Tuesday 2nd December 2025
Blog Page 2066

‘Anti-Semitism’ accusations detract from Oxford’s outrage at Ayalon’s extremism

As students who were at Danny Ayalon’s recent speech at the Oxford Union, we feel that reports of the event have been hugely misrepresentive of the opposition to the speech. Reports have implied that Mr. Ayalon was the subject of hostile and vicious slurs, and painted him as the victim of a raging mob of anti-Semites. Despite the horrific slur made by one individual, which students strongly condemned, this should not tar the legitimate opposition to his speech, nor should it act as a smokescreen for the extremist views that he expressed that evening.

Mr. Ayalon began his speech by blithely and hypocritically emphasizing ‘Arab’ lack of food and water security, neglecting to acknowledge his own government’s brutal blockade on Gaza, which has left 80% of Gazans dependent on paltry food aid; he talked about ‘Christian Lebanon’ being Islamized by Iranian backing, in complete disrespect to the Muslim population of Lebanon; he justified illegal settlement construction on the Occupied Territories by simply asserting that “it’s our land”, in brazen defiance of numerous UN resolutions calling for Israel to withdraw; he denied the existence of a genuine Palestinian identity, disparaging it as an invented label for an invented people; he talked about the ‘demographic problem’ in Israel, a euphemism for his racist party’s fear of having too many Arabs in the country; he reduced Palestinian opposition of violations of their fundamental rights to a mere consequence of Iranian interference; and he dismissed UN resolutions calling on Israel to abide by international law (“if the UN passed a resolution saying that the earth was flat, would that make the earth flat?”).

The opposition challenged Mr. Ayalon concerning issues such as Israel’s illegal wall (ICJ ruling 2004) cutting through the West Bank; illegal settlement construction; the collective punishment of Gazans (violation of Geneva Convention 4:23); and the war crimes committed in January 2009 outlined in the Goldstone Report. Given the offensiveness and implicit racism of his speech, students, as an act of conscience, did not allow his lies to go unchallenged. Crucially, these lies are used to justify Israeli state policies: continued occupation and stranglehold of Palestinian territory, daily human rights abuses, and insane acts of violence.

Courtney Love speaks at the Union

0

On Friday the 12th of February, Courtney Love, the woman described by Q Magazine as ‘the most controversial female in rock ‘n’ roll history’ spoke to members of the Oxford Union about her relationship with Britain, her musical inspirations and her views on the current state of the music industry. Talking to a packed debating chamber, she answered only pre-arranged questions, to the disappointment of the spectators who were eager to hear about the darker and less talked-about side of the singer’s life.

On being asked her feelings about being dubbed ‘the most controversial female’ she was quick to note she had also been described as ‘The Queen of Rock ‘n’ Roll’, on which she prefers to focus. She claims her controversy was borne out of her husband’s (Nivarna singer Kurt Cobain) suicide in 1994. This exacerbated her drug abuse and whipped up a media circus that was quick to jump on any untoward behaviour. Veering off on a tangent slightly, as she did throughout the evening, she proceeded to assert ‘learning from rejection and turning it into something positive is the key to survival in the music industry’. She cited her ‘friend’ (Union members later speculated this was probably Smashing Pumpkins’ Billy Corgan) who ‘failed to learn from adversity’ and who ‘made beautiful music in the 90s but now just sucks’.

She mentions her new album several times throughout the night (suggesting her more commercial motives) and calls it ‘an astonishing record’. After ranting about major record labels, and their ‘360 deals’ with which companies own and control every last thing about their artists (‘it’s a terrible state of affairs’) she tells the chamber how she ‘wants that billboard in Leicester Square and Times Square, and wants to win ‘Grammy awards for best album art and best liner notes’. 

Asked about her inspirations, she stated ‘despair is more inspiring than joy, though it has to be kept under a certain level, otherwise it’s debilitating creatively’. In a moment of personal candor (she’s strikingly open throughout the night) Courtney talked of her desperate sadness the previous night: ‘I was so sad, I couldn’t get anything creative out of it. This morning I was a bit better and managed to get a riff.’

In perhaps the most personal moment of the evening, she talked about how she coped with the high profile suicide of her husband. ‘What Kurt did wasn’t cool. That action was regretted the moment it happened. Everyone expected me to go with him. The thing that made me keep going was my daughter’s life-force.’

In the week of the talk Love had made headlines for the extension of her daughter’s restraining order taken out against her. It was perhaps this that had made her so despairing on the night before she spoke to us, and what made her visibly hyper throughout the evening. Towards the end of her chat, she exclaimed, ‘one mustn’t give a fuck what anyone thinks’. It’s hard not to feel that this is how Courtney Love has always lived her life, and how she will continue to do so.

Interview: Rick Stein

0

Rick Stein is, surprisingly, a man rather surrounded by rumours. After a much publicised affair some years ago, and a too many newspaper headlines litter with fish puns, he has kept a relatively low profile with the press, preferring instead to let his TV appearances and his food do the talking for him. On TV he is affable, enthusing about simple pleasures and simple cooking; but there are rumours of a personality change when he enters the kitchen and hints of a temper you’d imagine more fitting for Gordon Ramsay’s more ‘showbiz’ TV cooking.

Luckily, however, I don’t meet him in the kitchen, but in the rather busy Union bar. He happily signs autographs, sits down with a pint, and graciously accepts my compliments on his recipe for shark vindaloo. Obviously, Rick Stein is all about food – in his TV programs he wants food to ‘be the star’, not him. ‘People want to know about how other people cook, it gives you a reason to be in a country. I don’t have to go visit Cathedrals or talk about art, I’m there because of the food… and if I chose to do anything on top of that, like make a political comment, it just falls naturally alongside the cooking.’

Cooking is not all there is to Rick Stein, though. What I hadn’t realised, and what he tells me, is that he’d been a student at Oxford almost forty years ago, and ‘that nothing had changed’, a sentiment that most returning alumni seem to share. He came after a series of gap years, at the age of twenty three; much older than his fellow students, and having travelled Europe extensively, it seems that the academic life was not for him. Unlike his brother, who is now a researcher, Stein left Oxford with a ‘gentlemen’s third’ in English Literature, a fact that he doesn’t seem to mind, because he (clearly) filled his time here with others things, including editing .

‘I got involved in it in the first placed just as a way of meeting people; I met some of my best friends through Cherwell. It’s like joining the union, I suppose. It was just hilarious… We were always trying to have a go at the Oxford Union, just because it’s so full of people with very clear career agendas. We’d lay into them, no worries. It’s a chance to flex your muscles, to decide whether you’re going to be anti-establishment or whatever you want to be. Oxford is the place where you can make mistakes, and bounce back.’

The restaurant industry, however, is a much less forgiving place. Or, at least it is nowadays: one in two new restaurants shut within a year of their opening. For Stein, though, when he left University, the prospect of opening a restaurant was as terrifying- or so he says, hindsight is rather kind when you’re looking back on something that was such a success.

‘It was in the mid-seventies, so the restaurant scene was much less developed than it is today. Opening a restaurant anywhere is a bit of a leap of faith- but in some ways that worked in our favour, because you didn’t need everything working, you didn’t have to put in a lot of capital to open a restaurant’ The difference is that now, everything is ‘so expensive’ and that restaurants that do great food still don’t succeed, it’s rather a lottery. Back in the day, however, Stein says you could let the food do the talking, and that was that. ‘It was more that I’d travelled quite a lot, and realised that you could eat so much better in France and Italy than in England, and I knew that I could do the same sort of thing here. We succeeded on the back of a growth of general knowledge and enthusiasm for good food.’

And now, despite the fact that industry seems to have evolved out of all recognition, Rick Stein doesn’t need to worry about that, he now owns four restaurants. There was, however, a lot of controversy when he began opening restaurants in Cornwall, particularly in Padstow. Stein has family roots there, so it seemed to make sense to open a restaurant, but it was met with some local animosity- the ‘Cornish Army’ has he called them- and headlines declaring that he was pushing prices up and locals out. When I raise this point, I see a flash of the businessman that has got Stein where he is today – but he saves his rather more pragmatic words for the press, who he felt attempted to stir up more trouble than there ever was. ‘All publicity is good publicity. Whether they’re praising the place or saying the locals cant stand it, all you’re doing is keeping yourself on the map. You take it with a pinch of salt. They use us, and we use them.’ It might not be the roaring response that I had wanted, but it is certainly fair.

How then, he is still going? With …. TV programs, including one sans food about John Betjeman, it doesn’t look like he’ll ever sit back and start counting his gold. There’s a simple enough reason for it though. ‘I don’t like being bored. I think the idea of retiring and going on lots of trips with no motives seems silly. I’d sooner go travelling and be paid for it, and I will as long as someone is willing to do that.’ And the work load, it seems, if considerably eased by the fact that he can choose to work, he doesn’t have to. ‘More and more the restaurants are being run by other people, but I just love the whole industry and the camaraderie of it. I wouldn’t want to give it up, as long I have some role to play in it.’

When he says ‘I don’t have hobbies, my life is my work. I’m not stressed’ it doesn’t sound like a cliché (although, it looks more like one in print…) but it is followed by the genuine admission of ‘I don’t feel like I’m missing out on anything.’ I’m inclined to believe him, and to think that I did have to bring up tabloid-esque rumours to get him to tell me something interesting- I didn’t even have to weever fish pun in for my own entertainment.

 

Going Up Going Down

0

Going Up:

Ryan Reynolds

The chump who had minor success by playing Van Wilder, has not only married Scarlett Johansson but has been announced as the new face of Hugo Boss. Clearly a chump no more.

The Winter Olympics

The last Olympic events before London have begun in Vancouver; is it just us who can’t stop humming the Ski Sunday theme tune?

Glastonbury

Muse have just announced that they will be joining U2, Jack Johnson and Dizzee Rascal at the UK’s premiere festival. With a surprise act to be announced to mark the festival’s 40th anniversary, this will one to go to.

Dancin’ Oxford

Of course it’s cool, it’s without a ‘g’! Dance away those fifth week blues with Oxford Dance Festival launched this week. Find that inner Latino with some salsa, or channel some Bollywood with a little bangra. We can’t promise you’ll look cool, but it’ll be fun for sure.

Going Down:

Facebook Friends

60% of people who boast over 170 Facebook friends have admitted to meeting up regularly with only ten of their online buddies. Unsurprising news as the human brain can only process 150 relationships at a time – start pal-pruning!

Decimal Points

They’re clearly going down if Tories don’t understand them. Cameron recently criticised Labour for the fact that 54% of young girls in ten most deprived areas are pregnant. In fact, only 5.4% are – Conservatives just can’t do decimals. Eh, do your maths properly, Dave.

Moaning

Yes, it’s 5th week and yes the weather’s less than enjoyable. But please stop moaning about this and look at the bright side of life – half-way halls, Cardinal’s Cocktails or coffee breakfasts with friends

Sat Navs

After a period of low activity, the Sun is ‘awakening’ again, heading towards a Solar Maximum, which is due to interfere hugely with sat-nav signals, sending drivers off on wild goose chases, and badly affecting emergency service vehicles.

 

A Scenic View: China

0

Clothes shopping in provincial China promises a humiliation all of its own for the Western visitor. I am, as discreetly as is possible under the hawk-like observation of three waif-like sales assistants, sizing up a top and wondering whether it’s worth trying to squeeze into it. Will that go across my shoulders? Are the sleeves going to reach my wrists? I decide to go for it, take the top from the rail and turn decisively towards the changing rooms. One of the sales assistants is by my side in an instant. “Tai xiao le”, too small, she says frankly, pointing at the top and looking at me. She firmly takes it from my hand and replaces it on the shelf, then gestures towards a rail of baggy T-shirts as if to say “now those might fit you!”

She hadn’t meant to embarrass me, of course: it was a typical example of Sichuanese matterof-factness. And besides, she was right. Finding clothes for Western women over a size eight is no easy feat out of the big cities and provincial capitals. Sichuan, which reputedly boasts China’s most beautiful women, is particularly tough; clothes are cut for dainty figures about two thirds my height.

But even where the sizing problem can be resolved, there’s a further consideration: provincial fashion. The look of the young woman in her twenties is decidedly girly. Ornaments and embellishments are in: it is not uncommon to discover a promising-looking summer dress, only to find the front adorned with an assortment of frills, buttons and bows. These are teamed, inexplicably, with (visible) flesh-coloured ankle socks and high-heeled strappy shoes or sandals. The high-heel is ubiquitous, and worn even in the most impractical of situations. I have seen Chinese women climb mountains in heels, undertake punishing hikes, and one on particularly memorable occasion, wield a pneumatic drill. Complete the picture with a parasol – essential protection from the danger of tanning – and the final effect is all a bit Little Bo Peep. Not really me.

For the young and hip, there are trends influenced by Japanese and Korean youth culture. The coolest kids in my English classes proudly sported rip-off Bathing Ape T-shirts and caps, NBA basketball shirts or extremely low-crotched checked trousers with braces attached. The really bold might don the gothic-lolita “harajuku” look, but that tends to raise eyebrows in a – by Chinese standards – small conservative town, so is reserved for special occasions: the school singing competition, for example. Chinese grandmas have their equivalent of Marks & Spencer’s elasticated trousers and cardis – the short-sleeved printed blouse. These garish creations are sold in innumerable shops all over the country, and are to be spotted on what must be about three quarters of women ‘of a certain age’. Their husbands, too, have a uniform: the short-sleeved polo shirt, usually viscose, with the all-important breast pocket for cigarettes. This is worn invariably with suit trousers – a sartorial choice as immutable as the high heels of the twenty-something.

Though it may not all be to my taste, there’s no denying that there’s style at stake here. True, none of this would get far in the catwalks and boutiques of Paris, Milan and New York, but there’s an impressive attention to appearance nonetheless. Next to my Chinese peers, neatly dressed in their pop socks, sandals and floral prints, I didn’t feel I could get away with the slouchy hoodie and leggings student combo on a trip to the supermarket. And when your bus driver and the woman sweeping the street wear elbow-length white gloves to work, you’ve got to step up.

I may not have left Sichuan with a bigger wardrobe, or a penchant for pop socks as a fashion statement, but something of the style of provincial China has stuck with me. You could say I grew to appreciate it. And until I see a woman drilling a concrete road in heels, I refuse to believe her commitment to the cause. Move over, Anna Wintour, this century’s fashionistas rise in the East.

 

It started with hello…

0

A simple handshake between businessmen. A courteous bow in Japan. Rub your nose affectionately with one another among Inuits. Press your forehead to a fellow Maori’s. Put your palms together in a prayer-like gesture and bow your head in Thailand. And smile. Always equip yourself with a smile.

Why then, if the rest of the world always knows exactly what to do when they greet people do the English flounder and grimace when they meet someone new and continue to do so until one of the new acquaintances ventures to add the other as a friend on Facebook and they feel this newfound intimacy warrants a hug or a kiss?

Man on man encounters are usually tolerated without any exterior display of awkwardness. They thrust their heads back, remind themselves they need to firmly establish their territory by the mere touch of their fingertips, stare into the very depths of the other person’s eyeballs and extend their palms. They squeeze tight enough to let their opponent know they are capable of seriously injuring them should the need arise, while trying to inject an inkling of trust into the exchange. The perfect image of common courtesy.

But what then, when a man meets a woman for the first time? Shake her hand? Too formal. A kiss on the cheek? Depends how fit she is, most will say. Too asymmetrical, they might conclude. A kiss on each cheek? Too forthcoming, too French. And there is always the mortifying possibility of unexpected midflight lip-on-lip as you go from left to right, or right to left, or left to left and back. Hug her? Too pally. A derivation of the caveman territory demonstration gesture, she might think. A cowardly wave? Safe, I suppose. But do you opt for the regal side-to-side movement or the tickle motion? The former I hope. Whip out the ‘tickle’ and you’ve already smashed any chances you might have had to smithereens.

You would have thought that if men can follow a more or less seamless routine, without their heads exploding with the conflicting thoughts of the moral implications of their chosen greeting, that women would be able to do the same. They should be able to stare each other down and establish their territory with a mere gesture, within three seconds of catching sight of their opponent. How ironic that the more organised and practical sex should choose not to imitate the handshake routine, the failsafe method successfully employed by men. A kiss on each cheek then? Women always know that the volume of the mwah sound on each side is always indirectly proportional to the sincerity of your greeting, but not making one at all is too sexual. Solution? Revert to Plan B: Look like a tit, execute the cowardly wave.

With all this neurotic panic racing round our heads, you would have thought we could just pick one and execute it with the confidence of a prehistorically established greeting. Instead, we often feel the need just to stand there with our hands firmly clasped to our sides to avoid the risk of seeming too forward, too pushy, too camp. It’s as awkward as the first date. Please make the first move, your mind is screaming, as you make your excuses to leave. Perhaps we should just tell our dates our desired goodbye procedure. It would save romantic awkwardness in the long run.

And if we Brits can’t get it right, how on earth do we cope when we go abroad? Not too well, judging by the slowly articulated ‘Plate of chips’ orders you hear barked out in warmer climes. The kind of phrase that makes you want to feign a French or even German accent for the rest of your holiday. But if that at least gets the message across without the need to translate into any unfamiliar foreign tongue, the silent world of transnational greetings brings things to a whole new level.

As a rather dippy and deeply Westernised Egyptian friend explained to me once, ‘In Egypt, don’t touch a member of the opposite sex unless he is your father or brother, and even then, tread with caution.’ Having met a rather dashing Egyptian boy on the Egyptian beach (think bikinis, jet skis, hedonism) she opted for the kiss on each cheek when they went to say goodbye. Her rather conventional family, spying this, and already outraged that she was talking to a male stranger, ignored her for the rest of the week. She spent the remainder of her holiday trying in vain to explain the role of ‘the French’ in England. And her partner in crime disappeared off into the ether.

Such a simple notion, so many dilemmas. For the first time in my life, I find myself praising the consequences of globalisation. ‘Allô?’ asks the Frenchman when he picks up the phone. ‘Hello Kaa’, purrs the Thai woman as she picks up her Samsung. ‘Haelo!’ enthuse the Bengalis as their polyphonic ring tones chime out into Calcutta’s hectic cacophony. At least we can all telephonically greet someone with relative ease, without having to worry about the appropriate ratio of eye contact to tactility and what not.

But we still haven’t tackled the face to face. Despite almost 2000 years of civilisation, we still haven’t really come up with a solution. Surely someone will soon recognise it as an important priority and write a handbook which we can refer to every time we set out to network. But by then we’ll probably all have telephones for faces anyway.

First Night Review: The Invention of Love

0

Tom Stoppard’s The Invention of Love opened at the Playhouse last night marking the first time the play has been staged in the city of its setting. It seems strange that it has taken so long for a performance to be mounted here, as Oxford is so central to its concerns. It is difficult to imagine it performed in any other city with quite the same pertinence. It recounts the Oxford undergraduate years of A.E Housman as he falls in love with one of his ‘comrades’ – a love which must remain unvoiced – in the context of the historically rich and textured backdrop of the ‘golden years’ of Oxford symbolised through such characters as Ruskin, Pater, and Wilde.

It has been described by some as Stoppard’s most difficult play and, indeed, an intimate knowledge of classical literature would have been helpful. Almost the entirety of the opening act was dedicated to the demonstration of cleverness; the underlying emotions were misplaced, if not quite lost, in long monologues where verbosity ruled. This was not the fault of the script but rather the of the actors, who appeared to become subsumed in the wordiness of their delivery. This was particularly noticeable in the second act when movement from poetry to naturalistic dialogue seemed somewhat strained.

While each actor playing one of the stereotypical Oxford professors was individually skilled, as a group they became generalised and one was indistinguishable from the other. The portrayal of Oscar Wilde left much to be desired: his witticisms became lost in a general caricature, but the difficulty of acting such a famous and admired figure is clear. Matthew Osman, however, played a quietly confident A. E. Housman with great skill and subtlety and, similarly, Joseph Robertson captured the youthful enthusiasm of his younger counterpart with sensitivity. So too was Philip Bartlett particularly noteworthy as the charismatic Pollard.

The set aims at a faux-Grecian mysticism; white drapes adorn carved pillars and flow from raised platforms. The need for ambiguity is logistically necessary, and the play moves from setting to setting with hardly a pause, but unfortunately this necessity has resulted in monotony. A more imaginative use of the same set would have relieved the tedium effectively. This is almost achieved in the second act with the appearance of many roses and French and British flags, though these appear to have more to do with the characterisation of Wilde than any other use. In contrast to this, the use of a boat on wheels was inspired and clearly represented the ‘golden years’ of the Oxford undergraduate as he floats down the Isis.

One hopes that these criticisms are due to first night hesitancy rather than any underlying flaws, although the complexity of the script and the ambition involved in realising it do seem to hinder the play. Yet it was very entertaining with stable acting throughout and some interesting directorial choices. There is a highly amusing sarcastic wit employed consistently and the overall production was interesting to watch. All in all, it is a play that is worth seeing for its ambitious scope, and, as Oxford students, seems particularly relevant in its depiction of the undergraduate years with all their many trials and concerns.

three stars

The Invention of Love is at the Oxford Playhouse until Saturday

First Night Review: Blithe Spirit

0

Blithe Spirit, Noël Coward’s whimsical take on séances and the supernatural, received a spirited first performance at the O’Reilly last night. The strength of the production made one wish that the cast had tackled a more heavyweight play. 

This light-hearted farce revolves around the return of the titular ‘blithe spirit’, Charles Condomine’s first wife, Elvira, from the land of the dead. After an apparently phoney psychic turns out to be quite genuine, Charles (Lewis Goodall) must try to return Elvira to the spirit world. Elvira, however, has her own plans.  The acting was generally very strong, the direction solid. A number of performances stood out. Tatty Hennessy as Madame Arcati was a treat to watch. With some inspired and over-the-top comic touches, she turned a potentially lightweight role into a real performance. Julia McLaren as Elvira was imperious and commanding and an honourable mention should go to Lewis Goodall for the part of Charles. In this highly demanding role, his stamina and energy was impressive, and his characterisation never faltered.

Credit must also go to the production design.  The set was simple and effective, and despite the lack of scene changes the situation never became monotonous.  The costumes clearly and carefully emphasised the 1940s period. Though a few technical issues cropped up, these were hopefully mere first-night tremors, and are sure to be corrected as the run continues. The cast coped well, and were extremely responsive.

With such an excellent team, it would be interesting to see them attempt a stronger script. Of course, Noël Coward’s dialogue is never less than sparkling – but despite the intricate twists and turns of the plot, it remains a rather lightweight piece.  Nonetheless, Blithe Spirit is an amusing and well-acted night’s entertainment.

four stars

 

Blithe Spirit is at the Keble O’Reilly theatre until Saturday.

Overreaction

0

The fallout from the ‘Kill the Jews’ outburst at the Danny Ayalon talk last week has been absolutely spectacular.

Over 30 articles in newspapers around the world mean this has been the biggest Oxford Union story since Shakira, but for considerably less positive reasons. As with every story about the Union ever, most commentators have got completely the wrong end of the stick. Melanie Phillips is particularly strident in the Spectator, claiming that the event illustrates Britain’s (not Oxford, Britain’s!) ‘slide from enlightenment into darkness.’ Most of the stories appear to be sourced from the original Cherwell and OxStu stories and an obscure blog by an Israeli student in Oxford called ‘The Edge of Where.’ All share a general tone of horror at the supposed outrageous behaviour of the students.

Is this not perhaps a teeny, tiny bit of an overreaction? Obviously the student who made the ‘kill the Jews’ comment (if he did – he claims he was mistranslated) was utterly out of order and fully deserves whatever the police or the Israeli embassy decide to throw at him. Also, those students who interrupted Ayalon’s talk did Ayalon and everyone who wanted to listen to him a grave discourtesy – all speakers have the right to be heard. But the protesters were in the minority, and most of them, if rude, were at least making politically legitimate points, of the same sort that have been made by mainstream media commentators around the world.

The Oxford Union gets protests all the time, both inside and outside the chamber. So does any venue that hosts high profile politicians. Some of the protesters are rude, some hold particularly strong feelings, some are unreasonable, many say silly things, some fairly outrageous things. But the presence in Oxford of a dozen or so angry students is not symptomatic of a city wallowing in anti-semitism, nor of a nation’s decline. The only thing it demonstrated is that, in a university of over ten thousands students from all over the world, a small number of them are always going to be idiots. Yes, chuck them out of the room, but don’t blame the whole university for their actions.

 

It’s not plagiarism… it’s intertextuality

0

Goethe. Hesse. Brecht. Grass. Schiller. Mann. Von Kleist (thank you, bookshelf). Some of the greatest writers of all time, and all of them bastions of the German language. But will 17 year old Helene Hegemann, author of the bestseller “Axolotl Roadkill” be counted amongst them? This is doubtful on two counts: Firstly, because her massively over-hyped oeurve is just a conglomerate of “oh so alternative, Berlin youth culture” clichés, and secondly, because she didn’t even write said cliches herself. Huge chunks of the novel were ripped off from a book by a 28 year old blogger who goes by the name of Airen. 

 

The story of a disenfranchised youth taking loads of drugs, going to loads of techno parties and generally throwing tantrums about the establishment and the adult/corporate world has been a huge success in Germany. The book’s publishing house, Ullstein, has already printed 100,000 copies, and, barely 2 weeks after it hit the shelves, “Axolotl Roadkill” is in its third edition. High brow German newspapers like the Sueddeutsche Zeitung and Frankfuerter Allgemeine Zeitung have lauded the work as a “literary sensation”. In light of the recent plagarism claims, the most hilariously ironic review would have to be when the FAZ journalist described the author’s work as “so seductively individual that some hundred other authors will surely try and copy the Hegemann style and fail miserably.” But the German media world are less than chuffed with her now.   

 

And how has the 17 year old Myspace enthusiast/ aspiring novelist responded to these plagarism claims? She seems pretty blasé about the whole thing. Stealing other people’s works is, according to her just, er, “intertextuality”. In a statement released this week, she wrote:”Very many artists use this technique… by organically including parts in my text, I am entering into a dialogue with the author”. In this case, I’m calling dibs on The Tin Drum. I’m sure Guenter Grass wouldn’t mind if I took a few chapters of Oskar Matzerath running riot in the post war moral vacuum in Danzig, and just transposed them into an Oxford setting. (“Down it, fresher!” cried the rugby lad. Oskar screamed so loud as to shatter the surrounding windows of the college bar.)  The author went on to claim that; “There’s no such thing as originality anyway, just authenticity.” I suppose this was the mantra by which she wrote the entire book. Minus the authenticity part.  

 

So why did such a silly book get so many gold stars in the first place? Why didn’t a book brandishing the blurb “The radical voice of the Noughties generation” make its target readership collectively cringe? I think its success is symptomatic of how Berlin youth culture is in denial, and is desperately clinging to its vanishing anti-corporate identity of old and of how the majority of the Berlin “alternative” crowd are now a bunch of rich kids who don’t need to find jobs because their parents pay for them to put on art galleries and wear designer hemp clothes. It’s a far cry from the city’s days as a squatters haven; especially now that the final iconic squat was shut down at the end of last year. Thus, a book that reminds Berliners of just how alternatively debauched they really are would of course sell like hotcakes. Especially when targetted at those young’uns who are just piecing together their fishnet attire in preparation for their first visit to Berghain.