Saturday 28th June 2025
Blog Page 2100

Talking Straight, No Chaser

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In the afterglow of the massive success of Supernova (his number one collaboration with Kanye West) Mr Hudson looks like a man returning home as he wanders into the Hobgoblin to meet me. He has worked with some of the biggest stars in R&B and tonight he’ll be supporting Calvin Harris. One thing is for certain: Mr Hudson opens up the possibilities for what you can do with an English degree from Oxford.

What is it like to be back in Oxford?

I come back so rarely, it’s always very moving to look around. It brings back lots of memories and ways of seeing the world. I’m reminded of blissful, lazy times but I’m also full of regret that I didn’t do more. I was just thinking, as I walked through town, I wish I’d got a first or a third. I wish I’d either just wallowed in English in the library, or just had an amazing time, and I did neither. I got a good 2:1. I survived. I was just one of the boys. It’s weird when you come back and don’t know anyone. I’m wandering down the street as an observer, not expecting to recognise any faces. It’s good to go away and come back.

How did you find studying here?

It’s funny to think how small my world-view was. At the time I thought I was more open-minded than my peers. I moved out of college, for example. Everyone thought Cowley was so street. I used to live half a mile away from college and people thought it was a massive trek. I was three minutes away by bike. I think living in college felt a bit claustrophobic at the time and St Anne’s was a big college. With the new album, I’ve been to Hawaii three times, worked in LA and New York, Chicago, Texas, toured Europe a couple of times. It’s blissful to come back and have a more focused world view.

Did you get into music while you were here?

I don’t know what it’s like now but back then there wasn’t really a scene that I knew of. I hid in my room and wrote songs. It wasn’t really until I left and moved to London that I really applied myself.
As ‘Mr Hudson and the Library’, we made the point of wanting to stick out like a sore thumb. We would play anywhere but the conventional venues. We had a residency at the Candy Bar (a lesbian bar in Soho), we played at my hairdressers, did a tour of libraries in England. We played anywhere that wasn’t a boring box where everyone else played.
And it’s funny, everyone’s like, ‘why did you ditch the band?’ as though I chopped their heads off – two of them left! The two founding members are still in the band. It’s just we don’t put them in the posters anymore.

What brought about the R&B sound of your new record, Straight No Chaser?

Well it was always there in the first record, it’s just evolved. Obviously having Kanye involved and working in America on his album and on Jay-Z’s album helped, listening to radio in the cab, nights out, watching music videos in hotel rooms. Coming back two or three years later, I think it would be a shame if I was making the same sounds. Do I have to be trapped in 2007 for the rest of my life? That’s wishing torture on me; I can’t do it, I’d rather go back to pulling pints and driving a white van (I’ve done a lot of shitty jobs).

Your work with Kanye West went to number one – any other people in mind you’d like to work with?

I’ve just done a duet with Estelle for her new album, and a track with N Dubz. I like to be in the studio, I like working with different people and producing. I’m not just always working on my own stuff. I’m not as narcissistic as that.

Your latest single is called ‘White Lie’ – what’s the worst white lie you’ve told?

I’ve told a lot. But really, white lies aren’t that bad. The song’s dark enough so I’m gonna think of something funny. This girl from St Anne’s has just come into my head who every lunch was a pound short and I suddenly realised, hang on, you’re making about £300 a year because no one ever asked for it back, but she obviously had the money. I used to lie all the time for tutorials when really I just didn’t want to read Middlemarch.
The darkness comes from considering the possibility that I might be a good man who does bad things or a bad man who does good things. Life’s not black or white, it can surprise you.

 

Review: Some Voices

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Schizophrenic Ray is released into the care of his brother Pete. He falls in love with Laura, who is trying to escape from her abusive ex.  Mental illness, sibling tension, dysfunctional relationships – can we say gigantic soap opera flop?

Actually, no. Some Voices looks unsentimentally at these themes without being unsympathetic. There’s a touch of humour and caricature to the characters, which blends nicely with the otherwise down-and-out realism of their roles.

Those roles are, on the whole, played well. Joe Eyre makes an excellent Ray after a stiff start. Probably more a prop than acting problem though, since the stiffness vanished later when he had something to do with his hands. Eyre as Ray is a lanky, gauche deadbeat, a mix of sullen and sensitive teenager. It’s an engaging performance, faltering only when he tries to switch to more upbeat registers.

Lindsay Dukes, on the other hand, doesn’t have any problem switching emotional gears as ‘hard nut’ Laura. Dukes tramples all over the battered woman stereotype with a credible show of fear and angry bravado against her abusive ex, Dave, played suitably boorishly by James Corrigan. Flitting between edgy cynicism and vulnerability, Dukes also brings out the best in Eyre’s acting, making this a bittersweet working-class romance.

And for this cast, at least, that romance seems to be central. The other main theme, Pete and Ray’s relationship, hardly moves forward. Jacob Lloyd as Pete keeps haranguing his brother, and it’s difficult to detect any fraternal love or internal life under all that bluster.

As for the mental illness theme, it might as well have been invisible. In fact I’d rather it to be completely invisible, rather than re-watch one scene where Ivan – another mental patient, played by Adam Baghdadi – declaims to an invisible audience while Ray shivers melodramatically. I know schizophrenia is a break from reality, but it shouldn’t break so hard from the overarching realism of the play. Especially when it flattens into stereotype.

But it says something about the strength of the script and the acting that even with two of the main themes sidelined, Some Voices is well worth watching. The only reason it doesn’t get four stars is because the cast keep rattling off their lines. Hopefully they’ll savour some of the moments more, and if they do, this will certainly be a production for you to savour too.

three stars

 

Review: Madness of George III

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Autumn 1788: America has recently won the war of independence; a colossal blow to England’s national pride. The King, surrounded by bickering ministers and paranoid to the extent that he suspects his own son (‘the fat one’) of plotting his demise, is driven insane. At least, this would be the case were anyone able to diagnose accurately his indisposition. Beneath the comedy of Bennett’s play lies a study on the theme of madness, as well as a serious critique on the backwards medical practises of the age, of the backbiting prevalent in government.

Jonathan Tilley delivers a spectacular performance as George III, finding the perfect medium between humour and the portrayal of his crushing despair and inability to understand his rapid descent into insanity.

Inconsistent and somewhat dubious German accents aside, his supporting cast was strong; notably Thurlow (Dan Mclean), Dundas (Jonathan Worsley) and Pitt (Philip Aspin), whose dynamism and enthusiasm when together really brought the play to life. In contrast, the scenes with Fox (Tim Aldersley), Sheridan (Minoo Dinshaw) and Burke (Mark O’Brien) seemed somewhat wooden and flat in their execution. Mention must also go to Jack Rennison, who played very convincingly the part of Sir Boothby Scrymshir, the oleaginous sycophant seeking political gain for his socially awkward nephew, Ramsden (James Phillips), on the back of others’ misfortunes. The sparse set was generally used imaginatively and to good effect, meaning that scene changes were good in general, albeit occasionally hailed by unnecessary and overpowering renditions of choruses from Handel’s Messiah in an apparent attempt to confer stronger emotion.

There were occasional scrappy moments. Often actors blocked one another from view, or faced away from the audience while speaking. There also seemed to be technical problems to do with misjudged lighting and awkward scene changes. However we can probably put these down to first night nerves, and all in all, the production was captivating and impressive.

three stars

"I never delivered the punchline"

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Last Trinity, the Oxford Conservative Association (OCA) was rocked by allegations of racism after it emerged that racist jokes had been told during hustings.

Oriel student Nick Gallagher, then a member, was directly implicated in the scandal, accused of racism by the national press, and was the only member to be indentified and pictured in a Daily Mail article on the event after resigning from then-OUCA.

Speaking publically for the first time in a Cherwell exclusive interview, Mr Gallagher disputed the record of events appearing in the national press, claiming that his remarks had been taken out of context. He asserted that the joke made had been in relation to a discussion about freedom of speech, and that he had not uttered any racist punchline.

“The important thing to realise from the beginning is that the Proctors conducted a six week investigation into the hustings and found no reason to proceed against me, but did proceed against OUCA.”

He added, “I’m the only person who was at the hustings who is not under university interdict right now.”
Striking out at his former organisation, Gallagher claimed he had been pushed into resigning his membership.
“If I didn’t resign I would have been thrown out of the association with a press release branding me a racist. I was literally taken round the back by three of them and told this. Some of them were friends of mine, all of them knew what happened. It was an act of pure cowardice, they were afraid for their own political survival and nothing else.”

Gallagher recounted that members of the association who didn’t know him “judged on the basis of a slanderous story and a photograph that makes me look like a complete twit.”

Gallagher was pictured alongside a Daily Mail article on the controversy, wearing black tie and holding a glass of champagne. He alleges that he was approached by a Daily Mail reporter ostensibly writing a sympathetic piece about the event. According to Gallagher, the reporter then proceded to “twist what I said into an admission of guilt”, even adding a punchline which Gallagher claims he had never heard.

“The ironic thing is I’m not even a Tory, I’m the first kid in the history of my school to go to Oxford as an undergraduate, I know three adults in this entire country, I’m a practising Roman Catholic and an American of Irish descent – I’m hardly the image of Tory privilege.
Gallagher was also critical of the national Conservative party, branding the move to affiliate with OCA has “disgustingly political”.  He added, “The real disgrace is that right now, knowing all of this, knowing OUCA has been expelled from the University, the Conservative Party has decided to readmit the association when it has undertaken only the most cosmetic of changes.”

During the scandal, Andrew Griffiths (Chief of Staff to the Chair of the Conservative Party, Eric Pickles) called Gallagher and asked for his account of events.
Gallagher recalled, “He said that the party would make a decision before getting back to me. At around one in the morning the Daily Mail broke the story, at which point it became apparent that the Party had put out a press release defending itself and throwing me under a bus, telling the papers that I had been suspended – none of which they had seen fit to inform me of.”
Gallagher claims that he was taken by surprise by the media reaction.

“At the time the notion, as an outsider, that a twenty year old foreign kid saying something to a room of about twenty people would become national news seemed absolutely ludicrous to me.”

Turning to the accusations of racism levelled against him, Gallagher defended his remarks. Explaining his version of events, he stressed that his remarks were in contrast to OUCA’s long-standing tradition of telling inappropriate jokes.

“The candidates running for the position immediately before mine were asked, as is traditional at OUCA hustings, to tell a racist or offensive joke. In any event one of them did and there was an uproar, with half of the room shouting it was inappropriate, and the other half saying they’d always asked it in OUCA hustings, so why should they stop now? They were gabbled down, at which point it was my turn to speak.”

Mr Gallagher was due to take part in a discussion on freedom of speech – he claimed that it was in this context that he made the following remark: “Well, the atmosphere’s a little tense in here, why don’t I open with a joke?”

Admitting that following this, he said ‘What do you say when you see a television moving around in the dark?’, he was adamant that he never made any racial slur: “I never delivered the punchline.”

Mr Gallagher blames the interpretation of the joke on a lack of appreciation for its context. “It was in the middle of a discussion of freedom of speech”. He describes it as “the difference between showing hardcore pornography and discussing it in the context of female stereotypes in society.”

When asked why he hasn’t spoken up until now, Gallagher replied, “I didn’t want my response to this to occur in the dead of July when nobody at Oxford would be aware of it.”

Justifying his decision to speak to Cherwell, Gallagher says simply, “I see no reason why I should be crucified for the Conservative Party’s historical sins.”

 

Wadham turn Catz’ milk sour

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Wadham nicked the points in an engaging encounter with Catz to record their second 1-0 win in a row and move to the top of the JCR Premier League. A 70th minute Tim Poole penalty, won under questionable circumstances, was enough to secure the three points despite intense late pressure from Catz.

The game was always likely to be a tight one, with both teams having held on to the vast majority of their creative talent from last season, both adding some extra pace and firepower up front and look destined to be among the contenders at the end of Hilary. Widespread fresher’s flu had depleted both sides and each were missing players in key positions.

With both sides playing effectively five man midfields, the game started extremely scrappily, as both sides struggled to find their usual passing rhythm. The ball bobbled around with neither side quite able to take hold of the game. Despite the lack of fluency, it was Wadham who began to create some goalbound pressure, hitting the woodwork twice. A curling long range drive smacked the outside of the post, and Tim Poole clipped the bar directly from a corner. Catz meanwhile were looking most dangerous with the use of their extra height at set pieces, with former captain O’Keeffe O’Donovan heading just over from a right wing corner.

As the half progressed, the football remained a pass short of both sides best football, but Wadham began to create some more genuine chances, with the best falling to Michael Edwards on the half hour. Played through on the left hand side of the penalty area, the ball got just stuck under his feet, and the resulting left foot shot was scuffed at the keeper.

Wadham continued to look most dangerous for the rest of the half, and will be especially pleased that their hard work isolated the threat of Karl Assmundson, who struggled to perform his usual link-up duties from the right wing.
Catz survived until half time, but Wadham still remained slightly in the ascendancy for the early period of the second half as they continued to deny space to Catz’ key attacking players.

The deadlock was nearly broken after an hour. Some neat interplay in the Wadham midfield freed new striker Chris Wright, who beat the last man to make space, but perhaps took his effort a little early from 18 yards out, and the ball sailed wide.
With the game so finely balanced, it was inevitable that Catz would create themselves a chance and did just a few minutes later. A right wing cross evaded everyone except forward Alan MacNaughton at the back post. As the ball dropped to the left hand side of the area MacNaughton spun and hammered a right foot shot onto the crossbar.
Wadham though were not to be deterred, and pressed on, looking especially dangerous from set pieces as a number of loose balls were hurriedly cleared under pressure by a resolute Catz back line.

It is perhaps unsurprising then that it was from a set-piece that the deadlock was broken. On 70 mintues, a corner was swung in from the right hand side and Michael Edwards, rising strongly, appeared to take a push in the back under pressure from O’Keeffe O’Donovan, though the Catz defender was adamant that the push came from a Wadham teammate. Nevertheless, Edwards was clipped as he fell, and after a moment’s hesitation, the referee pointed to the spot.

Tim Poole stepped up confidently and fired the penalty into the bottom corner, despite the despairing dive of the stand-in Catz keeper, in for the absent Tom Monteath.
This sparked Catz into life against tiring Wadham legs, though it was the home side who would next come close to scoring. Striker Chris Wright wriggled into the area, and despite throwing the keeper with a smart dummy was denied by an excellent save by the stand in keeper’s trailing leg as he looked to toe poke the ball into the bottom right hand corner. This respite energized Catz, who finally began to find some space in the crowded midfield area for creator-in-chief Karl Assmundson, who started to come in off the left hand side to start his usual link-up with forward MacNaughton.

A frantic final last quarter of an hour ensued, as Catz flooded forward in numbers pressing for the equaliser. Despite tiring legs, Wadham’s defending was largely heroic, with a number of tough last ditch tackles denying Catz genuine goalscoring opportunities. Catz were unlucky that most of the shots they did take toward the end were directed straight into the safe hands of keeper Marc Rimmer.

Their chance though did come just moments from the end as a right wing cross found Karl Assmundson unmarked from six yards out, but his header flew agonisingly high, just inches over the right hand corner.
Despite the intense late pressure from Catz, Wadham will feel that they created enough clear-cut chances to earn the three points, though both sides will feel that they deserved an extra goal.

Wadham have started the season with two victories for the first time in five years, importantly with two clean sheets, to move top of the table. Catz meanwhile will doubtless not feel too disheartened by such a narrow defeat and look likely to be one of the sides to challenge for the title.

Risa, we hardly knew thee

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Oxford students are a generally quite impassioned lot. The number of groups and individuals who devote their time to protesting all manner of inequality, inadequacy and moral ambiguity reflect a populace with a genuine emotional involvement in truly important issues.

However, nothing quite gets the average Oxonian into a lather of passionate discontent than the closure of a mediocre to poor nightclub. Bar Risa was, to all intents and purposes a terrible, terrible place. Frequently understaffed, poorly ventilated, badly DJ’d and beholden of an aura of intangible squalor. Yet the sheer glut of mournful Facebook statuses that appeared this week in response to the place’s demise seemed to suggest Oxford had suffered the loss of some halcyon institution, some gilded palace of grandiose pleasure. Responses ranged from the heartfelt ‘There will always be a Risa-shaped hole in my heart’ to the despairing ‘Why does the world have to be so cruel?’, but all were surely greeted with a sympathetic, tacit agreement; a reaction from an objective viewpoint that would seem outright perplexing – it really was a terrible place.

It’s clearly a relative matter. Oxford can hardly boast an enviable line up of essential nights out. No one in Manchester is smarting that they can’t get down to Tuesday nights at Escape. Brightonians don’t kick themselves when they miss out on tickets for Po Na Na. Some Oxford students even forgo the whole scene, shelling out a small fortune to high-tail it off to the capital’s more exotic fare – offering needless extravagances like ‘good mixing’, ‘ample floor-space’ and ‘celebrity guestlists’ – who needs Heat alumni when you’ve got double vodka Red Bulls at £2 a caffeinated pop?

“We know the clubs in Oxford will let us down. But we still stick by them”

That latter point was made null and void this term with Friday night punters facing an exorbitant 50% hike in the price of Risa’s signature tipple. Perhaps we should have seen this as the first sign of cracks appearing in the Jongleurs dream. It is an oddly British trait to be fully aware of something’s woeful inadequacy and still be shocked when it all goes tits up.

It goes hand in hand with the way everyone approached Risa – that charmingly obstinate belief that despite all the evidence to the contrary the outcome would be exceptional. The illogical mantra of ‘yeah it’s crap, but it knows it’s crap, which makes it great’ accompanied all who ventured to Risa on a Friday night, and before that to the hallowed halls of Filth – Filth, a club that offered such unique delights as deceased pigeons falling from the rafters onto paying patrons.

Every time the World Cup rolls around, we know England will be a huge let down and yet we still fervently support them, just as every Friday, we know the club nights in Oxford will let us down. Just the same we stick by them, to the bitter end. Through the heinous double-bill of ‘Summer of ’69’ and ‘Livin’ on a Prayer’, through the misguided James Brown mash-ups and onward and downwards with headstrong love and selfloathing in equal parts. If that isn’t a creed you stand by, then you’re probably the sensible type who stays in the pub.

Jongleurs’s statement explained that ‘the economics are such that long term viability cannot be assured.’ A foolish individual would suggest that perhaps if they increased their number of staff, swapped their laughable downstairs dance-floor with another bar, lovingly stocked with cheap and cheerful energy drinks and alcohol, hired even a semi-professional DJ and gave their air conditioning a thorough seeing to, they
would dramatically improve their ‘long term economic viability.’ But that would undeniably miss the point – we loved that it was terrible.

We revel in cynicism; self-deprecation is inherent in all of us and unquestionably extends to the things we hold dear, not least the places we visit of an inebriated evening. Just because something is blatantly awful doesn’t mean it can’t give us that warm, fuzzy feeling. Now it could be argued that that warm, fuzzy feeling came from the large volume of low-grade vodka circulating our systems, but ever since that crushing closure announcement, the rose-tinted glasses have been firmly affixed.

Oxford pulls out of bid for city of culture

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Oxford has dropped out of running for the UK Capital of Culture in 2013. It has emerged this week that the city will instead be bidding for the UNESCO World Book Capital.

The decision not to compete to be the first UK Capital of Culture was made despite Oxford was on the shortlist of 29 cities. Oxford City Council cited lack of funding as one of the main reasons for the withdrawal. It was felt that Oxford “could not commit a large amount of money required for such a speculative bid and there was no funding attached if we received the City of Culture.” There was also uncertainty about what was required from the winning city and the Council felt that resources would be better directed towards the bid for the World Book Capital in 2014.

In order to qualify for the nomination, Oxford needs to convince a panel made up of UNESCO judges and representatives from the three major branches of the publishing industry that they have created a suitable programme of events to promote reading in the city.

Reactions to Oxford running for World Book Capital have been very positive. A spokesperson from the University of Oxford stated, “We are delighted that Oxford has been chosen as a potential candidate to become the World Book Capital. We look forward to working with our partners in the city to ensure Oxford is a serious contender.”

The Bodleian Library is also supporting the bid. A spokesperson commented, “Oxford’s libraries have made a major contribution to the book culture of the city for at least 800 years, and continue to play a key role in supporting the world class research and learning, publishing, reading and writing that take place in the city today.” There seems to be a consensus that the award would have a positive impact on the city, bringing recognition to Oxford as a centre of excellence.

Donna Clews, a co-ordinator of STIR, Oxford’s guided reading project, emphasised the importance of reading, drawing attention to the benefits of getting children excited about books at a young age. She said, “Winning this competition would place reading at the forefront of Oxford’s identity in a context not purely related to the university and I believe this won’t just result in a lot of excited students but will also increase literary engagement with people who live, work and grow up in Oxford.”

Alice Beckwith, a keen STIR volunteer, added, “I have seen first-hand the positive effect which reading has on children’s development and confidence. If Oxford were to be World Book Capital in 2014, it would be a massive boost to the community, involving everyone in a productive and fun activity.”

UNESCO World Book Capital is a relatively new prize, instigated in 2001 after the success of the World Book and the Copyright Day. The nomination does not include a financial award, it is “an exclusively symbolic acknowledgement of the best programme dedicated to books and reading.” The current World Book Capital is Beirut, its term began on April 23rd 2009, UNESCO World Book and Copyright Day, and will run for twelve months.

Brasenose vote on scholar privileges

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Members of the academic committee at Brasenose have questioned the validity of a JCR motion which voted against room privileges for scholars. In two meetings last term, 90% of students in attendance voted to remove the right of scholars to be placed top in the room ballot.
The motion, proposed by JCR president, Arvind Singhal, would have seen students who gained distinctions in last years’ prelims competing with commoners for less desirable accommodation. However, Brasenose SCR ruled that the decision was not representative of the student body, since only 50 students out of around 360 were in attendance.
The issue poses problems regarding the nature and effectiveness of JCR meetings, as Arvind Singhal said, “We do not normally have provisions for referenda [so] it could be a dangerous precedent to set.”
Following the controversy, it was decided last week that Brasenose students would be asked to vote on the issue by online survey. The survey received 149 responses, around half of the total undergraduate body, of which 52% were against room privileges for scholars.
Duncan Turnbull, outgoing Brasenose ball president said, “It is a highly boring debate which comes up every year because so many people are disappointed with coming near the bottom.”
Currently, precedence is given to the top four JCR committee positions with scholars and exhibitioners coming next, and finally commoners.
An examination of colleges who grant room privileges to first-class students shows that they are inversely associated with Norrington table rankings. With the exception of Christ Church, a number of colleges who award room privileges to scholars, including St Hilda’s and St Catz, have achieved consistently lower scores in the academic league table.
“A room is not enough of an incentive for people to work, they will only work if they want to”, commented one Brasenose student.
Colleges who allocate higher room draw positions to scholars are still in the minority, with the vast majority of colleges sticking with a random ballot system.
Concerns have been raised about the fairness of the system in the light of a large discrepancy in the allocation of distinctions across subjects. Examiners’ reports covering 2008 and 2009 show that while the number of students awarded a distinction in Chemistry prelims might reach 33.5%, only 11.7% of those studying Law and 9.5% of Medicine students were awarded top marks.
Hannah Cusworth, OULC co-chair elect and Brasenose student said, “Of course people who do well in exams should be rewarded by college but people are more likely to get firsts or distinctions in certain subjects than others.”
It has been suggested that one way out of the question for Brasenose would be to award incentives to scholars which do not work at the expense of other students – one option might be to pay for scholars’ gowns. Brasenose scholars are currently awarded £200, whilst exhibitioners receive £150.
No final decision has yet been made, but privileges will remain effective for scholars and relevant committee members taking part in the room ballot this Michaelmas. Questions remaining over the issue mean that Brasenose SCR is likely to reconsider both issues next year.

Old Tom foolery at Matriculation

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Second and third year students at Christchurch and Magdalen spiced up the formalities of Matriculation Day with light-hearted hijinks last week.

Christ Church freshers were dished up a veritable plate of sauciness as they assembled for their college photograph. One anonymous male student put all on display as he streaked across the college’s main quad and frolicked in the fountain – wearing nothing but a balaclava.

Meanwhile, two third-year students at Magdalen successfully re-matriculated at the Sheldonian Theatre and even appeared in the Magdalen 2009 photo.

It is an annual tradition for Christ Church’s older students to distract the freshers while they are photographed in subfusc. Last year, a large number of students staged a battle dressed up as pirates and zombies behind the cameraman. This year, besides the traditional dancing, freshers witnessed a naked man jumping into the Tom Quad fountain.

The student, whose identity is unknown, stormed onto the quad wearing swimming trunks to where some second year students had gathered around the fountain. He tantalised the assembled crowd with risque antics before removing his shorts and vaulting into the water before fleeing the scene.

A second-year student at Christ Church, described the scene. “One guy came out in swimming shorts and a balaclava from Fell Tower, ran toward the freshers, mooned them and ran across the quad for a bit. He then pulled his shorts off to gasping freshers, front flipped into the fountain, climbed out and legged it back through college – and didn’t get caught.”

Another student at the college described the incident as “a pretty graphic demonstration”. She added, “the deans described the students as ‘a very brave man'”.

Christ Church’s censors are reported to have given up the search for the perpetrator, owing to the difficulty in determining his identity, and disciplinary procedures are extremely unlikely.

However, the streaker was willing to give one comment to Cherwell anonymously, “The fountain was freezing.”

Meanwhile, Matthew Chan and Matthew Shribman, two third year undergraduates, successfully posed as first years in their college’s freshers’ photograph, then went unchecked as they accompanied freshers to the Sheldonian and infiltrated the matriculation ceremony.

The two students dressed up in sub-fusc, and Chan, who as Magdalen JCR Vice-President was helping with the administration of the freshers’ photo, wrote his and Shribman’s names on blank namecards and stood in the photo. They were already in position before they were noticed by the academic administrators.

Nobody queried either of the two students as they entered the Sheldonian Theatre, even though Chan was wearing a scholar’s gown and then underwent matriculation for the second time in their academic careers.

“We just walked in with everyone and nobody stopped us – they weren’t looking properly,” said Chan.

Reflecting on their rematriculation experience, Chan and Shribman said, “We created a space for the past to emerge amidst the smiling faces of the future… Rematriculation is not a prank. It is a repetition of a ritual, something profound, worshipful. Rematriculation is liturgy…Third years posing as first years, we have become something in between the two. Second years.”

College authorities were unavailable for comment on the issue.

 

No appeal for Queen’s ex-pres

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Nathan Roberts, removed as Queen’s JCR President at the start of term, has been denied the right to appeal the college’s decision.

Earlier this week the Provost informed him that the Governing Body would not be hearing his appeal, which had been due to take place on Wednesday.
Elected during Trinity Term, Roberts was removed from his post by the college authorities after they deemed his prelims results unsatisfactory.
Reacting to the news Roberts said, “The Provost wrote to me explaining that he has decided I can only appeal expulsion or rustication. This is a seriously concerning decision.

“In unnecessarily refusing me an appeal he has said that the committee can make any decision it likes. It can force the student to give up sport, it can force the student to stop playing in the local youth band, it can force the student to walk around on his or her hands all day, and these actions are apparently beyond scrutiny or accountability.
“Despite implying to me that an appeal was certainly an option, the Provost has suddenly reversed his decision and in doing so undermined both the JCR and me.”
The Queen’s College informed Cherwell that they had no comment to make.
Last week thirty JCR presidents signed a statement of support for Roberts, offering their “complete confidence and support.”

OUSU President Stefan Baskerville today reaffirmed his support for Roberts. “The denial of Nathan’s right to appeal is wrong and unacceptable. Right of appeal is a very basic part of any fair disciplinary process, and the college’s claim that students may only appeal decisions to expel or rusticate them is a serious error of interpretation. I continue to support Nathan’s right to appeal the decision.”

Jesse Harber, St Hilda’s JCR President, said “I’m disappointed in the decision of the Queen’s SCR not to allow him to appeal – it sets a precedent that in the future will really short-change students who feel that they have been wronged. It’s a sad fact that disciplinary procedures vary wildly across colleges, and an unlucky student can find themselves being severely punished for something that is only a minor offense at another college. This is entirely separate to the issue of whether his original dismissal was acceptable. Whether a decision is correct or not, it should always (within reason) be allowed to be appealed.”

Owen Evans, St Anne’s JCR President, said that “Nathan has strong support among the JCR Presidents, and we will continue to support in any way we can.”
Duncan Cook, Jesus JCR President, has also given his support. He commented, “I believe all students should have the right to select their own extra-curricular activities.”
The Provost still has the option of reversing his decision, and Roberts is hopeful that he will do so. “There is no ‘harm’ in allowing me to argue my case, and I in fact think this most recent ruling is the most damaging of all.

“I understand a teddy-bear is standing in the upcoming presidential elections. Teddy will have my vote.”