Monday, May 12, 2025
Blog Page 200

‘This is how it’s always been’

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‘This is how its always been’ is a much-repeated phrase, but is one we seriously need to reflect on if we are to make progress as a society. Just sticking with the status quo means we continue to make the same mistakes as in the past and ultimately stilts society from further developing in a productive way. It doesn’t mean you are doing anything right or great if everyone else has done it the same way – its only by asking the difficult questions and thinking in new ways that we can truly unleash the everybody’s potential.

A good example of this is to reflect on how Oxbridge have branded themselves in the past – as being so good they didn’t need to do any work to attract candidates. Instead of trying to draw talent from all parts of the UK, there was a sense that everyone must know what they were about so if they were the ‘right’ sort of people they would apply. ‘This is how it’s always been’ you could say, and they continue to be seen as two of the best universities in the world.

In recent years the University of Oxford have launched new schemes including Opportunity Oxford which I personally benefited from. The whole aim of Opportunity Oxford is to smooth the transition from sixth form to university, ensuring those who come from the most disadvantaged schools have as good an opportunity to thrive in their degree as a student from any other schooling background. This is just one example of questioning the status quo, increasing social inclusion and preparedness while trying to level the educational playing field as students enter the University. It is by no means a perfect scheme.  It continues to be fine tuned year by year but certainly shows how we should push to think differently and to innovate.

No longer does the University rely on its sheer weight of prestige. It now runs hundreds of school workshops across the country to try to encourage the best students to apply regardless of background. There are still students who no doubt would thrive in this environment who haven’t been given the opportunity to simply because they haven’t seen anyone like them go and do it. There’s still much to do in the University itself to ensure all students feel included. However, progress is being made and comes from asking difficult questions about how to assess potential and the moral duty that universities have to inspire those in their surrounding areas.

Thinking the status quo cannot be changed and not daring to imagine a better future are some of the biggest barriers that hold us back from revolutionising many aspects of everyday life. Precedent is not always best – let’s hear out people’s different perspectives and ultimately if they have a convincing case things should change. 

Things shouldn’t just change for the sake of it and certainly decisions are sometimes made based on solid evidence as to why they were the right ones previously. But if we allow ourselves to be constrained by the status quo, we hold back so much creativity and innovation. I don’t want to bring in a long list of historical examples, but many of the most important steps towards Britain becoming a democracy took place because difficult questions were asked as to why things were as they were. By bringing different perspectives to the table we engage with points of view or interpretations and that is the power of thinking beyond the today. 

I want to reflect briefly on disability policy, something I’m passionate about as someone with fibromyalgia. Fibromyalgia is a condition that means I am unable to write due to nerve pains, means I suffer crippling pain across my body, and means at points my mobility is very variable. When someone schedules a meeting up multiple flights of stairs, it is not owing to malicious intent, it is simply because it is not a perspective they may have engaged with in the past. We need to be mindful of others, but ultimately the difference between a good leader and a bad one is that a good leader acknowledges the limits of their knowledge and learns for the future. The burden shouldn’t fall on disabled people to constantly have to advocate for themselves and certainly goes against the spirit of the Equality Act 2010 which encourages minimal barriers to engagement for disabled people. Having perspectives like this at the decision-making table is hugely important as they may bring a life experience nobody else has had, making individuals feel more welcome.

Certainly, try to understand as many perspectives as possible but be open to change in all forms. Just because it has worked in the past does not mean it is the way forward for the future and inertia is the enemy of change. Society makes progress by knocking those barriers down one by one, asking one difficult question at a time, and daring to think beyond just what we know. Change can feel uncomfortable but we need to embrace it if we are to become a more inclusive society. ‘This Is How Its Always Been’ is one of the easiest ways to block good ideas, fresh ideas, and to block societal change that is badly needed for everyone to feel included. So, the next time you hear the phrase question if there genuinely is a case for things to stay as they always have been, or if it’s time to think differently.

Image: CC2:0// Via Wikimedia Commons

Fifth-week blues

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Freshers are confronted with yet another Oxford phrase, ‘Fifth week blues’. By reaching the fifth week of a busy term crammed with deadlines and social events, many students report feeling exhausted or down in the dumps at this stage in term. As fifth week draws to a close and sixth week is about to begin, I reflect upon my experience of this Oxford phenomenon.

Fifth week’s arrival marks the halfway point in Michaelmas. My flatmate told me she feels like we only moved in yesterday, yet time seems to be passing very slowly for me. It feels like a lifetime ago that my train arrived at the station. A room once bare is decorated with my photos. Many memories have already been made in this room, subjecting my friends to my Midnights addiction, and peoplewatching from my ground floor window. The amount of work I’ve done in these five weeks also amazes me. Many hours of enriching lectures later, whole notebooks are filled, documents form a large folder on my laptop.

Speaking of laptops, today I got the fright of my life at the end of fifth week, when I opened my laptop to submit an essay. A Sunday deadline at 1.45 pm loomed like a bad omen when I woke up with an Atik stamp on my hand. When I logged in, I was greeted with the terrifying revelation that my laptop had disconnected from all possible networks. When I searched for salvation in Pret, it did not even recognise this Wi-Fi. After running a troublesome trouble shooting test, a pop up informed me that I may be experiencing hardware-related problems, and this induced a hardware problem within me. I became the child of the exorcist, possessed by panic. How would I write my essays or survive without Wi-Fi? To make matters worse, Word appeared as white as snow and all my files said they were on compatibility view, so I was no longer compatible with my own files. As the blue banner of Microsoft Word faded, I felt the fifth week blues set in. I shut down my computer twice and turned it back on, but it continued to torment me. I had to take photos of my work and craft an email in German describing my problems that seems suspiciously more like just wanting an excuse to miss a deadline. My college brother came to my rescue by telling me simply to press the reset button. As if by magic, the files were restored, and the demon was back in her box. As a Bear Lane resident’s therapy dog patters past my window, I long for the love of my life, Tess. Stroking her fur relieves all my stress.

To cure fifth week blues Lincoln’s welfare officers welcomed Bertie, a beautiful golden retriever therapy dog. He sat stoically as his owner dressed him in an Oxford gown and mortar board. My friend discovered her abandoned gown coated in his blonde locks later that day but found it iconic. He posed for pictures, cuddled strangers, shook our hands like a gentleman. Bertie’s return to Lincoln’s JCR as an honouree member filled me with a joy like no other; the ultimate cure to fifth week blues is not to bury yourself in books or to join the masses at Bridge but to find a dog to love. Never underestimate the power of the reset button.

As sixth week calls, I look at my planner, boxes already stuffed with tutorials, translations, and essays. Although I feel like I’ve been here a lifetime and miss my bath and my dog, I don’t want to wish away these memorable weeks. I look forward to seeing what the next few weeks have in store. A lot happens in Oxford in twenty-four hours.

Image credit: Alex Block

The Art of the Self-Tape 

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The self-tape: the bread and butter of every budding actor, each holding the potential to lift you from obscurity and financial destitution to having something you can force your friends to watch and enough money to buy a half-pint in Soho. It inevitably starts with an email containinga description of a character you’d be perfect for. They look like you, they sound like you (after a borderline offensive attempt at an Australian accent it was decided you would only be reading in RP), and you’ve got a whole week to prepare and perfect your performance. You subsequently procrastinate for the rest of the week until the night before it’s due. 

The set-up is all important. The desired lighting should resemble the blinding glare of a police interrogation only achievable by pointing every available light source directly at your face. Potential costuming should be assembled in a heap of vaguely relevant clothes on the floor. It should be noted that the use of props, whilst preferable to miming, does present its own dangers. The accidental lighting of cigarettes, for example, can lead to several small carpet fires. If anyone does notice any burns in university carpeting,  those weren’t me,   it must have been some other idiot flicking cigarettes away to dramatically punctuate monologues. You prepare yourself for the first take by making final adjustments. You find your mark in front of your precariously balanced phone, fiddle with your hair, then try and get it back to how it was before, give up, and begin.  

It feels like it went well. You watch it back and it’s pretty good. But your shirt is wrong. You select a new one from the pile and go again. Almost immediately you look directly into the camera. You berate yourself at length, reset, start again and do exactly the same thing. You take a moment. You’re too tense, in your own head. You need to loosen up. You grab a beer from the fridge, just a couple of slugs to relax. But you’re thirsty and you down it. You grab another one, take a sip, set up, start again and look straight back into the camera. You down the beer in frustration. Post-beer you feel a lot better and knock out several takes in a row that you’re absolutely certain are incredible, but upon rewatching find that they are both filled with mistakes, and your voice in them sounds far too loud. At this point it’s probably around two in the morning and you’ve disturbed a long-suffering neighbour who knocks on your door to let you know they’re trying to sleep. You apologise profusely and tell them you’re just finishing up. You aren’t. 

At this point you’re feeling pretty exhausted and decide to caffeinate yourself with whatever’s at hand, typically Diet Coke and, rejuvenated, you launch into another attempt. You optimistically anticipate this to be the one, finally completed. However, assessing the footage, you’re disturbed to find yourself blinking intensely throughout. Concerned, you have another go only to find yourself once again doing an imitation of a hostage desperately trying to communicate in morse code. Finally, you decide to concentrate only on blinking as little as possible and after observing how you’d look as a deranged serial killer, succumb to the caffeine crash and fall asleep. You wake up the next morning fifteen minutes before the submission deadline and after swiping through attempt after attempt of varying degrees of failure eventually arrive at the very first take. The shirt is wrong but it’s pretty good. You send it off.  

Image Credit: Gracie Oddie-James.

Will the full-time whistle be blown on Rugby Union?

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The Rugby Union has much to be commended. It offers tense and exciting exhibitions of strength, speedm and skill; for the most part, players and coaches adhere to ideals of fair-play, sportsmanship, and respect; the women’s game continues to grow. For the first time, all twenty-six of the Women’s Rugby World Cup matches are being covered by ITV in the UK this autumn. Yet English Rugby Union must front up to a multifaceted challenge.

First, the Premiership’s financial crisis must be abated. In a culture that has commodified sport, it might seem bizarre that English Premiership rugby clubs had, as of September this year, a combined debt of £500 million. This season, the Premiership has lost both Worcester Warriors and Wasps to financial administration. Additionally, Saracens were relegated in the 2019/2020 season after a point deduction penalty for breaching salary cap regulations. It has not helped that the pandemic forced the rugby world to an abrupt halt. The government’s £147 million loans to Premiership clubs could not mitigate halted ticket sale, sponsorship, and advertising revenues especially in light of the already looming financial issues resulting from club owners’ poor decision-making. In a sporting culture where a ‘pay to win’ approach is increasingly necessary for attracting superstar players who will draw spectators to matches and produce game winning plays, a club in financial crisis is faced with a choice: struggle to compete or risk the fate that has befallen Worcester Warriors and Wasps.

If this were the sole dilemma, though, Rugby Union would be redeemable. Smart financial management, investors who are keen to preserve the sport and a renewed emphasis on providing professional players, coaches, and club staff with financial stability and provisions for injuries could solve or mitigate the financial crisis and restore trust in the owners of Premiership clubs. Yet, a recent survey published by the Statista Research Department shows that from 2016 – 2021 participation in senior rugby in the United Kingdom has nearly halved. Though a threat to the top division’s future and the disintegration of what united two communities of fans might create some loss of interest in Rugby Union, this decline suggests Rugby Union faces challenges at grassroots level too.

The first challenge is cultural. Rugby clubs’ laddish reputations are becoming increasingly problematized and outdated. Tragic instances such as a university fresher dying of alcohol poisoning during a hazing ceremony in 2019 at Gloucestershire University show in a heart-wrenching manner how rugby’s sub-culture often involves peer-pressure into at best questionable and at worst life-threatening activities. Fears of having to eat unknown substances and the like provide a stumbling block for many new players considering taking up the sport.

Additionally, rugby remains somewhat exclusive. Public schools still provide the most clear pathways into the sport. Consequently, state-educated students are less likely to be drawn to Rugby Union instead of football. The women’s game, though becoming increasingly popular, still requires more coverage and awareness to equal that of the men’s game. Additionally, after the RFU ruled in July 2022 that trans-females cannot participate in women’s competitions, a method for safely including anyone regardless of gender identity needs to be devised where all feel comfortable and accepted. Thankfully, exclusivism and lad-culture are not essential to Rugby Union as a sport. Through outreach programs to state schools and by emphasising values such as teamwork and inclusivity, rugby’s amenability with modern cultural concerns can be demonstrated and its problematic associations shed.

An increased awareness of the health risks involved in Rugby Union, however, provides perhaps the strongest challenge to the sport. The long-term risks of multiple sustained concussions have finally been acknowledged. Former England hooker Stephen Thompson’s diagnosis of early onset dementia exemplifies how the health risks involved in Rugby Union might outweigh the rewards, especially for amateur players. In light of this, attracting new players becomes increasingly difficult. Projects such as headcase and return to rugby have improved management of concussed players at amateur levels. Nonetheless, Rugby Union has to do more. Red-carding any contact to the head with no mitigating circumstances works only in so far as players, intentionally or not, never tackle high. In the best-case scenario, human error will mean that Rugby Union remains a risk-laden sport. Despite touch rugby providing a popular alternative to the contact game, the latter remains the more popular and attractive to many.

Rugby Union remains in danger unless it can adequately address the intrinsic dangers to player well-being implicit in its contact nature. Well-publicised provisions at both grassroots and professional levels such as support networks and, where possible, medical care for players or ex-players experiencing short or long term effects of post-concussion syndrome, are essential. Education about risk factors is vital; it would be deceitful and dangerous to downplay the injury risks prevalent in rugby. So much about Rugby Union is worth preserving that reforms which acknowledge the concussion issue without drastically changing the nature of the sport are paramount. 

Image Credit: TonyAjas/ CC BY-SA 4.0 via Wikimedia Commons.

Ashmolean Museum questioned over looted Cambodian artefacts

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The Cambodian government has called on British museums to return statues and artworks that were looted during a period of civil war and political unrest between 1975-1979. The looted pieces are scattered amongst the Western art scene after being smuggled to art markets. Cambodia’s ministry of culture is attempting to enable their return in a drawn-out and complex process. 

As part of this investigation, a 10th century statue in Oxford University’s Ashmolean Museum has been called into question by Cambodian government delegates. The statue, in the “India from 600” room, came into the museum’s permanent collection in 1999 and depicts the Buddhist deity of wisdom Prajnaparamita holding a rosary and a sacred text in her upper hands.

Having once stood within a temple site called Prasat Ta Muen Thomtemple, the statue’s journey to the UK has aroused concern over its provenance. The temple site was controlled and looted by the Khmer Rouge during its brutal regime in the 20th century. Cultural looting came to fund guerrilla campaigns, and the temple’s abundant treasures have since made their way into the black market. The statue has been deemed “highly suspicious” by Brad Gordon, the Cambodian delegation’s legal adviser for its arrival at the Ashmolean in the 90’s. The area was “a no-go zone well into the 90’s” according to Gordon. Documents have been requested to detail the statue’s arrival at the museum, to explain how the plundered object has made its way into a collection in the West.

In response to the delegates’ requests, the Ashmolean has pledged to assist Cambodia’s government campaign in the restitution of looted artefacts. Investigations will be conducted into other objects that have raised suspicion, including a stone figure of a lion, its experts say.

The investigation into the presence of Cambodia’s plundered artefacts in the UK is the latest phase in the campaign, as 30 antiquities were returned from the US in August 2022. The British Museum and Victoria and Albert Museum were also called upon in May 2022 to investigate the provenance of objects from Cambodia or identified as ‘Khmer’. In a letter to Nadine Dorries, Secretary of State for Culture at the time, Cambodian culture minister, Phoerung Sackona mentioned that many pillaged artefacts would have “passed through the hands of Douglas Latchford”, a late British art dealer, explaining their presence in the UK.

“This was a time of conflict. The whole world knew it. Large museums like the British Museum or the V&A, they shouldn’t have accepted these pieces,” said Cambodia-based lawyer Brad Gordon in May 2022.

Image Credit: Remi Mathis/CC BY-SA 3.0 via Wikimedia Commons

Oxford University joins UK Monkeypox Research Consortium

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Fever, headaches, muscle aches, chills, and a characteristic rash – monkeypox is a disease which causes disgust and panic for most of us. Now Oxford University has joined a new Monkeypox Consortium with 12 other leading scientific research institutes across the UK to better understand the virus. 

Scientifically, monkeypox is an infection caused by a DNA virus in the Poxviridae family’s Orthopoxvirus genus. It is a zoonotic infection, meaning animals with monkeypox can transmit the virus to humans. However, sexual, skin-to-skin, and prolonged in-person contact with infected individuals have been cited as the most common routes of transmission. Asymptomatic cases can also occur, but the likelihood of transmitting the virus from asymptomatic individuals is still being investigated

A Science article cited monkeypox as a “second public health threat” that evolved during the coronavirus pandemic. Meanwhile, according to the Daily Mail, a Texas man recovering from monkeypox claimed that the disease is “100 times worse” than COVID-19, stating that his swollen lymph nodes and skin eruptions made him look “like a frog” and feel as if his skin was exposed to a potato peeler. As of October 31, 2022, a total of 3,704 monkeypox cases have been reported in the UK. Although monkeypox is not considered a deadly disease, the fatality rate of the condition has recently been between 3% and 6%.

To handle the monkeypox outbreak more efficiently, 25 leading scientists are now doing research as part of the Consortium  Co-led by The Pirbright Institute and the MRC-University of Glasgow Center for Virus Research, the Consortium has the goal of conducting more research on diagnostic tests, vaccine effectiveness, and treatment options. UK Research and Innovation has allocated £2 million funding to support the Consortium.

 Co-leader of the Consortium at The Pirbright Institute, Bryam Charleston, said there are huge implications of the current monkeypox outbreak. “As well as tackling the current outbreak, we also need to be fully prepared for the next outbreak, because worldwide there’s a huge reservoir of infection,” Charleston wrote, adding. “One of the key ways we can do this is to develop rapid tests, which are very important to help clinicians on the front line to manage the disease.”

Oxford University scientists Tao Dong and Miles Carroll are leading research groups to contribute to our understanding of immune response mechanisms and the identification of monkeypox, respectively. Dong’s research team is specifically investigating T cell responses to the virus and the cross-reactivity of the smallpox vaccine against monkeypox.Carroll’s research team is developing a lateral flow device for a more accurate diagnosis of the disease.

Having worked on investigating T cell responses for almost 30 years, Dong stated that her research area used to be neglected because of the low infection and fatality rates associated with monkeypox, telling Cherwell: “The monkeypox virus is very similar to the eradicated smallpox virus and so vaccines against smallpox have been effectively used to reduce monkeypox infections without specific studies into the mechanisms.”

Dong was invited to the Consortium by influential pox virus expert Geoff Smith, due to her previous work on T cell responses to the SARS-CoV-2 virus. She was happy to join the research, as her group’s main goal is to use its collective expertise to contribute to the understanding of a host system’s immune responses to infectious pathogens. “This information is valuable for both infection control and vaccination strategies,” said Dong.

Dong told Cherwell that finding participants for her research was the main challenge. However, she is grateful for patients’ and volunteers’ willingness to “(take) part in the vaccine trials that provide us with our samples”. At the moment, she feels a pressing need to contribute to our knowledge about the virus. “Now that monkeypox infections are on a sharp increase across the world it is timely to fully understand immune responses to the virus,” she stated.

Room for Improvement: Oxford’s craziest college accommodation

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The average Oxford student living in college will be allocated a basic, yet comfortable room. Yes, the room ballots are hectic and the living, cooking and bathing areas outside of one’s own bedroom are often messy and cramped, but each room serves its purpose and provides its occupant a place to (hopefully) relax at the end of the day. Some students though will be lucky enough to get an above average room, maybe with an ensuite, double bed or attached living room. The luckiest though will live in truly unique surroundings. These are the focus of this investigation. Over the course of the past two weeks, Cherwell has searched far and wide to find the most unique, impressive or otherwise iconic student bedrooms the university has to offer. 

Brasenose: Paneling, Paintings and Poshness

This is the sort of grand and ornate room, steeped in history, that immediately comes to mind when you think of Oxford. Originally called Frewin Hall, the building once housed the future King Edward VII in 1860 while he was a student at the university. Drawings depict him in similarly paneled rooms, so current occupants may well claim to live in a former royal residence. Even if the historical record isn’t entirely clear, its furnishing suggests grandeur. Wooden paneling covers the walls and the marble fireplace is topped by intricate carved arches. Its spacious interior contains multiple wardrobes, a large sofa, bed and a set of modern table and chairs, which seem a bit out of place in what could fight in well on any lavish country estate. 

Those who know the room well also highlight the “really creepy portrait on the wall”. Although perhaps not the most hospitable and homely room, a stay in the Panelled Room at Brasenose would be memorable!

Part of the wood-panelled room in Brasenose

New: A Room with A View

This next room is not particularly remarkable for its furnishings or history, but rather for its surroundings. At 110 steps up in the air, nineteenth- century Robinson Tower houses the highest undergraduate rooms in Oxford. If the stunning panoramic view of the city and its dreaming spires isn’t enough to impress you, the workout each occupant faces every day certainly should. Former resident and current 2nd year Psychology and Philosophy student, Daniyal Houssain, remembers the daily physical beating his legs took. He cherished the view and his physical gains, adding that now his “quads are massive”.

Robinson Tower
The view from Robinson Tower

Jesus: Back (and Down) in Time

This next room isn’t particularly large and definitely isn’t known for its view. In fact, the fresher who gets this room in Jesus’ Ship Street Centre accommodation will be living in an entirely subterranean room. 

What it lacks in natural light though it makes up for in character, as one of its walls is part of the city’s original medieval walls. Only 30 Jesus freshers will be fortunate enough to even get into this building, whose reception area also includes some of the original city walls, so the first-year who got this walled room (with ensuite!) really lucked out.

The subterranean room in Jesus

St. Peters: A Modern Loft at the Anglo-Saxon Uni

Upper years who live in the Chavasse Building at St Peters are not given an interesting room, by modern standards. In Oxford, however, the iron clad loft bed and stairs add an industrial-chic aesthetic that is rarely seen in this old city. Although those stairs do seem like quite a hazard after a night out, the views from the elevated bed facing the large windows makes the climb worth it. These rooms are located in a recently remodelled building named after the college’s founder. The remodelling project won design awards for its sustainability and its innovative design that made use of a small space. Small, but classy the little Chavasse rooms certainly do stand out.

Chavasse in St Peter’s College

Magdalen: A Truly Oar-some Room

Many colleges have ornate JCR president rooms with paraphernalia from over the years, but few can boast a Captain of Boats room chock full of rowing memorabilia. At Magdalen, the countless 6 am wake-ups and brutal erg sessions pay off for one dedicated rower each year, as they get a truly distinctive room to call home. 

The room features oars from years the Magdalen boats have won blades on the ceilings and cabinets made out of old hulls. Current resident and Captain, Miranda Connolley, says that although it is a bit strange, she’s grown quite fond of it. On top of the size and massive bay window looking out over High Street and the Botanical Gardens, she also adds that she didn’t “have to spend time decorating it”. Photographs, trophies and all sorts of rowing items from the last 150 years adorn the walls and shelves, leaving little space for personal decorations. 

Connolley has found herself hosting many social events, especially for rowers, in this large room with a rare comfy sofa. Although she won’t describe it as “cozy”, she loves this iconic room.

Magdalen’s Captain of the Boats’ Room

Is a winter World Cup feasible?

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A typical World Cup is held in the summer between the previous season and the upcoming one. Instead of having months on end to lounge about an expensive, far away tropical paradise, the best of the best players jet off on a plane set to play for their country in the biggest tournament in the football world. This system works. The complex football calendar manages to fit domestic and international club cups as well as the top tier leagues allowing the World Cup to cause minimal disturbance.

That’s not the case for this year.

Hosted in Qatar, this year’s World Cup has been pushed to the winter. Why? Because the average Qatar summer sees temperatures of 40-50 degrees celsius. If this year’s World Cup had been hosted in Qatar, then all the players would have had the unforgettable experience of being roasted to a crisp. Not very interesting football might I say.

So, the World Cup had to be pushed to the wintertime, allowing the players and spectators to have a much more pleasant experience during the tournament. But the story doesn’t end there— the inability of Qatar to host a World Cup in November has had an enormous impact on the football year. All top tier domestic and international club tournaments have had to be suspended for the World Cup to go ahead because that is the only way players could compete.

This sounds like a simple enough solution, except in practice we are seeing that maybe winter World Cups haven’t happened before for a reason. In order to make way for this tournament, in the UK, the off season had to be cut short to make way for an earlier start of the premier league. Not only this but more midweek games needed to be hosted to make up for the month or so that the World Cup occupies mid-season. For clubs competing in European competitions like the Champions, Europa or Conference League they have found themselves playing a greater volume of matches in this shorter time to ensure the group stages are finished before the World Cup begins.

What this has meant is that players are finding themselves playing more games than usual before one of the most important competitions in their career. Not only is this a lot of effort, it’s also a fool-proof recipe for injury. Typically, players are accused of phoning it in in the run up to an international competition but this year there has been no room to do so because the system is rigged to overwork all the players.

Kante, Pogba, James, Chilwell, Fofana, Jota. Listing the players that have been ruled out of the World Cup due to injury, you can’t help but feel bad for those who have missed out. While injury is inevitable whether or not the World Cup is in winter, the system felt rigged against players, who, had the tournament been in summer, may have been able to compete.

However, some suggest criticism towards a winter tournament is wrong because it suggests that certain countries should be excluded from the World Cup. If winter World Cups are never repeated, then essentially all countries with extremely hot summers would never host large football tournaments. Countries like Kuwait, UAE, or Pakistan would be prevented from hosting it. For a sport that is labelled as being global, excluding certain countries seems counter-intuitive and unfair.

But surely arguing that excluding certain countries from hosting is unfair is actually unrealistic. Certain countries can’t host sporting events due to their environment and that’s been the way it is. Spain couldn’t host a winter Olympics, Greenland probably couldn’t host a summer one. Location and environments must be a dividing factor between hosting or not hosting. Perhaps if the hosting of football events was chosen on the basis of feasibility this winter’s wounded player situation could be avoided.

Image Credit: SpesBona/ CC BY-SA 4.0 via Wikimedia Commons.

Week 5 editorial

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Pieter Garicano, Cherwell Editor-in-Chief:

A feature of student journalism is the lack of distance between the journalist and their subject. The media in London get derided for being too chummy with those they’re reporting on, but that dynamic doesn’t start there. In Oxford, subject and object can live in the same staircase. One way it manifests itself, of course, is through favourable coverage. Many pieces which we’ll get will be flattering to the author’s favoured student society, play, or hack.

While not inherently undesirable — we rely on the unpaid labour of the people willing to write, and people like to write on things they like — it can lead to certain voices and biases been further amplified, whilst neglecting others. The writing of student journalists reflects their specific, broadly similar interests, rather than a representative sample of the broader University. Self-selection, and a perceived lack of accessibility, plays a large role in the composition of the staff at the student papers — that, in turn, affects the output.

But, worse, and much more common than when chumminess leads to favourable coverage, is when it leads to its suppression. Pieces about groups and colleges in Oxford will sometimes be scrapped out of an author’s fear of retaliation. Many students who profess to value free speech and the truth feel entirely comfortable harassing fellow students who write pieces they dislike. Living in the same staircase or sharing the same community can make it all too easy. Anonymous platforms such as Oxfess lower the threshold further, whilst reaching a much wider audience. JCRs are some of the most hostile organisations when they receive negative coverage — worse than the oligarchs, dodgy dons’ greenwashers, and other nefarious types Cherwell reports on. Many of these problems are structural; the intimacy between student-author and others students is definitional. But another part of it is learned — both excessively narrow coverage from authors and outright hostility from subjects does not need to be the case. A little understanding goes a long way.

Leah Mitchell, Cherwell Editor-in-Chief:

Last week, Pieter and I sat down to write a document with some guidelines for whoever Cherwell’s Editors-in-Chief next term may be. At the start of the document, we decided to include a distillation of what we believe Cherwell’s key values to be. Writing this down felt daunting – who are we to decide, or even to know, the values of an institution over a hundred years old? – but also slightly thrilling, akin to writing a manifesto or pledge. Components which fizzed to the surface immediately included editorial independence, transparency, free speech, abhorrence of bigotry, and ascription of goodwill apart from in cases of overwhelming evidence to contrary – lofty principles indeed, perhaps, but I think worthwhile ones.

Does this mean that our deeply well-intentioned but probably half-baked Google Docs notes should become some sort of binding canonical text for future editors? Of course not – our opinion holds no greater weight than theirs, and I think it is good for beliefs and practices to be constantly re-evaluated and recalibrated for an ever-changing environment. But the act of consolidating one’s principles – or at least, taking the time to think about doing so – is in my view of great importance in itself, despite how intimidating or impossible it might feel. It is also something that all of us can do, every day, even if only in the backs of our own minds. 

In a world which sometimes feels like it increasingly values aesthetics over action, polish over principles, it seems to me perhaps more important than ever to stand for something. I for one would rather discover that I am wrong in good faith and have to modify my stance than be so afraid of disagreement, error, and even embarrassment that I do not dare to use my voice at all. So, this week, I urge you to adopt what we have determined to be the Cherwell spirit and do the same – write your own manifesto, if you will. What do you have to lose?

The power of the perfect song(s)

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Over the lockdown I decided to bring back blogging (well, I wrote three blogs that were just me sort of saying ‘we’re in a lockdown – how weird!’ – profound) and I was having a little read of it the other day when I found this gem of a line: 

‘I used to wonder what it would be like if I was actually living in a film. What kind of film would it be? A romance? A coming-of-age story? A drama about a teenage writing prodigy?’ I even wrote a poem about those very thoughts that I shall not be sharing here as it is quite frankly the work solely of my hormones and they steal enough of the limelight already.

The end of this little thought was that it turned out we were probably (sadly) in some sort of pandemic-based film, but that’s beside the point. The point is I have always been (and yes still am) obsessed with viewing life as a film: call me narcissistic if you like! (Actually please don’t, I’ll be really sad). And what is crucial, nay integral to a good film? A cinematic score obviously. Which leads me onto my thought of the week: playlists. 

I have many a playlist (a surplus one might say – a boring one mind you) and each one has a very specific vibe, a specific function, a certain “je ne sais quoi”. ‘In April we Dance’ obviously referred to dancing in April, but has since morphed into the ultimate pres playlist. ‘Bops but like chill bops but still bops’ does exactly what it says on the tin, and ‘NEW (old)’ is a new playlist where some of the songs are old favourites. I’m straightforward in my playlist naming. And each of these playlists has a moment. For example, my ‘film soundtracks’ playlist is what I write essays to. My friend has a playlist entitled ‘room’ which unsurprisingly she plays in her room. Another friend uses the classic playlist for the month format. 

If clothes are, as I discussed in my sparkly top article, something we swaddle ourselves in when we want to feel protected but also undeniably ourselves, then I think the playlists we curate are our audio equivalents. I have a playlist that I made to listen to on a train journey to London that is not only now synonymous with London for me, but is what I listen to whenever I need to feel powerful and BIG and like I can stomp through a city and really, really confidently use the tube. And it works. Playlists are just one of the many ways that I think we all compartmentalise our lives through what we are consuming at any one time. They are auditory scrapbooks and they’re so uniquely us. Only I know why Feist, The Jesus and Mary Chain, and Mazzy Star demand to all be in a playlist entitled three star emojis (ok well yeah the last one might be a bit self-explanatory). 

They’re also collaborative! No matter how cynical you are, you have to admit doing a Spotify blend with your mates is fun – especially during exam season when you get to see everyones’ deranged revision music. And in this spirit of collaboration, I would like to invite you all to join the collaborative playlist linked here and in the spirit of honesty, in the spirit of people who are really cool being the people who do not try to be cool (yes, I sound like a mam, but mam’s are always right), put the songs you LOVE, the songs you dance to in your room to make you want to go out, the songs you listen to before a tutorial and maybe we can all have our ‘life-is-a-film-and-this-is-my-theme-tune’ moment. Because I don’t know about you, but I’d quite like to dance through life.