15.8%, is Bishop Grossteste in Lincoln, which has announced that it will charge tuition fees of £7,500 for most of its courses from 2012.

However, Sir Alan Langlands, Chief Executive of HEFCE, suggested that the universities with the smallest funding changes are those with high levels of world-leading research and significant financial support from charities and businesses.

It is expected that Oxford University will receive £7.3 million less from HEFCE next year. Yet in 2009-10, government funding only formed 23% of the institution\’s income.

External research contracts and grants made up 40%, bringing in £367 million.

Furthermore, the university appears to be benefiting from an increase in charitable donations. Statistics released last week in the Ross-CASE Survey show that in 2009-10 Oxford and Cambridge accounted for half of all new charitable funds secured by universities, despite overall charitable donations to UK universities having dropped by £20 million.

This information has caused some to question the university\’s decision to raise tuition fees to £9,000 per year as a method of generating further income.

Rachel Farnsworth, a first year PPE student, commented, \”I absolutely dont think it\’s necessary – if Oxford wanted to, they could easily charge less, and I bet the people donating would want some of it spent on undergrads.

\”I think they\’re just playing a game of one-upmanship with Cambridge over fees really!\’

The university predicts that the highest departmental cut, of £5.1 million, will be to \”Old & Historic Buildings Allocation\”, something which has little impact on the teaching and research of academic departments.

However, a spokesperson for Oxford University said that the raise in fees would help \”to safeguard the future of our transformative education system.\”

\”Oxford students also enjoy exceptional facilities for learning thanks to a combination of college and University provision. All of this costs a huge amount of money, and Oxford is absolutely committed to maintaining this provision.\”

With other prestigious institutions, such as Cambridge, Durham and Imperial College London, having all declared that they will be raising tuition fees to the maximum of £9000 per year, it has been argued that the decision of Oxford University is necessary as a means of preserving its reputation.

Lincoln college student, Adam Rachlin, agreed that \”raising tuition fees to £9,000 per year is a necessary step to keep Oxford a first rate university\”.

He added, \”however, the extent to which access is increased will be the marker for how fair the system is, and from what I\’ve heard so far Oxford will have large schemes to improve access.\”

In a statement from the Vice-Chancellor, it was said that \”after public funding cuts, the proposals [to charge £9,000 tuition fees] only bring in £10 million of real extra income, of which 70% goes on new spending on student support and access.\”

 

 

Increasing tuition fees could cause £1bn funding gap

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The government has been warned that it may have to spend almost £1 billion more than expected over the next four years to cover tuition fees costs, as more universities announce their move to charge the maximum threshold.

Bath, University College London, Birmingham and Lancaster have now joined the growing list of universities who have stated their intention to charge the maximum tuition fees of £9000, starting in 2012.

Lancaster University has justified its decision as a reflection of its teaching and research standing. Vice Chancellor Professor Paul Wellings commented, \”The fee level will allow the university to build on the high level of education and university experience that we currently offer our students.\”

However, not all at the university are happy with the decision. One Lancaster student told Cherwell, \”I just don\’t think raising fees is the right thing to do. We\’ll put people off from going to university and that\’s not good in the long run.\”

Of 23 universities who have so far announced their fee decisions for 2012 onwards, nineteen have declared their intention to move to the £9,000 maximum. This includes Oxford, Cambridge, Exeter, Essex, Surrey, Sussex, Manchester, Warwick, Aston, Reading, Liverpool John Moore and Leeds Metropolitan.

David Willets, the government\’s Universities Minister, had previously stated that £9,000 fees would be charged only in \”exceptional cases.\” However, the number of universities moving to the new threshold has threatened an imbalance in government funding of around £1 billion.

Gareth Thomas, the shadow universities minister, commented, \”It is increasingly clear that the government are powerless to stop universities charging £9,000. This will push up average estimates on which the government\’s spending plans are based, requiring deeper cuts elsewhere in the higher education budget.\”

Critics fear that the initial outlay will have to be paid for in other cuts to higher education, including cuts in research and fewer university places.

The government has already announced national higher education cuts of £940 million, including a 66% reduction in the science capital budget. Universities will face a 9.5% cut compared with the current academic year, including a 6% loss in teaching budgets.

Willets has suggested that the coalition is considering plans to create an \”opportunities fund.\” This would enable the government to allocate more places to institutions that offer cheaper courses, in an attempt to reign in the movement of universities towards the new maximum fees.

A spokesperson for the University of Oxford told Cherwell that, \”Whatever the updated arrangements, Oxford is committed to funding undergraduate teaching.\”

 

Will Hutton named as Hertford’s new Principal

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This week, journalist, economist, political analyst and author Will Hutton was named the new Principal of Hertford College, to start this Trinity term.

As a public figure best known for his role on BBC programmes such as Newsnight and his editorship of the Observer, Hutton’s status as a high profile personality makes him an interesting choice for a college which prides itself on being one of the most progressive at Oxford.

The college’s Senior Fellow, Dr Toby Barnard, said, “Hertford is delighted to have Will Hutton as its next Principal. He promises to continue and enhance the college’s enviable reputation for innovation, open access, friendliness and intellectual distinction.

“There is foul weather ahead for all universities, but particularly for Oxford colleges. Hertford is confident that, with Will Hutton’s dynamism and experience of public life, it will emerge from the impending storms much strengthened.”

Hutton himself seemed excited at the prospect of serving “a great Oxford college at a pre-eminent world university,” citing, “a genuine meeting of minds between the fellowship and myself that is exhilarating.”

He has spent the last decade at the helm of The Work Foundation, a not-for-profit think-tank that aims to improve the performance and quality of working life, and has also written many books on economic and political subjects.

Academically, Hutton’s experience is equally varied, as a governor of London School of Economics, a visiting professor at the University of Manchester Business School and the University of Bristol, and a visiting fellow at Mansfield College Oxford.

Hertford’s JCR President, James Weinberg commented that, “[Hutton’s] emphasis on facilitating and participating in open discussion and debate was a delight to hear and would not only foster greater cohesion within Hertford but would inject vitality into college life.”

He added, that Mr Hutton “will not be afraid to ‘rock the boat’ in defence of our collective principles” and that, “that enthusiasm and determination is exactly what Hertford needs to make things happen, both internally and externally.”

As Principal, Mr. Hutton will have overall responsibility for students’ academic work, as well as an interest in their wider activities – social, sporting, cultural, political. He will also lead the various staff teams in college, and represent the college in the university and beyond.

Whilst many students will welcome the renowned economist and successful public intellectual into their midst, some still harboured doubts about his appointment.

An undergraduate student, who wished to remain anonymous, stated that Will Hutton’s long and recent involvement with The Work Foundation “from many perspectives has been detrimental due to that very fact that he would like to turn everything into a thinktank.

“This, I feel, could really affect Hertford as a college in that it is a notoriously active one (on all sorts of fronts – political, charity, etc), and the fact that a principal might not endorse that, or might have little understanding of that feeling, is worrying.”

However, in a report written after interviewing the candidates for Principal, Weinberg concluded, “If we want to be put on the map…if we want someone with drive and originality, as well as the channels through which to exercise it in our favour; then Will Hutton is the man for the job.”

Whether Hutton can live up to such high expectations and praise, or whether he will struggle against the impending tide of higher education cuts, and the idiosyncrasies of Oxford life, remains to be seen.

 

Panic on the streets of London

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International students’ visa regulations revised

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The government has released a revised set of visa proposals which aim to curb the number of foreign students in Britain by around 100,000 a year.

The coalition believes that the new proposals offer compromises on their more stringent original plans, which were met with hostility by universities nationally. Home Secretary Theresa May said that significant changes were necessary to combat abuses in the system and to reduce annual net migration.

The measures, which will be implemented from April, will include alterations to the post-study work route and restrictions on which students can bring dependants to the UK with them. There will be tighter regulations for private colleges wishing to sponsor overseas students, in order to prevent enrolment at bogus colleges.

The concessions offered include scrapping the plan for an arbitrary cap on student migration and allowing some students to stay in the UK after graduation. Revised measures will enable students with the offer of a graduate-level job paying at least £20,000 a year to stay on to work.

Additionally, whilst there will be tougher English language requirements in place for those who wish to study in the UK, universities will be able to introduce their own tests for potential students.

A spokesperson for Oxford University said, ‘We welcome the proposals regarding the changes to the student immigration system and are satisfied that our serious concerns were listened to carefully by the Government.

‘The changes announced will ensure that we continue to attract the most intellectually able international students to Oxford and that students will still have the opportunity to take up graduate level jobs after completing their studies.’

Nevertheless there remains opposition to the proposals. Colin Jackson, OUSU’s International Students Officer said, ‘While some of the more egregious proposals (requiring that students physically return home to extend their stay, not allowing universities to vouch for students’ ability to speak English, etc.) have been done away with, the tone – and more importantly the effect – of these proposals still belies what I see as hostility towards international students.’

Clare Joyce, an American PPE student, told Cherwell, ‘It is important to remember that there are already many obstacles for non-EU students seeking to pursue their studies in the UK … The ability to attract the best and the brightest, regardless of their home country, to Oxford, is a substantial part of what keeps Oxford globally competitive in an age where that competition has become more intense than ever.’

Similarly, Vartan Shadarevian, a first-year student at University College, said, ‘International students on graduation, by virtue of their degree, are some of the best educated immigrants in the country. They pay much higher international fees, and throughout their time of study pay living and accommodation costs, pouring huge sums of money into the British economy … foreign students represent the most welcome form of immigration, and treating them as other immigrants is an ill advised, ill thought-out policy direction.’

 

Review: Cause Celebre

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The Terence Rattigan centenary celebrations continue with this revival of his final play, 1976’s Cause Celebre, taken on by director Thea Sharrock, fresh from last year’s acclaimed production of Rattigan’s After the Dance at the National Theatre. The play centres on the true story of 39 year old Alma Rattenbury, trialled in 1935 alongside her 18 year old lover for the brutal murder of her older husband. The case attracted notoriety due to the age difference between the lovers, which came to outrage the public even more than the murder itself. This controversy is what much of the play spins on: it allows for the introduction of a sub-plot involving Edith, called upon as forewoman of the jury for Alma’s trial, whose social and sexual repression and morally upright nature make her so prejudiced against Alma from the start that she fears she will be unable to give her a fair trial, such has the taboo sexual liaison obscured and problematised the issues of guilt and innocence.

The two principal female parts are portrayed masterfully. Anne-Marie Duff is a wonderful Alma, oozing sexuality, danger and wicked fun from her very first appearance, sashaying downstairs in satin pyjamas to meet the rough and ready builder’s son George, who has come for an interview for a servant’s job. For much of the play we are unclear over whodunit, and despite the knowledge that Alma has seduced a teenager and probably murdered her husband, I found myself warming to her inexplicably and rooting for her, a sentiment echoed by all around her, from the initially stern prison warden to her team of frustrated lawyers. Meanwhile Edith, in many ways a twin to Alma, both suffering marital problems and consumed by love for a teenager (Edith for her rebellious son Tony, Alma for George), is played brilliantly by Niamh Cusack, whose gradual transformation throughout the play follows our own oscillations in emotion and attitude as the dramatic court case is played out before us.

Much of the action occurs in flashback, which often works well, for example as the scenes of the murder are played out in the midst of the trial. Yet this does me

an that some relationships are not fleshed out, most notably the relationship between Alma and George upon which the whole action depends, which is described to us more than it is shown. This use of flashback and swift changes in focus do however allow the play to work on many levels which come together euphorically near the end, although the second half, focusing on the unravelling of Alma’s story, rather forgets about the subplot of Edith’s relationships with her son and ex-husband, which is left unsatisfactorily hanging. The action is fast paced and extremely exciting; throughout the interval I found myself desperate for the curtain to rise again and the trial to continue. There is also much humour alongside the intense tension, particularly provided by the excellent Nicholas Jones as Alma’s beslippered, rule-bending defence lawyer, who almost steals the show.

The play’s strengths lie in the range of human emotions and relationships expressed in this play. Its exploration of the themes of justice and morality are ever-relevant, despite the play’s 1930s setting, with its stricter moralities and the threat of capital punishment looming large. Although not one of Rattigan’s better known plays, this spectacular production with outstanding performances is in itself a cause celebre.

 ‘Cause Celebre’ is at the Old Vic, London, until 11 June

Shark Tales Episode 4

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In the last installment of Hilary term, Barnaby Fry asks Wednesday night revelers to take sides on important issues such as the ideal male urine receptacle: cubicle or urinal.

Nuclear over reaction?

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Ten days after a magnitude 9.0 earthquake hit Japan in the early hours of Friday 11th March, the events at the Fukushima Dai-Ichi nuclear power plant are still dominating headlines. Though clearly not a trivial event, the plant in Fukushima is not (and never was) a threat on the scale of the Chernobyl disaster and, in my opinion, the reporting of it as such shows serious flaws in the way science is reported in both the British and foreign media. 

As a brief overview, the Fukushima plant is comprised of 6 boiling water reactors, which use the heat generated from nuclear fission to boil steam, which then powers electrical turbines. The reactor core is comprised of fuel rods, which contain the material that drives the nuclear reaction, surrounded by water acting as a coolant. In the case of reactors 1,2,4,5 and 6 in the Fukushima I plant, the fuel rods contain pellets of enriched uranium, though roughly 6% of the rods in the 3rd reactor also contain plutonium. Underneath the reactor lies an arrangement of control rods, comprised of elements that can absorb neutrons such as Boron, which can be inserted into the central core of the reactor to slow the reaction down, or stop it entirely.

This is exactly what happened automatically at Fukushima after the earthquake, and the successful action of the control rods is one of the most important reasons that comparisons of this accident with Chernobyl are flawed. At Chernobyl, fuel rods had been withdrawn from the reactor core in order to maintain a suitable power level for an experiment which was being run. This led to overheating of the reactor, which could not be effectively shut down upon reinsertion of the control rods due to serious design flaws in the reactor. For example, the use of graphite tips on the control rods which initially sped up the nuclear reaction due to graphite’s effect as a neutron moderator: it feeds neutrons back into the nuclear reaction in a positive feedback cycle. In most modern power plants water is used as a moderator instead. As the water boils due to the heat generated, it turns to steam, which does not feed neutrons back into the reaction. This slows the reaction down, and inhibits the generation of heat in a negative feedback loop, making Fukushima much more stable than Chernobyl.

This water is what caused the explosion at the 1st, 2nd and 3rd reactors. As temperatures rose in the reacting vessels, it is likely that some of the alloys containing the nuclear material split, allowing the radioactive elements to react with the water, splitting it into hydrogen and oxygen. The hydrogen was vented to the top of the reactor building where it exploded, blowing the steel roof off the reactor. It is important to note, however, that the concrete containment vessel surrounding the reactor vessel was not breached, though some damage was suspected at unit 2. No containment vessel at all was present at Chernobyl, meaning that as the graphite in the fuel rods set alight, the fire could spread radiation into the atmosphere.

However, some radiation was released in these explosions. To quantify the amount, the unit Sieverts (Sv) is used. This measures the amount of radiation absorbed in joules per kilogram, multiplied by a weighting factor for the radiation type and the biological tissue absorbed into. What a Sievert measures and the effect of different levels of absorbed radiation have been the source of most misunderstanding and the least well explained factor in the disaster. Pretty much everyone receives at least a few milliSieverts just from being. Indeed, eating a banana increases your radiation dose by about 0.1 microSieverts (μSv), which defines the standard for the banana equivalent dose (BED) that is used to highlight how much background radiation we are exposed to on a daily basis.

After the second explosion – on March 15th – a rate of 400 mSv/hour (≈0.1 mSv/s) was detected at the site of the reactor. This is a large rate and would lead to radiation sickness in an hour or two, however, this was a spike that lasted less than two hours, after which the radiation levels for the remainder of the day decreased, and roughly 12 hours after had fallen to less than half a milliSievert. Though it necessitated the raising of the dose limit permitted to workers from 100 mSv to 250 mSv, this level, which has generally remained the upper limit, equates to about 80 mSv if you stayed non-stop at the power plant from the occurrence of the earthquake until the time of writing (two weeks). However, this does not mean the plant is utterly harmless. Some greater leaks of radiation will occur due to the need to vent steam and a few days ago 3 emergency workers were hospitalised after being exposed to roughly 170 mSv by stepping in contaminated water, suffering from beta ray burns. Overall 20 workers have now been injured at the plant, though half of these were due to the explosions last week.

Though there are potentially still some health risks posed by the plant due to contaminated food and water, these risks should not be overstated. Radiation limits have always been set extremely stringently, for instance, the milk produced by cows in the Fukushima prefecture contains radioactive iodine-131 at five times the legal limit but on a typical Japanese diet, drinking solely this milk for an entire year would come out to about 1-2 μSv. It is also worth remembering that, whilst there may be a case against building nuclear power plants in regions that frequently suffer earthquakes, this was the fourth largest earthquake since records began and was over 5 times more powerful than the plant was built to withstand. Even then, the backup generator the plant had was only destroyed by the tsunami produced from the quake.

In my opinion, the Fukushima earthquake is an endorsement of nuclear power and, whilst a review of safety measures may well be a sensible choice, Germany’s choice to shut down all reactors temporarily seems to be a massive overreaction. In addition, the media, which not only provided woefully inadequate explanation of the mechanism behind the power plant and how radiation dosage is measured, suggested Japan had been ’48 hours away from another Chernobyl’ and suffered a ‘nuclear nightmare’ has done little to inform the public of the pros and cons of nuclear fission power.

The Universal Sigh

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To celebrate the physical release of their latest album The King of Limbs, Radiohead have published a special edition newspaper called The Universal Sigh. It was given out on Monday 28th March in a few specific locations around the world and was distributed in London outside Rough Trade East, a predictable location that was, annoyingly, just a bit too far from where I live. Still I trekked the distance in order to be part of yet another publicity stunt from the band.

Once in the queue, I had difficulty explaining to myself why the hell I was there but decided to block out all sensible thought and just wait patiently for those three sheets of paper I so desperately wanted. After about 15 minutes of queuing it became apparent that Thom Yorke himself was distributing the newspaper – what joy! I finally had a reason for being there – this was his chance to apologise for blanking me on St Giles a few months ago when all I wanted was to praise him for his incredible music.

People were getting frantic, arms waving and brandishing iPhones and cameras – everyone wanted a piece of Thom. Only a few moments away from meeting the Radiohead front man, I had convinced myself that I would be decidedly unimpress

ed by him and say something about our brief encounter in Oxford. Instead, I withdrew into my shell and managed to mumble a \’thanks for this man\’ as he handed me my very own copy of The Universal Sigh. I failed to stand up to the musician, but I knew that wasn\’t the last time I would see him.

The newspaper itself is an odd melange of poetry, lyrics from The King Of Limbs, and short stories from acclaimed writers such as Jay Griffiths and Robert Mcfarlane. The centre spread is a jumble of lyrics and slightly scary imagery that extracted nothing more than a sigh from my being. Even though I was slightly unimpressed with the actual product, it is a testament to the creativity of this band who are always pushing the boundaries of their music as they involve their fans and keep them second guessing. It\’s definitely one for the collection box.

Don\’t beat yourself up if you didn\’t manage to snatch one up. Visit the website instead (http://theuniversalsigh.com/) to see pictures of devoted fans all around the world who queued for hours for free paper and ink. Not sure I\’ll be telling the grandchildren about this one.

 


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